vulcansdarkest

[vulcansdarkest]

i saw a post on twitter by a european saying americans are fake for their random compliments to strangers and their general cheery demeanor and like no. no no no you don’t understand. if you get a random compliment from an american on the street about your outfit or whatever, that is 100% genuine. we mean it. we aren’t lying we are making a small but fleeting connection with you because our lives are shitty but the human condition is enduring. oh god i’m clutching my chest

#this #united states #look #there are many flaws with the states #but the sincere compliments at random is not one of them #doesn’t always land right #but they’re well meaning and honest

[vulcansdarkest]

The very fact that every TOS reboot is afraid to depict the closeness between Kirk and Spock in the same way it was depicted originally is a devastating reinforcement of how gay that shit was

#star trek #tos #yeah #people sure like to make sure you know they’re into girls actually #which is increasingly cowardly really #just let them be t’hyla #whatever that ends up meaning

[vulcansdarkest]

the way the leverage team make a mess of nate’s apartment on multiple occasions is so much funnier when you consider that none of them are particularly messy people. in the pilot, hardison has a very nice apartment that he is clearly proud of & has kept very tidy. parker’s warehouse is almost disturbingly neat, her tools and weapons are kept clean & shiny and are laid out in perfect rows, her bed is made, her clothes and rappelling gear is hung up. eliot likes things done properly and certainly at least cares for his car’s cleanliness. idk about sophie, but she would at least know how to act neat for a grift, and she’d be aware of how a guest to supposed to treat their host’s home.

but they all put unwashed dishes in nate’s sink, do spur of the moment renovations, set up new gear in his living room, leave clothes/costumes, plans & random items strewn about the place, and even tear up his stuff without fixing it. i love it. his apartment is their playground. they half live here now. nate just needs to chill out and let them saw into his walls, geez calm downnnn. i know nate’s eye was twitching when he saw that parker’s warehouse was so perfect meanwhile there’s probably 5 bowls of unfinished cereal hidden in his house like a damn look-and-find puzzle

#leverage #funny

[vulcansdarkest]

#art #cats #soccer

[vulcansdarkest]

Gonna scream oh my Gd

#stories #cats

[vulcansdarkest]

#poetry #lovely

[vulcansdarkest]

“Oops, dropped your coat!” You cheerfully pick up the soft fur coat off the floor and carefully drape it back over the person’s chair. They stare at you with wide, stunned eyes. They’re remarkably attractive. You awkwardly wave at them and go sit down at your table.

They’re a selkie, you “gave” them back their coat, you now have a gorgeous and besotted selkie spouse. Hey, they don’t make the rules.

#folklore #selfies #oh dear #stories

[vulcansdarkest]

Cashmere Cape, ca. 1912

Reville & Rossiter Ltd.

via Vintage Martini

#clothes #sewing #patterns

[vulcansdarkest]

“do we think maybe a vegetable would cause less despair” still living in my head rent free

#funny #memes #short stories

[vulcansdarkest]

Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.

Anthony and Cleopatra: here's the BBC version, here's a 2017 version.

As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.

Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.

Cymbelline: Here's the 2014 one.

Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet. Andrew Scott's Hamlet is here.

Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.

Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.

Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.

King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.

Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. Rave Macbeth for anyone interested is here. And 2017 brings you this.

Measure for Measure: BBC version here. Hugo Weaving here.

The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.

The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.

A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!

Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.

Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.

Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.

Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.

Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!

The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one is the Shakespeare Retold modern retelling.

The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.

Timon of Athens: here is the 1981 movie with Jonathan Pryce,

Troilus and Cressida can be found here

Titus Andronicus: the 1999 movie with Anthony Hopkins here

Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.

Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.

The Winter's Tale: the BBC version is here

Please do contribute if you find more. This is far from exhaustive.

(also look up the original post from time to time for more plays)

#shakespeare #resources #to watch #this is so cool

[vulcansdarkest]

watch kamen rider w and you will see a kamen rider get his ass beat by a doll

#kamen rider #w #poor motorcycle man

[vulcansdarkest]

For the purposes of this poll please just stick to birth names! I'd like to do another poll for names people chose themselves later in life.

#in the name of hell never ever name a kid after their parent #just don’t

[vulcansdarkest]

sometimes my friends send me good reels

(op)

#music #capitalism is hell

[vulcansdarkest]

super sentai characters [5/25] - j

#go busters #sentai

[vulcansdarkest]

Orange cat and orange sky

#cats #animals #cute

[vulcansdarkest]

My favourite Parker episode has always been The Inside Job, y'know why? It's not just what Parker does, but rather what the others do FOR Parker.

Parker has 4 safe houses in the city, but Nate and Sophie know her well enough to know where she actually stays when she's away from the team

Parker's security code. Do you understand the level of trust someone like Parker will have to have to use their name as her security code? To the place that's her own personal sanctuary? Sophie EARNED that level of trust.

'The Sterenko can't be cracked-' 'Can you do it?' 'Nate, it can't be-' 'For Parker. Can you do it for Parker?'

This. Just this.

'I made her. I trained her, and I released her into the world.' 'She was broken! She needed you!'

This stood out so loud to me, because it's not Hardison or Sophie (the more emotionally intelligent ones of the team) saying it. Because it's NATE. It's Nate, the man who couldn't say I Love You to Sophie for so long. The man who got so caught up in his son's death that every job involving kids or medical malpractice he nearly went out of line. NATE, who pushes and pushes and is ruthless and so cold at times.

It's Nate protesting for Parker, standing up FOR Parker, and y'know why? Because Parker doesn't know what she got deprived of. Parker doesn't feel that loss because you can't grieve something you aren't even aware you could've had. But Nate does. Nate saw her injustice and loss of childhood and spoke up, KNOWING she'll never know about him defending her.

'Hardison I screwed up.' 'We're already here mama.'

Do you understand the level of trust and vulnerability it requires for her to say those words? She's never gotten anyone's help after a screwup, she's had to take care of herself on her own. And there's Hardison, right there, not upset, not angry, not disappointed. A right straight - I'm here and we'll get you out.

'Let's get our girl home.'

Do I even need to say anything.

'It's not what we do, we don't get involved!' 'No, that's what YOU do!'

Parker is not Archie Leach's protege anymore. She's Parker. She's the greatest thief in the world. She's the one person to get the entire Leverage Inc breathing down your neck to save her. She has a family who got her back. She has a life and friends and people who may not understand her always but will always support her and be there for her, no matter what, without changing any aspect of her or forcing her to change either. And she saves people, because that's what they do.

'It's your play Parker.'

The explicit trust Nate displays in her. For someone like Nate with control issues and need to be the guy calling the shots, this is practically an all out notice saying 'she's my people, she's my family, I trust her with my life, more than that I trust her with my family and our jobs.'

'No.' 'What do you mean no? This isn't time for crazy, Parker! Come on!' 'No! I need to go back. I need to put the vial back.'

Do you understand what it feels to have someone like Parker, who is practically a ghost and the prospect of getting stuck somewhere is unthinkable, to refuse an escape route? And that too because she wants to help people and not be used to hurt them? In the face of someone who brought her up to only steal? Now that's growth.

Now this is a callback, but when Sophie and Nate first enter her safehouse, Sophie says something that foreshadows the ending. She says 'Look at this. It's methodical. This could be one of your plans, Nate.'

This is a personal choice, but god it's so good when authors and writers and creators give you hints and foreshadow and reward your intuition at the end, rather than changing endings for shock value. Because Hardison isn't ruthless, Eliot isn't striving for control, and Sophie is dramatic, not clinical. None of it would have been worth it unless it went to Parker, which it did.

Man, this fucking show I swear.

#leverage #parker #a very good episode

[vulcansdarkest]

babygirl

#columbo