âPerhaps we hoard books because we want to experience the world
And perhaps we hoard empty journals because we want the world to experience us.â
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âhow can anything that is going to die be real?
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If your plot feels flat, STUDY it! Your story might be lacking...
Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?
Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?
Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?
Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?
Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?
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âLet me through. I must vanquish the evil one.â The knight stood before the door to the bedroom. He was dressed in the sturdiest armor. In his hand was the legendary sword of heroes.
âNo.â the old man said, standing between the knight and the door. In his wrinkly hand was his own, much less impressive sword.
âYouâve gone mad.â the knight proclaimed and pointed with his sword. âYou used to be a hero. You saved the world. Now youâre fighting to protect the spawn of a demon.â he swung his sword forward.
âTheyâre my grandchild.â the old man said, his plain sword clashing with the knightâs shiny blade and repelling him back.
The knight drew his sword back and then charged again, only to be blocked again. He tried again, and again, but all in vain. After the seventh charge, the knight stumbled for a fraction of a second, but thatâs all it took.
With a single blow, the old manâs thrust his sword between the knightâs armor plates and through his heart.
The knight collapsed, his lungs filling with blood. âThey will⌠bring about⌠the apocalypse!â he gurgled through red-stained lips.
The old man looked down at his defeat foe and spoke the last words the knight ever heard.
âI donât care.â
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Writer: A milkshake with four straws, please
Hunter: I canât eat that
Leo: Th-Thatâs so sweet
Annie: I donât like milkshakes
Writer, putting all four straws in her mouth: Watch how fast I can drink this
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((Soft headcanon: writer knowing someone from writeovamptea is having a rough day so she just shows up at their house. Everything is cleaned and thereâs some food and tea or preferred whatever being made. She sits them down in blankets and cuddles them and lets them relax and forget about whatever happened))
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Hey, do you have any AU ideas? Preferably fantasy. :)
Here Are Some Fantasy AU Ideas!
General
Angels and Demons AU
Fairytale/folktale Retelling
Game of Thrones AU (AKA rivaling noble families AU)
Greek/Roman/Norse God AU
Greek/Roman/Norse Myth Retelling
Modern magic AU
Pirate AU
Vampire and Werewolf AU
Enemies to Lovers
Rival knights fighting for the hand of the king's heir, only to fall in love with each other instead.
Warlocks from competing apothecaries across the street try to sabotage each other
A knight falls in love with the shapeshifting dragon they're supposed to slay
Students from rival magic academies
A siren falls in love with a pirate they meant to drown
Demons in competition to see who can buy the most souls
Childhood Bestfriends to Lovers
A farmer's child with incredible powers and the satyr who lived in the woods nearby and would help with the chores
Grew up in the same magic academy
Witch x familiar
A fisherman's child who grew up on the docks and the mermaid whose love they have to keep a secret, lest the mermaid be hunted
A noble heir and the ghost that haunts their castle
An angel is still in love with their childhood bestfriend even after they've fallen.
Fluff
Magical picnic in an otherworldly setting
Panicked human intensely studies the culture of their magical creature lover to see what the most heartfelt gift would be
Domestic magic slice-of-life
Pushing an aquatic lover around in a tank on wheels to show them the human world
Werewolf exhibits all the traits of a dog, perhaps with a vampire lover (Ă la Sarah Anderson)
Teaching their human creation experiment (ie. Frankenstein, Sally from Nightmare Before Christmas, etc.) friend how to be a real person
Angst
A hero cursed to sleep must be woken with true love's kiss...though the true love is not whom they were expecting. The supposed "true love" must come to terms with the fact that they are not The One.
A foolhardy wizard must slay the dragon/beast they'd hatched and raised themself.
A noble heir A is arranged to marry heir B while being in love with their knightly escort, C. A and C must love one another in secret, all while B slowly falls in love with A.
A forest creature must watch its ancient homeland be cleared for farming or development
An ancient immortal being cries whenever it thinks about how its mortal friend/lover is growing old.
There is no treasure at the end of the line. It was all for nothing.
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Writing advice from my uni teachers:
If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says âIâm madâ but they can say it in 100 other ways.
Wrote a chapter but you dislike it? Rewrite it again from memory. That way youâre only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.
Donât overuse metaphors, or they lose their potency. Limit yourself.
Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.
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Very interesting to me that T. S. Eliot is often quoted as saying "Good poets borrow. Great poets steal." When in fact what he actually said was "One of the surest of tests is the way in which a poet borrows. Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different. The good poet welds his theft into a whole of feeling which is unique, utterly different from that from which it was torn; the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time, or alien in language, or diverse in interest." Which of course has a completely different meaning, less "All the greats plagiarize," and more "Completely original ideas are a fantasy; the originality lies in how you weave an idea that has been previously woven differently."
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âand part of this characterâs arc is them learning how to be loved and cared forâ
me every time: oh my god part of this characterâs arc is them learning how to be loved and cared for
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Every character needs to be at least a little pathetic and a little weird. And if they're not pathetic at all then they need to be super weird
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some people think writers are so eloquent and good with words, but the reality is that we can sit there with our fingers on the keyboard going, âwhatâs the word for non-sunlight lighting? Like, fake lighting?â and for ten minutes, all our brain will supply is âunofficialâ, and we know thatâs not the right word, but itâs the only word we can come up withâŚuntil finally itâs like our face got smashed into a brick wall and we remember the word we want is âartificialâ.
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Characters who are absolute trashfires have their virtues, but thereâs also something to be said for a character whoâs competent, collected, and has their life thoroughly together, and also has one specific thing thatâs deeply wrong with them.
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Sometimes, being under a truth spell just means not being able to lie about being fine anymore.
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what fables where you told as a child?
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Iâm writing my novel in fifth person, so every sentence starts with âI heard from this guy who told somebody...â
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