messy chaotic ‘we’re terrible for each other but can’t keep our hands off each other’ prompts
oh hello i am in fact alive
“do you ever actually think before speaking? like is your brain capable of processing a thought??” “yeah, it’s just immune to idiotic ones”
“take that back” “prove me wrong” (or; a cliché ‘make me’)
being in some sort of intense slightly pointless staring match (after an argument, preferably) and just saying “oh fuck it who cares” and pulling their neck down to kiss them
“do you the sex would be boring if we didn’t argue before it every time?” “i mean, we could always argue during”
^or, alt: doing it once when you’re not arguing instead kinda tipsy but not drunk, and it’s all giggles and laughter and sweet nothings and the next morning being like “oh fuck i actually like them”
“why does everything with you have to be so difficult!?” “it’s fun getting you all riled up”
“oh, if i had known that’s all it would take for you to shut up i would’ve done this ages ag-“ “only finish that sentence if you have a death wish”
“you’re doing it wrong” “jesus, would you just relax” “no because i’m wasting my tim- oh, oh my god-” the other character smirking, “don’t look so smug” “i think i’ve earned the right, now just trust me, okay? believe it or not, i want to make you feel good”
“so you’ll finally stop being an asshole and just sign the document?” “keep doing this and i’ll sell you my house”
getting jealous and the other character pretending that it’s unreasonable, but secretly character A is the only one they feel a spark with. the only one they feel excited to be around
“we should probably stop this” “yeah” … “we’re not going to though, right?” “oh absolutely not”
“nope no nada, no using sex to get me to do things you want, it’s not going to work anymore”
“you really are a fucking asshole aren’t you?” “yes, i believe that’s what’s on my resume”
“i hate you” “i know” “and that won’t change” “i know” “and you’re still okay with this?” no “yes”
“imagine a universe where we didn’t hate each other, that would be so-“ “boring?” “yeah! like imagine not bickering over tiny things, that’s no fun”
“she says we bicker like an old married couple”
talking with a friend; “you shouldn’t go there” “i know” “and you shouldn’t sleep with them” “i know” “it’s a bad idea” “i know” “well. will you?” “..yeah”
“i know we’re terrible for each other but every time i look at them it’s just like my brain flies out the window and my hormones take over”
“we’re broken up, it’s just two friends going out for drinks, okay?” ending up in one’s bed, but alright
“did you sleep together?” “noooo, i just-“ “tripped on a stone and accidentally dailed his number which magically led to you two meeting at a pub and you just magically teleported to your bedroom without your clothes on? yeah, thought so”
They don't smile/laugh often, but when they finally do, you feel your heart skip a beat
Waking up and finding yourself snuggled up with them on the couch, when it dawns upon you that maybe you do love them
They're doing something stupid, and somehow, you find yourself thinking that this is the person you want to spend the rest of your life with
They're going to go away soon. You're going through some of your old memories together, which is when the realization hits you (and you don't have much time left)
You find yourself unable to look away after seeing them in a fancy dress/suit for the first time
Reuniting after being separated for a while, realizing how much you missed their presence
Thinking about how they have all the qualities you'd like in a partner
While pretending to be in a relationship with them, you realize how much you wish it was real
Being worried that these new feelings might ruin their friendship
"I think... I'm in love with (Name)" || "Congrats on being the last one to find out"
ok but like when did self-sacrifice become synonymous with death? writers seem to have forgotten that people can make personal sacrifices for the greater good without giving their lives. plots about self-sacrifice and selflessness don’t always have to end in death. suffering doesn’t have to be mourning. you can create drama and emotional depth on your show without killing everyone. learn to explore the meaning of living rather than dying
more on writing muslim characters from a hijabi muslim girl
- hijabis get really excited over pretty scarves
- they also like to collect pins and brooches
- we get asked a lot of questions and it can be annoying or it can be amusing, just depends on our mood and personality and how the question is phrased
- common questions include:
- “not even water?” (referring to fasting)
- hijabis hear a lot of “do you sleep in that?” (we don’t) and “where is your hair?” (in a bun or a braid, usually)
- “is it mooze-slim or mozzlem?” (the answer is neither, it’s muslim, with a soft s and accent on the first syllable)
- “ee-slam or iz-lamb?” (it’s iss-laam, accent on the first syllable)
- “hee-job?” (heh-jahb, accent on the second syllable)
- “kor-an?” (no. quran. say it like koor-annn, accent on the second syllable)
- people tend to mess up our names really badly and you just get a sigh and a resigned nod or an awkward smile, maybe a nickname instead
- long hair is easy to hide, short hair is harder to wrap up
- hijab isn’t just covering hair, it’s also showing as little skin as possible with the exception of face, hands, and feet, and not wearing tight/sheer clothing
- that applies to men too, people just don’t like to mention it ( i wonder why)
- henna/mehendi isn’t just for special occasions, you’ll see people wearing it for fun
- henna/mehendi isn’t just for muslims, either, it’s not a religious thing
- henna/mehendi is not just for women, men also wear it, especially on their weddings
- there are big mehendi parties in the couple of nights before eid where people (usually just women and kids) gather and do each other’s mehendi, usually just hands and feet
- five daily prayers
- most muslim kids can stutter through a couple verses of quran in the original arabic text by the age of seven or eight, it does not matter where they live or where they’re from or what language they speak natively
- muslim families tend to have multiple copies of the quran
- there are no “versions” of the quran, there has only ever been one. all muslims follow the exact same book
- muslims have no concept of taking God’s name in vain, we call on God at every little inconvenience
- don’t use islamic phrases if you don’t know what they mean or how to use them. we use them often, inside and outside of religious settings. in islam, it is encouraged to mention God often and we say these things very casually, but we take them very seriously
- Allahu Akbar means “God is Greatest” (often said when something shocks or surprises us, or if we’re scared or daunted, or when something amazing happens, whether it be good or bad; it’s like saying “oh my god”)
- Subhan Allah means “Glory be to God” (i say subhan Allah at the sky, at babies, at trees, whatever strikes me as pleasant, especially if it’s in nature)
- Bismillah means “in the name of God” and it’s just something you say before you start something like eating or doing your homework
- In Shaa Allah means “if God wills” (example: you’ll be famous, in shaa Allah) (it’s a reminder that the future is in God’s hands, so be humble and be hopeful)
- Astaghfirullah means “i seek forgiveness from Allah” and it’s like “god forgive me”
- Alhamdulillah means “all thanks and praise belong to God” and it’s just a little bit more serious than saying “thank god” (example: i passed my exams, alhamdulillah; i made it home okay, alhamdulillah)
- when i say we use them casually, i really mean it
- teacher forgot to assign homework? Alhamdulillah
- our version of “amen” is “ameen”
- muslims greet each other with “assalamu alaikum” which just means “peace be on you” and it’s like saying hi
- the proper response is “walaikum assalam” which means “and on you be peace” and it’s like saying “you too”
Want to avoid the action movie effect and make your character's injuries have realistic lasting impacts? Have a sick character you're using as hurt/comfort fodder? Everyone has tips for how to write Dramatic Intense Agony, but the smaller human details of lasting or low-level discomfort are rarely written in. Here are a few pain mannerisms I like to use as reference:
General
Continuously gritted teeth (may cause headaches or additional jaw pain over time)
Irritability, increased sensitivity to lights, sounds, etc
Repetitive movements (fidgeting, unable to sit still, slight rocking or other habitual movement to self-soothe)
Soft groaning or whimpering, when pain increases or when others aren't around
Heavier breathing, panting, may be deeper or shallower than normal
Moving less quickly, resistant to unnecessary movement
Itching in the case of healing wounds
Subconsciously hunching around the pain (eg. slumped shoulders or bad posture for gut pain)
Using a hand to steady themself when walking past walls, counters, etc (also applies to illness)
Narration-wise: may not notice the pain was there until it's gone because they got so used to it, or may not realize how bad it was until it gets better
May stop mentioning it outright to other people unless they specifically ask or the pain increases
Limb pain
Subtly leaning on surfaces whenever possible to take weight off foot/leg pain
Rubbing sore spots while thinking or resting
Wincing and switching to using other limb frequently (new/forgettable pain) or developed habit of using non dominant limb for tasks (constant/long term pain)
Propping leg up when sitting to reduce inflammation
Holding arm closer to body/moving it less
Moving differently to avoid bending joints (eg. bending at the waist instead of the knees to pick something up)
Nausea/fever/non-pain discomfort
Many of the same things as above (groaning, leaning, differences in movement)
May avoid sudden movements or turning head for nausea
Urge to press up against cold surfaces for fever
Glazed eyes, fixed stare, may take longer to process words or get their attention
Shivering, shaking, loss of fine motor control
If you have any more details that you personally use to bring characters to life in these situations, I'd love to hear them! I'm always looking for ways to make my guys suffer more write people with more realism :)
i firmly hold that it's my duty as a reader to believe it when an author tells me at the beginning of the series that the dragons are gone forever and never coming back. but god it's a struggle sometimes.
So I had a good think about this, based off of what I have written lately. As I go further into my novel, do even more research into different types of sign, and start on the arc that is written solely from the POV of my deaf character, I’ve begun to realize some other differences between signed and spoken dialogue.
For one thing, punctuation doesn’t apply in the same way. There is punctuation in sign language, but as I’ve talked about before, it is mostly facial; therefore, you describe it as a part of the dialogue tags. So then, what do about the commas, colons and semi-colons? In this case, the n-dash is your friend! The aforementioned punctuation marks indicate changes in tone, alterations of pace and pauses. Therefore, they can be replaced with an n-dash, like so
“You and I – I don’t think we can continue.”
And fingerspelled words would be written as single letters, hyphenated into a word:
”You and I - going to L-O-N-D-O-N.”
For another, the syntax of your translated signed dialogue is subtly different. One sign can ususally mean several different words and filler words are absent. If someone were to say “really big.” in sign, they might just make the sign for “big” and super over-exaggerate.
So, verbal dialogue version:
“It was really, really big!” Lottie jumped and down in excitement, her eyes shining.
And the signed dialogue version:
“The dog was huge!” Lottie flung out her hands into the word, making it larger than it needed to be, bouncing on her heels.
Keeping in mind that large, big, huge, bountiful (and other connected synonyms) are all the same sign.
I don’t like to write signed language in the syntax that it would be signed in (Name, yours, what instead of “what is your name”). Not only is this confusing for non-signing readers, but it also reads as childish or overly-simplistic for readers who don’t understand sign, which reinforces the harmful stereotype of deaf people being stupid/infantilisation of deaf people. It is impossible to truly do signed language justice in writing, because it’s a language made for hands, bodies and faces.
This all comes together to mean that the sentence structure of dialogue in sign will be different. You would use less contractions (isn’t, you’re, might’ve etc), fewer modifiers and shorter chunks of dialogue with the description of the sign in between.
If it reads differently or feels strange, that’s okay: signed language is different to verbal language and so they won’t sound the same as one another in writing. They’re more like cousins or step-siblings than part of the same direct family group. You’re utilizing different descriptors and tools.
Hopefully, this also answers the repeated issue of differentiation, which has come up time and time again from various people. Best of luck to you all with your writing x
"what should i say?"- it's time to meet the parents
prompt list by @novelbear
noticing their leg anxiously jumping beneath the table, so they grab their hand as a form of support
pep talks in the car before they go up to the door
"you're going to be fine...they'll love you. i just know it."
being a little startled if the mother goes in for that little cheek kiss while greeting (or saying goodbye)
^ and shooting a look of playful annoyance when their partner is giggling behind their mother's back
accidentally bumping into the parents while shopping or running errands
finding out one of their parents is an old teacher, boss, etc.
^ and if they didn't have a good relationship before, then....
spending the whole week asking their partner about their parent's likes and dislikes, just to be sure.
"i'm sorry, babe, are those flashcards?" "i'm practicing."
researching conversation topics online for hours
buying the most grand bouquet of flowers, wine, or other welcoming gift they can find
"what if i give the wrong impression...what if they think i don't have good intentions?"
^ "honey. the moment they notice how nervous you are, and i'm going to be honest with you right now, they're probably going to notice, they'll see how much you clearly care. it's alright."
them getting up to help clean or assist with something and one parent shooting their child a look that says "they're a keeper."
being genuinely surprised when their partner snaps at their own parents after they say something out of line
^ maybe it's the other way around, and they have to defend their partner from the parents themselves. left shocked that someone could treat their own child like that.
"well, that went great." "i had no idea. i'm sorry."
"you were nervous for nothing." "i'll make sure to tell you the same thing next week. it's your turn."