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“比起做正确的事情，去探索新的现在还没有的东西会比较好。要问50年后还有价值吗？而不是依靠现在的价值去做。” — 菊地敦己
https://mp.weixin.qq.com/s?__biz=MzU2OTM5MjMyMw==&mid=2247493936&idx=1&sn=0527dd210b96dbc2689ac64f1f077ed9&chksm=fcfdc49ccb8a4d8a2132b8184187672970d1c94b6757b46f2bbb49df65ed9c862bc059c683f0&scene=21#wechat_redirect
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Google Maps I appreciate the thoughts you have put into the product 👍
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I appreciate the honesty. AND good manner that bother to follow up with the supporting action.
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Nice hover cross image browsing. Fun little detail: if you leave the site on the side too long, there started to show book gifs all over the site!
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... An alphabet of Garamond, for example, is an artistic achievement of the first order. Each letter has its own unmistakable face, whether lower or upper case, and displays the highest quality of form and originality. Each letter has its own personality and makes a marked impact.
Every designer who is concerned with typography should take the trouble when creating graphic designs to sketch words and sentences by hand. Many designers take advantage of the Letraset process, which can undoubtedly produce a clean draft design that is almost ready for press. But a feeling for good letter forms and an attractive typeface can be acquired only by constant and careful practice in sketching letter.
Josef Müller-Brockmann
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Every visual creative work is a manifestation of the character of the designer. It is a reflection of his knowledge, his ability, and his mentality.
Josef Müller-Brockmann
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Like the user of animation to convey time and directions. Whimsey and proper.
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The success of the masterpieces seems to lie not so much in their freedom from faults -- indeed we tolerate the grossest errors in them all -- but in the immense persuasiveness of a mind which has completely mastered its perspective.
Virginia Woolf
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…I think successful design is the confluence of a huge number of different things. You might have a great idea but if the execution isn’t right on then it doesn’t work. I feel everything has to come together in ways that can’t really be orchestrated in order to have something great.
Gail Bichler
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The typographic grid is a proportional regulator for type— matter, tables, pictures and so on. It is a priority programme for a content as yet unknown. The difficulty lies in finding the balance between maximum formality and maximum freedom, or in other words, the greatest number of constant factors combined with the greatest possible variability.
Karl Gerstner
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Good design is invisible. Good screen design happens in the subatomic level of microtypography (the exact definition of a typeface), the invisible grid of macrotypography (how the typeface is used), and the invisible world of interaction design and information architecture. Minimum input, maximum output, with minimal conscious thought is what screen designers focus on. And just as type designers and engineers we do not try to find the perfect solution but the best compromise.
Oliver Reichenstein
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