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homespork-review · 4 years

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Homespork Act 3: Insane Mindscrew Haymakers (Part 3)

FAILURE ARTIST: We cut to PM, WV, and AR in the far but not that far future. WV is trying to obey the letter’s direction to give the package to PM but AR keeps shooting. Yet WV and PM take cover behind a rock and WV is able to complete the task. The letter calls PM “Miss Mail Lady” so we now have a gender.

Back to Dream Jade. She flies to another golden tower and peers in on John sleeping. This bedroom is also defaced like his one in the waking world, plus there’s a creepy harlequin doll next to him. She isn’t sure if he got her present or if she even sent it, so she decides she’ll ask later.

CHEL: Dream John is fitfully asleep, but Jade intends to let him wake up on his own. Here, it’s established that Dream Jade does not know everything waking Jade does, as she decides she needs a system to remind her of things, which in the waking world she has (remember the COLORFUL REMINDERS).

The moon on which the city is now revealed to be placed is moving close to Skaia, the gargantuan sphere of cloudy blue sky mentioned by Nannasprite as the crucible of creation. Apparently it’s not safe to be outside during the “eclipse”, so Jade heads back to her tower.

FAILURE ARTIST: We cut to John alchemizing a bunch of stuff, some useful and some never to appear again. One of these things is a Cosbytop computer and that hasn’t aged well. John feels like it’s both his birthday and Christmas and though he thinks that’s impossible these pages came out a few days before Christmas. This fourth wall wink and nod comes up during another alchemizing frenzy.

CHEL: He contemplates a “1980s time-lapse montage” but instead we have to sit through him alchemising everything item by item.

GET ON WITH IT!: 12

Though he does come up with some useful stuff, including a rather snappy suit. By combining his glasses with the PDA he gets hands-free internet, and the sledgehammer, telescope, and Sassacre book together create the TELESCOPIC SASSACRUSHER, an extremely powerful weapon which unfortunately he can’t lift. Nannasprite’s ectoplasm and the gushers make healing candies, and ectoplasm, the fake arms, and the PDA solve the giant hammer problem by making REMOTE GHOST GAUNTLETS. One of the funnier items is a steam-iron-hammer he calls the WRINKLEFUCKER.

Dave, meanwhile, is STILL strifing with Bro, who apparently doesn’t notice or doesn’t care about the fact that the city is being flattened by meteors around them. Not doing a good job of showing “yes, this fight should be taken seriously”.

TIER: Neither does Dave for that matter, fucks given remains at a cool absolute zero on this roof.

GET ON WITH IT!: 13 HURRY UP AND DO NOTHING: 6

CHEL: At least it’s captioned FINAL ROUND now. Surrounded by watching crows, Dave hurls himself at Bro, and their collision results in the snapping of Dave’s sword, the bisection of Lil Cal (hooray!) and, somehow, the splitting of the picture of the record on Dave’s T-shirt; not cutting the cloth, turning the picture of a whole record into one of a broken record, which it will remain for the rest of its time in the story. Lots of analysis has been done by fans about how this represents Bro’s abuse shattering Dave’s true inner self, but in the context, it just looks like even sillier cartoon physics than we already had, if one even notices it (in the rush of visuals it’s easy to miss the first time round). It probably doesn’t help that Bro never actually says anything (nor do either of the other living adults), so we don’t really know what his thoughts on the matter are.

ARE YOU TRYING TO BE FUNNY?: 12

Dave goes flying, rolling and skidding across the roof, landing in a rather battered-looking heap but with no serious harm done, and Bro chucks the game discs at him and… flies off on a hoverboard which I guess he has? Yet again, not adding to a serious tone here. Are hoverboards normal in this universe? Like the sylladexes, it was never established. Dave messages John, matter-of-factly telling him “bro just kicked my ass”. It’s still unclear how literal John thinks this ass-kicking is.

BRIGHT: This is apparently a universe in which some form of combat with one’s guardian is apparently routine, so John might well be thinking of Dave’s strifes with Bro as just a more intense version of a normal practice. On the other hand, by that same token, there’s nothing at this stage to say it isn’t just a more intense version of a normal practice. In fact, both John’s and Dave’s reactions suggest this is the case.

The problem really comes later on. If Dave’s situation is going to be taken seriously, then so should everyone else’s. Right now, although there are suggestions that all is not well, the tone of the text takes none of these situations seriously. It keeps everyone on a more even footing.

CHEL: Back on the golden moon, the eclipse is happening; during same, the moon and Jade’s tower thereupon, which are chained to the planet, swing right inside Skaia, surrounding it with clouds. On the surface of the clouds, we see images of events which happened earlier, including John’s house in the Medium, Rose’s house aflame, the tree in the desert, and the meteors falling on Dave’s city. This, we gather, is from where Jade obtains her mysterious information!

Dream Jade types messages to John, while the Dreambot types them out on a keyboard in the real world so he can actually get them. We proceed to see the same conversation about the package and SBurb we saw when Jade was first introduced, but this time I think a recap of it is actually pretty useful, especially the reference to the explosion. What happens is a little hard to parse, but as far as I can make out, a cloud shows a vision of a meteor emerging from a space portal, and the meteor actually emerges from the vision, becoming a cloud in the process. Said cloud-meteor then passes into a vision of Jade’s island when the volcano was still active and strikes down as the real meteor did in that time period. Jade, in her tower, hears it; I guess this is why it’s not safe to go outside during the eclipse?

In the volcano vision, we pull into a close-up shot of the lava-filled crater beneath the volcano, and a very familiar featureless canine head starts to emerge from it. Creepy.

Jade leaves the tower to check, and finds a vision of the lava with a blossom-like lit-up spirograph emerging from it, but when she tries to look, vision-Bec blocks her view of it, as the real Bec flies back and forth in front of the Dreambot. She messages John again, saying Bec doesn’t want her to go near the meteor crash site.

In John’s dream tower, the bed is empty; Dream John is now hovering outside it, eyes firmly shut. Jade sees him and drifts toward him, while John’s eyes slowly open. (This bit fuelled a fair amount of shipping at the time.) We see again the shaped clouds and the slowly approaching silhouette of Jade, revealing this to be the time when John fell asleep earlier, and at the exact same moment, real Jade and real John awake.

Again, we have a repeated conversation, this one being the one where Jade implores John to wake up. Now we know what she meant! Again, I think recapping this is reasonable, but maybe it could have been trimmed down so we just got the important points? That should have been done with all the repeat convos, really.

TIER: Personally speaking the little blurbs of repeated conversation shown during the flash would've gotten the point across without having to completely rehash the conversations.

With Jade awake properly, we get another convo rehash (now with proper context from both sides). Jade then consults her COLORFUL REMINDERS, as the visions of past and future events visible in the clouds as she sleeps can get very confusing very fast and the things help her put everything into usable info! With is fitting because dreams are trippy and easily forgotten. Jade notes two things: that this time there wasn't that much of future being shown, and that this is the first time that her dog guardian Bec has shown up a dream.

Bec has apparently never let Jade wander into the weird temple that is such a strange landmark of her island, but with the overpowered pooch taking a nap at the feet of his master's corpse, this is a good a time as any to try and pull one over him!

As Jade zip lines towards the temple and Rose continues construction on John's house, we cut back to Dave in the aftermath of the strife.

Dave is slightly saddened by poor Cal's “unfortunate” bisection (personally I was hollering because fuck that thing Jesus). His strife kind has also been turned into a ½ bladekind, courtesy of Bro fucking up his shit blade. Fucking rude man.

BRIGHT: Fighting with half a sword never seems to hinder Dave, but it still seems a silly thing to do when Bro quite possibly knew Dave was headed into heavy combat. It’s funny at the time though!

FAILURE ARTIST: When I first read Homestuck, I was sad Bro didn’t seem to care about Lil Cal, but with later revelations...would be better if that puppet never existed.

TIER: Dave attempts to grab the beta that he worked so hard for, but wouldn't ya know it his dang inventory is all filled up. Mostly with useless crap, as Dave admits as well. After a quick setup change for his modus, Dave finally has the beta! Congrats!!

CHEL: *looks pointedly at GET ON WITH IT count*

TIER: While Dave attempts to pester her, Rose has finished building up John's house, which marks the end of how much more she can help John as his server player. There's not much else to do for her till Dave shows up. She's also nearly done with John's gift, that'll show him that Rose is the God King of, and I am quoting right now “facetious sentimental gestures”. That's a peculiar and slightly worrying sentiment to have. What an adorably wordy yet cheeky little goth.

With that, we jump back a few months into the past, when it was Rose's 13th birthday. She's opening a package from John (signed under his old handle ghostyTrickster) containing the gift of knitting stuff (yarn and knitting needles) and a very dorky yet endearing letter from the blue boy. What a goof.

Rose is then pestered by one of the trollslum inhabitants, this one by the name of grimAuxiliatrix! They type Like This, And I Think It's Very Neat. Also quite verbose this one. Like personally I kinda need to carefully read and reread their words to get what the fuck they're trying to get to. In this case, it's politely bitching about humans while weird time related fuckery gets explicitly name dropped. Mainly the weird situation that is the trolls being/not being from the future. It's as confusing as it sounds.

CHEL: I think here’s the first indication that the trolls aren’t just other humans. Meanwhile, notice that one of the names in the Trollslum is “centaursTesticle”. Lovely. That character will, as the handle suggests, be the source of a LOT of CALL CPA PLEASE points. But anyway.

GA: No We Arent From "The Future" GA: But We Are All Already In Agreement That You Dont Get It And Never Will TT: I thought you said we spoke in the future. GA: We Did GA: Your Future GA: For Me It Was Only A Couple Minutes Ago TT: I understand. TT: You exist in some temporal stratum through which you have communication access to various points of my timeline. TT: It's not that complicated.

TIER: While that confusing thing keeps happening, we jump on over to a younger Dave, whole record shirt and dumb not-Kamina anime glasses wearing. He too is opening a birthday gift, which consists of his iconic aviators and a letter as well. The letter is just as endearing as the one John sent to Rose. Might just be my bias talking concerning how much John is undoubtedly and unchallenged my favorite character overall.

CHEL: I think so too, but I’m still giving him a point for him telling Dave his “gay butt stinks”, even though he is a twelve-year-old boy - it never gets called out or presented as bad that the kids say -ism-based insults until near the end, and that part has its own problems which we’ll get to then. The rest of it’s cute though.

CLOCKWORK PROBLEMATYKKS: 11

I’d like to bring up another webcomic which is known for its incredibly offensive humour; R. K. Milholland’s Something Positive. Specifically, I’d like to contrast the offensive humour of it with the offensive humour of Homestuck. In S*P, the point of the offensive humour is that the characters saying or doing the offensive thing are horrible people who should not be emulated, and even they disapprove strongly of homophobic/racist insults. Here is one of the tamer examples, from 2003 (so later comics have no excuse). Please note the character saying all this is both very drunk and very frustrated by having read a lot of terrible writing at the time, and his decision to do this comes back to bite him later.

In contrast, the point of Homestuck’s offensive jokes seems to be that either offensive things are inherently funny or the writer doesn’t realise why they’re offensive.

John tells Dave he thinks he needs to get out of his brother’s shadow, showing no concern for Dave’s actual wellbeing; more evidence that either they don’t know about the strifes or don’t care. The gift John has given is the glasses worn by Ben Stiller, which John suggests could replace Dave’s current anime shades. John worries that they’re “sort of a shitty present”, which again makes me wonder about the Egberts’ financial status - we weren’t able to find an actual figure for them but those things would cost thousands, so what the hell makes him call them “shitty”? How much did Hussie think movie memorabilia cost? Name of the count aside, we’re using it for when their economic statuses are weird in general, so here we go again:

WHITE SBURB POSTMODERNISM: 8

TIER: Dave too is dealing with a trollslum inhabitant, this one by the name of adiosToreador. It's around here that the trolls typing starts to get head tilt worthy. As Dave so eloquently puts it, toreador types like a tool. I mean, lOOK AT THIS, lOOK ME IN THE EYES, aND TELL ME THIS AIN'T RIDICULOUS.

CHEL: AT opens by telling Dave he’s awful, and Dave responds with frustration at having to deal with the trolls yet again. He complains that he’s “wasting good material on you guys” and that there’s no substance to their trolling; he also mentions one of them thinking he was a girl, which I think is the original source of the fandom’s popular female-to-male transgender Dave headcanon.

FAILURE ARTIST: I think it’s just that Dave is a popular character.

CHEL: I don’t know, it started well before the fandom started getting really enthusiastic about assigning identities to everyone, from what I saw, but maybe.

TIER: My two cents concerning this matter is that it's probably a combination of the two. Dave seems to resonate quite well with a great majority of the fans, so from what I've seen they more readily project onto him.

AT: i KNOW WHAT YOU'VE DONE, AT: oR WILL DO, aCTUALLY, AT: iT'S THE MOST AWFUL THING, tHE WORST YOU CAN EVER DO,

CHEL: The readers immediately start wondering what this thing is, but Dave is unconcerned, and immediately accuses AT of perving on him. Here is where the CALL CPA PLEASE count really starts to ramp up, because on one hand, yes it’s hilarious to watch the tables being turned, but on the other, this coming out of a boy who literally just turned thirteen that day is… uncomfortable for a lot of adult readers, especially since we know his home has obscene material lying around all over it and as mentioned before that can really mess up a kid, even if Bro was not in fact putting him in his movies directly.

TG: and i want to know exactly when i got to clear some space in my calendar for when some fuckwit blunders out of a magical phone booth and makes a ballad-inspiring play for my throbbing beef truncheon AT: sHOULD i BE PERTURBED BY THESE ALLUSIONS, TG: no man TG: look TG: i just need to know when to be there TG: when the stars come into alignment and your flux capacitor lets you finally sate your meteoric greed for crotch-dachshund TG: i wouldnt want to miss it and cause a paradox or something TG: itd suck if the universe blew up on account of you missing your window of opportunity to help yourself to a pubescent boy's naked spam porpoise AT: uHHH, AT: oK, THIS IS SORT OF STARTING TO UPSET ME, CALL CPA PLEASE: 5

TIER: How many words does a 13 year old need for his private parts? Asking for a friend. I get that Dave is a little gremlin but holy shit y'all.

CHEL: To quote Hiveswap, “SOUNDS LIKE SETUP TO ‘RIDDLE’ OR PERHAPS ‘JOKE’.” Or maybe a really weird rewrite of “Blowin’ in the Wind” and I just realised the (in)appropriateness of that song title. Anyway, I’m giving one CPA point for each of those elaborate descriptions. AT, perturbed, announces his intention to leave, but Dave continues.

TG: we're motherfuckin entrenched in this bitch TG: you and me TG: welcome to nam TG: now grab my hand and shimmy your soggy ass off that muddy bank before charlie gets the fuckin drop AT: uHHH, wHO, AT: wHO'S CHARLIE, TG: hes the guy whos gonna read our vows TG: im feeling pretty friggin MATRIMONIAL all a sudden TG: take a look down by your foot see that little bottle TG: stomp on that shit like its on fire TG: noisy ethnic dudes are flipping the fuck out and waving us around on chairs til someone gets hurt TG: im your 300 pound matronly freight-train TG: and my gaping furnace is hungry for coal so get goddamn shoveling AT: oH MY GOD, CLOCKWORK PROBLEMATYKKS: 14 WHITE SBURB POSTMODERNISM: 9

Hey, our first double point assignment! Two points for using the same racist joke again, as if it wasn’t offensive enough the first time. And another one for the fat joke.

FAILURE ARTIST: Lifting the newlyweds on chairs is a Jewish tradition so I guess Hussie’s antisemitism didn’t start this year.

CHEL: Isn’t stepping on a bottle a Jewish thing too? Does that count as more than one anti-Semitic joke or is it all part of the same one?

FAILURE ARTIST: Yeah, that’s also a thing. But I’d say it counts as one big joke.

CHEL: Does the Vietnam joke count as a separate one? I’m not sure what the general attitude to those is since about half of 20th-century British comedy revolves around WW2 jokes and no one minds those.

TG: thats what you see TG: a kaleidoscopic supernova of all your hopes and dreams all swishin together TG: radially effevescing arms of more little boy peckers than you can imagine TG: turning out insane corkscrew haymakers of a billion dancing vienna sausages strong CALL CPA PLEASE: 7

CHEL: All the counts aside, I can see what Hussie was going for and the general idea’s still amusing, culminating in one of the funniest bits in the comic when all this leads up to adiosToreador [AT] blocked turntechGodhead [TG] - I think we’ve all wanted to be Dave here. I’m fully aware that this sequence was meant to be somewhat uncomfortable, but given that Hussie later tries to tell us that Dave’s home life scarred him for real, yet he presented this as funny, it adds to the general feeling of Hussie berating the reader for laughing at the comedy. I think he was just trying to pander to the woke side of the fanbase with that, but we’ll get to it when we get there.

ARE YOU TRYING TO BE FUNNY?: 13

FAILURE ARTIST: We go to AIMLESS RENEGADE, who has finally run out on his clip without hitting anyone. Apparently, some nitpicker on the forum (not me) pointed out the AR’s gun is magazine-fed, not clip-fed, but AR doesn’t give a shit about that.

CHEL: “A clip is not a magazine, a mag is not a clip; neither is a grip a stock, and "stock" does not mean grip.”

FAILURE ARTIST: AR examines the murals and declares the amphibian and reptilian images illegal pictography. AR arms themselves with a rocket launcher but wonders if they should befriend WV and PM - particularly PM. However, AR decides the two have committed too many crimes that make AR’s carapace steam. AR dresses as a judge (to complement WV as a mayor and PM as a mail carrier) and declares order in the court. AR wants to go down the moving platform to catch WV and PM but it isn’t operating right.

Closer to present time, Jade puts her gift to John on top of the monument. The gift disappears, just as Jade planned. Back in the future, PM looks at her drawing showing where she’s supposed to go. The drawing seems to be inaccurate until the tower is shot down. It turns out AR accidentally launched a rocket at it. AR tries again to hit the criminals but is distracted by PM’s beauty. Instead, AR shoots the mobile station. WV throws a can of Tab and PM grabs the package in a clever callback to SBaHJ’s sock ruse comic.

PM gets the package to the Appearifier and Sendifies it into Jade’s toddlerhood, back when Grandpa was alive and shooting butterflies. Inside the package is a letter from John, a too-big t-shirt with a blue ghost on it, and pumpkin seeds. So we have the root of Jade’s friendship with John and the others and her interest in gardening. That’s a very elaborate time loop.

CHEL: Get used to elaborate time loops. Anyway, the letter’s painfully adorable again. John thanks Jade for her years of friendship and for being the reason he met Rose and Dave. He gave Jade pumpkin seeds because future Jade had been upset that her pumpkins kept disappearing so he wanted to help her grow more. Unfortunately his declaration that three people is “almost like, TOO MUCH FRIENDSHIP” was cute at first glance, but given how he has no contact with anyone but them that we see, it becomes a tad creepy. Did he not expect to ever have any friends, or more than one friend? The implication that Dadbert kept him locked in his room all the time is looking more and more likely!

We cut to a cartoon sound effect, WHOP, and You bear the vicious brunt of this story transition directly in the face, “you” now being Archagent Jack Noir. The sound effect is the result of Dad Egbert punching Jack in the face. Jack pulls a switchblade, but Dad retaliates by lighting Jack’s hated jester hat on fire, throwing it to the ground, spraying shaving cream on it, and stomping on it. Jack immediately sets Dad free.

Jade is instructed by the prompt to “Play guitar to summon giant lily pads”, which she does, and it works… somehow? I’m not sure how that happens. Anyway, she uses the lily pads to hop over to the frog temple, finding in it a wall covered in tiny lime green glowing symbols.

Cut back to Dave, who has finally succeeded in installing the beta, and not a moment too soon as Rose’s room is now full of red light, soon to be aflame. Rose is calm enough to join Dave in a SBaHJ joke, and we go into the act-ending animation, [S] Enter.

Dave dramatically sips his fortunately-really-apple-juice and draws cartoons as the game loads, while Rose plays with Vodka Mutini and Jade scurries through the temple. For clarity’s sake, I’ll describe each character’s actions in a separate paragraph.

"Homestuck - [S] Enter [End of act 3]" (Watch on YouTube)

In Rose’s burning house Dave quickly deploys the necessary machinery. There’s so little safe room left to use that he has to throw Rose’s bed into the burning forest for one, put one in the observatory, and put the third on the nearby roof; fortunately Rose is able to get to them all. Dave uses the wizard statue to knock open the Cruxtruder, then drops it outside, breaking its hand off and sending the hand flying. He moves the cruxite to the lathe, where Rose produces a totem for her entry item, a bottle. Rose flings the dead Jaspers into the Kernelsprite and Dave grabs the Eldritch Princess doll to put in too, but the flying wizard statue hand knocks the entry item into the nearby waterfall. Rose leaps out over the drop, successfully catches it, and is in turn caught by a long purple tentacle....

Flaming whirlwinds approach the house; Rose swings the bottle to shatter it, and the meteor lands.

In the temple, we see an enormous flower atop another countdown device, noting four-and-a-half minutes till disaster, but Jade suddenly falls asleep again, waking up with only nineteen seconds to go. Unlike John randomly falling asleep mid-battle, this has been happening often enough to seem to be a legitimate problem with a story-based cause. Keep an eye on that.

Dave, meanwhile, is still in his room, which is now filled with crows. He seems flustered at first, but in a later shot he’s back at his computer with a crow perched on his head, seemingly fine.

Back at John’s house, Nannasprite opens up his newer copy of Sassacre’s book and starts to inscribe the very message we read earlier, so she didn’t in fact know about it during her life. Seems odd that she’d bother doing this rather than just saying it, though, especially since when she finishes, she drops the book into the chasm, where it plummets through grey clouds, emerging over a dark-blue land scattered with tiny lights and black rivers. John, covered in oil, runs up the many stairs of his remodelled house, smashing imps left and right with single blows from the WRINKLEFUCKER and directing the SASSACRUSHER with the GHOST GAUNTLETS to take on the ogres. When he reaches the top, he slams his hammer down one last time and bounces upwards to the spirograph portal, entering whatever’s on the other side. Fade to white.

Generally, a very good flash! Exciting but doesn’t sacrifice useful information for drama, and now two characters have reached their current goals but more is still going on. Lovely music too. I think the Flash animations are one of Hussie’s greater strengths here.

FAILURE ARTIST: The animation was what drew me into Homestuck and this is a particularly good one.

CHEL: A couple of static pages wrap up the Act; we pan out from John’s house to see it and the pinnacle it’s perched on are now looming above the same dark-blue land covered with thick clouds that the book fell onto, which we now see is in fact an entire very small planet. Curtains close.

So that’s the end of Act 3! What does everyone think?

FAILURE ARTIST: It was fun seeing Jade and the Exiles but sad thinking about how underutilized they ended up. Especially poor AR.

BRIGHT: This is where the elaborate time loops really started to kick in, and I’ve gotta say, I’m not a fan. I recognise that they’re a key feature of Homestuck, but I found some of them too confusing on my first read through. (Though they do make more sense on subsequent reads.)

I think on the whole this Act is quite well paced. I really loved the bits with Jade, and a lot of nifty background info gets introduced without being infodumped.

TIER: I wasn't even aware that webcomics on the internet were a thing at this point, but I do believe that it's around here that Homestuck's popularity was starting to pick up, no? This chapter went a lot deeper into the strangeness of the game to!

FAILURE ARTIST:

Homestuck was popular but I don’t think it became a phenomenon until Act 5 when the trolls were fully introduced. Lots of people even skipped Acts 1-4 and the Intermission to get to them. I think a lot of the pre-Act 5 fans were my age (20s) while after that many were teens or tweens. Admittedly, I didn’t do much in the fandom except check the SA thread until Act 5 came around.

CHEL: I don’t think I got into it until Act 6 - I remember the first time I got further than a few pages in I gave up when the Alpha kids got introduced because it was way too complicated.

As for my thoughts on the act, well… Before, I was able to more or less chalk up the racist/sexist/fatphobic/homophobic remarks as being from the characters’ mouths (they are, after all, twelve to thirteen years old) and not the author’s, but they don’t really get called out by the narrative and Hussie has sufficiently drained my goodwill that I have to complain, and I suspect after recent events that it actually was him speaking there, if you get my meaning. Most of the dialogue is still as sweet and funny as I remember it being but those bits really taint it. Hypothetical rewrite would definitely remove those.

I’m in two minds about keeping Dave’s hurricane of euphemisms to AT for said hypothetical rewrite; on one hand, considering his home situation, it’s worrying, but on the other the whole point of the joke is to make AT uncomfortable and it’s hard to do that without making comments that would also make the reader uncomfortable. Maybe if Dave’s home life was adjusted a bit the reader would be more easily able to assume he just picked them up from Urban Dictionary.

Speaking of Dave, his storyline here is where we really start to see a thing which is a recurring problem with the comic. Namely, reliance on theme and symbolism over what is actually happening. If Hussie was indeed trying from the beginning to portray Dave’s situation as serious abuse, then he shouldn’t have chosen to represent said abuse with ridiculous cartoon physics while literally portraying Dave as unharmed onscreen. Dave’s behaviour does hint at some issues, but they’re easy to pass off as related to other things, and swords so sharp they cause printed pictures to change are not most readers’ first assumption for the cause.

Other than those, though, I think we’re still mostly fine; none of the problems are problems with the underlying structure of the story, so it wouldn’t require a huge retooling. That state of affairs will continue on for another couple of acts, but when it fails, it fails.

COUNTS ALL THE LUCK: 0 ARE YOU TRYING TO BE FUNNY?: 13 CALL CPA PLEASE: 7 CLOCKWORK PROBLEMATYKKS: 14 GET ON WITH IT!: 13 GORE GALORE: 0 HOW NOT TO WRITE A WEBCOMIC: 14 HURRY UP AND DO NOTHING: 6 IN HATE WITH MY CREATION: 0 RELATIONSHIP GOALS?: 1 SEND THEM TO THE SLAMMER: 0 SOME OF MY BEST FRIENDS: 0 WHAT IS HAPPENING??: 2 WHITE SBURB POSTMODERNISM: 9 TOTAL: 79

#homestuck #Homespork #homestuck review #homestuck meta #homestuck reread #let's read homestuck

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