#isn't it still her decision to choose to save everyone if she wishes?? etc etc | Explore Tumblr Posts and Blogs

gracie-p8-officialblog · 4 years

Text

Defending Christine Daae

I never thought I'd have to write a post with that title, let me tell you.

Because when I first heard of Phantom of the Opera, I was under the impression that everybody loved Christine just as much as I did. I mean, how could you help it? Well, I was wrong. It would seem that there are, in fact, people out there who don't share my exact opinion (shock of shocks) and who dislike Christine for various stupid reasons.

Now, I'm not here to point fingers at anyone or to belittle anyone's opinions in anyway, and blah-de-blah [fill in the rest of long boring disclaimer any way you wish]. But I AM here to defend one of my favourite female protagonists in a work of fiction! And defend her I WILL! IN THE NAME OF THE MOON!

Um, pardon me. Don't know how that last sentence got in there.

Now, on the internet, I've heard some flak about Christine, and though I'm not here to make anyone feel bad (see above) I do want to refute those points about her, point-by-point. (Hmm. Redundancy.) One of the biggest points against Christine is her choice to be with Raoul instead of the Phantom, who *ahem* TOTALLY needed her because he had a bad life and he taught her to sing! My opinion?

I don't think that means Christine owes him love. Appreciation and thanks, yes. But not love. The only thing he ever did that was worth any kind of love was letting Christine go. And she isn't some sort of consolation prize! It's NOT her job to fix the Phantom, only he could fix himself!

C'mon people! The two pretty much fit the qualities of an abusive relationship (emotional manipulation, throwing her around, restricting her from seeing other people etc.) And it’s kinda disturbing. “BUT!” You cry, “CHRISTINE REJECTED THE PHANTOM FOR A SHALLOW REASON! HE WAS UGLY!”

While I do understand what you’re coming from, I would like to inform you that it was actually his toxic behaviour towards her and murderous qualities that drove her away from him and made her choose Raoul. In “Final Lair”, she said one of the biggest burns in Gothic thriller history “It’s in your SOUL where the TRUE distortion lies...” The Phantom's problem isn't with his disfigurement. No, the problem is with what he's allowed his disfigurement to make him. He's become so obsessed with the idea that no one loves him and no one will ever really care for him that he believes anyone who stands remotely in his way is just out to get him. So what does he do? He murders people whom he gets annoyed with. First Buquet, then Piangi, and finally (almost) Raoul. And that is DEFINITELY not okay!

I think Christine saw him as more of a teacher, or a friend, or a... father figure, in a messed up way... which is more evident in the book on how she is both afraid and sympathetic for the Phantom.

While not condoning his actions, I do wish the Phantom could have found someone to love him. Good gracious, his final lines “IT’S OVER NOW THE MUSIC OF THE NIIIIIIIIIIGGGGGHHHHHHTTTTT!!!!!!!!!!!!!!!!” makes me tear up every time. Gah. I'm in danger of sobbing, too, but I really want to get this post done, so I will conquer myself and think of something Funny instead. *thinks* I know! Gerard Butler’s version of the “All I Ask Of You (Reprise)”. That’ll cheer me up and make me laugh XD!

In all seriousness, I know that Erik is unstable and violent. But I also know that he really IS a gentle, misunderstood soul. You can be both, you know. The unstable and violent side of him, unfortunately, triumphed- and his dreams, his desires for love, his castle on a cloud came tumbling down because of it.

And so... onto the next point, another common argument used to bash Christine is that she’s considered to be flat, boring and goes through ZERO development! But in actual fact, there’s so much going on in her head and goes through quite an emotional travesty that it’s almost impossible to call her bland!

She is deeply wounded by the loss of her father, and has this incredible musical talent which stayed in a state of diamond in the rough before being discovered by her “Angel of Music”. He trains her, not realizing that she is becoming the center of an unhealthy obsession, genuinely believing in her naivety that he is some benevolent spirit sent by her father, therefore bringing her a sense of comfort. She is a pious girl, after all, and being religious myself, well, such a reaction from someone who believes like her is believable though naive. Can we blame Christine for that? NO. How is she supposed to guess?

And now, let's talk about "Wishing You Were Somehow Here Again", aka. The Christine Empowerment™ song! I feel like the difference between a good portrayal of Christine and a great portrayal of Christine, is based on how good their rendition of this song is. It is a crucial part of the plot. One of the reason The Phantom and Raoul appeal to Christine is because of the connection they represent to her dead father. Of course, Raoul actually knew her father and the Phantom uses his memory to manipulate her. At this point in the show, Christine has become disillusioned with Raoul and is afraid of the Phantom. She realizes through the song that the only way she can’t move forward is through letting go of the past, and getting over the death of her father. This fuels her actions through the rest of the show as it makes her realize that if she wants her happy ending, she must take charge of her destiny and earn her own agency! And the Phantom, trying to use her in the moment where she was probably at her most vulnerable since she is questioning herself about her entire life, only catalyses her decision. She performs in Don Juan Triumphant, because she knows that everything is up to her, and that she cannot let the Phantom keep on destroying her life.

As for her unmasking the Phantom in "Point of No Return", Christine did this in a way to show him that she refused to be controlled by him any longer. It is certainly not the most intelligent thing to do, nor the nicest, but again, her behaviour is explainable. But as said above for Erik, it doesn’t excuse her. And it shows how she was beginning to be able to resist his pull/spell/enchantment/whatever you like to call it on her!

I adore and admire Christine Daae as a character so much, and it was her actions and story arc that really started my love for this story. Christine's ability to love unconditionally and selflessly is so profound. Even though the Phantom put her and everyone else through lots of horrors, she still doesn't hesitate to show kindness towards him but makes sure that her abuser NEVER hurts anyone EVER again. She loves Raoul so much that she's pretty much willing to sacrifice her freedom and happiness so Raoul could be free. No matter what circumstances she is given, she will still put the ones she loves before herself no matter what, even if it means giving up a chance to save herself. I know most of us won’t ever be put in such an extreme scenario but Christine is such an inspiration of how to love others and believe in them despite flaws and bad sides. She inspires me to see the good in people. It’s so easy to be cynical and hardened in this world, and I think that Phantom of the Opera reminds us to have kindness and light in our hearts, even in challenging circumstances.

I would also like to add another moment of character. Think what it must have taken to prepare for the female lead role in a 3-act opera. Christine wasn’t even an understudy. In a matter of minutes, she went from member of the ballet corps to the lead role, and she had to rehearse and remember new music, character, blocking, and vocals. Not only did she prepare in time, she performed so well that she became a hit. This reveals, not only the skill and beauty of her voice, but also her concentration, diligence, and acting capability. Everyone hails the Phantom as the ultimate musical genius—and he is—but they overlook the implied extent of Christine’s skill.

She went through the loss of both parents, manipulation, being stalked, and knowing that the person she loves most has his life on the line - because of her. And then she literally gets off of her knees and shows her abuser the first form of kindness he has ever known. Not even the Phantom was strong enough for that; he gave up on the world far too early. Christine is the embodiment of courage and kindness; she teaches us to love and forgive those who have been awful to us, and to protect those we love even if it means our own suffering. But she no longer succumbs to the Phantom and makes sure her abuser never hurts anyone EVER again. Seriously, this girl is AWESOME! And this was in the 18th century! It's really sad that such a great character is overlooked by many...

It seems that Leroux really understood women... That we can be emotional, we are vulnerable but not weak... And emotion really helps us when we keep them in control!

Christine, in a nutshell, is a kind, observant, compassionate, trusting young woman–a too trusting at first–but with a spine of steel and determination once she’s drawn the line. She loves people deeply, but she picks up quickly on the realities of the situation. She has the strongest character arc in the story and makes the choices to grow and to move on. Yet she remains gentle and compassionate, uses her love to bless and not manipulate. She’s a layered character who grows. And there’s so much more to her than meets the eye.

#christine daae #Christine daae defense league #phantom of the opera musical #phantom of the opera #the phantom of the opera #poto #character analysis #I'm in the mood to talk about her rn #She's seriously awesome #And it's sad not many people see her like that!

37 notes · View notes