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lastweeksshirttonight · 6 months

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Lee is re-watching Sherlock for some fucking reason - Season One

I'm well aware that the crossover between "currently popular and loved British comedian in the US updates, thirst, and accoutrements" and "BBC show that went so off the rails that people now like to pretend Andrew Scott's breakout role was the Hot Priest in Fleabag" is limited, but weirdly, returning to Sherlock was one of the few things that was keeping my brain somewhat grounded and whirring during Work Hell.

We're in uncharted territory here. You're gonna learn a bit about the things I do when I'm not tracking John Oliver obsessively. I am nervous about this but hey, I'm guessing most of you knew I don't solely live and breathe John Oliver. (I know. I have multitudes. This is a shocking revelation. Please take time to process it.)

Firstly, a content note - there's going to be discussion about queerbaiting and queercoding villains, and the beginning of this goes into some of James Somerton's absolutely disgusting claims about the AIDS crisis. This post will only be focused on Season One, as that's all I've finished at this point.

Let's go.

(above image sourced from Writing Tips and Memes)

My sudden re-emergent hyperfixation started because of the hbomberguy takedown of James Somerton, weirdly. I don't follow many YouTubers - I like Bright Sun Films because he goes urban exploring, something I've always wanted to do but have never managed to make happen, and also Todd in the Shadows, whose Trainwreckords series is very well-done and expertly researched. Seeing that name, you might know where this is going. Todd dropped a video about James Somerton, who I had never fucking heard of and now wish I'd known about before, so I could scream bloody murder about what an absolute fuckwad he is.

(I don't want to get too in the weeds here, but the things James asserted about WWII, Nazis, and the AIDS crisis are so vehemently offensive that I'm still struggling with them. Claiming that only boring gays survived the AIDS crisis in particular is so vile that I have gotten anger flashes thinking about it almost daily since hearing it.)

Todd recommended watching all four hours of the hbomberguy plagiarism video, and I ran that in the background while working about two weeks ago. Eventually I had to stop doing that because the plagiarism revelations were so distracting and shocking. Todd's video was even more of a goddamn mindfuck, and even the smaller, less offensive things have taken up far too much space in my brain. Californians, does anyone at all deify Bob Iger??? Like... what the goddamn fuck??? Bob Iger????

After watching one hbomberguy video, the algorithm did its thing, and gave me a video called "Sherlock is Garbage and Here's Why". Posting it here for posterity:

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Because my brain works in mysterious ways (-cough-ADHD-cough-), watching this... made me want to rewatch Sherlock.

I initially saw Sherlock for the first time thanks to someone I met in my last year of college, 2012. At the time, Michael (a nickname) was my neighbor in the dorms; over the past ten years, she's become one of my closest friends and a true rock in my life. One of the first things we bonded over that I introduced her to was the San Francisco Giants and the ghost I will always be chasing, Tim Lincecum; one of the first things we bonded over that she introduced me to was BBC Sherlock. The show was in the early months of its extended hiatus after Season Two, at the height of its fandom, and we were both completely obsessed. I read all the Doyle stories, took in a truly wild amount of fanfiction, wrote a not-very-popular AU fic, became part of a strange inter-dorm ARG based on Sherlock orchestrated by Michael... it consumed a huge part of our lives.

When Season 3 dropped, I almost stopped watching after "The Empty Hearse". I don't want to get into why it offended me so much before we get to a Season 3 post, but just know my enthusiasm severely dampened there. The rest of Season 3 I think of with blase emotions, especially the ending, which I found just dumb, save one part of it. I recall going to see The Abominable Bride in theatres with my mom (and maybe Michael?), and I think I liked it fine - aside, again, from the ending. But I had no interest in a Season Four, and when it dropped, Michael's long rambling phone calls describing the absolute shitstorm of a plot cemented that I was never going to watch it again.

Until now.

I definitely don't think the hbomberguy video is perfect. His insistence that Doyle canon never had Holmes pull answers to cases out of his ass is... something, lol, as is his opinion that changing the solution to certain puzzles in A Study in Pink disrespects the original canon. (Bro, these stories have been retold a bajillion times, they need to mix it up to keep it interesting.) But he put a finger on something that I'd wrestled with regarding Sherlock for a long time - that the show's writing often teased something big and new and conclusive in the horizon, but almost never delivered. That wasn't an issue in early days when there was less invested in an increasingly convoluted mythic story, or when they weren't fully blowing off the resolutions to cliffhangers, but the flaw in writing a story where you promise something huge on the horizon and never deliver should be obvious.

The first season doesn't trade much in that idea, and going back to it was something I found exceptionally enjoyable!

Before I watched:

I remembered bits and pieces of "A Study in Pink" and the whole plot in summary.

I truly didn't remember anything about "The Blind Banker" except that I found it fairly 'yellow peril'-y when I saw it in 2012.

I mixed up huge chunks of Season Two's "A Scandal in Belgravia" with "The Great Game" in my head and somehow forgot the main plot thrust was Moriarty kidnapping people and strapping bombs to them.

I genuinely forgot Sebastian Moran was a character basically hallucinated into existence by the fandom and didn't appear in the show at all until a brief appearance in Season Three.

In a way, it was like I was watching the show for the first time all over again. My partner also watched the first season with me, and it was interesting to get his thoughts on the show as we watched.

To start, his favorite character is Mycroft. Watching Season One, I had to agree that Mycroft has a depth of character that I'd forgotten about. Mark Gatiss plays him perfectly, aloof and smarter than you but unsure of how to deal with his natural feelings of concern and fear for his oft-spiraling, danger-seeking younger brother - and how those feelings magnify with the influence of extreme danger-seeker (at least in this season) John Watson. The show wants you to believe so badly that he's Moriarty in "A Study in Pink", which I don't think works even if you know he isn't Moriarty - there's a warmth to Gatiss' Mycroft that, even while he's doing incredibly ominous things like shutting off all cameras in a busy intersection, still comes through.

My favorite character is Moriarty. I haven't mentioned this very much here, because why would I, but my favorite character type in media is "theatrical abject shithead". It's why I cosplay Bakugo from My Hero Academia and loved everything about Akechi in Persona 5. Hell when I was a kid, I told teachers that when I grew up, I wanted to join Team Rocket. I love the theatrical shitheads. And boy, is Moriarty some sort of theatrical shithead. I don't DISAGREE with hbomberguy pointing out that, as written, Moriarty is a complete mess of a character, a queer-coded literal terrorist with no motivations besides "I did that because I'M CRAAAAZY!"... but he's my queer-coded literal terrorist, ok? I could write a whole paper on all the harmful stereotypes inhabiting this version of Moriarty... but I can't deny that the flamboyance and violence pulsing just beneath the surface of Andrew Scott's performance was the beating heart of that show for me. Sure, Sherlock and John, at least early on, were a compelling duo, but the show was at its best with Moriarty pulling strings for inexplicable reasons in the background. I love him.

(An aside: watching Sherlock made me remember how hilarious it was to see basically every major actor from the show in one of my favorite movies of all time, 1917, to the point that I actually kinda laughed in the theatre thinking about it.)

The entirety of the first season also is more devoted to actual crime-solving and detective work than I remembered the show being. I think that works strongly in its favor, and as I recall things from later seasons, drifting from that element definitely hampers the show greatly. In particular, while the lazy and uncomfortable Orientalism of "The Blind Banker" is still incredibly glaring, the actual mystery at the core of it is very excitingly tracked and easily followed while watching. The fact that John is treated like an equal (mostly) throughout only enhances my thoughts on that. "The Great Game" is a little more slapdash (and hurt by the fact that the entire Vermeer section would be solvable with a smartphone nowadays), but you can still make connections mentally with most of the cases and deduction/investigation is being shown logically. (hbomberguy cites the Golem as a problematic logical leap akin to some of Season Two's dumbest, and I can't agree. It's a reasonable suspension of disbelief to assume Sherlock knows about assassins and is followed by some more sensible investigation and inspection of the Golem's victim. The sequence of Sherlock fighting the Golem, however, is very, very silly.)

Related to that... the autopsy doctors on this show are fucking AWFUL at their jobs. Like straight-up negligently awful. How in the actual fuck did they not investigate the puncture marks on Connie Price's body? How did they not notice a highly distinctive heel tattoo on three recently-murdered corpses? Is Molly the only vaguely competent person in the mortuary? My partner and I were extremely amused that, while Lestrade and his police force are thankfully shown with much more intelligence than in other Holmes adaptations and BBC!Watson wouldn't think jam is a clue, the writers seem to have shunted the stupidity straight to the invisible autopsy doctors.

The first season also does a good job of making Sherlock seem like an overly intelligent if socially stunted human being, instead of the condescending prickish intellectual Ubermensch he ends up becoming as the show progresses. "A Study in Pink"'s ending being Sherlock throwing aside his deduction of the cabbie's killer when he realizes it's Watson, unconvincingly lying to Lestrade and insisting he's in shock before rejoining the other man and genuinely bonding with him, is remarkably compelling as fulfillment of a promise we get from Lestrade earlier in the episode - "Sherlock Holmes is a great man. One day he may even be a good one." My memory is admittedly faulty, but part of why "The Empty Hearse" turned me off so viscerally was Sherlock's (and to an extent, Mycroft's) insufferable growing smugness, particularly where explaining plans or mysteries to John. We get told often that Watson humanizes Sherlock and that the two have a strong bond throughout the series, but Sherlock gets much more dickish in general as the series progresses. One thing I do remember with stark clarity is that after being utterly chastised at a Christmas party in "A Scandal in Belgravia", Sherlock does visibly treat Molly MUCH better throughout the remainder of the show. So, uh, why did we lose that energy with the show's central pairing?

Speaking of the show's central pairing, the queerbaiting starts SO EARLY on this show. I want to make it clear that obviously the benefit of hindsight and knowledge of how the show ends really colors a lot about the Johnlock relationship now, and as a society, we're more aware of what queerbaiting is and what it looks like, which will obviously alter how I perceive these interactions now. I also want to make it clear that I never really shipped Johnlock outside of just kind of assuming that it would be canon because everyone seemed really convinced of it. (I was an absolute degenerate that shipped John with Moriarty. On top of enjoying theatrical disasters, I enjoy ships with an abundance of chaos and impossibility.) There's some biases at play here.

Even so, we are not far into the episode where John is protesting that obviously he needs a second bed in 221B to Mrs. Hudson, he's not gay! The scene in the restaurant has such an aggressively shippy energy to it (despite Watson's consistent denials) that I actively commented on it to my partner as it was happening, saying "the queerbaiting happens WAY SOONER than I thought!" It's distracting and has aged absolutely terribly. The worst by far is John quipping, after being removed from a bomb vest at a pool in "The Great Game", that people will talk because of Sherlock ripping his clothes off in a darkened swimming pool. Why is Watson's heterosexuality so fragile that he's thinking about gossip rags as he's actively recovering from a near-death experience?!

(Aside: I'm aware that last point is not as effective when you think about the fact that I shipped two characters whose sole canonical interaction was one man kidnapping and forcing the other into a bomb vest. In my defense, a) I love mess and b) John never quips about thinking people will talk because he got kidnapped.)

Moriarty's first appearance in "The Great Game" sees him as Molly's fake boyfriend slipping a phone number to Sherlock, which lead to my partner commenting about how distracting it also was, on top of the queerbaiting, that almost every single person on the show has some sort of deep metaphysical attraction to Sherlock. Those people aren't on the lighting and cinematography team for sure; Benedict Cumberbatch is lit ominously and sometimes demonically throughout the first season, highlighting his antihero and brusque nature effectively. But many, many characters in the show - just in season one, Molly, Moriarty, multiple characters of the day, the Cabbie, and John - are all drawn to Sherlock and his very special brain and his very sharp cheekbones. Signs of a big future problem come through in this way, where the show starts sidelining Watson as our central figure and puts Sherlock squarely at the center of everyone's universe and makes lesbians fall in love with him.

(My partner also laughed pretty hard at how obvious Moriarty's pratfalls were as Molly's boyfriend, noting that the show was pretty bad at hiding who Moriarty was every time it came up.)

Some of the seeds of Sherlock's destruction are sown in this first season, obviously. The big one I haven't touched on is the ending cliffhanger itself. Moriarty has John and Sherlock trapped in the pool, tens of sniper sights trained on them, and says that he can't let them escape. Amazing cliffhanger here! It is not fulfilled on at all, but because Andrew Scott can carry anything on his back (including Spectre, which I cannot start talking about because we'll be here all day), the scene doesn't feel like a total waste and makes you want to hang on to find out what happens later.

But there was so much here that was delightful. All the acting is uniformly excellent, and the overt physical tics that come to define Sherlock's mind palace and mental prowess being showcased are barely evident here. The actual detective work, like I said earlier, is really involving! I don't feel like I figured out the solutions for the mysteries I couldn't recall the answers for too easily and thought Sherlock's deductive reason largely followed and wasn't too obscure. I'm still such a sucker for the show's style - that opening credits sequence is so perfectly put together, the text messages that interact with the scene and at the time made this show feel so fresh and modern to me, filming the character's faces in taxis through panes of glass and obscuring material in "A Study in Pink" to give everything an obfuscating sheen... give me all of it.

The music, too, was something I'd forgotten about and truly ended up adoring. Taskmaster (and The Horne Section's score for it) really owes a debt to Michael Price and David Arnold. So much of Sherlock's score could probably be dropped straight into a Taskmaster episode and I would have to think pretty hard to notice a difference in the show's usual musical palette. I've been eyeballing the vinyl on eBay, to give you an idea of how much I love this score. "The Game is On" is a perfect piece of music, clockwork spinning noises emphasizing the jauntiness of Sherlock as he drags Watson on his latest case before sliding into the more subdued, vaguely ominous thrum of its second movement descending into the madness of the third part, violins shrieking as the action reaches its apex.

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Normally, with such a degree of pleasant surprise, I'd be eager to move forward to Season Two. Unfortunately, I know the first episode of Season Two is... a doozy. To say the least. A doozy that may get its own essay because of how doozy-ish it is.

In any case, I ended up really enjoying going back to Season One of Sherlock! Super down to talk further about the show, future write-ups, and my horrible taste in fictional ships and men - shoot me a message, reply to this post, wherever, I'll be here! <3

#not john oliver #bbc sherlock #sherlock bbc #Youtube #too long didn't read - the lee lastweeksshirttonight story #hbomberguy #todd in the shadows #fuck james somerton #3k words on a hyperfixation

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antagonist-chan · 6 years

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I think I’m gonna start being really productive when it comes to things I don’t have to concentrate all that hard on pretty soon, because I’ve just realized that I’ve swapped out one of my bad habits for a similar good habit.

The bad habit was wanting to always pair eating with certain kinds of videos. Like, I don’t wanna watch the videos if I’m not eating, and I don’t wanna eat without watching the videos. These videos tended to be things like Todd in the Shadows, Rap Critic, Last Week Tonight, documentaries, and other things like that. They just paired really well with eating. I’ve rewatched nearly every LWT clip several times because... I just like watching them while I eat.

However, my desire to do that has been dwindling ever since a very similar but much less time-wasting desire has emerged from my subconscious- watching certain other kinds of videos while I do work.

Now, writing is not something I am capable of while watching these videos. I just don’t have that kind of multitasking ability. Nor is math. But this work can be stuff like drawing and 3D modelling and 3D animating and editing footage and doing other things of that nature that take skill and thought, but I can kinda space the thought out a bit.

And the videos that pair really well with this kind of work? Let’s Plays. Other things, too, but Let’s Plays work really well for this.

So, I’ve been getting a lot of work done in the past week, but I’ve also been watching a shit ton of Game Grumps episodes that I didn’t previously have enough interest in to watch all the way through. Like, House Party, and Skyward Sword, and Week of Garfield (that one JUST came out, sure, but I initially started watching it just on its own and it didn’t hold my interest until I started doing work).

And, like, this is something that I’ve known helps me for a long time, but it hasn’t been until the past couple weeks that this intense drive to do this has emerged. It really started when I did that heavy edit of the TARDIS model I use for Jikankyo.

Like, I’ve got six OCs (well, five OCs and one heavy reinterpretation of a canon character) that I’ve been trying to make models for for several months. The first one, I started about a week ago. The second, I started about half a week ago. The third, I started two days ago. Yesterday, I started the fourth and fifth, and finished 1-4 (I thought I finished the fifth, but when I woke up this morning I realized I forgot some of the minor details). Today, I finished the fifth and started the sixth, and this was with having forgotten to take my meds until it was pretty late in the day.

The last time I was this productive was, well... just before I stopped being productive entirely back in Fall of 2016. And I’m not worried about burnout or anything, because what stopped my productivity back then was a shit ton of bad vibes from all sorts of things, so I feel good.

Now, I’m not 100% on top of things- I’ve kinda gone on an unofficial hiatus with Jikankyo for about a week now, and I haven’t been keeping up as well with cleaning my room as I’ve wanted to be or doing health-related things or making sure clean things stay clean- but I’m more productive. “Productive” and “in-control” are not the same thing, and I’m willing to take the occasional break from being in control in order to let my productivity run wild.

In fact, there’s a whole shit ton of projects that I’ve let to sit and gather dust that I actually feel like tackling again ASAP (they were all things that I intended to get around to “fairly soon” already, but they’ve been in a “it’ll be fairly soon!” state for like a year now- now, I feel like it actually WILL be fairly soon because I’ve been so consistently motivated by this desire to work while watching Game Grumps). Not Byzantium Love and War, because that project has very special needs that are related less to productivity and more to relaxation, but maybe tackling these other projects will open the way to the relaxation that I need to work on BLaW!

No, the projects I’m considering getting really back into are:

Gensokyo’s Heart (which I promised would be coming back at some point back in November)

Learning to model (I already kinda had a self-imposed deadline that I should at least be able to make a basic MMD model from scratch by October, anyways), and then actually making the models I’ve been meaning to make

Working on a secret SECRET project of mine (this isn’t something that I’m keeping secret so it can be a surprise, it’s a secret because I don’t wanna share it with anyone ever, sorry)

Working on Skies of Seduction (which was, until this post, called Seduction of the Sky, but I realized while jogging about a week ago that Skies of Seduction worked better for that)

Doing Weekly MMD Projects

Clearing my backlog (which takes many forms, including my bookmarks on my main Chrome account, my bookmarks on my now-defunct Lewd Chrome account (it’s now defunct because I’ve decided to stop keeping all my lewd stuff 100% isolated from my clean stuff), my bookmarks on Firefox, the sessions I’ve saved on Session Buddy, my Watch Later playlist (okay, maybe this method won’t help so much with that one), my Long-Term To-Do List, and several other things!)

Doing some non-writing work for Jikankyo (Jikankyo is too thought-intensive for this method to work with the main work of Jikankyo, but there are all sorts of side ventures that this method can work with)

Get better at using CM3D2, and maybe learn how to make it compatible with MMD

And more!

The only thing that I can complain about is... that this only helps with productivity concerns. This method helps me get productive and finish projects; it is not so effective at helping me stay on top of the things I want to stay on top of. But hey! When I’ve got less projects in the way, maybe I’ll get better at the whole “staying in control” thing.

#long post #antagonist gets her shit together: the movie #i am so psyched #i didn't even do this intentionally it just kinda HAPPENED and it is making everything so much better

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