#ALSO CAN I JUST SAY THAT PEOPLE THAT DO THIS TO OSOMATSU TEND TO INTERPRET TODOMATSU’S WHOLE CHARACTER WRONG ON PURPOSE

[jyushimatsu-falls-in-love]

s2ep10: a little respect

♪ So-o-oul, I hear you call-iiiiiing Oh baby, pleeeease... Give a little respe-ect, toooooo meeeeee! ♪ - “A Little Respect” by Erasure, which seems to be this week’s theme song :P

[SPOILERS UNDER THE CUT!]

The first of this week’s three skits is “Karamatsu and Brothers”, which I know nearly everyone was looking forward to. After all, Kara’s the fan favorite both here and in the Japanese fandom, where recently he’s won the top spot in a recent magazine’s favorite characters poll; does it live up to everyone’s standards?!

The skit opens with Totty asking Choro to buy him a soda, which Choro refuses to do in a very aggressive manner. I like how Totty described Choro here - “You act like an honor student, but you’re really just a delinquent!”; it succinctly summarizes Choro’s character well enough :P 

Luckily for Totty, Kara comes to the rescue and offers to buy his soda for him! And after Totty gets his soda, he calls Kara “nice” and “reliable”, which makes Kara feel very happy and sparkly :P

Then everyone else starts asking Kara to do things for them: Starting with Oso, who asks Kara to do his chores in his stead; then Jyushi asks the same thing, then Ichi, then all of a sudden everyone except Choro is asking Kara to do something for him. And Kara says yes, he’ll do them! He’ll do anything his brothers ask him, they can rely on him!!

At this point Choro steps in, and scolds the others for putting so much on Kara. He even scolds Kara a bit for not standing up for himself. Honestly these little moments of Choro stepping in for his family members’ sakes (approaching Matsuzo about his problem in S2Ep4, now telling the others to lay off Kara in this ep.) are very nice; he really can be a good son and brother, after all ;v; And to the other brothers’ credit, they do feel bad for piling so much on Kara after realizing it - but then Kara protests and assures them no, it’s okay, he likes it when the brothers ask him to do stuff, it’s perfectly fine!! And with that assurance, the others go back to treating him like a work horse :P

Later, up on the rooftop, Kara confesses to Choro the truth - he actually hates it when the others ask him to do so much for them, so much that he could either die or kill them. When asked about why can’t just say “no” to them, Kara puts on the cool act and says that it’s because he’s such a nice guy~ But Choro quickly gets that the real reason Kara can’t say “no” is because beneath the painful guy act, he’s really just a timid wimp who can’t stand up for himself :P

Honesty Tidbit # 1: I never thought I’d actually say this, but... Kara’s situation was oddly relatable to me in some aspects. My family members - especially my sister - ask me to do things for them, get things for them, etc. all the time. And even when I don’t want to do them, I do them anyway orz (The difference between me and Kara is that unlike him, I usually complain first before doing them :P) To be fair, since I’m a NEET and no one else is, I guess it makes sense that I’m asked to do things for everyone while they’re doing work or resting from work. But still, it’s annoying...

Honesty Tidbit # 2: I can already see the annoying part of the fandom latching onto the fact that Kara’s a bit of a pushover and using that to further push the “pwecious sad woobie” fanon interpretation orz I’m really not looking forward to it...

So Choro tries to be a good brother again and offers to help Kara practice saying “no” to his brothers. However, he ends up getting sidetracked haha :P I find it interesting that Kara actually can’t recognize Choro’s caricatures of the others, even with each one’s more obvious attributes (”horse races” and “boobs” for Oso, “cats” and “killing you all” for Ichi, “baseball” and “BOEH” for Jyushi) mentioned. It makes me wonder, does Kara view and identify his brothers differently from how Choro (and the audience) does? If that’s the case, then how does he view and identify them? ...Or maybe Choro’s caricatures just too exaggerated for him haha

In the end, though, they go and tell the brothers Kara’s true feelings on the matter. And in a very nice moment, the brothers actually backed off once they knew that Kara didn’t actually like being asked what to do (they even said, “Why didn’t you tell us that you wanted us to stop?”), recognized that they really did keep asking him because they knew he wouldn’t say no, and sincerely apologized for it and promised not to do it anymore. Despite what fanon tends to say, the brothers really do care for Kara after all. I’m very glad that’s the case ;v;

...and then the others proceed to make Choro take Kara’s place as the errand boy :P Choro angrily protests, asks for Kara’s help... and Kara refuses and leaves him to fend for himself with a “Good luck~” PFFFFFFFFFFFFFF. Of all times for Kara to decide to say “no”... I guess no good deed goes unpunished when your name’s Matsuno Choromatsu :P

This was a good skit! A good Choro, good Suiriku interaction, the brothers proving fanon wrong... What’s not to love? :’)

The second skit, “New Employee Totoko”, is exactly what it says on the tin - in an office AU, Totoko is the newly hired employee, with Totty being her superior. The skit is already interesting to me because of Totty having the role of the boss/leader/department head in this skit; he doesn’t usually take on these roles IIRC. It fits the ambitious side of his personality though, so I’m not complaining :) He’s also taking his job really seriously in this skit, and certainly acts like how you’d expect a boss/leader/department head to act. It ends up making him a pretty good tsukkomi to Totoko’s antics :P

Speaking of Totoko, she was pretty neat here too! For one thing, her hairstyle as a newbie employee is really nice ;v; It’s her first day working in Akatsuka Tradings, but already she’s causing problems for her superior - first off, she won’t come over when Totty calls her over to his desk. Her excuse is that nobody told her that that’s what she had to do, so she didn’t do it :P Then Totty gives her a document to work on, which he tells her should be finished before lunch - but she doesn’t finish it at all by then, her excuse being that she hasn’t used the programs before, hasn’t done this sort of computing before, etc. Totty ends up having to do the work himself. Then, since Totty did her work for her, Totoko ended up spending her office time updating her social media and sleeping on the job... Again she uses her inexperience as an excuse... Yeah, Totoko’s not exactly the ideal employee for anyone working as a department head :P

I wonder if I can say that I’d be like Totoko if I were in an office setting? :P Again I’m a NEET so I don’t have any job experience... But if my memories of school, college, the two-week internship I had when I was in college, etc. are anything to go by, I know I’d be utterly useless when left to my devices and would always have to ask for help and instructions before I could be set on doing anything orz That, and I get distracted easily, I lose motivation easily, I stay up late... Yeah, Totoko is rather relatable here as well and I’m not proud to admit it orz

Totty ends up having to give Totoko a stern talking to, saying that since she’s new he’ll do his best to help her, but she’s still gotta put in the work herself. They agree to work hard, their conversation ends on a good note, Totty shows off his own version of Kara’s bishie eyes...

...and at the end of the day, Totoko quits her job :P Though Totty begs her to stay, and after his begging she says she’ll stay and even starts saying these cheesy, so-cliche-that-they’re-clearly-bullshit lines about how she’ll do a good job from now on... And then she ditches her job without saying goodbye :P Totty’s very upset about this. Ichiko and Jyushiko (?!) showing up and proving to be better employees doesn’t really help matters either, and it proves at the end that Totty won’t accept “uggos” and wants to work with a cute girl like Yowai-kun :P Ah, classic Totty

And finally, the last skit, “Dubbingmatsu-san”. A couple of unknown people who do unknown work in the Osomatsu-san anime enter a lavishly decorated room filled with food, comfy sofas, and pretty girls in bikinis. What’s all this for? It’s to receive the sextuplets, who are coming in to dub the anime of course! The sextuplets enter wearing various things to conceal their identities to the public - each one increasingly ridiculous than the last - and after a few minutes’ rest, they start to read and practice their lines before they start recording. And during practice, it never seems to be good enough...!!

It becomes clear that this skit actually isn’t about the boys at all - it’s a meta piece about their seiyuu, with the boys kinda-sorta acting as the main six seiyuu’s avatars instead of being themselves. Or at least, that’s how I like to think of this skit :P There are references to seiyuu having to take care of their voices - the boys have humidifiers with them to keep their vocal chords working, and even have back-up surgery implants for their throats in case the worst happens! 

And then the boys start practicing their lines and beating themselves up for not meeting their own high standards - the part I really lost it was when Totty yelled, “What did I go study abroad for?!”, which is a reference to Miyu Irino going abroad earlier this year to pursue his theatre studies. It makes me wonder now if the stuff the others were saying while they were beating themselves up were references to their own seiyuu themselves?? Meanwhile Ichi’s/Jun’s just practicing his stabbing skills. Good job Ichi/Jun Also can we please exploit Miyu Irino’s English skills in S2 already

Then recording’s about to begin - with the boys completely naked of course, can’t risk any clothes ruffling making any noise! - and after some chants, they start dubbing over the provided images. And apparently, they’re so good that they can ad-lib and almost change the script entirely, and it’d be okay! They didn’t even need to do any retakes - the boys/seiyuu are just that good!! They’re professionals!!!

It’s interesting to see Ososan’s (fictionalized and exaggerated for comedy’s sake) take on the recording process of anime. It certainly matches up with some of the things I remember reading in interviews with the seiyuu before. In the end, this skit is a silly and irreverent but affectionate love letter to the guys who bring our loveable six same shitheads to life. I can’t help but wonder how Sakurai/Nakamura/Kamiya/Fukuyama/Ono/Irino all felt while recording this skit. Were they embarrassed? Happy? A little proud? I hope someone asks about that skit either in an interview or in a post-Cour 1 commentary reel, like last season’s.

Finally recording ends, and the boys head home - each going home with a hefty sum of yen in one hand, a pretty bikini girl on one arm, and in each one’s personal private helicopter. I... am pretty sure this bit is an exaggeration, there’s no way anyone would actually go home in a private helicopter unless they’re that stinkin’ rich and famous :P But hey, the boys did a good job, they’re happy, the anime staff is happy, we get a quality anime because of everyone’s hard work, therefore everyone’s happy.

“Who would’ve thought such professionals were behind those shitty episodes that air on TV?” “Makes you respect them even more.”

So in conclusion, thank you to Sakurai & Nakamura & Kamiya & Fukuyama & Ono & Irino (& don’t forget Suzumura & Kokuryu & Endo & Saito & Ueda & Tobita & Inoue & Kujira & Yamashita &...) for everything that you do for this shitty anime!! \( ; v ; )/ It wouldn’t be the same without you, thank you for your hard work! ♥♥♥♥♥♥

All in all, this week’s episode was pretty great! I enjoyed it thoroughly and was invested all throughout. I think my favorites would be a tie between “Karamatsu and Brother” (surprisingly!) and “Dubbingmatsu-san” - on one hand, we have solid Suiriku and brotherly care on many sides; on the other we have meta and a silly but sweet nod to the professionals who make the anime come to life. But even “New Employee Totoko” is solid for the roles the characters play alone! So yes, all in all, this week was a good week, and I’m greatly looking forward to next week’s fare ^^

I’m actually really, really excited for next week because - HORROR(HOUSE)MATSU!!! While I’m not really big on the horror genre as a whole, I like the idea of throwing out favorite NEETs into scary situations. And a haunted house is perfect for it >:) The title is “Chibita’s Revenge”, so Chibita's definitely gonna have some sort of hand in all of the spooky shenanigans... Does he have friends on the other side?! :0

Aaaaah, next Matsu Monday can’t come soon enough! ♥

#Spoilers #Matsu spoilers #Matsu S2 spoilers #Season 2 #Random thoughts with Nature #Nature talks about S2 #I'm still not back from hiatus btw #but these reviews are fun and I'll keep doing 'em

[courage-a-word-of-justice]

Showa Genroku 5 – 13, 15 | Classicaloid 14 | Masamune-kun’s Revenge 2 | Osomatsu-san 16

(ep 5)

You can hear the sarcasm in his (Sukeroku’s) voice, even with only subs. Actually, both Kiku and Sukeroku have their sarcastic moments.

How does the charcoal not burn the cushion?

You can clearly tell she’s got him wrapped around her little finger. Pretty ambitious, in those times.

Apparently injured legs can feel when rain is coming…that sort of thing.

In an age without phones, there’s more need for socialisation.

Basically, this is the equivalent to a high school or uni play. Low budget as ever.

Tanuki…well, they’re pranksters. Of course.

It seems pretty sexist in this day and age, but back then…welp. Let’s not complain about comparisons between some so-called “good ol’ days” and the present.

(ep 6)

“I don’t need lectures from a bum like you.” – Especially a drunk bum…

Even if it’s selfish to take something because of the thrill…I do kinda miss my days of scanlation. It’s hard to get a thrill like the one I got when I did that. Heh heh. Well, 2017’s going to be another intense year filled with Japanese, because even though I’ve shifted my education once more, I stuck Japanese in there again.

The texture on the smoking pot is quite something. Huh.

That’s a biiiiiiig cicada…

Hey, a Yotaro. Is that Daiku Shirabe Yakumo 7th’s doing?

Miyokichi says “gokigenyou”. I have enough lip reading skills to detect that, at least.

Who wrote the signs at the rakugo stage? I wonder…

(ep 7)

There always seem to be more women during Kiku’s performances.

The humour in this is a bit slapstick, but that’s why Charlie Chaplin is a household name now, right?

How many Es are in Tennessee, anyway? I never kept count…4? Okay then.

The ear picker is a sign of romance and intimacy. In Japan, anyway.

Extra “that” in the subs.

“Master Bonsai” sounds like such a cliché.

The “slice of eye” technique is just so effective. I’m lucky I’m not a film school student, or else I wouldn’t be eloquent enough.

A two futatsume show wouldn’t sell. Didn’t you say that a few episodes ago, Sukeroku?

(ep 8)

The master’s (Bonsai’s) fanning himself so much, it must be summer.

You need to win favours for a shinuchi promo…hmph. Better note that on the wiki.

Come to think of it, this was the age of letters, wasn’t it? Sukeroku’s right.

The Sukeroku and Miyokichi scene is so powerful, you can’t look away from it.

Drinks solve everything for these guys…sheesh.

Sometimes antagonising Kiku ain’t the answer, Sukeroku.

Without Sukeroku, kiku just kept clinging on to his part…huh. This part suddenly made a lot more sense, now that ep 14’s clarified Yotaro’s purpose.

The thing about this show is that it’s quite the acquired taste – you come for the humour, stay for the drama…or something along those lines. I spotted Sukeroku’s name on the very right, by the way.

(ep 9)

The dressing room is the “comfort room” in Japanese.

Of course Kiku wouldn’t be Sukeroku’s partner in crime for something like pissing the masters off…

I think it was “Edo flair”, subbers, but it was kinda hard to notice…

With those tired eyes, Kiku looks like Jean Otus (of ACCA).

These foreboding shots of light on water…hmph.

Note Amano’s got a fan that says “Japan one” literally, but whether it implies he’s number one in Japan or something else is number one in Japan is entirely up to debate.

There was a typo in the subs, but since the erroneous part was “While her husband it out…”, unless the actual word is “is”...I dunno what the correct word is.

The angles in this show are part of the personality. However, as Hand Shakers tells us, too much of a good thing can spoil it. Good thing this toes the line properly.

“Storyteller” is the appropriate equivalent for rakugoka, but “storyteller” doesn’t seem to do a story about rakugo justice. You need the jargon to make the world come alive, I feel.

You can tell Haruko Kumota used to be a BL author before from the way Sukeroku and Kiku act and react in that end scene of the ep.

(ep 10)

The cat…and the box-in technique from Erased. Letting go…is a theme in this show. Didn’t I say that already?

The kanji for “7th generation” was pretty nasty in regards to stroke count. No wonder they simplified it.

Shinigami. Of course he’d unleash that on the audience. Watching again has allowed me to really study Kiku as a person.

I wonder, are there full texts for these rakugo stories somewhere (like those books the apprentices memorise from)? I’d like to read them all someday, even if it’s just a testament to how much Japanese I’ve learnt.

In a world full of filial piety, the man really shouldn’t piss off his ancestors.

With that hat, Kiku looks like something out of Joker Game. Plus, even though the old person says “these days they have their televisions”, nowadays it’s “these days they have their phones and their internet” (in a spot of irony for me, LOL). In the end, technology will be too good for rakugo…and that’s what makes this show all the more interesting for me. Me, who wants to understand the past but still advance to the future.

For bad pun central, stop right here. The English “equivalents” to some of these Japanese puns really are kinda corny, and that’s saying something…since I’ve been looking at joke books since I was a kid.

How old is “old”, old man? If Konatsu’s calling you old, the internet is old.

(ep 11)

On the wall near Kiku are the signs “beer” and “tsukimi soba” (moon viewing soba). There’s another one past the one with a woman on it, but I can’t really make it out.

Oh, it’s the sign! Unfortunately I don’t know the second kanji, so I can’t tell you what it says.

This scene with the bag always makes me laugh. Every time, I tell you.

Konatsu’s got dango in her mouth. How do I explain dango…they’re sticky. Kinda like mochi. Never had them myself though.

I think ep 11 really shows how far Kiku’s come as a rakugoka.

(ep 12)

The word used for “inn” is ryokan. People tend to translate that as “(traditional) Japanese inn” in order to contrast with “hotel” and such.

The “chopsticks over the edge of the balcony” scene…now that I think of it, that is some heavy foreshadowing.

Is there a man who doesn’t like women? Probably.

Is it possible to make art using the spirit (behind it) alone?

Shibahama. Of course. Also, I’d never heard the term “a total lush” until this episode, I don’t think.

If only Sukeroku were like Kuma…haha. (sad tone)

I never thought about it until TV Tropes brought it up, but Miyokichi really is yandere.

When a grown man is driven to tears…you know stuff’s gone down.

Hey, there was no OP or ED on the ep now, was there?

(ep 13) [Trigger warnings: death, hell, political commentary etc..]

What is “inter[ring] the ashes”?

The world has had some horrors to get globalised like it is today…unfortunately, there’s nothing we can do about it.

You put an end to oral traditions by not having anyone to pass them on…that’s the scary part of this show. Also, all the boxing in looks like Yakumo’s going to hang himself, and that’s the point. Which is even scarier.

I think this show’s only gone off model once.

Enma being the king of hell.

In English, Konatsu’s words are even more deceiving in regards to her “drink”.

Yotaro does the “bwong” bit more fast and lively than Yakumo.

Such a rebellious spirit (Konatsu) wouldn’t be right, tied down by marriage.

Oh yeah…I forgot they announced the “Rakugo Association President” thing in this ep.

“Lately all we hear about is deaths…” – Basically 2016 for the wider entertainment world. (Then came Trump. Aye carumba, what is the world coming to?)

Wait, do you want to shake Yotaro or the man who impregnated Konatsu?

I wonder how the reality of the Sukeroku scene played out…maybe it demonstrates his senility, interpreted one way.

Lilies, chrysanthemums and daisies…white is the symbol of death in Japan. (The chrysanthemums are yellow but the theme is the same.)

(ep 15)

Fresh new ep…well, I’ve been keeping this one since it first rolled out to the public, so it’s not entirely fresh. However, this is as fresh as it’ll get in regards to how the simulcast commentary goes.

Urk, why must CR be so insistent with turning “Descending Stories” into the title? It’s hardly convenient.

Imawa no Shinigami…I saw the video on ANN. It’s a nice song, but hard to put on repeat because the visuals are so good.

Whoa, even I can tell how fast Yota’s motormouthing, and I’m not even listening to it!

“Fussing to the shamisen”? What’s that?

She (Konatsu) clearly mouthed “papa”, and I think that word goes across multiple languages.

Huh. There’s no identifying name on this story, and it seems so crucial. That’s why I asked for a full guide of them (like the books that you sometimes see Kiku practising out of).

You can tell what books I’ve studied and the random things I’ve picked up from the quotes I can spout at a moment’s notice. For example: “…full of sound and fury, signifying nothing…”

Amaken’s eyes are funny while he gripes about the shinuchi’s role.

Who is this glasses guy? I can’t read the kanji…

Kappore. It’s something like this, anyway.

Was that a non-language-barrier pun? (About how the story suddenly switched to being about women in Yoshiwara.)

He’s (Yotaro’s) motormouthing again…

Higuchi really is a spanner in the works for Yakumo, eh? Especially because it turns out he’s the one who begged Yakumo for work the day 7th Yakumo collapsed. Karma’s such a pain in the butt, isn’t it?

Oh no! I-If Kiku dies next ep…where will the story be? Surely, we have Yotaro/Sukeroku and the Yakumo legacy, Konatsu and Higuchi, but I’ve learnt from the SGRS discord that Kikuhiko really is the glue of this work and this fandom. Don’t let him die or else we’ll all have a real funeral service for him…(well, maybe not that extreme, but people will be in real mourning due to a fictional character…and that’s bad.)

(Classicaloid 14)

I’ve seen from all the “best of 2016 anime” posts that Classicaloid’s gotten on to a lot of critical reviewers’ lists, but looking at my top 10, it didn’t make it. (If you’re wondering, it’s currently in spot 12 and since it’s a 2016 list, it won’t move up from there.) As for 2017, it’s currently in 4th place, but it’s likely to get debunked by later anime (Inuyashiki for one, since I’ve heard about it…if I hear about its source material while it’s still a manga, then its anime has a lot of promise!).

Beethes? On love? That’s new.

A capriccio is “following one’s fancy” according to Google-sensei, while I already knew poco a poco to be “little by little”.

Not all those foods Kanae listed are Russian, right? Pirozhki I know is Russian via YoI, but stroganoff clearly is not. To confirm my suspicions, I asked Google-sensei about gazpacho and that’s Spanish.

Gorbacho…? I might need to check that one over, but Sensei has nothing on it.

Those gyoza buddies have already appeared twice in this ep (excluding the OP) and both were in Kanae’s vicinity.

The foods listed are just local specialties of the area. Okonomiyaki is quite known as an Osakan one, that’s why.

They teach kids how to make vodka in this show…that’s slightly horrifying…Please don’t try making vodka at home, kids.

The birds…are so adorable! Ahh!

“Madol” appears to be a squashing together of “mad idol”.

This is actually very enlightening. At least from Bada’s perspective.

It’s not even the usual credits. It looks like karaoke…and that’s the entire point. There’s even lyrics!

(Masamune-kun 2)

The problem with Kirito-face (Masamune) is that he keeps going over his problems day by day, as if he can’t live without focussing on his revenge. Unfortunately, that’s the point of the show. I know it can do better than that! Plus, Heike Monogatari.

BL sandwich?

Okay, I’m definitely out of here. Ew. Fanservice without any particular reasoning is the worst.

(…but why did I leave the video long enough to find out that Makabe doesn’t even look adorable when stuttering? Yet another reason to leave.)

(Osomatsu-san ep 16)

The one episode I really liked (aside from the feels-getters), aka The Mad Max Parody…I think.

Manekineko behind the interview.

Apparently, Matsuno Matsunan can be read as “Matsuno Makkusu”, but the subs never explained that now, did they?

LOL, Iyami’s too visual kei in this.

Matsu in that case meaning “end”, but…you know…Matsu of the century…

The innuendo…it’s slghtly grating the second time ‘round, but it made me laugh the first time.

Welp, from that one segment, you basically learn how to make a successful non-Gintama…well, success…in Japan.

Highly relatable, but painful due to it being relatable.

Why is the Karamatsu!Ichimatsu not a meme like the Todomatsu face?

Matsu-cest…squick. Why do people ship that?

Technically, only fans of Karamatsu are Karamatsu girls…or boys.

Why is this second face not as memeful as the first?

With a series like this, you really have to be careful that it’s funny every time…because it’s only one third as funny the second time around, at least for this episode.

#simulcast commentary #showa genroku rakugo shinjuu #classicaloid #osomatsu-san #showa genroku rakugo shinju #Chesarka watches SGRS #Chesarka watches Classicaloid #Chesarka watches Osomatsu-san