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#almost cried at some point bc - as someone in the comics industry - it's so deeply heartbreaking to see how little respect comics get
ntshastark · 2 years
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X-Men: Evolution is nothing like the comics
But still a better adaptation than the MCU
So, this tweet kind of really annoyed me. It’s in portuguese, but it says:
Good thing X-Men Evolution came out at a time when there wasn't much access to the internet, if this cartoon had come out now in 2022, even though it's a VERY GOOD cartoon, it would be massacred by the internet for not being faithful to the comics
My problem with it is how it implies that comic stans will tear any adaptation down if it’s not “faithful” enough. I won’t deny some people are like this, but I’d actually say (most) comic fans are actually more likely to enjoy an adaptation that’s nothing like the source material than most people. Under the right circumstances.
(Disclaimer: Whenever I say ‘comic’, assume I mean Marvel/DC comics unless stated otherwise; and whenever I say ‘film’ or ‘TV series’, I’m including both live-action and animation)
First, I want to make it clear that I’ve loved few cartoons in my childhood as much as I’ve loved XMEvo. It was HUGE in Brazil, as popular as XMTAS is in the USA. It was literally my first superhero obsession, and it actually, still to this day, colour a lot of the things I feel about the X-Men.
Second, I want to defend the right to not like an adaptation for not being faithful. I’m a fan of The Princess Diaries (book series), so that’s a pain I know all too well. It sucks to see a character or story that you love be turned into something completely different, and it’s a thousand times worse when this twisted version becomes the most popular one.
But anyway. How to be a good adaptation without “being faithful”?
1. Being its own, separate thing
Comics are basically the most adaptable stories there are. Those who read them are familiar with the multiverse, likely have several different versions of the same characters that they like, and sometimes even prefer an elseworld than the main universe. If you make a film or a TV series based on a comic and, from the start, treats it as just another different universe, it’s unlikely that a lot of people won’t like it just because it’s different. Maybe they won’t like those specific changes, but just the fact that there are changes is completely understandable.
(XMEvo never tried to be like 616, or even Ults, it always made it clear that it was an AU)
2. Not claiming to adapt directly if you’re not going to
Another thing about comics is that they’re old as balls. By this point, literally everything’s happened at least once, probably twice, maybe three times but with a different name now. It’s not like a book or even a graphic novel or a mini, where there’s a linear story with beginning middle and end. So there’s a huge number of stories for adaptations to choose, or even just tap into. If the adaptation isn’t an origin story, or specifically say it’s going to be based on a certain arc, no one is even gonna be able to directly compare it to the source material.
(The name ‘X-Men: Evolution’ isn’t a callback to any specific arc - at least that I know of - and neither are any of the episode names - which tbh really surprised me. The series taps into some origin stories but none of them are really the main focus)
3. Not being the only adaptation
And, side effect of comics being old as balls, there’s adaptations to spare. Rarely a book will be adapted more than once, unless the first adaptation is a success and then the adaptation itself gets a remake. The only exceptions I can think of are Literature Classics (so even older) and Percy Jackson (exactly because the fans hated the first adaptation for not being faithful to the books). The fucking horrendous Princess Diaries adaptation is actually getting a damn sequel.
Basically, comic fans are used to adaptations. They inevitably reach a larger audience than the comics and influence their perspective on the characters, which is “dangerous”. But adaptations end, the next one happens, the general public’s perception is adjusted again. An adaptation that people know is an adaptation and treat as an adaptation is never going to annoy a fan of the source material the way an adaptation that’s treated as the main version, or, even worse, seen as an original work, will. And being less annoyed by it means you’re more likely to give it a chance, even with it being different from the original.
(XMEvo came out 3 years after XMTAS ended, lasted 3 years, and 4 years later Wolverine and the X-Men came out. It also premiered the same year as the first X-Men live-action film)
4. It’s ok if it’s not, the comics are still there
And the thing about comics is that they don’t die. Even if the adaptation is bad, the comics are still coming out and you can just focus on reading them and ignore the rest. Sometimes, however, elements from the adaptation are incorporated into the comics. You can only hope it’s done in a organic manner and doesn’t interfere much with the established characters and relationships you already love.
(XMEvo did have an effect in the comics, as it was the first appearance of Laura Kinney. Laura was introduced in the comics as a new character, after XMEvo was already finished)
And what does the MCU has to do with this?
Well, you see. The MCU does absolutely not a single one of those things.
2. It chooses specific arcs to adapt - or claim to.
The MCU isn’t adapting “vibes”. Each character besides Spider-Man has their origin story adapted. Event names show up in the actual titles. Sometimes comic panels are directly recreated on-screen. There’s no way it could pretend to not be directly using specific comic storylines as a base (and then not paying the people who made those comics).
A film based on a book is supposed to tell the same story of the book. Maybe some details change, but the story is the same. Comics usually have a lot more leeway, but if you choose to wave that, you should be prepared to have your film/TV series judged accordingly. Committing to adapt a specific comic arc is completely different than simply making a movie about a character or a team that has decades of stories to pick elements from.
3. It monopolises adaptation. 
Not only have other Marvel adaptations been based on the MCU instead of the comics for a long time now (ex.: ’Avengers Assemble’ replacing ‘Earth’s Mightiest Heroes’ in 2013), but recently every single Marvel animated project was cancelled (’Guardians of the Galaxy’, ‘Avengers: Black Panther’s Quest’, and the entire Marvel Rising line-up all ended in 2019. ‘Spider-Man’ ended in 2020), and projects set in the MCU were announced (’I Am Groot’ in 2020, ‘Spider-Man: Freshman Year’ and ‘Marvel Zombies’ in 2021).
[[For the sake of completion: ‘Hit-Monkey’ (2021) was cancelled and ‘M.O.D.O.K.’ (2021) is in limbo. The only non-MCU animated properties still going - besides Sony’s Spider-Verse - are ‘Baymax!’ (technically based on Marvel comics, but in practice just a Disney property), ‘Moon Girl and Devil Dinosaur’ (has been in production since 2018 and keeps getting delayed) and ‘X-Men '97′, which is actually the first non-MCU project fully produced by Marvel Studios (it’s clearly being done to promote the introduction of the mutants in the MCU, but at least some good is coming out of it) (ETA: Marvel apparently can’t recast the Fox X-Men cast until 2025, so I guess the only way for them to do something not MCU-based is not being legally allowed to)]]
It’s not that bad when a comic adaptation doesn’t do your favourite character justice if another, hopefully better, one happens not too long after, or even simultaneously but in a different medium. But the MCU has been going for over 10 years and there’s no end in sight. A character you like is dead, written completely different, had some of their more meaningful relationships erased, or was whitewashed? Tough luck. Maybe in 50 years this shit will be finally over and they’ll get another shot.
And, yes, this deprives Marvel fans who don’t enjoy the MCU of content, but it also monopolises the public perception of characters. That version, inaccurate as it is, is all the general public is going to know.
4. It doesn’t leave the comics alone.
Taking over all the possible adaptations wasn’t enough. There has been countless changes to the comics so that they more closely resemble the MCU. Characters’ stories, personalities, relationships. Team rosters, teams’ existences. Events are constantly recycled so that they help promote films that are (supposedly) based on previous events. It’s all done extremely obviously and clearly under instructions from above. Nothing about it is organic, most of it barely even makes sense.
There’s nowhere left to run. Adaptations other than the films are now either based on it (if you’re lucky) or part of it. The comics are being moulded to its image, usually to their detriment. Everyone else in the world sees “Marvel” as a synonym to "MCU”. Your favourite character is now incredibly popular, but only as a whitewashed antisemitic version, and if their fans could spit on you via twitter for pointing that out they would.
1. It doesn’t stay on its lane.
The MCU straight up claimed for itself the reality number of the original comics universe (616), even when it already had a established reality number (199999). It is in no way satisfied with being an adaptation, it needs to have the center stage. The comics, the original universe, what started everything, is pushed aside in favour of it. And this was officiated when they gave it the main universe’s number. The MCU is the main universe, and comics are simply the script’s first draft.
So I think it’s fair that “the internet” “massacres” it “for not being faithful to the comics”. Your regular comic adaptation doesn’t really need to be, but we’re way past that. If the MCU is to be the main universe, then the bare minimum it should be is accurate to the main universe’s stories.
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