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sealer-of-wenkamui · 5 years

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I didn’t write anything since the beginning of episode 4 and now A LOT has happened!

With Ange in the mix, things are progressing a bit different from normal now that she’s attacking from 12 years in the future, two points of view to take down the witch~ Oh, and I think it is likely its a cage to keep Battler trapped, especially since people in this story sure like to do that to the people they love, I mean Kinzo, Lamda...... why not Beato too? She’s cruel, but isn’t completely heartless either (that way she was tricked into trying to cheer Battler up?!)

Kyrie is right to avoid her family, Kasumi is scary, and definitely enjoys torture....

And we’re getting a look at her past too, even if Maria is dead, her soul still remains...ahhhh and Sakutarou’s too right, despite what happens......

I heard “blue truths” mentioned sometime before, so this is what they are, and the way to fight with them is to come up with a whole bunch of theories!

Lamda may have been trying to get Ange to further her own goals, but at the same time, she’s probably right that Ange won’t reunite with her family, it seems like.... the same sort of connection Bern and Rika have..... Ange and ANGE Beatrice.... uhhh the whole disappearing because she’s a piece thing though?! And what if Beato is Lamda’s piece...... Hm..... or at least Lamda made her human self a witch and can take it away.....I suppose she was around before the game so its not the same, but Lamda is still in control here. The way she was described made her sound on a different level from Beato.... Lamda is an 8th dimensional being!! OVERSEER LAMDAAAA

I can’t lie, I was thinking I wanted to see those girls saying such horrible things to Ange get killed by the stakes too, though it wouldn’t have helped Ange’s situation in the long rung... but the stakes themselves were trying their best to support her, so to do that to them....and deny Sakutarou too.....no... ;A;

But it seems like she’s already started repairing her relationship with Maria and the sisters, the hotel scene is really nice.... (and I’m glad it was Mammon whose stake remained, they were the closest weren’t they...)

AT2/AT2 NOVEL SPOILERS AHEAD

It did not help that they reminded me of those awful IPDs who said such terrible things to Infel after they learned what was in her heart, though in that case, those IPDs had gotten her girlfriend killed, and Infel actually DOES get to carry out her revenge against them....

END SPOILERS

And if that wasn’t heavy enough.... the story of Maria’s past continued, and ROSA IS ACTUALLY THE WORST!! As if I didn’t already know that, but killing Sakutarou?! And declaring to Maria’s face that he’s dead, what the hell is wrong with her?! Maria is such a sweet and innocent girl.......

And not even Beato can revive him.... And with that wish to Beato to take revenge.... I think this might be where the other Maria (the one that goes kihihihihi) came from, and even that she could be behind the Rokkenjima game, together with Beato.... The message bottles contain what seems to be a description of the games is in Beato’s handwriting, but signed “Maria”. Beato is good at making magical documents, and that signature could really be Maria’s, like how Virgilia signed the document to acknowledge Sakutarou. The thing I couldn’t understand at the time was why Maria would sign something like that, but after this....... and that other Maria seemed to know what was going on, not to mention the comments in the first game seeming to be from her perspective (Rosa’s even says she’ll get to see her again, so she won’t be lonely)

And in the end, everyone is revived in the Golden Land... what is the Golden Land.... a dream like world where everyone can live happily? (...maybe something like Sublimation..?) Escaping to a dreamlike world after going through what she did HMHMMM

And to how Kinzo fits in, they could just be taking advantage of the ceremony he created, and with the risk of the epitaph being solved, they get the power to create miracles...or something.....

....I should probably sit down and come up with a more solid idea once I finish episode 4, before starting the answer arcs......

#infel finally plays umineko #umineko spoilers #*relates everything to exa pico* SORRRY

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sayo-beatrice · 6 years

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Legend - EP 1

Massive spoilers for Legend of the Golden Witch! Do not read if you are not okay with spoilers!

First Game Legend of the Golden Witch

Culprit: Sayo Yasuda Accomplices: Nanjo, Genji, Kumasawa, Eva, and Hideyoshi

Preparations: In Chapter 6, after talking with the cousins, Shannon ran off claiming that her break was over. It stated that she was headed toward the rose garden, but we didn’t see her after that. In this same chapter, Kanon was unaccounted for the entire time. Rosa and the cousins soon left Maria alone in the rose garden, since she refused to stop searching for her lost rose. Yasu, as either Shannon, Kanon, or Beatrice, gave the letter to Maria while she was searching for her rose in the garden. In this game and almost all the other others, Yasu told her to read it to everyone at dinner. Along with this, she must have taken the rose on the way to the rose garden to keep Maria there, otherwise it was simply a prediction of hers (it would make sense, she predicted the typhoon).

First Twilight: In the dining hall, Yasu killed Krauss, Rudolf, Kyrie, Rosa, and Gohda, hence the blood on the seats. It is not certain why she killed those particular people, but it was most likely so that the adults wouldn’t solve the epitaph before Battler, which is what she wants to happen. With the help of one of the servants (she is the head, so they will obey her, and nobody else would help her; for more context, the servants with the exception of Gohda all accept Beatrice as their second master in Chapter 12), Yasu moved their bodies to the rose garden storehouse and painted the magic circle to give off the witch’s presence.

Although it is very discreet, Yasu presumably bribed Eva and Hideyoshi to conspire with her. Before she is killed, Eva refers to the blood as “horrible makeup” with a very firm tone. In Chapter 10, Hideyoshi did not allow George to come near Shannon’s body with the excuse of preserving her dignity. Nobody except Eva and Hideyoshi saw “Shannon” on the ground. That’s where Willard’s solution comes into place. “Illusions to illusions. The corpse that cannot return to earth returns to illusions.” Shannon’s corpse isn’t real because Kanon was at the scene, so lies took place.

To explain the scene at Natsuhi’s room, we will go back to Chapter 6. Maria rants about how scorpion charms ward off witches such as Beatrice. Shannon reaffirms this theory, and later puts it to use while planning the six murders. In Chapter 8, Jessica gives her scorpion charm to Natsuhi, and she hangs it on her door. Yasu most likely saw the charm and gave up on killing Natsuhi (keep in mind the purpose of killing the parents). She then settled for Gohda, who is the only servant who didn’t know the truth about her. To add the finishing touch, Yasu added the fake blood she uses later in the murders to her door to scare her, which fully recreated the scorpion charm myth.

Second Twilight: According to the epitaph, the victims of the second twilight will be “two who are close.” The only two who are close are the married couple of Eva and Hideyoshi, and are also dangerous accomplices who could expose her, so it would be twice as reasonable for Yasu to murder them. At a time where Kanon was unaccounted for, Yasu went to Eva and Hideyoshi’s room dressed up as Kanon. She shot them in the head and placed the stakes in the bullet spots in order to stick to her epitaph motif. Hideyoshi was placed in a running shower to create further chaos and confusion. It can be presumed that they were shot first because otherwise blood would be all over the walls and the bed.

Afterwards, Yasu went to the kitchen to get Genji as a watchdog in order to paint the magic circle. We as the readers are tricked to think that they are innocent and just checking on the couple. This can be predicted because the magic circle just suddenly appeared when Kanon came back with Kumasawa. It is said that it is a perfect closed room, but if they knew that these events occurred, they would probably come to a conclusion that is the same as mine. “Illusions to illusions. A chain of illusions can only hold back illusions.” Eva and Hideyoshi never mentioned a chain locking the door, only Kanon and Genji, so it had to be a lie. Even if the chain existed - logically, it would be easy for Yasu to lock the chain before leaving the room, creating the illusion of a perfect closed room.

Fourth Twilight: In Chapter 12, Eva talks about how she placed a receipt into the study door before she asked Natsuhi to go check on Kinzo. When Eva and Natsuhi went along to check on Kinzo, he “disappeared” and wasn’t in the study. Additionally, the receipt was in the exact same place as Eva put it in as they entered the door. To clarify, the receipt really exists because Natsuhi later says that she threw it in the trash when she saw it on the floor.

This would create a closed room scenario if not looked upon carefully. But with the evidence presented, it can be concluded that Kinzo was never there in the first place, even though everyone says he is. What would this suggest? He was already dead. “Illusions to illusions. Let the man of illusions go to where he belongs.” Krauss, Natsuhi, and the servants are “seen” with Kinzo throughout the first half of the novel. But looking back at what I just said, that is not possible. This means they are all faking his death, most likely to prevent a crazy incident to happen within the Ushiromiya family (I mean, look at the Rokkenjima Mass Murder). Knowing all this, it would be extremely easy for Yasu to stage Kinzo’s death to the unknowing family members.

Fifth Twilight: Considering the alibis, there is no possible way for Kanon and Kumasawa to hear a door closing in the boiler room. Kanon rushed down to the boiler room and saw “Beatrice.” Since Beatrice is Yasu, Kanon yelling at Beatrice would represent Yasu’s internal conflict about being a murderous sadist who causes grief to Battler and the others. In the end, Yasu goes through with it and stages a death for Kanon, so she can finish the last twilights easier. She presumably used the blood-like substance that was on Natsuhi’s door to stage Kanon’s death. “Illusions to illusions. The witch and stake of illusions can pierce naught but illusions.” The stake that apparently pierced Kanon was near him, not in him. Additionally, he was face down and the only confirmation of his death and the stab wound was Nanjo’s inspection.

Sixth, Seventh, & Eighth Twilight: The letter in the study must have been sneaked onto the table by one of the servants; most likely Genji. After all, Genji was with Kanon during the preparations for the second twilight, so he must have also slipped the letter under the door. While everyone was looking at the epitaph in the study, Maria and the servants were the only ones who weren’t seen. Maria couldn’t have done it because she legitimately believes in magic. After Natsuhi kicked Maria and the servants out, they went to the parlor. When the group in the study came down after getting the phone call in the study (from Yasu or Maria, this would also imply that Genji lied about the radio and phone not working), Maria claimed that Beatrice came through the door in the form of golden butterflies and spoke to them.

Again, when Genji said he was going to give all the keys in the mansion to Natsuhi, he lied because Yasu couldn’t have gotten in otherwise; Genji would have to lock the door in order to create an illusion for Maria. “Illusions to illusions. Illusions are the blind girls's song. Illusion of a closed room.” Adding onto Maria’s claim, she stated that Beatrice told her to face the wall and sing while she killed everyone else in the room, in order to prohibit Maria from seeing how she really does it. Either Yasu or Maria made the phone call and just left the wire hanging. Afterwards, Yasu left a taunting letter for Natsuhi and waited for her in the area with the portrait. Lastly, on the notion of Kumasawa being frightened (as Maria stated), it can simply be explained as her anxious nature toward the subject of death. Even if she knows something is going to happen, she’s still scared, as seen during the second and fifth twilights upon the body discoveries.

Final Moment: Natsuhi never fired the gun until the fight with “Beatrice.” The only logical explanation is that the gun had blanks (not by coincidence, Yasu had access to Kinzo’s room and his weapons; this means that she could tamper with them), because Natsuhi has no reason to kill herself as Jessica thought she did. Additionally, Alliance of the Golden Witch gives us two useful truths to help prove this:

“The bullet that killed Natsuhi was not fired from Natsuhi's gun; the thing that shot Natsuhi wasn't a trap, it was a real shooting murder with a gun raised and trigger pulled!”

The letter was about a duel between who should be the family head, as described as Natsuhi through her battle cry. Yasu revealed herself (dressed as Beatrice) to the children and simply waited for the explosives to go off (Rokkenjima used to be a military base of sorts, as elaborated on in Requiem of the Golden Witch).

Aftermath: It is said in the credits that Maria sent a message bottle to sea about the mass murder, but this was probably a fabrication by Yasu in order to conceal her identity to the police. The deaths by the game’s end were symbolized as “goats chewing them up,” which most likely refers to the Goat Butlers. Also, Shannon and Kanon can apparently exist as different beings inside Purgatorio, possibly because it is described by Bernkastel as “Beatrice’s realm,” and that Beatrice herself is a representation of the rules of the games (she doesn’t know about Yasu yet).

Pure Theory: Lastly, in Twilight of the Golden Witch, it is implied that Yasu committed suicide by drowning in the real world after the massacre and Battler tried to save her. Unfortunately, he didn’t succeed and instead suffered major brain damage and amnesia, making him a new person (Tohya Hachijo). This would mean that the only logical explanation for Battler not knowing anything in Legend of the Golden Witch and thinking it’s his normal life is that when both Yasu and Battler (Tohya’s former life) arrived in Purgatorio, Yasu started her game plan immediately.

Bonus: Here I will talk about how I think the Umineko universe and its writing works. It’s a bit simplified, but I hope I make sense.

Real World: The universe of Umineko When They Cry has multiple layers. The main two consist of fantasy and the real world. The message bottles are Yasu’s plans to murder the entire Ushiromiya family, but she never went through with them. In the first and second episodes, we see two of her message bottles in action. In addition, Ikuko’s novels (the third to sixth episodes) are based off of Yasu’s other message bottles that we haven’t seen.

Fantasy still plays a major part in the real world and how it shaped the characters. As seen in Twilight of the Golden Witch, Tohya comes to terms with everything in the end, with all of the magic and human characters around him. This was not just for us to see nor was it only an ending that wasn’t supposed to make sense. It would imply that the magical perspective of Battler and his adventures with Beatrice was part of Tohya’s thoughts and his regret over Yasu’s death.

Fantasy and Magic: Ange also has these types of thoughts, as revealed more clearly. Starting from the third (mainly the fourth) episode, we see that she uses Maria’s diary to escape in a fantasy world and go back into her past where she played around with the members of Mariage Sorciere. Bernkastel embodies her nihilistic thoughts of her life and the people around her. While it is supposed to look like the Ange we see in each episode is traveling to one world to another, it is actually a linear explanation of her experiences with a bit of magic added in.

The eighth episode concludes Ange’s journey, and shows that she has come to terms with everything that has happened to her family and herself. Ange in the seventh episode can be interpreted as what Tohya imagined she would feel when she discovered the truth, as Requiem of the Golden Witch is basically Tohya discovering the truth. This includes Yasu’s whole history, not just her plans to murder the Ushiromiya family.

#umineko no naku koro ni #umineko when they cry #legend of the golden witch #battler ushiromiya

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kyuu-rereads-umineko · 7 years

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Ep5, Chapter 14 (Part 2) & 15

It’s been four months, let’s get back to this. I think I can get through the rest of this okay.

...WHO AM I KIDDING NO I CAN’T AAAAAAAAA

“A plea bargain. If you acknowledge that Krauss is the culprit, Erika will suspend her pursuit with regards to Natsuhi.” bernkastel really is true neutral right

Beato hesitates, and Natsuhi rejects the offer entirely. Bern points out that if Beato loses here - if Natsuhi’s found guilty - then she’s as good as dead.

Ronove and Gaap argue that, since Bern and Lambda are really just bored and want to be entertained, it’d be in Beato’s best interests to concede and put the blame on Krauss, while Beato refuses to abandon this kakera’s Natsuhi.

“I won’t abandon her! Even if everyone believes that Natsuhi is the culprit, I will still claim that I, the witch, am the culprit...!! If I can’t even make that claim, my existence isn’t worth anything...!!” Maybe I’m reading into this too much, seeing as this is coming from Natsuhi’s piece-Beato instead of Yasu-Beato, but... This is really sad and painful to read.

Beato boldly proclaims that Krauss isn’t the culprit, and Bern responds in red: “Ushiromiya Krauss is not the culprit. And he was killed long ago, shortly after you heard his voice over the phone, get it?” jeez lion is absolutely ruthless in ep5. I’m really curious as to what Land of the Golden Witch’s version of Lion/Yasu as the man from 19 years ago would’ve been like...

“[Natsuhi] had now lost her daughter and husband... and everything she had gained since marrying into the Ushiromiya family.”

While the circumstances are obviously different - Yasu didn’t marry into the family, and she didn’t have children - it occurs to me that in a lot of ways, Natsuhi is a “parallel” of Yasu herself.

I mean, just off the top of my head... They both get “shabby form” or some such used against them at some point or another, they both have some sort of physical problem preventing them from having children (though it’s temporary and of a far lesser magnitude for Natsuhi), they’ve both “lost everything,” they’re both reliant on magic and mental gymnastics to keep themselves going day by day, they’ve both got issues (again, of differing severities) regarding Kinzo...

“Even wrapped up in so much sadness... Natsuhi would do all she could to protect [the family’s] honour... With this final bit of strength...” ...and while their goals are very different, I feel like there’s a parallel to draw between Natsuhi here and Yasu putting such a dedicated effort into her murder setups, despite how overwhelmed with grief they are.

And with that, everyone except Natsuhi has an alibi for the first twilight, leaving her as the only possible suspect...

Lambda proclaims that Natsuhi is responsible for the murders of the first twilight, and Bern says, “Let me add something. Due to circumstantial evidence, include the murder of Krauss.” TRUE NEUokay i’ll stop now

“From this point onward, the defendant will be treated as the true culprit.”

Lambda also denies Beato’s existence... oh noooo

“Even if her alibi is not proven... I will believe in Natsuhi’s innocence!! No matter how much you try to pin your fake truth on her!!” Thinking about it, this is indicative of how Beato and Battler are playing into each other’s character development, isn’t it? We just had Battler declare that he’d believe in Natsuhi no matter what, and now Beato’s saying the same thing. The two of them have more in common than either of them realize.

“The truth is known only by the master of the night on this island, Beatrice the Golden. I am Ushiromiya Natsuhi! Now that my husband has passed away, I am the head of the Ushiromiya family!!” natsuhi...

Natsuhi repeats her claim that Kinzo said she has the One-Winged Eagle engraved into her heart, and Bern says she’ll leave one last red truth as a parting gift. Beato immediately catches on and begs her not to...

“Natsuhi. When did Kinzo ever say it was okay for you to engrave the One-Winged Eagle into your heart? [...] You know, the real Kinzo... Not once in his entire life did he ever trust you from the bottom of his heart, and not once did he ever consider letting you bear the family crest!” Kinzo stands up and shouts at Natsuhi not to listen...

“The real Kinzo wouldn’t say that. Disappear. You, the illusion of Kinzo inside Natsuhi’s mind, beautified by her to suit her own purposes.” MAGIC 101

In hindsight, though, this is really painfully obvious. The scenes with Natsuhi & co. on the board in Ep5 are framed similarly (imo at least) to Ange & the Stakes in Ep4, which is also paralleled in piece!Beato ruthlessly erasing Gaap after returning to the study (when Battler fails his test). Bernkastel’s flat-out explained what magic is. She’s done it in a completely loveless manner, of course, but it’s still right there.

“Some last, faint element that had cheered her up until today, that had allowed her to endure as an Ushiromiya, as the wife to the head’s representative... and as the final family head... had been torn to bits.” Again, I’m reminded of what happens to Ange and Yasu when they’re cornered and their magic isn’t enough to get them by anymore. They break under the weight of everything, and it’s... really tragic and painful to watch.

The audience applauds, “and so... the ‘truth’ of this tale... was decided.”

And we see the introduction as it takes place, only chronologically this time. Eva starts attacking Natsuhi, and everyone just... stands back and lets it happen.

Everyone except Battler, who tries to intervene only to get brushed aside. I might have ragged on the guy a lot in the past, but Battler is really a good guy.

Erika intervenes, asking Natsuhi to provide her motive. She screams that she’s innocent, but “because Lambdadelta had acknowledged that the culprit of the tale was Natsuhi and woven it that way, none of the pieces would pay and heed to Natsuhi’s... to ‘the culprit’s’ words...”

Beato faintly appears and screams that she’s the culprit, and Erika denies her existence, because of course she does.

“Goodbye, Beatrice. I made you a witch expecting that you would either become my friend or help distract me from my boredom. And you’ve answered to my expectations... The second one, that is.”

Oooh, I’d completely forgotten this exchange. Beato proclaims that she’s still a witch, “even if Lady Lambdadelta doesn’t acknowledge it,” and Lambda replies that Beato “wouldn’t even be capable of believing that” if it weren’t for her assistance in the first place. That’s right, Lambda acknowledged Yasu’s catbox and allowed her to ascend to the Meta-World as Beatrice, didn’t she?

Beato’s thrown to the crowd of goats so they can devour her, but Dlanor intervenes.

“My apologies, but I have something to SAY. There is someone who has an objection to this RULING. His name is... Ushiromiya Battler.”

Battler’s at a loss, and Dlanor says, “There is nothing that is not healed with TIME. And there is no truth that cannot be reached if you spend enough time SEARCHING.” GO BATTLER

...Oh yeah, she immediately points out that the time limit for the trial is almost out. NO BATTLER

“...I have no plan. I don’t know the truth. However... If I don’t jump in now, I won’t get another chance to fight...”

“Begin, Battler!! Ready to let those goats turn you into a pile of meat along with your beloved Beatrice?!” something someth-

“Oh, and I’ll mix the leftovers from your precious sister into that pile.” BERN BEAT ME TO IT

Battler tries frantically to penetrate Erika’s seals somehow (lol duct tape), but since he doesn’t have an actual explanation, it doesn’t amount to anything.

“...Do you have any chance of winning...?” “...I left it at home. Mind if I go back and get it?” even in circumstances like this

“I promised that I’d kill you. So I won’t let anyone else do it. I’ll definitely keep that promise...!!” battler

Beato, of course, immediately calls BS, and Battler’s confused as to what she could be talking about. It’s easy to lose in the atmosphere and tension of the proceedings, but that’s definitely a big clue as to the nature of Battler’s sin, huh?

“Heh... After hearing you say that, hell might not be so bad. [...] Kill us! Bernkastel, Lambdadelta...!!” And Beato sobs and laughs hysterically. I really wonder - How much does this piece Beato actually know? Is the “truth” she doesn’t know just who the culprit of Ep5′s gameboard is? Is it the truth - the heart - of Umineko’s gameboard as a whole (i.e. Yasu)? I certainly thought it was the latter, but with lines like this... I’m not sure.

Battler frantically starts throwing out completely invalid blue truths, which Dlanor & co. effortlessly cut down since they violate either previous red truths or Knox’s Decalogue. Battler...

“Erika didn’t personally examine the corpses, right?! It should be possible for people who aren’t the detective to make a mistake when examining the corpses!!” Cornelia replies, “Know that no examination of the corpses could have been mistaken!”

This wordplay is one of the meanest parts of Ep5, in my opinion. While the red is carefully worded to avoid saying that the victims of the first twilight are already “corpses” when they’re found, it’s certainly implicit, especially this line here, from Beato earlier in the Ep: “At a glance, anyone could confirm that these corpses are dead, so it is absolutely impossible that they are just people playing dead.” It’s hard to see a way around that, unless you already know what the trick is!

Beato asks Battler to stop, and let the two of them die together. “I don’t... want to see Beato like this...”

“Her majesty as the ruler of the Golden Land... her enthusiasm as my rival... are completely gone. She’s just a pitiful woman who’s been trampled over and who has last all hope, with tears streaming down her face and a tragic smile that I can’t bear to look at...” Beato...

Battler resigns himself to oblivion by using his trump card, hoping that someone will eventually show up who’s able to break through Erika’s truth. “Well... it looks like I’ll have to break my promise to kill you after all.”

Beato begs Battler not to do it, and to let the two of them die together. I’d forgotten this...

The music kicks back into high gear, and... “Ushiromiya Natsuhi is not the culprit!!!”

Only to stop immediately. “Knox’s 2nd. It is forbidden for supernatural agencies to be employed as a detective technique.”

“See...? Real truth... is a very fragile thing. ...Does real truth exist...? And is it necessary...?”

Dlanor asks Battler to either prove his statement, or it’s over. “Then... goodbye. ...Sorry, Beato.”

“...Don’t say that. Thanks for sticking around with me. ...It was such a blood-stained tale... but it was fun...”

And so Battler gets skewered by the giant longsword, and Beato vanishes.

Back on the board, Erika’s about to lay out Natsuhi’s motive. i... am not ready for this.........

She explains that Natsuhi was basically forced to marry into the Ushiromiya family, and uses Natsuhi’s old diaries to support it. Natsuhi concedes that while she did resent the family as a result before, Krauss’s support eventually changed her mind. Erika argues that she didn’t accept Krauss’s feelings, since there’s a passage to that effect in one of the diaries.

“D... Does anyone need evidence to say they’re in love...?!”

Erika says. “Statements that aren’t red don’t count as evidence at all, and they can’t be trusted at all! All non-red letters are falsehoods that exist to deceive me!!” That’s pretty telling, isn’t it?

Similar to Eva’s diary in Ep8, it’s mentioned that Natsuhi’s diaries don’t exist for the purpose of describing her true feelings, but for catharsis - she wrote down what happened and how she felt at the time so she could let go of those emotions and move on. I dunno if that’s an intentional parallel, but it’s an interesting one.

Everyone accepts Erika’s reasoning, though Battler still hesitantly asks if Natsuhi’s really the culprit. Erika says there’s one other person it could be - Kinzo.

Erika says she’s got more than enough evidence to provide a motive for Kinzo. I’m curious as to what that motive would be, tbh... Assuming it’s not “ceremony to revive Beatrice.”

Natsuhi, of course, rejects Erika’s proposition entirely. “If they were going to call her the culprit... she would let them.”

“I think... Truth is a fleeting thing. Even if I am a good person until my death... If some heartless person after my death overwrites the records and says that I wasn’t a good person, and if that is shared with everyone else... Then even all the goodness in which I lived my life will be overwritten easily.”

Back in the cathedral, the witches and Natsuhi are the only ones left. Even though everyone there knows Kinzo’s dead already via red truth, Bern still wants to force Natsuhi to admit it herself. oh no...........

“Lambda. I’m going to make Kinzo’s location from 24:00 until the morning absolutely clear. From 24:00 until morning, Kinzo stayed in the same room.”

She also adds that Kinzo doesn’t exist outside the mansion, because lol detective’s authority (aka Erika couldn’t find any trace of him outside).

On the board, Erika lays out that they’ve searched everywhere in-depth except the second floor. Bern elevates that to red, saying “The only place Kinzo could possibly exist is the second floor.”

Erika takes everyone to search the second floor in-depth, starting from one end and checking every single room, until only Natsuhi’s is left. oh no.........

”Kinzo does not exist anywhere outside Natsuhi’s room!” “In other words, from 24:00 until morning, Kinzo was always holed up in the same room. And that was Natsuhi’s room!”

Bern offers her one last chance to pin the blame on someone else. “Call the Ushiromiya family head a criminal and crush the head’s honour to protect yourself. If you show that you have the guts to do that, I’ll change the plot into one of a tragic heroine taking the blame to protect the family head.”

“During the night, between 24:00 and morning, there exists no place for a living Kinzo to exist except inside your bed. [...] And last night, Natsuhi also slept in that same bed.”

“Blue truth. Therefore, it is suspected that Ushiromiya Natsuhi and Ushiromiya Kinzo had sexual relations with each other. Why else would a man and a woman share the same bed all night long?”

Natsuhi, of course, vehemently denies it. This is really hard to read... Natsuhi...

“By my name as the Game Master, Lambdadelta! I acknowledge that Lady Bernkastel is the victor of this game. ...If anyone has any objections, state your name now!!”

Of course, there are none. Battler’s dead, and Beato & co. have been erased. Bern proceeds to weave a kakera containing the “truth” of the story.

I don’t have a lot to say about the crime outline here. The important additions are 1) that Natsuhi disguised herself as Beatrice to get close to Kinzo, and 2) that Kinzo hid the corpses of the first twilight.

In this kakera, of course, Bernkastel has Natsuhi confess to the crime. Natsuhi...

In the parlour, Natsuhi screams and cries. At this point, even Battler seems to be accepting Erika’s “truth.”

“This is... your revenge, isn’t it...? You, the man from 19 years ago...!!”

“Are you happy now? Has a bit of that pain and suffering you’ve endured for 19 years gone away...?! I finally understand... The reason you’ve cornered me so far... is because you wanted to make me acknowledge that, right...?”

"...I will confess to a murder that occurred 19 years ago.”

And so Natsuhi begins explaining what happened in 1967. Unlike her earlier recollection with Beato & co., the servant carrying baby Lion followed her around.

The two of them arrive at the cliff, and Natsuhi reflects, “If by taking that baby... and throwing it down onto the rocky beach far below me... I could undo it all...”

The servant stumbles, falling against the fence, and Natsuhi commits her sin - when the servant fell against the fence, she reached forward and pushed her away, off the edge of the cliff.

“I didn’t even hear the sound of them crashing to the rocky beach. No, I’m sure I heard it. But because I wanted to think that they’d disappeared... I must have erased that sound from my memory...”

“I must have been wishing that the child would fall from here so much that I just had a daydream...”

Even though Natsuhi reflects on having stolen two lives, she realizes that the baby must still be alive. Well, she’s not wrong - the moment the servant went over the cliff, “Lion” as a possibility was killed.

“Right here, right now, I’ll confess to my crime! I, Ushiromiya Natsuhi... did 19 years ago... push you off a cliff... and try to kill you... But... you didn’t die, did you...”

“For these 19 years... You knew that the one you should have called your mother pushed you off a cliff... and you must have lived a very hate-filled life...”

“How’s that...? Is this enough... for your revenge...? My husband and daughter have been killed!! I’ve been made to look like a murderer... like an adulteress, even... After seeing me living in disgrace like this... Are you satisfied...?!”

Natsuhi breaks down in tears, and Erika callously brushes it off, because of course she does.

“Can you hear me?! You, the cursed child from 19 years ago...!! Are you satisfied now?! You’ve stolen everything from me!! What else could you want?! ...Please, just... forgive me...”

The screen fades to black, and then...

“...It’s useless, isn’t it... It’s all useless. ...Yeah. ...It’s useless, isn’t it... It’s all useless...”

Natsuhi lets out a short scream, and the credits roll.

#kyuutext #umineko #umineko no naku koro ni chiru #end of the golden witch

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