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#is there room for improvement? sure! i'd love to see more of orin and gortash not to mention the upper city
fandom-geek · 8 months
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just finished my first run of bg3. spoilers for basically everything, although i don't actually go into too much detail abt the actual climax, more the ending cutscenes and companion quests.
i love jergal so much. that just needs to stand on its own. he's such a sassy skeleton git who hides the fact he still cares for humanity under it all - his scene with arabella was one of my favourite moments of the entire game.
(on that note, anyone else assuming his whole "follow the weave" thing to her is him basically protecting her? finding her in act 3 surrounded by four dead adults while she has a nary a scratch certainly makes me think she's got some secret godly supervision going on).
anyway - the ending.
i think that if i hadn't been warned that there aren't any epilogue slides, i would've been disappointed. so i'm glad i knew that, even it still felt a bit abrupt because of it. but hey! given larian's history with expanded/definitive editions, i'm guessing we'll either get it in a patch several months from now or in bg3's expanded edition.
personally, i think the section from when you enter the morphic pool to when you kill the netherbrain feels very rough and abrupt. very rough. but the rest of the game is just so stupidly perfect as far as i'm concerned, with like one exception for the cut content for karlach. which is blatantly obvious even without looking at datamining, because why else would we get a ton of different types of infernal metal in act 3?
and god i would've loved to see the upper city (as advertised, larian!) and the ducal palace before it all went to shit. cazador's palace was clearly meant to be there, and i was really looking forward to my urchin tav (malias) actually walking around the upper city and having opinions.
(on that note, i loved that bust gortash has in his office [which was presumably meant to be in the ducal office but anyway!] where the founder of the counting house was an ex-urchin who didn't give a shit abt the patriars because they never cared for him before he became important. malias absolutely would've found that an inspiration for any upper city shenanigans)
but those ending cutscenes on the pier? pretty great, even if i was internally screeching the whole time gale was talking because hey astarion is right there in the sunlight and he doesn't have a tadpole. but thank god gale was just like "yeah, you're right, leaving it there is probably a good idea".
and his line abt some things being more important than power! i adore that line. it's essentially the point of everyone's quests, that power imprisons you and the most important thing in life is the freedom to choose. and of course gale is the one to verbalise that, and to openly say how fond he is of everyone!
then gale made his slightly dickish comment about astarion fleeing, lol. boys, please.
honestly that felt hilariously fitting to my playthrough where i accidentally fell into romancing gale while intentionally romancing astarion, and broke it off with gale (despite never actually being with him). yes buddy, i know you're still a bit salty about that. please wait until malias isn't distraught over their boyfriend literally burning up and running off in front of them.
(to detour for a moment - again, thank you larian for letting me play a nonbinary characters. honestly, that alone makes it a game in its own sphere of perfection, especially since vtmb 2 originally promised that then cut it then maybe it's back in with the new studio??? genuinely perked up with happiness whenever someone used the right pronouns or referred to malias in a clearly gender neutral way.)
even if astarion fleeing and his lines about it were genuinely agonising. at least the romanced cutscene with him started immediately afterwards - i was kinda debating between the "heroes" and "sunlight" options, but honestly? as absurdly good-aligned as malias is, i absolutely think they'd value helping astarion to have the freedom to walk in the sun over being heroes. pretty sure this whole adventure has shown they're pretty good at that multi-tasking element lol. and i love that astarion is so happy about going on another adventure.
like not to go tmi, but astarion's character and plot was... painfully relatable, especially when he just started sobbing after killing cazador, and it's just so good that you can give him a happy future. not an ending, of course, because i don't doubt he and malias will get into a fuckton of mischief, but like he says - he's free! it's just such a perfect moment. my favourite companion and companion quest by an absolute country mile.
i'm also just internally assuming that malias sprinted off after astarion as soon as karlach's near death brush was finished - i am so glad i went the "have my cake and eat it" route of breaking wyll's pact and saving his dad regardless. it lets wyll and malias/tav persuade karlach to return, swearing that she'll be safe from zariel, and personally malias would absolutely be looking for a way to help karlach return safely while off finding a way for astarion to walk in the sunlight.
(also i'm a bit curious abt what others think - there's a little bit of ambiguity abt whether it's just going for the sunlight, or straight up curing his vampiric nature. after all, as his grave inscription happily points out, he was turned 194 years ago and the true resurrection time limit is 200 years. since gale wants to stick around, he can call in a favour with elminster to figure out a way to do that.)
and to backtrack for a second, i am happy that malias persuaded lae'zel to make her own path instead of following orpheus' orders! was it selfish? probably, yeah, which was a bit surprising from how otherwise strongly good-aligned malias is but between that and the mindflayer choice after freeing orpheus (i asked orpheus to do that), i just... think malias doesn't want to lose that.
to explain smth for a sec, i'm going back and forth on whether to keep malias' backstory as is (urchin/orphan who grew up in the lower city) or to make them my dark urge character. from what i've heard of the dark urge, it really ties into my favourite character dynamics and themes (and seems a bit reminiscent of kotor lol), so it's a little bit of debate.
but either way, i think malias would override any moral concerns of goodness for "fuck that, this is my family and i am not losing them". regardless of which backstory i end up picking, that's definitely staying the same. but malias as a former orphan and street kid sure as fuck isn't giving up on their new and beloved family. so yeah, i think the moral concerns of "ok you were just told to go save the githyanki as a whole" would be pushed to the side of "you've always been following orders your entire life, i want you to be free".
and if lae'zel chooses to go help the gith regardless? that's great. but malias would want it to be her choice, not orders she feels obligated to follow.
i also love that you get to say "yes, let's go to the pub to celebrate!". even if we don't see it on-screen, i just love it. those fuckers (astarion included once someone managed to throw something thick enough over him so he didn't burn en route) absolutely partied until they crashed and they fucking deserved it. i love my found family shit so much. and i'm guessing that probably ties into the cut epilogue stuff, even if that was meant to be six months later.
but yeah. i just fucking love it all. now time to do my dark urge run, which i heavily suspect will also be an astarion romance again just bc i'm curious how those differences pan out.
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