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[danfielding]

right now my dvr has richie almost dies spunkless spunky be my valentine and our gang recorded BACK to BACK. the damage i took opening it to look at

[juliazine]

What’s a publication that changed you?

I was 17 years old when I found an issue of Los Angeles Valley Beat in downtown Los Angeles. It was the “Punk Issue.” I was on a family vacation, looking for ways to escape traditions and trying to become more independent. It was when I started getting into indie pop/indie punk bands and finding new contemporary music on MySpace. Not to date myself, but Myspace had been the easiest way to find new music when I was living and attending school in a small, rural town with a population of under one thousand residents.

Its was the last day of vacation in LA when I found the alternative newspaper, and I was feeling sad about going home. On the way to Hollywood Burbank Airport, my parents stopped for gas and refreshments before returning the rental car. I can’t remember where exactly I found the stack of Valley Beat but it was some place --- a diner or a gas station --- where you wouldn’t otherwise expect to find a guide on “real punk.”

One of the highlights of the newspaper was a column, “Making the Scene: Rock Critics are artists, too... just ask them” by Ron Garmon. The article covered the role of the journalist in music communities and the impact that famous “rock critics” like Lester Bangs and Greil Marcus had left. Garmon was critical of Bangs for “needing the Scene so much he never recognized it needed him far more” and argues this addiction feeds into the commodification of punk. The column ends with a call to action:

In an era of spunkless, punk, the critic’s first duty is to dynamite the house that Lester built.

To be honest, I wanted more out of the article. I thought it was too short. I read and reread the article hundreds of times that year, even cutting it out and pasting it in my journal. (Good thing I did because that preserved the article for me to share it with you today). Every sentence carried enormous weight; it read like poetry to me.

I’m not sure what Garmon meant by setting fire to Lester’s legacy on music criticism, and I’d love to ask him. For me, as a young women writer interested in  music, it encouraged me to get on a different beat. If an editor didn’t like a piece I wrote, I’d submit it to a different editor or self-publish it.

By taking back control of the publishing and business of your writing, it makes it more difficult for the “scene” to dictate what you write and publish --- and that’s punk.