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#the tired 'don't bother' the lil dances he does in every character
ithacanradio · 9 months
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i was tormented by thoughts of david tennant's characters at 15 and the same thing is still happening now at 25 he can't keep getting away with it
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crystxlclear · 4 years
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sudden desire
chapter three: so, maybe i’m not okay
part four of sudden desire
prologue / one / two / masterlist
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in which two best friends won’t admit they’re in love so decide to have a baby together instead.
pairing: marcus pike x original female character
word count: 2.5k (short lil chapter today!)
warnings: mentions of illness? other than that, none that i can think of? maybe the tiniest smidge of angst if you squint
Coraline has always been close to her father. One of her very first memories involved her perched on his shoulders at a Fleetwood Mac gig. He'd managed to sneak Cora, her brother, Daniel, and her heavily pregnant mom side-stage — the perks of him managing the venue at the time, in between jobs — and he'd cried when he'd heard her singing along to his favourite band. The show was all she'd talked about for a solid two weeks. Sure, the memories were a little grainy and probably warped by a crackly VHS tape of her mother's that she used to watch almost every day, but they were memories she held onto it as tightly as she could.
It was her father who took her first (dreadful) headshots, and him who she'd turned to when her sister died, and him who'd persuaded her that leaving everything and everyone she knew and loved back in Michigan to settle down in California (and then, later, D.C.) was a good idea. She owes her dad a lot, which is why the phone call has been playing on her mind all day.
The call came at 3am. She'd only fallen asleep two hours earlier, after Loren had arrived to pick up Maisie an hour late, hair a mess and rushing to apologise. Marcus had left a little while later and she'd practically collapsed into bed a few minutes later. She'd been woken by the low humming of her phone vibrating against her bedside table as it shot light through her dimly lit bedroom. She'd groaned uncomfortably and reached for it, cheek wedged awkwardly between her pillows and the mattress and legs tangled wildly in the sheets (Scott had always said she wriggled a lot in her sleep, but she'd always assumed he was exaggerating, until she slept alone).
She'd scowled when she'd seen it was her dad; he knew her schedule, and she'd told him she was up early when they'd spoken earlier that day. He never rings her late and it takes a moment for the frustration of being woken early by her phone to bleed away into worry and concern.
"Hello?" She'd croaked our groggily. "Are you okay? Is mom okay?"
She'd been met with a chuckle. His voice was low and gruff when it came, unusually thick and strangled. "Hey, Corrie." There was shuffling on the other end, hushed voices floating in and out of focus, until the phone went silent enough to think that maybe he'd hung up and hadn't meant to disturb her at all.
She'd scowled but her phone assured her he was still on the line. "Dad?" She'd called out to him. The panic had begun to rise when it wasn't his voice that replied.
"Coraline," her mother's soft voice breathed out. It was like a sigh of relief. "Sorry to bother you." Her French accent tipped the corner of her words. It always got stronger when she was upset or worried or scared, and it was especially thick now.
"What's wrong?"
Another pause. "Your father is in the hospital."
"What?" She’s suddenly holy upright, fear turning her blood to ice.
"He's fine, don't worry." She'd assured her. "He’s had some problems with his breathing again. They're doing some tests."
She'd almost booked a flight back to Michigan, almost abandoned filming and ran back home to make sure her dad was okay. The last time he'd been in hospital, it had been touch and go, and they'd spent an entire day huddled at his bedside in fear, just in case he'd stopped breathing. It was touch and go, and she couldn't live with herself if the worst happened and she never got to say goodbye to the man she owed so much to. She'd been in the process of scanning over the next flights on her laptop when her dad had taken the phone back from her mom and practically demanded that she stay in D.C.
Eventually, she'd relented. He'd promised to update her and she'd told them she loved them both before hanging up. But the phone call had sent her entire day into a tailspin.
She’d tried to sleep the extra hour and a half before she had to haul herself to work but her mind was running too wild for that. Even despite the reassurances, worry was plaguing her thoughts and panic was forcing her eyes open. Everything was just too much.
The last time it had happened, she'd had Scott. It was back when things were good, and he'd held her as she'd finally fallen asleep, curled up against him in an uncomfortable hospital chair.
But, now, he’s gone. Now, then, she was stood on set alone, trying her best to bite back a yawn and the tears, with so much concealer hiding the dark circles under her eyes that she can feel it clinging desperately to her skin. And, of course, life had picked the day when they had the most action scenes to film to deprive her of sleep.
Her entire body ached. She isn't sure how she's still standing after the first hour of work, with her legs protesting with every movement. Two hours of sleep and the running and the jumping and the endless stunts had sapped every last scrap of energy from her bones. She'd carried on stoically for most of the morning but she's truly never been more grateful for a lunch hour before, when she finds herself curled up against the couch in her trailer, passing out even despite the panic still swelling in her chest. She'd been surprised when she hadn't cried — maybe she was just too exhausted and her body simply couldn't muster the tears — but she's grateful she manages to keep the tears in because she doesn't want to haul herself back to set with mascara tears on her cheeks.
She’s even more grateful when she makes it home after a day that feels like five rolled into one and the scattered couch cushions look far too inviting for her to ignore.
It's an uncomfortable sleep and she wakes with the beginnings of a headache thrumming through her skull and a stiffness in her spine that she can't seem to straighten out. She's not sure how long she's managed to sleep — barely half an hour, she assumes — because she's woken by a soft knock on the door instead of the alarm she'd set on her phone. It wakes her with a jolt and she can't help but groan at the aching protests her limbs give when she stands. She shuffles across the apartment to the door and Marcus is stood there, smiling, his suit jacket and tie draped across his arm.
She's half dressed too - only he looks a damn sight better than she does, because his hair isn't dishevelled and messy and his shirt isn't twisted half way around his torso. She shouldn't have slept in her clothes but at least she had the hindsight to take off the stiff jeans. Except, now, she’s startlingly aware she’s standing before Marcus in nothing but her underwear and an unforgivably tight tank top.
"Good evening, Sunshine." He grins, that smile that makes her think that maybe he should be the one she called 'Sunshine'. "I brought you coffee." An odd offering at nine on a Wednesday evening but she’d been complaining, via text, about the lack of quality caffeine all day. Marcus offers her a polystyrene takeout cup as he steps inside.
"Lifesaver," she mumbles as she grabs it by the flimsy top and shuffles towards the kitchen to pour it into her unused Death Cab for Cutie mug — the mug her brother bought her three birthdays ago — and sips on the coffee. It's far too hot but she doesn't care; she needs the caffeine just to keep her eyes open. She grabs the blanket that she’s been sleeping under and wraps it around her waist, hyper-aware that she’s still wandering around in her underwear. She’s almost too tired to care.
"Are you okay?" It’s almost like he can tell. Though, she’s sure it probably has something to do with the dark bags beneath her eyes. She’s sure it probably looks like she’s been punched square in the face.
She shrugs. "I'll be fine. 'm just tired," She hums. Coraline slumps back against the couch cushions, pulls a thick blanket back over her body and lets her eyes flutter shut again. She groans and pinches the bridge of her nose.
"Bad night sleep?" There’s bags and piles of fresh laundry piled on the chair he usually sits on, a product of Coraline’s half-hearted attempt at productivity. Instead, he resigns and sits down beside her at the opposite end of the couch, lifting her legs absentmindedly to rest in his lap, sipping on his own drink, and smiling at her sympathetically as she stifles a yawn against the back of her hand.
Her eyes drag towards him when she opens them again. They rest on his face, studying everything from the softness of his brow and the curve of his prominent nose, to the scattering of facial hair that dances across his jaw, small patches of grey poking through at the edges. She’s glad he kept it after whatever undercover work he’d been assigned to before they’d even met. "If I tell you it was the worst night sleep I'd ever had, in my entire life, would that make me sound dramatic?"
"You? Dramatic?" Marcus scoffs and a smirk tugs at the corner of his lips. His free hand rests on her leg; he draws patterns against her skin but she’s not even sure he realises he’s doing it. "Never."
“Shut up.” Coraline glares at him but smiles, regardless. "Well, I think I'm allowed a pass today."
His face falls at her words. "What happened?"
She sighs and takes a hand through her hair. "My dad-" She eyes him as he watches her intently, brown eyes soft and comforting. "-he's ill again."
Cora had told him about her dad's illness, about how she worried he'd wind up back there again, in the hospital, that things would be worse this time. He'd listened to her like what he was saying was the most important thing in the world and she'd almost cried when he'd held her in a hug a little longer than usual. It was that night that she’d tried to ask him about his past; she wasn’t sure if he was trying to avoid telling her because he didn’t trust her or because it held things he didn’t want to relive. She half-hoped it was the latter, but she hated to think that he might be bottling things up, things he didn’t want her to know or didn’t feel comfortable sharing.
She wishes he’d tell her things. She’ll understand, no matter what it was. She’ll listen, like he does to her, for as long as he needs, as long as he wants.
It’s almost comical how different they are in that sense. Marcus is reserved, closed off, but in way that doesn’t suit him. It’s like whatever exists there, whatever memories lingered, had been withered by sadness, by something or someone, until there’s a barrier guarding his secrets and story that he hasn’t meant to build. She sees the softness in his eyes when she tells him her stories or shares her fears, like his heart is aching to spill the details of his past. Like he can’t let it out. It works for his job — undercover work, secrets, classified information — but somehow it doesn’t suit the smile and the softness of his words as he illuminates Coraline’s darkness.
Coraline, on the other hand, finds her words spilling from her chest before she can even hold them back. She’s not sure if it’s just him — the reassuring smiles, the soft brush of a hand, the gentle voice — but they pour from her at an almost embarrassing speed, like a waterfall of words cascading at regrettable speed. She’s not even entirely sure that she won’t spill her secrets to the next stranger in the street who offers her a smile. But that works for her job; people prying, picking her apart like vultures, scavengers of information found tucked away out of reach. It’s the worst part of the job description, to expect someone to know every detail of your private life, but she often thinks she’s open enough to sate them, until they leave her alone at last.
On paper, they make no sense. Jobs, the polar opposite, necessary privacy mixed with relentless publicity. Open and closed doors. But Coraline thinks, perhaps, that’s why they work. It balances them both out.
Marcus reaches over and catches her hand in his. There's barely any space between them because of the way they’re sat, with her feet prodding at his knees. "I'm sorry, Cora," he whispers, his thumb running over her knuckles softly.
After a shaky smile, gazes locked for maybe a little too long, Coraline stands up and smooths out her shirt. As much as she appreciates it, and appreciates him, she doesn't want to cry. Not today. "It'll be okay." She scrapes her thumb under her eyes, brushing away the black smudges that she's sure have formed underneath her eyes, and finishes the last of her coffee. "Everything will be okay."
Cora isn't entirely sure she believes that.
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