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branwendaughterofllyr · 21 minutes
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(Some) Ladies of Westeros: 
top row: Shireen Baratheon, Daenerys Targaryen, Cersei Lannister
middle row: Margaery Tyrell. Arya Stark, Catelyn Tully
bottom row: Sansa Stark. Asha Greyjoy, Arianne Martell
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branwendaughterofllyr · 21 minutes
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“Little Bird” and “Haunted Lands” by Dana Guerrieri.
FOLLOW KICKSTARTER FOR MORE ART: http://kck.st/1EVMKCK
Dana is a freelance illustrator and concept artist, a veritable cat lady, and possibly a mermaid.
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Karl Ferdinand Sohn (German, 1805-1867)
Die beiden Leonoren
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FEMALE AWESOME MEME. ↳ [1/3] bossy queens ★ wylla manderly (asoiaf). Did you see how brave she was? Even when I threatened to have her tongue out, she reminded me of the debt White Harbor owes to the Starks of Winterfell, a debt that can never be repaid. Wylla spoke from the heart.
@lgbtqcreators creator bingo: literature + team color
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Sylvia Plath, from The Collected Poems of Sylvia Plath; "Three Women," (edited)
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Queen Helaena Targaryen and Dreamfyre
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mfw i makeout with my bf on the couch right beneath my brother's portrait
see below for ref
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“Lord Byron gets up at two. I get up, quite contrary to my usual custom … at 12. After breakfast we sit talking till six. From six to eight we gallop through the pine forest which divide Ravenna from the sea; we then come home and dine, and sit up gossiping till six in the morning. I don’t suppose this will kill me in a week or fortnight, but I shall not try it longer. Lord B.’s establishment consists, besides servants, of ten horses, eight enormous dogs, three monkeys, five cats, an eagle, a crow, and a falcon; and all these, except the horses, walk about the house, which every now and then resounds with their unarbitrated quarrels, as if they were the masters of it… . [P.S.] I find that my enumeration of the animals in this Circean Palace was defective … . I have just met on the grand staircase five peacocks, two guinea hens, and an Egyptian crane. I wonder who all these animals were before they were changed into these shapes.”
— Percy Bysshe Shelley on the lifestyle of Lord Byron (via timemarauder)
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A member of the rock people greeting visitors at the cemetery gates, Ireland
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via @indiarosecrawford
𝑓ₒᵣ ⲕᵢ𝑛𝑔 ₐ𝑛𝑑 𝑐ₒ𝑡𝑡ₐ𝑔ₑ
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MONKEY MAN (2024)
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Romantic Lined Envelopes on Etsy
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we've found it folks: mcmansion heaven
Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.
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Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.
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It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.
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The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.
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It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.
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And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.
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Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.
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A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.
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Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.
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At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.
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And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.
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a song of fashion | house targaryen
Like their dragons the Targaryens answered to neither gods nor men.
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alacrán y pistolero
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your rhaenyra is biblically accurate canon milf
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thank u i wanna scissor the sadness out of her so bad it makes me look stupid
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