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Susan Twist: Word Lord?

Many* people** are wondering about the theory held by certain Doctor Who fans*** online that the actress Susan Twist in the new season of the long running franchise is playing what's known as a "Word Lord".

Now, granted, many more are wondering whether she might, in fact, be Susan, the Doctor's granddaughter. That, my friends, is exactly the kind of question a Word Lord would want you to be asking.

Lemme break this theory down for you.

Throughout this whole new season of Doctor Who, the protagonists have been haunted by the recurrence, in different roles, of a stage and character actor who happens to have the delightful name Susan Twist. Like, not in the show, in real life. According to Russel T Davies, she was the only actor they could get due to an "actor shortage", which seems like a pretty terrible and even implausible dilemma, but luckily Davies has made lemonade out of this very real production constraint! Twist popped up in every episode this season, in some form or other. That's versatile writing! No wonder they brought Rusty back as showrunner.

But perhaps there's more to the story than just the unfortunate realities of filming in a country ruled by a failed regime...

The Doctor and his companion Ruby started noticing Twist's recurring roles over the past few episodes, though the plot of each episode intervened before they could put anything definitive together. It's one of a number of nods to the metatextual content of the show--literal winks to the audience, another character (Mrs Flood) directly addressing the viewers, a whole musical number about how there's "always a twist at the end"--that suggested maybe some authorial tomfoolery was afoot, that maybe something a little tricky or tongue in cheek was happening.

But what could the explanation be? Could Susan Twist really be playing THE Susan, a relative of the Doctor's that hasn't been seen in the franchise since the 60s? That seems a little silly, surely! Or could she be playing another character, like... the Rani? or the Monk? Both of them got namedropped alongside Susan at one point. Or maybe she's the portended head of Maestro and the Toymaker's extracosmic family. I guess there's a theory this is Sutekh, the evil alien god from Pyramids of Mars? Sure, seems fun.

But no. Fuck all that noise. I know what's really going on here and it just coincidentally involves a character that I'm feral about, and that no one else has even heard of, a guy called, somewhat fittingly, Nobody No-one.

No-one shows up in just one and a quarter stories by Steven Hall for Big Finish's series of audio dramas, first as a minor opponent (in 45) and then as a much more motivated and fearsome one (in A Death in the Family). In the latter story, he manages to--no points if you worked this out from the title--kill the Seventh Doctor. How did a character with such a low profile manage such a feat? Well, Nobody No-one has powers comparable to a Time Lord: he is a Word Lord.

Word Lords are one of the most delightfully bonkers concepts to come out of the early exciting and experimental period in Big Finish's line of audio dramas. Hailing from another universe, they're the equivalent of Time Lords for a reality where narrative rather than chronology drives all existence. It's like if the Anchoring of the Thread established not linear time but, I guess, TV Tropes instead. Nobody No-one regenerates like the Doctor, and has his own equivalent to the TARDIS: the CORDIS, or Conveyance Of Repeating Dialogue In Space-time, which is a memetic construct transporting the Word Lord through repeated phrases, jokes, coincidental number recurrences, and so on. The CORDIS is heralded by the number 45 popping up, and you'd better believe I sat up and noticed how many times that number recurred in the code pattern in Dot and Bubble! In Death in the Family there's a whole military organization the Doctor's mucking around with--No, not UNIT. No, not Torchwood. A different thing, one run by a human supremacist vampire hold on we're getting off topic--and Nobody casually reveals at one point that his CORDIS was bouncing around inside their "For King And Country" mantra for years.

Nobody No-one's real fun as a villain comes from his special Bullshit Powers. He's a Word Lord, so he's basically a memetic being, right? He IS language in some sense. Like, apparently his CORDIS crashed into the alphabet after his first encounter with the Doctor, annihilating the 27th letter of the alphabet and causing the English Great Vowel Shift. This story does a ton with the concept of "what if a guy was words".

But what makes him so dangerous is a quirk of his own identity. To grasp what a Word Lord can do, you have to think linguistically, dialogically. Imagine someone haplessly says: "but, nobody could have gotten into that locked room to kill the ambassador!" What would that allow a Word Lord to do? And imagine further:

"No-one tells the sun whether or not to shine." "Nobody could survive that!" "Nobody could just kill the Doctor!"

One slip of the tongue, that's all it takes for Nobody No-one to gleefully command godlike power.

That's Nobody, though. I don't think Susan Twist is just Nobody. I mean, No-one could seriously ask you to believe that this character who appeared in an (unfairly, given its quality) obscure audio adventure, written by an author who only ever wrote those two stories for Doctor Who, with a bunch of wild over the top and no doubt difficult to write around powers, is going to suddenly come back as a major character in the third tv revival of this 60 year old franchise. Like, Nobody would expect Davies to start referencing, I don't know, the Shalka Doctor either, surely. And I wouldn't ask you to make that kind of totally absurd leap, not even if I happened to be writing some sort of tongue in cheek article.

No, what I'm--I mean, what the fans are suggesting is that this concept of a Time Lord but for stories, who comes from a Borgesian narrative dimension, appearing in one and one quarter obscure audio dramas by an author who never wrote anything else for Doctor Who... what the theory proposes is that there's a SECOND one of those guys.

Just think about it, think about it like a Word Lord. What has the fandom asked itself about this season? Surely, one of the foremost questions is simply: what about Susan, the Doctor's granddaughter? She's been name dropped a few times, the Doctor doesn't say she's definitively dead... could there be some reveal here that Susan is alive? There's got to be, right? That's what they're leading up to!

There's just got to be a Susan Twist.

That, my friends, is exactly how she snuck into this reality.

Now, maybe the "Susan Triad" slated to appear next episode isn't this Word Lord proper but a kind of, I don't know, fictionsuit or vessel or entry point. I'm also not sure what a "Susan Twist" would even want, what the grand scheme would be. Unlike Nobody No-one, there's not a lot of word games you can play with "Susan Twist" beyond the obvious. But, maybe that's part of the point. Nobody No-one was a megalomaniac, a guy who really did just want to watch the world burn. The Doctor's companion Hex accuses him of being "proper mad", and he responds, "Mad? I'm FUUURIOUS!" followed by an explosion from the grenade he had tossed into the duck pond. Nobody is a brash, arrogant, chaotic, and... probably not that bright guy, who has the advantage of his CORDIS's many tricks and his incredibly versatile name. Perhaps this new Word Lord wants something other than chaos and destruction. Maybe she simply wants what we've already seen her achieve in the show: universal ubiquity. There's always a Twist at the end.

Actually, this would weirdly parallel another beat from Death in the Family. In order to trap Nobody, the Doctor weaponizes his own narrative against the Word Lord, tapping into the universal internet and googling himself in order to build a whole proxy universe based on his own life. From another perspective, he basically uses the entire narrative of Doctor Who--all the episodes, all the Big Finish audios, all the Doctor Who Monthly comics, all the Virgin New Adventures--as an ideatic missile. This is such a cool concept I'd feel guilty about giving it away, only it happens about a fifth of the way through Death in the Family. Seriously, this audio GOES places. Anyway, the suggestion is that the Doctor is so entangled with the history of the universe, so threaded throughout all these other narratives, that his history effectively is a world unto itself that a being of narrative like Nobody might get completely lost in.

That's a kind of narrative ubiquity if there ever was one. If I was a Word Lord I'd be sorely tempted by that. Nobody is: he appears a perverse counterpart to the Doctor (and personally I think David Tennant would do a GREAT job playing him if he ever appeared in the show). I can't help but notice, incidentally, that we just got an episode where the shapeshifting Chuldur quickly became obsessed with cosplaying as the Doctor, and Wild Blue Yonder also introduced a couple of not-things trying to copy him. Could this Word Lord be seeking to build a narrative as strong and inescapable as the Doctor's?

It would be an interesting way of incorporating some of these meta elements without slipping too far into a kind of self-referential morass. It feels like Davies has been dancing right up on that line this entire season in a way that's exhilarating, but that also has been a bit nerve wracking for me. The more metatextual storytelling has exited the realm of weird independent art and entered the mainstream, the more cloying it's started to feel. Like, when you engage the audience, entreat them directly to care about the characters or write tearful paeans to the necessity of the Hero as a Symbol, the more it can start to feel like a bit of a desperate exercise in brand management. Clap if you DO believe in fairies, and all that. Doctor Who certainly has some history of guilt here--sorry, Steven Moffat, but sometimes it does get to be a bit much. And it does risk standing the purpose of literature on its head, where ironically through characters lauding the virtues of storytelling within society, the virtue of having participated in a transaction consuming art becomes the foundation of fandom, and the actual literary content is assumed, but treated as an afterthought.

Davies has thus far instead treated the meta content in two ways: as a unique physics to be solved, and as a way of exploring a particular bit of social commentary (sometimes more than one at once). Goblins use a "language of luck" and a physics of rope and knots, the Toymaker brings the world into a State of Play, and Maestro introduces a State of Musicals. To challenge these beings, the Doctor must understand their particular ontology and exploit it. As soon as the Bogeyman in Space Babies faces real peril, all the children who were afraid of it rally to its defense, which doubles as both a commentary on the "Teatime Terror for Tots" charge thrown at children's media like Doctor Who--children LIKE scary stories and creepy, gross monsters!--and reinforces Davies's acidic anger at social and political abandonment of people who are inconvenient to the bottom line. Rogue plays gleefully with fanfiction tropes, and its positioning of the Chuldur as "cosplayers" would riiight up to the edge of being a little too navel gazing about toxic fans... if not for the fact that the Doctor and Ruby are also explicitly cosplaying as Bridgerton characters, and the episode is still giving fans exactly what they want in the form of a whirlwind gay Doctor/Rogue romance. This season is concerned with these sorts of metatextual games, without being subsumed by them and becoming entirely about self-referential brand building.

A Death in the Family is also, notably, only partly about Nobody No-one and his machinations and the counter-machinations required to stop him, set into motion by the Seventh Doctor and carried out beyond his death by companions Ace and Hex. Like I said, a lot of the seismic action of the story is over within the first 25 minutes. The Word Lord is really just used as a jumping off point to talk about a bunch of other stuff: truth, lies, choices made for ourselves or made for us by others... we see multiple information-worlds built in the story, some of them more subtle than others. At one point Ace tearfully proclaims that traveling on the TARDIS with the Doctor "is the only life I've ever wanted!" The Seventh Doctor retorts, with some audible guilt and distress, "No, it's the only life you've ever HAD!" In a very real sense, the Doctor has created the notional worlds that Ace and Hex inhabit, defining the contours of Ace's life since she was a teenager, and deliberately staying silent about Hex's traumatic family history, deciding for both of them "what's best". Nobody No-one in that sense is a pretext, in the best tradition of Doctor Who, to dig into questions about power.

The metafictional is risky, but it's a narrative tool like any other, and it fits with a long history of Doctor Who as a franchise reflecting on itself and its place in culture, with everything from the Mind Robber's suggestion that the Doctor himself might be an escapee from fiction, to Vengeance on Varos and Trial of a Time Lord's dramatization of Doctor Who's conservative culture war critics, to the Last Great Time War as metaphor for the show's cancellation. In a sense, behaving as though cosplay or fandom or whatever don't exist and couldn't possibly be the idiom through which characters--even weird alien characters--interpret their reality and act upon it might equally alienate the show from being about any wider culture beyond itself, endlessly, the same dalek and cybermen and Master stories recycling forever. My hope is just that as Davies barrels into the finale at full speed, it's this sense of a meaning for Doctor Who beyond its own lore driving him. The anger we've seen from him about social issues, the commitment to changing the show where it needs to grow, and the willingness to take big swings at continuity all give me some reason to feel confident.

Confident, of course, that he has seen the wisdom and logic of building his arc around Susan Twist being a Word Lord. What? That's what this article is about, remember? That didn't stop being a thing. Anyway, I'm excited for friday, when all of us pulling for this theory will be proven indisputably right, and you will all, in deference, subscribe to my Patreon.

* alleged ** hypothetical *** me, specifically

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