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deeply-embarrassing ยท 6 hours
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9th doctor you have to stop. your doc martens too classic. your leather jacket too cunt. your buzzcut too perfect. your swag is too lesbian...9th doctor they'll kill you.
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deeply-embarrassing ยท 6 days
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deeply-embarrassing ยท 7 days
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The layers of 2x06's title being "Qui"
Considering "qui" means "who" in french, this title is all about the baby being stillborn. Who was he? Who could he have been? Nobody will ever know.
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(Also, if you like reaching: maybe Shauna did meet him, maybe she didn't, in her "death dream"/purgatory. If she met anyone, who did she meet? That works for the baby but also for all the yjs she interacted with while "dreaming".)
However, a huge "hidden" layer to this title (and episode) is the song that's being hummed during the end credits. It's "Qui" by Charles Aznavour, a very famous french singer.
First, it's a French song, which links it to the Wilderness. Dead cabin guy was probably French, there was French milk in the cabin. Lottie talks/hears French when she's in deep, Lottie was singing the French lullaby "Frรจre Jacques" in Shauna's death dream, etc. So, this song is somewhat linked to the Wilderness due to being a French one. And the yj' own "wildernesses" are the parts of themselves which are visceral, uncontrollable and ultimately "shameful". Using French is Serious As Hell in yj. So whatever the song is about, it must be telling us something important.
So does the song say? It's about a dying man anguishing over who will be their lover's next lover. About being forgotten, replaced, once he's dead. Here are some (most) of the lyrics, to make my point:
"Who will touch your lips? Vibrating with fever, surprising your body, will become your master, by making it give birth to a new well-being, another happiness?"
-> This can very easily be interpreted as childbirth. As "who will be your next child?"
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"Who will take over, to make your dreams come true, and without a remorse, with a burst of laughter, will know to drive you, to destroy me better deep within your heart?"
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"Who might be this other one, who will be this intruder, in everything that was ours, when I wonโ€™t be any more?"
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"Who, without you protesting, will redo the actions, which are only ours?"
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"Who will take your weakness with carresses and the words of love, covering with oblivion our days of madness? Who will take your life at the end of my days?"
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"Who? No one can tell. Who? We don't know anything. And my heart tears thinking that someone will take you an "I love you"."
-> This scene in 2x06 is the very first time in the entire show we see Shauna "admitting" she loves Callie.
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"And with this "I love you", I know it already, he will take your mouth, he will take your diaper. And will bury me for the second time."
-> Devastating already.
But lemme go crazy on this one... The lyrics are basically "Once you say you love them, you'll bury me again". In the adult timeline, we see Shauna finally say she loves Callie. Not long afterwards in the episode's chronology, we see her son dying, and being buried in the first scenes of 2x07. Sure, it's already happened within the show's universe, but he "dies and is buried again" in front of us very soon after we see Shauna admitting she loves Callie. Idk if it was intentional, but it Hurt Me nonetheless.
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=> So the use of this song tells us a lot about Shauna's complicated feelings towards her children.
It shows how Shauna imagines her son would react if she allowed herself to be close to Callie. "It's you and me against the whole world", she'd sworn to him. She fears breaking her promise to her son, "replacing" him and burying him in her heart, if she lets Callie in. Rejecting Callie, in her traumatized mind, in an act of love and devotion towards her son.
It all adds up, and it's so good and so so so sad.
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deeply-embarrassing ยท 8 days
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Yellowjackets (2021-). Storytelling.
@lgbtqcreators creator challenge: lgbtq free choice
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deeply-embarrassing ยท 12 days
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Thinking about shauna and travis (inspired by this post by @taiturner) and gender, specifically "masculinity"
Travis clinging to shreds of masculinity within his reach, shrugging off his own emotions, reacting with anger and threats of violence to seem stronger, but ultimately being too soft and emotional and afraid to ever feel like he's doing it "right," how he hesitates to gut the deer because he does not want to be violent
Shauna's relationship to femininity being, in essence, a series of denials or rejections of her more inherent "masculine" traits, instantly and nonchalantly taking up the mantle of the butcher, keeping cool in times of chaos, effortlessly and skillfully carrying out acts of violence but hiding and denying this part of herself as she tries to fit the mold of heterosexual womanhood
How both are deeply emotional and sensitive characters trapped within the confines of gender expectations and the poison of their own self-image. How so often the expression of masculinity in society is defined largely on a rejection of the "feminine," you are defined not by the masculine traits you possess but by the feminine traits you can successfully reject. How much this narrative is flipped on its head with shauna and travis because shauna must constantly repress her "masculine" traits to keep up her veneer of traditional femininity, how travis is constantly striving towards nebulous ideals of masculinity but ultimately succumbs under the weight of his own emotionality and guilt, the fact that yellowjackets as a narrative asks us to examine what is inherent in all of us and what roles we have been forced to play. What kinds of people we become within those roles.
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deeply-embarrassing ยท 12 days
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jackie who NEEDS to slay, shauna with her hands in her bigass pockets, lottie's stronk pose and natalie being high as fuck... this pic is kinda killing me ๐Ÿ˜ญ
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deeply-embarrassing ยท 12 days
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deeply-embarrassing ยท 20 days
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40 FICTIONAL FEMALE DYNAMICS #9. Taissa Turner & Shauna Shipman (Yellowjackets)
I'm scared to go to sleep. Then I'll stay awake, okay? And I won't let you go anywhere.
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deeply-embarrassing ยท 22 days
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kinda pissed off at how we see van's, nat's and even misty's shocked faces when shauna picks the queen, but not TAISSA'S face??? where's my taishauna tea...
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deeply-embarrassing ยท 23 days
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deeply-embarrassing ยท 25 days
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He would find them to third wheel in any universe. Canonically.
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deeply-embarrassing ยท 29 days
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deeply-embarrassing ยท 1 month
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i donโ€™t even know where you end and i begin.
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deeply-embarrassing ยท 1 month
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you know what truly drives me insane about the poppies on the wedding cake? it isn't just how it strongly suggests two completely different weddings. or how it shows that jackie's the reason behind this wedding, and that both shauna and jeff know it.
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it's that jackie is represented by a wedding cake. by sweet and beautiful food, created just to be consumed. and as always, jackie's the main event of the evening, standing next to jeff and shauna. again, it'll end with them cutting her open and taking the first bites. the both of them, together, bound by always wanting more of jackie than what they got.
except now, they can get as much as they want. she's completely theirs. they don't even have to share her with anyone they didn't invite to the feast. and once the wedding is over, all that's left of the cake is memories, pictures, and the taste of it between their teeth.
but it's not a funeral, it's a wedding. it's about love and commitment. she's in both their stomachs now, so she'll be in their house, she'll be in their bed. and when the starvation starts again, when a wedding born from consumption starts to taste dead, she'll be in their daughter. a girl who will keep them together, who will be enough, because she'll be all theirs and finally so very alive.
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deeply-embarrassing ยท 1 month
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Mean Girls (2004) House MD (2009)
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deeply-embarrassing ยท 1 month
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ALSO in 1x06, we see more of jackie's bedroom through the mirror. there's a pic of a dark-haired girl being hugged from behind. jackieshauna?
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deeply-embarrassing ยท 1 month
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in jackie's room, there's a song called "whispering winds", and the artist's name is illegible. the only song with this title before 1996 was by patti page in 1952, according to google
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and would you look at these lyrics??
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another win for homoerotic bestfriendism jackieshauna! let me forget my misery! didn't know it was the last i'd see him, even though he as saying goodbye! don't whisper to me ("dreaming" as she was freezing) of a love that can never be ("dream shauna" telling her she loves her)!
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