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The earliest known original colour film of London, taken in 1924.
Claude Friese-Greene (3 May 1898 – 6 January 1943) was a British-born cinema technician, filmmaker and cinematographer.
Claude’s father William began the development of an additive colour film process called Biocolour. This process produced the illusion of true colour by exposing each alternate frame of ordinary black-and-white film stock through two different coloured filters. Each alternate frame of the monochrome print was then stained red or green.
Although the projection of Biocolour prints did provide a tolerable illusion of true colour, like the more famous Kinemacolor process of George Albert Smith it suffered from noticeable colour flicker (a potentially headache-inducing defect known technically as ‘colour bombardment’) and from red-and-green fringing around anything in the scene that moved very rapidly.
In an attempt to overcome these problems, a faster-than-usual frame rate was used. After William’s death in 1921, Claude Friese-Greene continued to develop the system during the 1920s and renamed the process Friese-Greene Natural Colour then the Spectrum Colour Film process.
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