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The Black Regina George

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makeup by sophia sinot

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Honey Ordonez by Marcus Ohlsson for Vogue Ukraine December 2023

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A.Masow Design Studio: Translucent Home Built Around a Tree in a Kazakh Forest (2013)

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Malika El Maslouhi by Thibault-Théodore for Vogue Arabia , May 2021  

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john thornton

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Latto is literally perfect 💘

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Adwoa Aboah by Lukasz Pukowiec for HommeGirls Magazine Issue 10

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Jeenu Mahadevan by Janne Rugland for Pearl Octopuss.J Campaign

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Aker Ajak by Alena Saz for Schon Magazine September 2023

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embroidery from peacocksandpinecones my friends and I have been losing our minds over all morning.

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Mona Hatoum, Grater Divide, 2002 Mild steel, 204 cm x variable width and depth

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Charles Ethan Porter (1847-1923) "Untitled (Cracked Watermelon)" (c. 1890) Oil on canvas Located in the Metropolitan Museum of Art, New York City, New York, United States

Porter was among the first African American artists to exhibit his work nationally and the only one to specialize in still lifes. The painting's subject—originally an African gourd brought to the New World by seventeenth-century Spaniards and cultivated by colonists—is significant. Porter chose to paint a watermelon, an earlier symbol of American abundance—and during the Civil War period one particularly associated with free Blacks—when it was increasingly defined by virulent stereotyping. By reclaiming the subject in artistic terms, Porter challenged a contemporary racist trope.

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Nike Dunk Low Color Variation 1999-2002

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