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ROW: Signals for Space from TUNDRA on Vimeo.

Celebrating the 60th anniversary of Yuri Gagarin’s first human spaceflight with a special documentation of ROW audiovisual installation shot-in-one take using industrial robot, moved in sync with realtime generative content emphasising parallax effect of five individually controlled spinning led fans. In 2011 the UN declared April 12 as the “International Day of Human Space Flight” to remember the first human space flight and to promote the exploration and use of outer space for peaceful purposes and to the benefit of humankind.

Through ROW: Signals for Space we interpret and shift the perception of dialog between signals source and its recipient and our ability to translate and interpret these signals.

We believe that multimedia art is a space for global synergy and exploration that can push humankind towards new discoveries and ways we interact with the space around us, within us and between us.

#rowbytundra #wearetundra #audiovisualinstallation #touchdesigner #dseelab #planetarium1 #gagarin #installation #lightinstallation #newmediaart #audiovisualart

Technical partner - DSee.Lab Location - Planetarium 1

instagram.com/wearetundra wearetundra.org fb.com/wearetundra dseelab.com/

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RenderMan Showreel 2022 from Pixar's RenderMan on Vimeo.

Highlighting the amazing visual effects and feature animation work of RenderMan studios around the world! renderman.pixar.com/

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ベガルミ 2021 from Yuhki Endoh (AIR FLEET) on Vimeo.

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HDRv sequences used for image based lighting in VFX from Jonas Unger on Vimeo.

The video shows how High Dynamic Range video (HDRv) can be used for image based lighting in VFX applications. The camera captures 4 Mpixel HDR images with a dynamic range of more than 24 f-stops at up to 30 fps. The HDRv imaging system is developed in a collaboration between SpheronVR and the Computer Graphics and Image Processing group, C-Research, Linköping University, Sweden.

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Spheron HDR video – footage from SpheronVR AG on Vimeo.

Produced with the functional prototype of the HDR Video Camera - research project.

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A USD Pipeline for Artists - Prism 2.0 (FMX 2021) from Prism Pipeline on Vimeo.

Did you ever wonder what USD (Universal Scene Description) is about, but the available information about it is too theoretical and too difficult to understand?

In this presentation we will take a first look at the out of the box USD workflow in Prism 2.0. The focus of this presentation is on understanding how USD can be used by artists to improve their efficiency and make it easier to share assets and other data between different software and different departments. We will take a very practical approach and go through a little animation project step by step and we will see many examples of why USD can be useful to artists. No prior knowledge about USD or Prism is required to follow this talk.

Prism Pipeline is a publicly available software for small studios and freelancers working in CG related industries. It increases their efficiency by managing the data in their projects and automating repetitive tasks. Prism is integrated into Houdini, Maya, Nuke, Blender any many other software commonly used in Animation and VFX studios. Version 2.0 is currently in development and provides an out of the box USD pipeline for small teams, which requires no deep technical knowledge about USD, but still gives artists access to the powerful advantages, which USD has to offer.

The beta of Prism 2.0 will start soon. If you want to join please get in touch.

Get more information: prism-pipeline.com Get in contact: [email protected]

00:00 Introduction 02:35 Department/USD structure 04:00 Modeling (ZBrush) 07:00 Surfacing (Substance Painter) 09:05 Surfacing (Houdini) 13:06 Rigging (Maya) 16:04 Layout (Maya) 17:50 Animation (Maya) 19:50 FX (Houdini) 21:42 Lighting (Houdini) 25:26 Iterating 28:54 Debugging 30:53 Compositing (Nuke) 32:06 Conclusion 34:30 Q&A

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海に流れ込む幻の滝(Photogrammetry CG) from DUCKBILL STUDIO on Vimeo.

伊豆城ケ崎海岸には水量が少ない時には見ることのできないため幻の滝と呼ばれている海に直接流れ込む対島の滝があります。滝と周囲の柱状節理の磯をフォトグラメトリでCG化しました。

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Claeys Timothé - Texturing / Look Development | Reel 2018 from Timothé.Claeys on Vimeo.

(Music: LORN - VESSEL - 02 ANVIL)

Texturing / Look Development | Reel 2018

Hi ! My name is Timothé Claeys. I'm a texture and look dev artist, this is my 2018 reel. Since I've started working, I have accumulated different experience in various departments, like texture/surfacing, light/comp & character/ environment modeling. Good eye and understanding of photo realistic and stylized shots.

-Proficient with : Mari, Substance Painter, Maya, Arnold, Pixar Renderman, Nuke.

CONTACT You can contact me for jobs at : [email protected] **Available for work ASAP**

- Linkdin : linkedin.com/in/timothé-claeys-910aa681/ - Artstation : artstation.com/timoclaeys - Instagram : instagram.com/timotheclaeys/

- timotheclaeyscg.com

Feel Free to connect.

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Demo Reel 2020 from Matt Puchala on Vimeo.

A collection of projects I was involved in over the past few years.

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VFX Reel 2020 - Takashi 'Tak' Yoshida from Tak Yoshida on Vimeo.

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Gemini Man | VFX Breakdown Reel | Scanline VFX from ScanlineVFX on Vimeo.

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2020 REEL from xanix on Vimeo.

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EVANGELION 超•現實 from SOMEI 晟 on Vimeo.

EVANGELION is an anime that was crazy and obsessed in my childhood. This year its final theater version will be released soon. I also hope to use my way to commemorate this animation throughout my growing period.

Every eva movie has a subtitle. I also chose a name for my work [√], pronounced: "true"

The meaning is realistic. Because the core purpose of this creation is to try to make the EVA world real. On the other hand, you can also see some real-world images added to the dream section of the film.

There is a saying in the EVA movie that I really like

“梦是现实的延续，现实是梦的终结”

"Dream is the continuation of reality, reality is the end of dream"

We live in such chaos, a chao•real world. But no matter what kind of disaster we face, we can still smile, connect with each other, and give each other strength

Thanks to all the partners who participated in the project

Hope you like it

Please check more information and behind the scene is in the Behance！ behance.net/gallery/99648687/EVANGELION-

PEACE

SOMEI June.27.2020

**CREDIT**

Creation | Direction : Somei孙世晟 Main Creation ：Somei孙世晟 LIGO張磊 Zaoeyo 曾潇霖 MoGroup

EVA-01 Modeling: JOJO黃吉鵬 Base Modeling ：Mash王辰祠 Texture Painting：LIGO張磊 Character Design : Wei-HsiangZeng曾偉翔 Somei 孙世晟 Monster Design：MV8王懿之 Rigging ：Kangddan康丹丹 VFX： Shuifx水生 Product Render：Jason王玉浩 Shotting | Composition | subtitle | Makingof : Young陈洋 Animation | Lighting | Rending | Compositing : Somei孙世晟 LIGO張磊 Zaoeyo 曾潇霖 MoGroup

MoGroup Member

AnnLiu ChenYou Flolin Syris TANKEIYII Woozie 郝梓东 林耿旭 刘国彬 沈一尘 孙雨禾 政宏DEANSZH

Edit|TC :Somei 孙世晟

Composer and Sound Designer : Kambiz Aghdam Ending music : Evangelion 2.00 - Tsubasa Wo Kudasai

Special Thanks

Neo初帅 Lewis Orton火人 Young Jo祖彬 MarkChang張以得 林凱 罐頭 Jaskni Momentor OPPOACE項目組 新創華 khara Crystal小小麦 KIKI凯凯

**Produced by SOMEI DESIGN**

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Chappie | Chappie VFX - Animated Performance | 14th Annual VES Awards Submission from Image Engine on Vimeo.

Check out our submission for Outstanding Animated Performance in a Photoreal Feature at the 14th Annual VES Awards.

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Chappie | Chappie VFX Compositing | 14th Annual VES Awards Submission from Image Engine on Vimeo.

Check out our submission for Outstanding Compositing in a Photoreal Feature at the 14th Annual VES Awards.

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#VRP #virtual production #Youtube

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