happy-objects

[happy-objects]

[happy-objects]

[happy-objects]

Phantom (1975) dir. Toshio Matsumoto

[happy-objects]

[happy-objects]

Tyler Okonma: Glitter

Da na na na na

Da na na na na

Da na na na na, my baby

You’ve been on my mind

(How ya feel?)

I’m losing my mind because

I hope that we can be more than just friends

Firework

I feel like glitter, and every time you come around

I feel like glitter

You’re the one that I wanna give my life

You’re the one that I need to give my time

Ayo, mirror mirror on the wall, who the brightest of them all?

I never been the darkest one, ‘cause my self esteem is tall

So I never seen eye-to-eye with y'all niggas, ayo

Uno peso, never paid attention to what niggas gotta say-o

So I keep that buck, I ain’t give no fuck, then bill me up so I block 'em like Lego

Feelin’ glitter, feelin’ good and great

Got the burner got the heat like wait

Got the shit, its all up on that head

I use it on myself on the day you dipped

Got that 4-5-7 track, 8 for me

Babydoll, I hope you agree

Because you light my

Firework

I feel like glitter, and every time you come around

I feel like glitter

(How you feel?)

You’re the one that I needed in my life

(How you feel?)

You’re the one that I needed in my life

'Cause I love having you around (I love)

'Cause I love having you around

Yeah, look at my face, look at that jaw

This is north side and yeah, I can’t lie

We ain’t workout, we a fat boy

Yeah, sumo, gotta limo

Pills, can’t see-through, must be a window

'Cause you in the L

'Could be a DJ, when I see you my heart beat changes tempo

Yeah, simple, that’s what I want but I can’t

That’s who you are but I ain’t

How ya feel?

I’m parkin’ in quicksand, wait-

Please don’t save me

Ooh

(Please don’t save me)

How ya feel?

Fa la la la la

Fa la la la la

How ya feel?

Scum Fuck Flower Boy

Scum Fuck Flower Boy (How ya feel)

We didn’t get your message, either because you were not speaking or because of a bad connection

“Fuck”

#Tyler Okonma #Glitter

[happy-objects]

Philip Harrington:   Marlene Dietrich at Fifty

[happy-objects]

[happy-objects]

In graduate school, neither in my choice of dissertation topic nor in my turn to gender theory did I try to conform to philosophical standards that were, after all, everywhere debated; where they did exist, they were enforced by a kind of disciplinary police action that I opposed at a quite visceral level. I very much like your idea of the #sweatyconcept, and think perhaps that it might also characterize a certain difficult but necessary embodied resistance to forms of disciplinary power or cruelty within academic life. It is the action of the concept in one’s tissues, one’s muscles.

Judith Butler in an interview with Sara Ahmed (via endlessandrea)

#Judith Butler #Sara Ahmed #sweaty concept #body #theory

[happy-objects]

Open article: Queer love economies: Making trans/ feminist film in precarious times

In this essay, the authors Eric A. Stanley, Wu Tsang and Chris Vargas, all experimental filmmakers, discuss the impact of Born in Flames on their own work, as well as the ways their various projects pick up, extend, or change the political questions raised by the film. The relationships of experimental film to political community and community building are explored, particularly in the context of queer, feminist, trans, anti-racist politics and media. 

#Wu Tsang #Chris Vargas #Eric A Stabley #Queer #Queer love #trans film #feminist film #open article #interview

[happy-objects]

[happy-objects]

Kiss It Better

[happy-objects]

But, if cinema does not give us the presence of the body and cannot give us it, this is perhaps also because it sets itself a different objective; it spreads an ‘experimental night’ or a white space over us; it works with 'dancing seeds’ and a 'luminous dust’; it affects the visible with a fundamental disturbance, and the world with a suspension, which contradicts all natural perception. What it produces in this way is the genesis of an 'unknown body’ which we have in the back of our heads, like the unthought in thought, the birth of the visible which is still hidden from view.

Gilles Deleuze, Cinema 2: The Time-Image (via heteroglossia)

[happy-objects]

Vulnerability

Sara Ahmed interviews Judith Butler:

“We are both vulnerable and animated by those effects, so I do not mean to associate vulnerability with pure passivity or being without a will. It may be that the will is formed precisely through this process.”

Full link, you guys: http://sex.sagepub.com/content/early/2016/03/31/1363460716629607?papetoc

#Judith Butler #Sara Ahmed #feminist killjoy #interview #good read #vulnerability #adressing #gender #race #gender studies #class

[happy-objects]

[happy-objects]

[happy-objects]

Arca - Vanity [Official Video]

[happy-objects]

Kelela “A Message” | Hallucinogen (2015)

#kelela #affektbild