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Betye Saar Black Girl’s Window Wooden window frame with painted plaster paper, lenticular print, framed photograph and plastic figurine 35 ¾ x 18 x 1 ½ inches 1969

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no srsly go tell the gallery attendant you want to play beer pong.

#gdbd #gurldontbedumb #brohole #brozoneornozone

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Tap the Rockies 8, mylar and pigment, 2015.

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PENELOPE is pleased to present our project for Artist-Run at The Satellite Show Miami Beach!

Skeleton On A Toilet

“If there is an underlying oneness of all things, it does not matter where we begin, whether with stars, or laws of supply and demand, or frogs, or Napoleon Bonaparte. One measures a circle, beginning anywhere.” ––Charles Fort, Lo!, 1931.

The works to be included in this installation elicit questions about the behavior of physical forms as they come into contact with a metaphysical experience. Applying circular logic and opening absurd lines of inquiry, the works included in this proposal monitor themselves and their relation to one another by revolving roles as critics and defenders in a shared existence. When a form is present, but not physically in existence, invisibility becomes the subject’s form. When sight ricochets or looks upon itself, there is a moment in its deflection that re-­animates the subject’s form. Alluding to their haunting capabilities, these works are alive in their presence through placement and deflection. Definitions fade and some things are not necessary, but add meaning, like a skeleton on a toilet.

Featuring works and collaborative installation by: Maria Britton April Childers Robin Kang Jamie Steele

Artist-Run at The Satellite Show Miami Beach PENELOPE Room #207 The Ocean Terrance Hotel 7410 Ocean Terrace, Miami Beach FL

Opening Preview: Tuesday, December 1, 2015 – 4:00pm to 10:00pm GENERAL HOURS: Wednesday, December 2, 2015 – 12:00pm to 9:00pm Thursday, December 3, 2015 – 12:00pm to 10:00pm Friday, December 4, 2015 – 12:00pm to 10:00pm Saturday, December 5, 2015 – 12:00pm to 10:00pm Sunday, December 6, 2015 – 12:00pm to 6:00pm

#skeletononatoilet #penelopeinmiami #artistrun #satellitemiami #mariabritton #aprilchilders #robinkang #jamiesteele 

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Zach Hill and Karen Black

<3

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A Girl Walks Home Alone at Night

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Ready for Bushwick Open Studios

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Venice: Marlene Dumas at The Central Pavilion

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"In the final moments of Brakhage’s film Creation (1979), rays of prismatic color flash into the image from the top of the frame. It is sunlight falling through the high branches of a forest, striking the edge of the camera’s lens and dispersing into a spectrum. That crystalline spray of light is Brakhage’s homage to the source of creation in nature and cinema. Kenneth Anger honors the same source in the form of Lucifer, the angel whose name means "light-bringer." "Lucifer is the angel of light, a sunbeam," Anger has said. In Anger’s personal hagiology Lucifer is also "the patron saint of movies, the light behind the lens."[1] “I’m an artist working in Light, and that’s my whole interest, really.” Any number of avant-garde filmmakers might have said that, but only Kenneth Anger would add, ‘Lucifer is the Light God, not the devil, that’s a Christian slander. The devil is always other people’s gods. Lucifer has appeared in other of my films; I haven’t labelled him as such but there’s usually a figure or a moment in those films which is my ‘Lucifer’ moment. Coming shortly after the release of Invocation of My Demon Brother (1969), those comments mark a significant change in Anger’s way of “working in Light”: from an implicit expression of light’s visionary powers to an explicit illustration of a mythology of light, in which Lucifer is the reigning deity.

"Light moving in time" William C. Wees

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Cross stitch

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LIT UP 

by GURL DONT BE DUMB

October 17, 2014 - January 18, 2015

opening October 17; panel discussion, December 15; artist lecture January 17, 2015

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Excerpts from Bathed in a pink glow: LIT UP by GURL DONT BE DUMB; a panel discussion artists Kim Miller, Eileen Mueller and Oli Rodriguez, Monday December 15, 2014.

Eileen Mueller: I think, particularly in this show, we (GDBD) tried to re-represent certain art tropes; the ready made...

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#passing