So yesterday I met Aaron Dismuke at a con and he is legit the sweetest person ever he really liked my Ruby cosplay too. We talked Rosegarden, Oscar, the merge, he mentioned the Oscar protection squad and how we are doing a splendid job, Oscar’s trauma and much more. I also got both a photo and autograph. Anyway the main reason for this post is that he did a recording for me and I legit died. Btw this was all his idea ( I didn’t know what I wanted him to say).
I believe I can post it here
Anyway here it is
Please no hate, especially not to Aaron, me or the rosegarden community. I shared this out I’d love for this community. Also it’s meant to be fun that’s what shipping is. I can’t wait to see what you guys create with this ❤️ also if you guys could link this post, this video is very dear to me. Have fun 😁
Well... Making my fav Tadc AU fanart!! (Part 1 :P) i'll try draw more characters :_3
FANART GIFT FOR: @sm-baby !!! Hope you don't mind me redraw a Tadc scene but your Carnival AU <3 I was bored so I decided to draw your Silly Carnival AU! Well Jax for first maybe i'll try draw the rest?
Currently fixated on this idea 😭 give me Willow comforting him saying something along the lines that he is his own person and that they love and accept him for who he is like a certain Rose from this scene.
Has anyone else noticed that in the latest episode of RWBY Beyond that Oscar has lost the orange in his eyes? The colour that is directly tied to Oscar. This gives us a further glimpse of how the merge is progressing and how Oscar isn’t really Oscar anymore.
That being said I feel that when he unlocks his semblance that his eyes will burn bright and his irises will have the orange again. I believe the imagery of Oscar, orange and the sun is very intentional on CRWBY’s part
A Rosegarden by Any Other Name Would Smell As Sweet
AKA Reasons Why Rosegarden is Canon #015: Ruby and Oscar's Multiple Shared Allusions to Other Fairytale Love Stories
Typical disclaimer that while all characters within the RWBY narrative have a main allusion, they often have secondary allusions that apply to the roles they fill in relation to other characters stories. Like how Yang is Goldilocks on her own, but becomes the Beauty to Blake's Beast when paired together.
The first, most notable example for Rosegarden is, of course, The Little Prince (expanded upon here). Oscar's primary allusion is of a boy who grows up on a planet "scarcely bigger than himself, who was in need of a friend", and one of his most influential relationships is that to a rose with whom he loves. They spend much of the story separated from one another, while the prince wanders lost in a desert, pining for a way to reunite with her back home.
Important to note this isn't the only time Ruby has been a Rose for another fairytale. She also slots in as the Rose Red to Weiss' Snow White, she acts as the successor to her mom as The Last Rose of Summer, and she also stands in as the Enchanted Rose to Bumbleby's Beauty and the Beast given how it's a "true loves kiss will break the spell before the last petal falls" situation... and BB kisses two episodes before Ruby Rose "dies".
The second notable allusion for Rosegarden is the Warrior in the Woods (expanded upon further here), a canon RWBY fable from The Fairytales of Remnant. The very first story within the book is about a village boy who becomes a huntsman after being inspired by a huntress he meets in the woods. A huntress, I might add he fell in love with the moment he saw her silver eyes.
Something to note about both of these examples, is that they are each stories with a focus on caring for someone else in unique ways. With The Little Prince, the Rose is vain and has many demands and asks the prince to tend to her; while in WitW, the warrior works tirelessly without thanks to protect a village. When the boy meets her, he starts looking after her for a change because he figures that's the least he can do to repay her. Both of these tie in well to RG's dynamic of Ruby carrying such heavy responsibilities alone, with Oscar making a conscious and active effort to help her shoulder those burdens.
The third, more subtle allusion, is their respective ties to The Wonderful Land of Oz. Oscar's first confirmed allusion before the Little Prince reveal was originally to Princess Ozma/Tip, the heir to the Kingdom of Oz given his proximity to Ozpin as the man behind the curtain, as well as to fit a "genderbend" character within the framework of team JNPR.
How does Ruby tie into this one? Well, we have to work backwards a bit to find this one. Ozpin's initial four lieutenants were all linked to the original cast of Oz:
Qrow as The Scarecrow without a mind (travels around as a crow and is regularly inebriated)
Ironwood as the Tin Man without a heart (his multiple cyborg prosthetics and character development in Atlas)
Lionhart as The Cowardly Lion (his fear overtakes him and pushes him to join forces with Salem to save his own skin)
Theodore as Dorothy Gale (donning ruby gauntlets instead of the traditional red slippers)
But RWBY is a story about legacies and breaking cycles. With the new generation of huntresses in Oz's inner circle, they replace those who came before them.
Blake takes Lionheart's place (cat faunus that ran out of cowardice, only to become brave and return to the fight)
Weiss as the Tin Man (aka Ice Queen, who's heart melted as she became kinder and grew more attached to those around her)
Yang the Scarecrow (no longer blindly following orders, but making an active effort to question the words and intentions of those around her)
Ruby as Dorothy (her little dog Zwei and the red - or silver, depending on movie or book adaptation - slippers that lead them all on their journey)
Why bring up Oscar as Princess Ozma and Ruby as Dorothy? Well, according to the original books and not the movie, "Dorothy and Ozma are each other's closest relationship" as illustrated here:
Very good friends. Just gals being pals. Sharing the responsibilities of leadership with one another. Smooching in the palace gardens. Dorothy as the only one who's allowed in Princess Ozma's rooms without an invitation. #BFFS4EVA
These are all the canon ones that are easy enough to parse, but there are some similarities to others famous stories that can be found with a bit of squinting that I will also share just for fun.
The first is how Ruby's experience in the Tea Party acts as a near perfect display of Romeo and Juliet's ending. For those unfamiliar with - or who have forgotten - the bard's infamous tragedy, it is a story about two star-crossed lovers very much doomed by the narrative. It ends with Juliet faking her death without telling Romeo. So when her prince charming comes across what he believes to be her corpse, he drinks a vial of poison and kills himself out of grief. When Juliet wakes and sees he has left her, she takes his dagger and stabs herself so they might be together.
In the tea party, Ruby fills the shoes of Romeo and Oscar of dear Juliet. Oscar is "killed" by Ruby's blade, but it is an illusion. He's not real. He's not really dead. However, the vision is still enough to Ruby her to drink a vial of poison (the tea that takes her to the tree), giving up in the face of her grief.
And if we need any more evidence for this one, can't hurt to bring up the infamous quote of Juliet wherein she likens her love to an oh-so-familiar flower:
What's in a name? That which we call a rose
By any other name would smell as sweet;
A line that Juliet says to proclaim that if her Romeo weren't a Montague, then she would still love him regardless, but through which implies that it would be easier for them to be together if he were not himself. And within V9, Ruby's cited motivation to go to the tree is because she doesn't want to be herself any longer.
And last, but certainly not least, is how a lot of ships within RWBY seem to have fairly direct parallels to the myth of Eros and Psyche. It is a classical tale about the trials of love, putting the protagonists under multiple tests of loyalty and attachment before letting the two lovers unite at the end. Both love stories within Beauty and the Beast and Snow White and Rose Red pull inspiration from the myth, and we see it in CRWBY's approach to writing romances throughout the show thus far.
Blake and Yang being separated, breaking and rebuilding trust, before coming together in V9; Ren and Nora going through trials and conflict, currently apart now so they might discover who they are on their own before re-uniting with one another again; and Rosegarden having constant reunions, separations, and trials with strong focuses on their attachment to each other. Another common archetype they use from Eros and Psyche is that of the "Animal as Bridegroom", wherein at least one of the partners undergoing a transformation that is often monstrous in nature.
Bumbleby is self explanatory
WhiteKnight has the issue of Jaune being lost to time and becoming an Old Man, who's curse is reversed by magic. It alludes to his role as the Prince within Snow White and Rose Red who was initially turned into a bear via a curse
Rosegarden, has this instance for both characters. Oscar as an Ozcarnation (becoming something he doesn't want via a curse they are trying to break before time runs out) and Ruby's future fate should she be captured by Salem (being turned into a Grimm by the wicked witch - or eaten by the wolf - like her mother before her).
All of these line up with the myth's structure as well as Monty's foundational philosophy on love stories that we see in his quote from many years ago:
A lot of these all have really tragic endings so uh. Good thing RWBY likes to subvert the stories it's telling, right? They're going to get a happy ending, right CRWBY???? 😰