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kumukuyakoy · 9 hours
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my translations of Armenian Poetry 🌻
Vahan Teryan
"I love your guilty dusky eyes...", Vahan Teryan
"Two Phantoms", Vahan Teryan
"I shall come to you ...", Vahan Teryan
"To forget, to forget ...", Vahan Teryan
"Sweeter Than Living", Vahan Teryan
"In the empty words", Vahan Teryan
Paruyr Sevak
"Unexpected Storm", Paruyr Sevak
"One of Us", Paruyr Sevak
"Close your eyes", Paruyr Sevak
"I love to love...", Paruyr Sevak
"To Go Mad", Paruyr Sevak
"Your Name", Paruyr Sevak
"You don't love anew ...", Paruyr Sevak
"People are not alike...", Paruyr Sevak
"To Live...", Paruyr Sevak
Hovhannes Tumanyan
"In slumber's grasp...", Hovhannes Tumanyan
Eghishe Charenc
"Sister, it might be ...", Eghishe Charenc
"All of these flames ...", Eghishe Charenc
Hovhannes Grigoryan
"Songs of Farewell", Hovhannes Grigoryan
"Armenia", Hovhannes Grigoryan
"I'm no longer looking for you", Hovhannes Grigoryan
"An evening with aged maidens", Hovhannes Grigoryan
"Perhaps, it's spring ...", Hovhannes Grigoryan
"Don't you ever die", Hovhannes Grigoryan
"A letter that will never reach you", Hovhannes Grigoryan
Henrik Edoyan
"I did not do what was written ...", Henrik Edoyan
"I remember many of them...", Henrik Edoyan
"A biography that might as well have been mine", Henrik Edoyan
Vardan Hakobyan
"Love One Another", Vardan Hakobyan
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kumukuyakoy · 9 hours
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It's fascinating to me that for our modern (at least on European-influenced societies) thinking, the classical Roman way of life is so familiar. When you read about it, the rethoric of the speeches feels modern, a society based on contracts and laws and litigation, with public works, a state bureucracy and standing army and trade economy and even spectator sports, a concept of philosophy separated from religious dogma and tradition, with even a limited understanding of a government by 'the people' and 'citizenship', even the names all sound familiar even if in completely different contexts, and no wonder since they inspired our current politics.
This all in contrast to medieval feudalism, which is completely alien to me. A society created upon family connections and oaths of fealty and serfdom with no such thing as an overarching state, not even kingdoms were any more real than a title one person holds, and all held together completely, utterly, to an extent I cannot emphasize enough, by the institution of the Church and the Christian faith. In a way we just aren't used today in our secular world. I simply cannot overstate how everything, every single thing, was permeated by faith in the Medieval worldview and the Church which took its power from it, we have an understanding of it but I think people just don't realize it.
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kumukuyakoy · 1 day
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how do i create a religion? thanks <3
Creating a Fantasy Religion
1 - Go Back to the Beginning - Religion evolves as a way of creating order in a community by providing context for unexplainable things, creating a code of conduct, and giving a community a sense of control over things that otherwise feel uncontrollable. So, it helps to imagine back to the early days of your story's world... what things were important in this world that the early inhabitants might have created gods and goddesses for, or might have believed a god was in control of. What were the environmental clues and factors that helped inform these beliefs? What beliefs and rituals would have evolved around these elements?
2 - What Did it Evolve Into? Once you know how this religion got started, you can look at what it evolved into as this world progressed to where it is at the start of your story. How did those early beliefs and rituals evolve to meet the needs of people living in the world of your story as it is now? What are the gods/goddesses or god? What do they represent? How are they worshiped? Are there churches, temples, something else? Is there community worship or is it done privately? Are there important rituals or holy days? Are there figureheads who represent a "middleman" between the worshipers and the worshiped? Priests, shamans, or other religious leaders? What is the popular mythology and stories that come up frequently? How do all of these elements translate into a character's daily life in this world?
3 - Consider Using Real World Inspiration - You may want to look at real world religions for inspiration. See if you can find one that closely matches the type of religion you want to create, then look to see what the framework is like, how it evolved, what it's like today, and how it fits into the world and lives of its adherents.
Happy writing!
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kumukuyakoy · 2 days
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Tips for writing those gala scenes, from someone who goes to them occasionally:
Generally you unbutton and re-button a suit coat when you sit down and stand up.
You’re supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.
When rich/important people forget your name and they’re drunk, they usually just tell you that they don’t remember or completely skip over any opportunity to use your name so they don’t look silly.
A good way to indicate you don’t want to shake someone’s hand at an event is to hold a drink in your right hand (and if you’re a woman, a purse in the other so you definitely can’t shift the glass to another hand and then shake)
Americans who still kiss cheeks as a welcome generally don’t press lips to cheeks, it’s more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a woman’s makeup)
The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of men’s clothing.
Open bars / cash bars at events usually carry limited options. They’re meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.
Members of the press generally aren’t allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.
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kumukuyakoy · 2 days
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Writing advice from my uni teachers:
If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.
Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.
Don’t overuse metaphors, or they lose their potency. Limit yourself.
Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.
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kumukuyakoy · 3 days
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I think some people forget that some literature and some media is meant to be deeply uncomfortable and unsettling. It's meant to make you have a very visceral reaction to it. If you genuinely can't handle these stories then you are under no obligation to consume them but acting as if they have no purpose or as if people don't have a right to tell these stories, stories that often relate to the darkest or most disturbing parts of life, then you should do some introspection.
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kumukuyakoy · 3 days
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"he would not fucking say that" but about injuries. he would not fucking recover that quickly. those scars would not fucking heal like that. he would not be fucking able bodied after that. he would not be fully lucid after that.
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kumukuyakoy · 4 days
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I don't really ever use Tumblr for advertising. But so many of the questions that come in about writing and plotting are answered in much more depth in my Masterclass. (Yes, you have to pay. They have also been answered here on Tumblr and over on my blog for free, but you will have to find them.)
It's been one of the most popular Masterclasses since its release in 2019, and these days I get to hear from people who published books and blame me, which is nice.
So consider this a rare commercial, mostly because it may actually make life easier for some of you.
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kumukuyakoy · 4 days
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I'm always criticizing eurocentric fantasy worldbuilding, but one thing I think it's underused are city-states and trade republics and leagues. Not that they don't exist, but they're often in the background, the fantasy genre is so focused on monarchies and dynasties and noble drama, while those systems have so much room for intrigue and stuff without getting into "who's the TRUE heir of the super magical monarch" (yes, I know they had aristocratic families that ruled almost as monarchs, but trust me, Medici drama is another beast from regular feudal stuff)
Venice with its stupidly complex election system and their eternal rivals in Genoa, Florence home of the Rennaissance, the Hanseatic League, and lesser known examples like Novgorod, the Polish-Lithuanian Commonwealth, the Taifa of Córdoba, the Consolat de Mar (technically not a republic but kind of an Iberian Hansa) and if we go farther back, the leagues of city states of antiquity... you know what, I'm bored of feudalism. Next time I do a fantasy setting, it will all be city states and republics. Fuck feudalism.
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kumukuyakoy · 6 days
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“imagine caring so much about fiction” imagine being so lame that you scoff at the timeless human practice of falling in love with art and stories
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kumukuyakoy · 6 days
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kumukuyakoy · 7 days
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i really love it when people here are “not normal” about the things they love. yes!! break down the scene that you’ve been obsessing over for weeks! create incredibly intricate theories based on a few throwaway lines! explain why you love this character so much—458 reasons and counting, and with visual aids! i love to see people putting their heart and soul into not being normal!!!
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kumukuyakoy · 8 days
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Lightning through the ash cloud of Taal Volcano (x)
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kumukuyakoy · 8 days
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I've had this little idea in my head for a while now, so I decided to sit down and plot it out.
Disclaimer: This isn't meant to be some sort of One-Worksheet-Fits-All situation. This is meant to be a visual representation of some type of story planning you could be doing in order to develop a plot!
Lay down groundwork! (Backstory integral to the beginning of your story.) Build hinges. (Events that hinge on other events and fall down like dominoes) Suspend structures. (Withhold just enough information to make the reader curious, and keep them guessing.)
And hey, is this helps... maybe sit down and write a story! :)
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kumukuyakoy · 8 days
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kumukuyakoy · 8 days
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One of the best writing advice I have gotten in all the months I have been writing is "if you can't go anywhere from a sentence, the problem isn't in you, it's in the last sentence." and I'm mad because it works so well and barely anyone talks about it. If you're stuck at a line, go back. Backspace those last two lines and write it from another angle or take it to some other route. You're stuck because you thought up to that exact sentence and nothing after that. Well, delete that sentence, make your brain think because the dead end is gone. It has worked wonders for me for so long it's unreal
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kumukuyakoy · 9 days
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My favorite thing about fanfic authors is they can identify any gap in a canon timeline where characters are offscreen and exploit the ever living fuck out of it
They see a time skip of any length and go
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