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Him in her color and her in his.
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Polin + touch
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Nicola Coughlan as Penelope Featherington
Bridgerton S3.E4 ∙ Old Friends
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a few mulder-centric textposts on this fine saturday
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fight the future is the height of romance. finally face the truth that you can’t live without your partner-coworker-bestie and have deeply requited feelings? head to Antartica only to rescue each other? never actually manage to kiss in this movie? witness an alien ship leave the antartic airspace? killer bees? I love the X files
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Polin Carriage Scene + Tweets
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part 3 of some homemade txf text posts!!
part 1
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it's funny how, plot-wise, rush is kind of like an average x-files episode that would totally be forgettable if it weren't for the fact that it comes immediately after millennium and therefore is full of tiny gestures we can analyze again and again for evidence that mulder and scully totally just smashed.
like would i rewatch for the mystery of fast teens? probably not. but for scully pouting and saying "please? just for me?" while playing with mulder's tie? yes, a million times, yes.
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Nicola Coughlan as Penelope Featherington BRIDGERTON (2020-) S03E02 "How Bright The Moon"
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THE X-FILES → 1.04 ‘Conduit’ 
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(MULDER looks at the kissing couples, then at SCULLY who is watching the TV. He looks at her lips. MULDER leans down toward her. She turns to him. They kiss. For about 7 seconds. Very sweet. They pull apart and look at each other and smile. Perfect.)
MULDER: The world didn't end.
SCULLY: No, it didn't.
(SCULLY gets a wistful, far-away expression.)
MULDER: Happy New Year, Scully.
SCULLY: Happy New Year, Mulder.
7.04 Millennium
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I love the Millennium kiss for the way it is so gentle and happy and calm. There is no urgency behind it, it’s not a revelation, it’s not suddenly being hit with bottled-up feelings.
He looks at her and he loves her, utterly and completely. He doesn’t see the point of putting any walls up in this moment. He lets himself feel it because . . . because it’s what he’s feeling. There’s no “Oh god, I have to kiss her.” It’s: consequences be damned, this is the woman he loves and she’s right there next to him and his heart no longer sees the point of not doing this.
And she welcomes it so easily. There is barely a moment of surprise on her face. She’s ready. This is what they have always been to each other and there is no hesitation, no moment of “Okay, so this is happening now.” It just is. She has loved him for so long and in her heart she already knows that there’s no use denying it. If he leans in for a kiss, then yes, she’s going to kiss him back.
I love the way this kiss is done – the way all the sounds of the new year’s celebration fade into the background and the camera narrows the world down to only them, like nothing else exists. It captures the gentle energy of the moment so nicely. Because what has prevented them from doing this has always mostly been external factors, private and professional, but not emotional. But there are none here. They’re literally being faded out. It’s just them. It’s honestly perfectly done. Including the acting; you see them giving in to the moment, and I especially love the change of her smile after the kiss, going from “wow, this really happened,” to “did this really just happen?” It’s art. Everything about it.
This moment is not about being in love, it’s about loving each other. There is a difference. There is none of the fluttery excitement about being in love, the elation of it, the fantasy of what could be, the need, the straining towards each other. This is not their hearts jumping in their chests, their breaths hitching, their palms tingling with the need to reach out. This is quiet and soft. They already know. This is not “I need you like I need air,” this is not “I think of you every second of every day and miss you like crazy when I don’t see you for more than an hour.” This is “Did you know that I love you? Because I do.” This is “Nothing feels more right than being here with you right now.” This is exactly what they say to each other after the kiss: “The world didn’t end.” “No, it didn’t.”
It is not a storm. It’s the atmosphere of a gentle summer evening, nowhere to be but with each other. Life goes on, and it still will if they allow themselves to kiss, to admit that this is what they’ve wanted all along. Maybe, in a way, it is a revelation after all. It’s realizing that there’s no point in pretending.
They are truly happy in this moment. There is no doubt, there is no question about anything. This is who they are. This is pure and unfaltering love. Quiet, calm; the only motivation being that they want to. And that is what makes it so good: the only reason for it being “I can’t not tell you that this is the way I love you.” Of all their kisses, this is the happiest one. Their walls are down, and the world didn’t end.
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skinner, reading their report: it says here agent mulder "jumped after you into the hole"
scully, suppressing a sigh: yes sir. yes he did.
skinner: was there some kind of—
mulder: she was alone in a hole, it seemed like the most logical choice.
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Nancy Drew + text posts 43/?
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did they make Scully say "deceive, inveigle, and obfuscate" because they knew it would be hot? because it is.
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Arcadia || s. 6 ep. 15
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