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lilyliveredgiver · 5 years
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DOMINIQUE JACKSON Photographed by Dennis Leupold for EBONY Magazine, 2018
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lilyliveredgiver · 5 years
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Chinese Lantern Plant
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lilyliveredgiver · 5 years
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Michelle Nguyen
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lilyliveredgiver · 5 years
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Double, double toil and trouble; Fire burn and caldron bubble. Fillet of a fenny snake, In the caldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog.
Witch’s Brew series. These animal parts actually refer to plants! <<Buy prints and merch @ straungewunder shop>>
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lilyliveredgiver · 5 years
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Assa Baradji by Harley Weir for Vogue Italia - January 2018
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lilyliveredgiver · 5 years
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The Lawns to Legumes program will be holding at least 20 workshops around Minnesota to teach landowners how to make their yards more pollinator-friendly. Efforts are also being made to change local ordinances that require short, grass-only lawns.
The program also provides funding to homeowners within the habitat of the endangered rusty patched bumblebee, who can apply for up to $500 to help convert their yard to bumblebee habitat.
According to Dan Shaw, senior ecologist for the Board of Water and Soil Resources:
“There is research showing that even small plantings can provide a lot of benefit for pollinators, especially if we have enough of them and can create a matrix of the habitat, it can provide a lot of benefits for different pollinators.”
Thanks to @quantumzoop for sending this in!
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lilyliveredgiver · 5 years
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The Eve of Ivan Kupalo/Vecher nakanune Ivana Kupala, Ukrainian Soviet Socialist Republic, 1968
“A master of Ukrainian poetic cinema, Yuri Ilyenko gained world-wide acclaim as the cinematographer of Parajanov’s Shadows of Forgotten Ancestors. As a director, he stands proudly in the anti-realist tradition of Dovzhenko: of his nine films, all but one were banned until last year, when A Spring for the Thirsty stunned SFIFF audiences. The Eve of Ivan Kupalo-based on Gogol’s rendering of a Ukrainian folk tale-is probably Ilyenko’s most inspired and experimental work. The opposite of what one expects from a film taken from peasant mythology, it is neither quaint nor corny, and doesn’t depend on broad acting and hearty singing. Suffused with the earthly pantheism of a half-pagan Christianity, Ilyenko’s film celebrates the unbridled passions of a people linked to nature and the rites of the seasons, to animals and the spirits of the forests. The story-a young peasant’s pact with the evil spirit in order to win the hand of a rich man’s daughter-is a simple parable of the evil power of gold over man. The cinematic treatment is dazzlingly complex, a series of astonishing and inventive images-boldly composed in color Cinemascope-married to an equally ambitious sound montage of music and stylized effects.”
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lilyliveredgiver · 5 years
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If you strike me down, I shall become more powerful than you could possibly imagine. ↳ Star Wars: Episode IV - A New Hope
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lilyliveredgiver · 5 years
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Kéou Nishimura (Japanese, 1909-?)
Eyelets, 1958
Oil on canvas, 29.5 x 30 cm
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lilyliveredgiver · 5 years
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If you want to support the Amazon worker strikers by not participating in prime next week, here’s a list of other companies/services to avoid using at the time which are also owned by Amazon.
Abebooks
Audible
blink for home
Book Depository
Box Office Mojo
Comixology
cloud endure
Goodreads
IMDB
shopbop
souq
Twitch
Whole Foods Market
woot
Zappos
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lilyliveredgiver · 5 years
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by Fritz Kunz
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lilyliveredgiver · 5 years
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Zachary Eastwood-Bloom takes the idea of adding digital-like glitches to traditional forms to a visceral level. See more of his work on HiFructose.com.
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lilyliveredgiver · 5 years
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lilyliveredgiver · 5 years
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aaron philip for paper magazine
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lilyliveredgiver · 5 years
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Myself I think shall never know, how far beneath the wave I go & Against the mass of night by Kaye Donachie
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lilyliveredgiver · 5 years
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Kai Fjell (Norwegian, 1907-1989)
Human being, N/D
Serigraph, 52 x 66 cm
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lilyliveredgiver · 5 years
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You know, sometimes we really do live in a society
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