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Samantha Jones

2/6

#tv: sex and the city #god bless you sam

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Mal's Avatar: The Last Airbender rewatch: The Chase 2.08

#tv: avatar: the last airbender

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Angel the Series | 5x07 "Lineage"

#tv: angel #bringing spike over to angel was a lot of fun i have to say

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i didn't think i was gonna be able to make it through the night.

#tv: buffy the vampire slayer #forever #otp: buffy and angel

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#forever that's the whole point

#tv: buffy the vampire slayer #forever #otp: buffy and angel

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"When in Rome" 3.16 XENA: WARRIOR PRINCESS

#tv: xena: warrior princess #👌 #character: xena

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Me when Spock

From TV Guide, April 29-May 5, 1967

#tv: star trek #he wasn't wrong #yeah i'm a spock fangirl whatever

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For bonus points share one thing you wish would have happened in that extra season

#tv: star trek #i should say ds9 #but in my heart i know the truth #and if i could have more i want more tos #period

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The X-Files — “Tooms” S01E21

#tv: the x files #ah romance #otp: mulder and scully

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THE X FILES | Tooms (1.21)

#tv: the x files

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#tv: the x files #heh

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"Is your wife aware of how intimately you and Hannibal know each other?"

"She's aware enough."

#tv: hannibal #mmm hmm

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I don't want Naples yet. I want my sister.

#tv: the borgias #yeah...yeah #sin

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Academy Award Winners for Best Cinematography: 2022 — Greig Fraser, ACS, ASC Dune (2021) Directed by Denis Villeneuve Aspect Ratio: 2.39 : 1

Desert colors dominate throughout the movie, but Fraser, [production designer Patrice] Vermette and costume designer Jacqueline West went to great lengths to imbue that palette with subtle and organic variations of color. “We worked very hard to make sure the world of Dune was not monochromatic,” Fraser says. “For example, Patrice worked veins of reds and blues into the sand walls. He — and Jacqueline, who built these subtle gradations of color into the costumes — both did wonderfully subtle work, and I had to make sure we were capturing those subtleties.“

“My approach was to pull as much color as possible out of non-colorful situations,” he continues. “It was all subtle differences, not necessarily bold color contrasts. Achieving bold color in film is super easy. Achieving depth [in the image while creating a natural-light look] when you’re working with a digital sensor and digital lights is harder than it might first appear.” — The American Society of Cinematographers, January 2022

#film: dune #gorgeous

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THE FALL costumes appreciation: 2/8 (costume design by Eiko Ishioka)

#film: the fall #gorgeous

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While You Were Sleeping (1995) dir. Jon Turteltaub

#film: while you were sleeping #always

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Victo Ngai’s illustration for the Subterranean Press edition of A Desolation Called Peace.

#book: a memory called empire