This is the second time in my voting history that I’ve participated in flipping a red seat in Alabama for Democrats (the previous time being my beloved Doug Jones) so it’s always funny to see people turn around and say voting doesn’t matter when I’ve seen it twice in the past ten years flip seats in what is supposed to be safe Republican country. Republicans are digging their own grave with their radicalization and it is making them lose (and with your help we can make them lose harder). Vote.
the irony of this year's met gala theme being based on a short story about cloistered, decadently-dressed aristocracy desperately pillaging the natural resources at their disposal to hold the advancing tide of the restless underclass at bay is honestly baffling
KOSA is now being discussed to go into the FAA Reauthorization Bill so I BEG you guys to MAKE A LOT OF NOISE ABOUT KOSA TO SHOW THAT WE HAVE NOT FORGOTTEN ABOUT HOW BAD THESE BILLS ARE. the chances may be low BUT ITS NOT 0 SO BE LOUD
They Do Not Exist (1974) by Mustafa Abu Ali (watch)
from PalestineCinema.com:
Salvaged from the ruins of Beirut after 1982, Abu Ali's early film has only recently been made available. Shooting under extraordinary conditions, the director, who worked with Godard on his Ici et Ailleurs (Here and Elsewhere), and founded the PLO's film division, covers conditions in Lebanon's refugee camps, the effects of Israeli bombardments, and the lives of guerrillas in training camps. They Do Not Exist is a stylistically unique work which demonstrates the intersection between the political and the aesthetic. Now recognised as a cornerstone in the development of Palestinian cinema, the film only received its Palestine premiere in 2003, when a group of Palestinian artists "smuggled" the director to a makeshift cinema in his hometown of Jerusalem (into which Israel bars his entry).
Abu Ali, who saw his film for the first time in 20 years at this clandestine event noted: "We used to say 'Art for the Struggle', now it's 'Struggle for the Art'"
“Umm it will actually be very difficult for universities to divest from israel and arms manufacturers without tuition skyrocketing 🤓☝🏼” why is the financial stability of a college (and the economy at large, especially in the us) so reliant on what amounts to war profiteering to begin with? Why is that an inevitability that we’re supposed to accept?
Art is always escapism, even the art about terrible, brutal things. Art is pinning down a feeling and that - the act of quantifying the human experience- is inherently escapist.
So "nobody dies, everybody lives" is equally valuable as that grimdark journey to adulthood when it comes to "real" media