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mikeybutnotway Β· 3 days
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THIS AIN'T A PARTY ❌ GET OFF THE DANCE FLOOR πŸ”Š YOU WANT THE GET DOWN ⁉️ HERE COMES THE GANG WAR‼️‼️
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mikeybutnotway Β· 19 days
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Happy 47th birthday to the one and only Gerard Way πŸ’πŸŽπŸŽ‰β€ΌοΈβ€ΌοΈ
Here's to the next many birthdays to come, keep serving cunt G 🫢
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mikeybutnotway Β· 19 days
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happy birthday gerard πŸ”₯❀️🌹πŸ₯€πŸ™β€οΈ
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mikeybutnotway Β· 24 days
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I don't care about what anyone says, this song was written about them 😀
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mikeybutnotway Β· 1 month
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THE WORLD OF DANGER DAYS IS A MODERN 1800S AMERICAN FRONTIER RRRRRAJHHHGHGGG ‼️‼️‼️
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mikeybutnotway Β· 2 months
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mikeybutnotway Β· 2 months
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Do you ever shoot outta this room because you sure don't like the company? Stop your preaching right there cause I really don't care and I'll do it again?? So get me outta my head cause it's getting quite cramped you know??? Coming ready or NOT when the motor gets HOT we can do it AGAIN?????
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mikeybutnotway Β· 2 months
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I've been thinking about this sign off again and it kinda turned into this poster
GOD, what I would give for a new band photoshoot, preferably in some sort of cool clothes, we know MCR has worked with some insanely talented stylists and designers before so anything's possible 😏
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mikeybutnotway Β· 2 months
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q゚ Will you welcome your extinction in the morning rays? ゚q
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mikeybutnotway Β· 3 months
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MCR songs id love to see music videos for
Mama
You Know What They Do To Guys Like Us In Prison
Cemetery Drive
Our Lady Of Sorrows
F.T.W.W.W
The Sharpest Lives
rb and add yours
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mikeybutnotway Β· 3 months
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Hi it's me again today I'm elaborating on my Danger Days and RDR2 brainrot β˜• shoutout to @fru1tt0ast 🀝
Arthur Morgan and Danger Days practically embody a sense of anti-establishment, anti-modernism and resistance against authority.
They both explore defiance against established norms, whether in the wild west setting of Arthur Morgan's story, or the futuristic and chaotic world depicted in Danger Days. Both narratives incorporate elements of individualism, freedom, and pushing against societal constraints.
Arthur, as a member of the Van der Linde gang, challenges the societal norms of the west and feels compelled to confront the changing times. Similarly, Danger Days takes place in a dystopian future where the protagonists, the fabulous Killjoys, rebel against controlling corporations (Better Living Industries).
In Arthur's case, the Van der Linde gang faces increasing pressure from lawmen and government agencies as they attempt to maintain their outlaw way of life. The infiltration of civilization and the relentless pursuit by authorities contribute to feelings of confinement and the closing of the frontier that the gang once thrived in.
And in the world of Danger Days, Party Poison and the fabulous Killjoys resist the control of Better Living Industries, a powerful and sickening oppressive corporation that acts as a governing force in their dystopian future. The constant surveillance, regulations, and suppression of individuality create a world where freedom is restricted, and the walls (or should I say Zones) seem to close in on those who resist the established order.
The whole looming presence of authoritative figures contributes significantly to the characters struggles and adds a layer of tension as they navigate these environments that increasingly limit their autonomy and challenge their way of life.
Aesthetically, both the game and the album have a vibrant but gritty and stylized visual approach!
Arthur's world is rich in detail with all its various stunning landscapes, while Danger Days presents a colorful and neon-soaked vision of the chaotic future. Both places embrace a mix of harsh realism and exaggerated, stylized elements to create unique atmospheres.
Arthur and the Killjoys deal with themes of identity, sacrifice, and the pursuit of freedom. Whether it's Arthur trying to steer his loyalty to the gang or the Killjoys fighting for individuality, there's this shared exploration of personal values and the consequences of living outside "societal norms".
Arthur's journey especially involves complex relationships within the Van der Linde gang, showing the struggles of conflicting loyalties to the people who raised him and grew up with him.
Similarly, the Killjoys in Danger Days navigate a whole web of connections as they resist their corporate-controlled society, pretty much emphasizing the importance of chosen family and bonds forged in rebellion.
The two narratives incorporate a sense of fatalism and the inevitability of change.
Arthur faces the invasion of civilization on the wild west, marking the end of an era, while Danger Days explores the consequences of a dystopian world where freedom is under constant threat.
This shared theme contributes to such a raw feeling of urgency and significance in their actions.
And most importantly, the music of Danger Days plays a vital role in shaping the narrative of their world, much like the absolutely immersive soundtrack in Red Dead Redemption 2. The game and the album utilize their soundscapes to really enhance emotional moments and immerse us in the atmosphere of their worlds.
The parallel themes of personal relationships, the inevitability of change, and the role of music in storytelling really connect Arthur Morgan's journey and MCR's Danger Days album for me.
Arthur Morgan and Danger Days are also surprisingly similar where they share rebellious spirit, distinctive visual aesthetics blending realism with stylized elements, and a whole thematic exploration of individualism and resistance against oppressive forces.
And to compare Arthur Morgan and Party Poison especially, they're similar in more ways than one, essentially gunslingers from different eras.
Both act as their gangs enforcers, taking on a sense of responsibility and authority, guiding their groups through challenging circumstances.
Arthur faces the challenges of second-leading a gang and making decisions that impact the lives of those around him, Party Poison also shoulders the responsibility of leading the Killjoys in their fight against a dystopian downfall. Arthur and Poison's characters explore the sheer complexities of leadership, sacrifice, and the toll it takes on an individual.
Not to mention they both possess amazing skills with firearms and engage in combat as a pretty much central aspect of their narratives, despite existing in completely different time periods.
Both characters respective gangs are trying to survive in two different eras of the American Frontier. Arthur with the challenges of the traditional American frontier in the late 1800s and Party Poison in a futuristic, dystopian version of the frontier in Danger Days.
In essence, both Arthur Morgan and Party Poison can be seen as leaders against the evolving frontiers of their times, whether it be the historical American West or a futuristic, post-apocalyptic version. Their narratives reflect a timeless theme of individuals standing against forces that seek to control the frontier of their eras.
Thank you β˜•
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mikeybutnotway Β· 3 months
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@verloutte Yes yes yes!! You get me
Something something hypothetically Arthur Morgan and Party Poison (and their respective gangs) could be friends and bond over living in an ever-changing world that doesn't want outlaws like them anymore in this ted talk I will-
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mikeybutnotway Β· 3 months
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β˜½β‹…π–€β‹† Against the sun, we're the enemy. β‹†π–€β‹…β˜Ύ
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mikeybutnotway Β· 3 months
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Something something hypothetically Arthur Morgan and Party Poison (and their respective gangs) could be friends and bond over living in an ever-changing world that doesn't want outlaws like them anymore in this ted talk I will-
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mikeybutnotway Β· 3 months
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Just finished today, I'm broken in ways I didn't think I could break
I'm so fucking normal about red dead redemption 2 I'm so fucking normal about red dead redemption 2 in so fucking normal about red read redemption 2 in so fucking nornal about ded read redendion 2 Iv so fucking mornal abont fed dread fedemption 2 in sp fucking bormal arout
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mikeybutnotway Β· 3 months
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Look alive, sunshine πŸ’₯
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mikeybutnotway Β· 3 months
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The Black Mariachis
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