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It's common koincidence in kaylor world🤭
Welp 🙃💀💀💀💀
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mysticheartunknown · 2 days
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(x)
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mysticheartunknown · 5 days
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these outfits 😍
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mysticheartunknown · 5 days
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Unsure if I have posted this yet or not but its my favorite
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mysticheartunknown · 6 days
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Down Bad just reminds me a lot of the times when our girls were still out in the open, in plain sight.
Cause fuck it, I was in love
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So fuck you if I can't have us
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Just some very nostalgic gifs in the kaylorverse. I would give anything just to see our girls smile like this again 🤞
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mysticheartunknown · 6 days
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TAYLOR ALISON SWIFT 🥂
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mysticheartunknown · 10 days
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The Fortnight video foreshadows the convergence of Taylor Swift and her brand
In her videos, Taylor has continually played with the idea of herself as a person versus as a brand. These portrayals have almost been adversarial in nature. Think about the relationship between the two life sized Anti-Hero Taylors. The hooded robot Taylor who got to exist in the world while her bare counterpart was trapped in glass. Etc.
The Fortnight video introduces similar characters but flips the script because there isn’t a me versus her dynamic anymore. Instead, there is a story about coming together.
A scene by scene breakdown:
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Taylor Swift™️ is chained to a bed in a white gown with a spicy slit and garter. A faceless nurse enters walking upside down on the ceiling (a continued theme suggestive of PR games). The nurse presents “Forget Him” pills, arguably reminiscent of a dark time where the world thought they could “cure” homosexuality. After Taylor Swift™️ begrudgingly takes her dose, the nurse unchains her.
We then see Taylor Swift™️ approach a two way mirror and wipe the mask off her face, revealing face tattoos we know to be Post Malone’s in real life. This reveal is setting the scene that within this video Post Malone represents Taylor’s inner self, her true soul behind the veil of celebrity. I’ll call him True Taylor.
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Next, the mask is back and we see Taylor Swift™️ walk out of the observation room and into the workspace. She goes from wearing a leggy white gown with garter to a fully covered black poet-esque dress. She isn’t dressed for voyeuristic eyes anymore, she’s dressed to work on her art. I love this light to dark transition because black can be seen as the absence of light. Fitting for a tortured poet who can’t live her truth in public with her sunny muse by her side.
Note that we don’t get to see black dress Taylor Swift™️ through the two way mirror. She exists behind the bright lights of fame, making art in a room hidden from our view. Maybe the pills numb her enough to twist the art for an audience who likes to her to be chained to a bed while they watch her suffer.
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But wait Taylor Swift™️ and True Taylor are collaborating. They start work separately but their art eventually drifts out of their typewriters, combining into a white light that bursts into a rainbow. Remember how I said black light is the absence of light? Well white light is comprised of all hues on the visible light spectrum.
We know there are layers to Taylor’s music: the surface layers chock full with to red herrings for the grocery line Swifties and the deeper layers of Taylor’s truth. They both exist in the art, swirled together.
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But here is where things start to feel different. We cut to True Taylor and Taylor Swift™️ away from all those faceless people - they are alone in the middle of a road. That in itself is ridiculously symbolic of being on the way to somewhere (maybe brighter days). But there’s more because they are dressed identically, laying inside Taylor’s head that is made up of their art. This scene is like bonking us on the head that these two people are one and the same.
Note: The silhouette here is from the Style video which also portrays Taylor’s inner self as a man.
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Taylor Swift™️ runs to True Taylor and they embrace in the middle of the road as pages of their art float around them. In the chaos, Taylor Swift™️ reaches out to True Taylor.
Maybe this scene is suggesting the public version of Taylor is ready to embrace her real self.
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Then we see Taylor Swift™️ strapped to a table, wild hair from dropping the hairpins we saw in the opening scene. The drugs aren’t working, it must be time to escalate to shock therapy. The men around her gather and there is literally a sign in the background that says “Master Control”.
But one of the men in the room making decisions for the brand is actually True Taylor, who has been there all this time.
Enough is enough when True Taylor can’t take the pain and pulls the plug on the procedure, freeing public persona Taylor from torture.
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Next we see True Taylor, familiarly encased behind glass, on a phone call. Perhaps making plans while safe from the rain. Taylor Swift™️ is elevated on a pedestal, out in the storm, in her best dress FEARLESS! Credit to @rep-princess-witch who put the fearless connection together in another post.
I’ll say it again, that is the huge difference in this video compared to others. Here, Taylor Swift™️ is not an antagonist, she is ready to brave the storm.
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So what does she do? She’s back in the workspace burning all the files. It’s not without emotion but it’s necessary. We then see a stoic Taylor Swift™️ with no regrets.
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After burning the files she’s back in the observation room. It’s time to fight back against the voyeurs and she does so my smashing the glass between her and them. She regains her agency by squashing their ability to hide. Shes deserting her past life.
Note: We don’t see True Taylor back inside. This fight is specifically for Taylor’s public persona.
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In the closing seen, we see True Taylor leave shelter, step outside into the storm, and reach for Taylor Swift™️. The person and the public persona are weathering the storm hand in hand.
*Please check out @heyitsmoog on TikTok - he shared thoughts there that inspired me to make this post.*
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mysticheartunknown · 10 days
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quote of the year
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mysticheartunknown · 10 days
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“I’m having his baby! No I’m not, but you should see your faces!”
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mysticheartunknown · 10 days
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cassandra - taylor swift
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mysticheartunknown · 10 days
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I loved these rings on the third finger of your right hand, girls.
Congratulations! 😉💍
“You’re my, my, my, my… Lover”.
🌞❤🌻
Photo 1 by @teardropsinwonderland
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mysticheartunknown · 10 days
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ITS TAYLOR ALISON SWIFT TTPD ALBUM YOU BITCHES 🥂
The brand is taylor swift not those 🃏🤡
"This is a Joe Alwyn album" "This is a Matty Healy album" shut up shut up SHUT UP!!!!!!!!!! Swifties are so annoying, this is a TAYLOR SWIFT ALBUM!!!!!!!!!!!!!!! WHY IS YOUR FIRST REACTION TO ASSIGN THINGS TO A MAN!!!!!!!!!!!! I HAVE HAD ENOUGH!!!!!
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mysticheartunknown · 10 days
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All of you that made the tie in back to Lover Era—fucking BRAVO!!!
These visual comparisons are making me really fucking depressed and angry—Lover was her so happy and excited and carefree and ready to do the biggest thing she’s ever done……but because her plans were sabotaged, she is now getting a redo but she isn’t gonna hide the demons she’s had to face, she is gonna openly show us how she was tortured by those who claim to love her on many levels
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THE REALEST SHIT SHES EVER EMBARKED ON
WE ARE HERE FOR YOU TAYLOR ALISON
BURN IT THE FUCK DOWN
🔥🔥🔥
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mysticheartunknown · 10 days
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OMG OMG OMG wtf OMG !!!!
Fresh out of the slammer is so kaylor coded like it's giving they made it together
Karlie elizabeth kloss (sunshine) said she's the american dream.
Also fresh out of the slammer is the 7 song in the ablum and taylor 7 album was lover when it all Down
(He don't understand me Splintered back in winter, silent dinners, Bitter he was with her in dreams Grey and blue and fights and tunnels, Handcuffed to the spell I was under)
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mysticheartunknown · 10 days
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🤗
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🥺
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mysticheartunknown · 10 days
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WEATHER IM GONNA BE YOUR WIFE OR GONNA SMASH UP YOUR BIKE,I HAVEN'T DECIDED IT YET.BUT IM GONNA GET YOU BACK
meaning :
Tay gonna introduce back Karlie as her wife as if she's gonna come out and tell everyone that's she's gay and they are married or she's gonna do something else still not decided but one thing is sure Karlie is coming back bitches🤌 😆🍻🥂
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Imgonnagetyouback is the growing seed of the Kaylor reunion narrative we’ve been guessing how she’s going to “reintroduce” KK back in her life to the general public.
It’s the “we were in love in our 20’s, we moved on, but she’s the love of my life and we’ll be together again.”
I’m of course still of the belief they’ve been together this whole time (perhaps a few bumps along the way as any long term relationship can have, much more with their dazzling, crazy lives).
They know the general public could possibly, more easily accept/digest an underdog, comeback story than oh, we’ve duped you all these years.
I’m here for all this chaotic double album! So much to still unpack. 👏
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mysticheartunknown · 11 days
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Not the dinosaur costume this past Halloween… 😭
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