Vivaldi on his deathbed in 1741: please, put it into my will that the first movement of my Spring concerto can only be used to indicate fancy settings in cartoons or as hold music for the absolute worst call centres.
Vivaldi's lawyer: Antonio what the FUCK does this mean
Gioachino Rossini (1792-1868) - String Sonata No. 1 for 2 Violins, Cello and Double Bass in G-Major, III. Allegro. Performed by Orchestra of the Age of Enlightenment on period instruments.
The present work is a particularly fine example of Lechter's Symbolist works. His so-called mood pictures deal with human emotions, although they are often mysterious and not easily interpreted. Lechter has lent the work a sacred character through various attributes and compositional elements: the symmetrical structure and the static stillness of the woman are reminiscent of ancient representations of saints. The laurel wreath in her hair is traditionally a symbol of artistic fame, or of art renowned in itself. The woman's nudity symbolises her purity. Her large eyes look to the “Ehemals und Einstmals” (days of yore) as Lechter himself poetically formulated it. They probably point to the rapture, the contemplation of art, which also goes hand in hand with solitude. The title of the painting, “Blaue Blume Einsamkeit” (translated: Blue Flower of Solitude) also refers to an important symbol of Romanticism: the “blue flower”, a motif from a novel by Novalis. (source)