paulhalupka

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To claim that hunter-gatherers perceive their environment as a “wilderness”—in contrast to a domesticity that one would be hard put to define—is to deny that they are aware that, in the course of time, they modify the local ecology by their techniques of subsistence. Over recent years, for example, Aboriginals have been protesting to the Australian government against its use of the term “wilderness” to qualify the territories that they occupy and by so doing frequently justifying the creation of natural reserves that they do not want. The notion of a “wilderness,” with all its connotations of terra nullius, of an original and preserved naturalness, an ecosystem to be protected against the degradations liable to be introduced by human beings, certainly runs contrary to the Aboriginals’ own concept of the environment and the multiple relations that they have established with it, and above all it ignores the subtle transformations that they have produced in it. As a leader of the Jawoyn of the Northern Territory said, when part of their land was converted into a natural reserve, “Nitmiluk national park is not a wilderness…, it is a human artefact. It is a land constructed by us over tens of thousands of years through our ceremonies and ties of kinship, through fire and through hunting.” Clearly, for the Aboriginals, as for other hunting peoples, the opposition between wild and domesticated is not very meaningful, not only because of their lack of domesticated animals but above all because they inhabit the entire environment as a spacious and familiar dwelling place, rearranged to suit successive generations with such discretion that the touch of its inhabitants becomes almost imperceptible.

Philippe Descola - Beyond Nature and Culture (via forbidden-sorcery)

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In the Frigid Morning Air, a Singing Red-Wing Blackbird Blows Impressive Rings

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Vivid Environments by Yellena James Pause Natural Processes to Capture Life in Flux

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Between Wounds and Folds: Suspended Cow Carcasses and Tree Stumps Reveal Layers of Discarded Fabric by Tamara Kostianovsky

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Translucent Textiles Cast Organisms and Mundane Objects as Dreamy Sculptures and Wearables

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https://onbeing.org/starting-points/for-the-exhausted-and-overwhelmed/?mc_cid=407c1ebb74&mc_eid=97f2d02e7e&utm_campaign=Newsletters%20-%202020&utm_medium=email&_hsmi=101669149&_hsenc=p2ANqtz--Kb8N-3ohTAtnyQj7GCYaqMABJRureTBQ1uJ8xS-bkycfHBIYNX-JS7W9wj-enH52PE-ru9fX61zE0qTSXkD5h7w2WQg&utm_content=101667976&utm_source=hs_email

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Watch: Nobody Is Normal: A New Animation Reveals What Lies Just Beneath the Surface of Being a Kid

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BAFTA WINNING | A LOVE STORY from nushypeas on Vimeo.

#vimeo

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Rollerskating Poodles and Croissant Characters Form an Adorably Eccentric Cast of Felt Characters by Cat Rabbit

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The Zen of an Aching Heart

‘“Your days pass like rainbows, like a flash of lightning, like a star at dawn. Your life is short. How can you quarrel?”

~Buddha

In the Jewish mystical tradition, one great Rabbi taught his disciples to memorize and contemplate the teachings and place the prayers and holy words on their heart. One day a student asked the Rabbi why he always used the phrase “on your heart” and not “in your heart,” and the master replied, “Only time and grace can put the essence of these stories in your heart. Here we recite and learn them and put them on our hearts hoping that some day when our heart breaks they will fall in.”

But when our heart breaks—in love, in friendship, in partnership—it is always a very difficult experience. Modern neuroscience has even discovered that the emotional suffering we experience registers in the same areas of the brain as physical pain. So when we’re feeling abandoned and rejected, we don’t want to eat, we can’t sleep, we have difficulty breathing, our bodies feel as if we have the flu or we’ve been run over by a truck.

So, what can we do when we have to accept the loss of a friend or a loved one? What truth can we find beyond the stories we tell ourselves about how they’re wrong and we’re right, or that we’re wrong and they’re right? What can we do besides spending fruitless hours trying decipher everything they said or did? Can we do something more useful than justifying to ourselves what we said or did, or wishing that we had said or done something else? And what can we do when the story spreads to nearly drown us in despair over feelings that there’s something wrong with us, that we’re unlovable, that we’re the reason things didn’t work out?

Like a sandcastle, all is temporary.

Build it, tend it, enjoy it.

And when the time comes

let it go.

The first thing you need to do when you’ve suffered loss or betrayal is to find a way to regain your wise heart so that you can let it hold the aching of your heart. The Zen teacher Karlfried Von Durckheim speaks of the importance of the need to go through our difficulties in a conscious and clear way.

The person who, already being on the way, falls upon hard times in the world, will not as a consequence turn to those friends who offered them refuge and comfort and encourage their old self to survive. Rather, they will seek out someone who will faithfully and inexorably help them to risk themselves, so they may endure the difficulty and pass courageously through it. Only to the extent that a person exposes themselves over and over again to annihilation and loss can that which is indestructible be found within them. In this daring lie dignity and the spirit of true awakening.

Sometimes suffering the losses and the unexpected betrayals and break-ups that befall each of us becomes the places where we grow deepest in our capacity to lead an authentic and free life. Often by working our way through our difficulties, our ability to love and feel compassion for ourselves and others deepens, along with the wisdom that will help us through similar problems in the future. And learning how to survive our present difficulties is one of the few things that will help us to know the right things to say and do when others whom we love suffer as well.’

- Jack Kornfield, A Lamp in the Darkness: Illuminating the Path Through Difficult Times.

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Corporate Stock Footage Is Edited Into an Absurdly Chaotic Music Video for BRONSON

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Bisexuals be like…please bore someone else with your ridiculous questions, we’re tired #ProgressIsPride ______ Jay Jurden, your patience tho 🙏🏾

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Style Frames Opening Titles from Eran Hilleli on Vimeo.

#vimeo

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