this is going to sound like such a little sibling ass take but i genuinely believe that being a little bit annoying is actually a greater sign of maturity and self awareness than being universally likeable and on good terms with everyone
I just wrote 8 pages when I haven't written in months and was beginning to think I'd never be able to again. Idk what it is, but I am sharing and manifesting this energy for every writer who sees this. May you write 8 quality pages effortlessly and find joy writing once more
Mongolians are cool because they’ve merged their traditional and modern ways of life so rather than having poverty due to losing all their important skills they just live in their yurts with their cows and 827474874mbs internet
these are my best friends in the whole world. my anchor when im in a storm. My lighthouse on a stormy night. The definition of i would know him by touch alone. Shout out to the keyboard bumps.
the funniest dynamc between my boyfriend and i is the chef/baker divide runs so deep. experimentally my boyfriend is a genius with figuring out what flavor profiles will not just taste good together but also will be enjoyed by the specific audience he is cooking for. a recipe is not a guidebook so much as a suggestion and he will frankenstein ideas together to get exactly what he wants to happen. he also didnt know that sugar will not work properly if you dont mix it with the wet ingredients in banana bread and when i asked 'why didnt you do it in the order of the recipe' he said 'i didnt really think it mattered'. autistically i exploded his head in my mind
the genius of megamind (beyond the obvious genius ofc) is that it's superman parody actually presents a genuinely unsettling depiction of the "hero" that I like wayyy better than "what if superman was evil" or "what if superman was wrong"... it's "what if superman didn't care"
Expanding a thought from a conversation this morning:
In general, I think "Is X out-of-character?" is not a terribly useful question for a writer. It shuts down possibility, and interesting directions you could take a character.
A better question, I believe, is "What would it take for Character to do X?" What extremity would she find herself in, where X starts to look like a good idea? What loyalties or fears leave him with X as his only option? THAT'S where a potentially interesting story lies.
In practice, I find that you can often justify much more from a character than you initially dreamed you could: some of my best stories come from "What might drive Character to do [thing he would never do]?" As long as you make it clear to the reader what the hell pushed your character to this point, you've got the seed of a compelling story on your hands.
(for the purposes of this poll, there is no monkey's paw situation: the chore you pick stays the same level of difficulty/grossness/etc. as it normally is for you, and you only have to do it as often as you want to. the chores you don't pick are magically done for you exactly the way you'd want them to be, just with zero effort on your part.)