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Krzysztof Powałka

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Kinda in love with the idea that different places on other sides of the world can look so similar. Something something universal human experiences

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this is purely for fun and I've certainly been guilty of a few of these things myself in my years of fic writing. don't be weird in the notes and don't use this as an excuse to insult someone's writing.

#blond/brunet #it raises my blood pressure

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i just saw a wolf carrying in its mouth and eating a dead gazan baby. don't ever fucking talk to me about the "lesser evil" ever again. i hope all of you who are complicit die in the most horrible ways and suffer an eternity in hell.

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"we need less sanitized queer stories" yall keep saying fucking she-ra romanticizes abuse. you couldnt possibly handle less sanitized queer stories

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Congo: The Genocide that implicates us all

Heavy fighting erupted in 2023 between the Congolese Army and several armed groups, most notably the M23 militia, escalating an already disastrous situation. Thousands have been killed, and hundreds of thousands have been displaced. At present, there are 7.1 million displaced people in the Democratic Republic of Congo (DRC). Violence of this scale is not without precedent, with the conflict in Eastern DRC leading to an approximate 6 million deaths since 1996.

In November 2023, an unidentified man in the capital Kinshasa set himself on fire while holding a sign reading “Stop the Genocide in Congo.” Another man, Cedrick Nianza, did the same in 2011 while shouting Congo na nga, Congo na nga (my Congo, my Congo).

Violence and conflict inflicted on the people in the Congo is not new. Over a century ago, one of the worst atrocities in recorded history occurred with King Leopold II’s genocide of 10 million African people to control the rubber trade during his colonial rule over Congo from 1885 to 1908.

The modern conflict includes ethnically motivated killings, which have been a frequent reality in Congo since the spillover from the 1994 genocide against the Tutsi people occurring in their neighbor country Rwanda. Thirty years later, the M23 claims to defend the Tutsi from further acts of genocide.

Along with the ethnic divisions, the modern conflicts are fueled by a diverse constellation of internal, regional, and international actors with the essential factor driving the violence being control over resources.

Almost all new technology, especially what is described as ‘green tech,’ requires materials such as lithium, cobalt, copper, and tin. The Eastern regions of the DRC are rich in these materials – as well as in diamonds and petroleum – and are thus subject to fierce contestations by local militias, backed by foreign governments (such as Rwanda in the case of the M23 militia), and international capital. Those that mine for these materials experience horrible conditions, with many accounts of slave labor and child labor. These same minerals are bought by international companies and create technologies such as smart phones, laptops, electric vehicles, solar panels, ear pods, speakers – basically anything with a battery.

Many activists are calling for a boycott of new tech and insist that the transition to green technology – a phrase used to indicate a switch to more ecological forms of energy production – cannot be built with the blood of Congolese men, women, and children.

This is the third in a series visualizing genocides across the globe created by Hisham Rifai and Ayman Makarem. See the first two specials, Resisting Starvation in Gaza and ‘Zaghrouda’ in the Midst of the Sudan War below.

The artistic duo has also created the Revolution in Every Country comic series on revolutionary movement events and ideas in the SWANA (South West Asia and North Africa) region.

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Lastest photo of our building they destroyed half of the building unfortunately where is our apartment 😔💔.

This was my daily view from my room 😔

They destroyed everything 😭

And here is the link to help us rebuild our apartment when we back.

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A good video that accurately explains why stud is a term used for black lesbians only, not white, not poc, BLACK

I’m not even going to say please. Respect black identities and labels, they are ours for a reason.

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the “i had a good time” factor still the unbeatable metric in deciding if media is good

#tokyo revengers and mashle #are they objectivwly good? no #but i had fun

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“It shouldn’t be taboo to wish the misfortune and destruction upon those who are inflicting the same to the most vulnerable among us”

Graphic by @frogwithaflail

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the way that this page in particular was adapted just OOZES studio trigger tbh. like I know everyone likes to joke about studio trigger being the horny studio, but the quick jerky animation direction is what truly makes their work recognizable to me. I can practically see Lio Fotia bleeding through the pixels in that 5 frame animation of Falin peeking through her fingers

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the difference between a graphic designer and an illustrator

#it is true...

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All the best boy hugs for Karlach

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body paintings by Karen Turner

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arthur post haaayyy😊😊