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The Earth As Seen From

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Theyre called draculas because they drank u. La

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gordan ramsey said this on kitchen nightmares and it blew me away so i took a screenshot but amazon prime app censored me and handed me this work of art

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Black Canary in Gotham City Garage (2017-2018)

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thinking about marie kondo and her kiccoro tshirt

text:

Being surrounded by things that spark joy makes you happy

Everyone has things that they love, things that they cannot imagine parting with, even though other people shake their heads in disbelief when they see them. I see the things that other people find precious every day, and you would be amazed at the strange and incomprehensible articles that capture people's hearts-- a set of ten finger puppets each with one eye only and every eye different, a broken alarm clock shaped like the Morinaga Noobow character, a driftwood collection that looks more like a heap of scrap wood. But the immediate response to my hesitant, "Does this... um, really spark joy?" is an emphatic "Yes!" There is no arguing with their confident gaze and shining eyes because I, too, have one such item: my Kiccoro T-shirt.

Kiccoro ("Forest Child") was one of two official mascots for Aichi Expo 2005, which promoted love for the earth and renewable, eco-friendly technology. The larger mascot, Morizo, is perhaps better known. Kiccoro is Morizo's sidekick, a little, lime green, roly-poly character, and my T-shirt shows only Kiccoro's face. I wear it around the bouse all the time. It is one thing that I just cannot bring myself to part with, even if people were to ridicule me, saying, "How can you keep this? Aren't you embarrassed? How can you wear that? You should throw it away."

Let me be clear. The clothes I wear at home are generally cute and pretty. I usually wear girly things, such as camisoles with layers of pink frills and flower-print cotton ensembles, around the house. The only exception is my Kiccoro T-shirt. It is quite a curious article, shocking green in color with just Kiccoro's eyes and half-open, full-lipped mouth, and the tag clearly indicates that it's a children's size. As the Expo was held in 2005, I've been wearing it for many years even though I have no sentimental memories from the event itself. Just reading what I've written here makes me feel embarrassed to be hanging on to such a thing, yet whenever I see it, I can't bring myself to throw it away. My heart starts beating faster as soon as I see Kiccoro's lovely round eyes.

The contents of my drawers are organized so that I can see at a glance what's there. This T-shirt sticks out like a sore thumb among all my graceful, feminine clothes, yet that just makes it more endearing. It's so old now, you would think that it would be stretched out of shape or stained, but it's not, so I can't find any excuse in that area for discarding it. The fact that the tag declares it was made in some other country even though it was it a Japanese expo could have ruined its appeal for me, yet I still can't throw it away.

These are the types of things you should boldly hang on to. If you can say without a doubt, "I really like this!" no matter what anyone else says, and if you like yourself for having it, then ignore what other people thing. To tell the truth, I would not want anyone else to see me wearing my Kiccoro T-shirt. But I keep it for the little joys it gives me, the giggle I get when I take it out and look at it all on my own, the contentment I feel when Kiccoro and I are sweating together as we clean and wondering what to tackle next.

I can think of no greater happiness in life than to be surrounded only by the things I love. How about you? All you need to do is to get rid of anything that doesn't touch your heart. There is no simpler way to contentment. What else could this be called but "the magic of tidying"?

and kiccoro himself :]

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ketzal_coatl

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It makes me happy when they listen

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Venom commission by Patrick Gleason.

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writers and artists will go "this isn't good enough." my brother in christ, you're creating something new out of nothing and expressing yourself creatively. your productivity and unrealistic standards of perfection do not define you or the worth of your art. you're doing great.

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Wrong names only: CAR EDITION

#B Dylan Hollis #Cars

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unquality content

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self-care phrases to boost your confidence

this shit ain't nothin to me man

I'll fucking kill you

.

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“my boyfriend peels my oranges for me” but could he daily feel a stab of hunger for you??? and find nourishment at the very sight of you?????? could he???? COULD HE???

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Children deserve patience.

I remember all the times growing up that I’d get in trouble for something I said or did, and I’d get in more trouble when I asked for an explanation. I was told I was “talking back” or being a “smart ass” when I literally was just trying to understand.

I also find that I’d get punished for being emotional. Even if I didn’t handle them in the right way, that was an opportunity to teach me how to handle them better. Instead I got in trouble and it just taught me to suppress my emotions. And honestly? Adults have bad days and difficulty handling their emotions. But somehow as a child, I was punished for not being perfect.

I think, for my parents at least, they’d get upset and ask why I was disrespecting them or doing something to them. And I think that’s the problem. They took my actions to mean I was maliciously trying to upset them when that was never the case. Instead of sitting back and trying to figure out why a child might be doing what they’re doing, they took it personally and that’s what made them so angry. If you think someone is intentionally trying to upset you, it’s going to likely upset you. And that wasn’t a fair assumption to make.

Children deserve patience and the benefit of the doubt.

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What do normal people who haven't had half their personality shaped by the lord of the rings think about when they are scraping butter across bread?

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Storyediting Questions to Ask

As You Read the First Draft:

Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?

What are the character really doing in this story? - Might they have issues you haven't explored fully yet?

Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?

Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.

Think About Structure:

Does you story play out naturally in three acts?

Is there an immediate disturbance to the Lead's world?

Does the first doorway of no return occur before the one-fifth mark?

Are the stakes being raised sufficiently?

Does the second doorway of no return put the Lead on the path to the climax?

Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?

Are there strongly motivated characters?

Have coincidence been established?

Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?

Is the timeline logical?

Is the story too predictable in terms of sequence? Should it be rearranged?

About Your Lead Character:

Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?

A lead character has to jump off the page. Does yours?

Does this character avoid cliches? Is he capable of surprising us?

What's unique about the character?

Is the character's objective strong enough?

How does the character grow over the course of the story?

How does the character demonstrate inner strength?

About Your Opposition:

Is your oppositing character interesting?

Is he fully realized, not just a cardboard cutout?

Is he justified (at least in his own mind) in his actions?

Is he believable?

Is he strong as or stronger than the Lead?

About Your Story's Adhesive Nature:

Is the conflcit between the Lead and opposition crucial for both?

Why can't they just walk away? What holds them together?

About Your Scene:

Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?

Is there enough conflict in the scenes?

What is the least memorable scene? Cut it!

What else can be cut in order to move the story relentlessly forward?

Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?

Does we need a new minor subplot to build up a saggin midsection?

About Your Minor Characters:

What is their purpose in the plot?

Are they unique and colorful?

Polishing Questions:

Are you hooking the reader from the beginning?

Are suspenseful scenes drawn out for the ultimate tension?

Can any information be delayed? This creates tension in the reader, always a good thing.

Are there enough surprises?

Are character-reaction scenes deep and interesting?

Read chapter ending for read-on prompts

Are there places you can replace describing how a character feels with actions?

Do I use visual, sensory-laden words?

For a Dialogue Read-Through:

Dialogue is almost always strengthened by cutting words within the lines.

In dialogue, be fair to both sides. Don't give one character all the good lines.

Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.

Can you get more conflict into dialogue, even emong allies?

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