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There was a thing somewhere that said that Bosmers were exceptionally skilled at mimicking bird calls and animal sounds so that got me thinking if they'd be exceptionally good at mimicking other people's voices.

So sneaky Bosmers could mimic voices to draw attention away or to a specific area to get into places. Could repeat voices to identify people to others if they're searching for them. Can alter their own voice to keep their identity mixed up. Storytelling with grandma got much more exciting.

The implications of this can be used in fun and various situations!

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So you know how bosmer will smoke dried bugs in pipes? What if they make bugsmoke joints and instead of rolling paper they used butterfly wings? How aesthetic would that be

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True John Hancock fans remember that he only has 9 toes

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Wish he had a youtube channel

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BRO

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(me, my parents, my sister, and the baby are sitting at the kitchen table eating lunch)

baby, pointing at the light fixture over the table and signing "on": o.*

my sister: we actually can't turn that light on right now, because the lightbulb inside is burnt out! it needs a new one.

baby: ighbu.

sister: yes, lightbulb! granddaddy said after we eat he's going to climb up there on a ladder and change it, and then the light will come on!

baby: gadada! adda, uuu! ighbu o!

sister: exactly!

baby, signing "on" and pointing at the light and then my dad, with increasing urgency: GADADA ADDA UUUU. O.

my sister: we're going to finish eating first though, ok?

baby: nonono. O. gadada adda uuu.

[a split second goes by]

baby, pointing to himself: ba. adda uuu. ighbu.

me: you're going to climb the ladder and change the lightbulb yourself?

baby: dzyeah. *pointing to the buckle where he is buckled into the high chair* ububu.

me: unbuckle you? so you can change the lightbulb?

baby, highly businesslike: dzyeah.

*pronounced like "on" without the n

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Companions' Wishes

Wyll:

Shadowheart:

Gale:

Karlach:

Astarion:

Lae'zel:

I just thought these were cool insights on the characters.

(Haven't checked if Lae'zel's options change if she visits the Creche first, but it is too late for that )

Edit: If you are wondering where this is, you should investigate the basement of the apothecary in the Blighted Village.

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What I love the most about the World of Darkness is how it demands you care. If you don’t care, if you or your character refuse to “buy in” to something, anything, you’ve already lost. Vampire’s Personal Horror is all about holding on to what makes you really you, not just some mindless hungry beast. A Werewolf needs Rage to fight, there is no sitting out the war for the end of the world. Mages are fighting over the fundamentals of reality. If you don’t care enough to make change, you never become a mage in the first place.

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Because of these glitches I’ve decided Butch and Fawkes have some unimaginable beef

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Despite everything, it's still you.

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I'm sure I missed some

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The ghoul + Burned Man

- bisexual cowboy and gay Mormon

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shipping big scary ghouls with little goody two shoes vaulties that need to find their dads since 2008

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John Hancock introduction is crazy.

Show up in town. Guy insults Nick. Hancock appears out of thin air and tells guy to shut the fuck up. Said guy does not shut the fuck up and also says ‘hey I’m gonna take your job’. Hancock stabs guy to death in broad daylight in the middle of the street. Hancock Turns to me, not missing a beat and says “hi I’m the mayor also I think of myself to be very sexy and ladies love me’ and then just leaves. Sir what the actual fuck

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Scout: Me too! Spy: yes, I may kill Scout in the confusion.

Can we talk about this because it’s beautiful.

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An ordinary afternoon tea at the Shivering Isles.

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this may just be me going into overanalysis mode but i feel like the choreography of spellcasting can tell you so much about a magic user. a snap of the fingers, for example, implies confidence, even arrogance, while hands thrust out and straining to the fingertips suggests desperation, throwing one's whole body into the spell as though hoping the physical effort will make a difference. rapid, jerky body language tells you that a spellcaster is passionate and reckless, while graceful, fluid movements demonstrate calm and concentration. some magic users may choose to stomp their feet or clap their hands when casting, channeling power through percussive motion, whilst others may see magic as a tool separate from the self, and focus is through objects like a wand or staff. a new spellcaster just coming into their power may be tentative and slow, but a practiced study of magic will be able to rely on muscle memory to guide them.