Maria redesign
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Untitled © Peter Solarz
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Theodore Roethke, from "The Sequel", The Collected Poems of Theodore Roethke [ID'd]
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part of the fun of the original alien is the horror of the nostromo itself imo. it’s a cell of corporate greed ferrying narrowly-trained workers across barren space. it’s huge and yet claustrophobic, cockpits crammed with machinery giving way to yawning berths dripping chains and water. the supercomputer is named mother in a stroke of human anthropomorphization, but instead of providing comfort or protection, it’s only a courier between its creator and its wailing brood. ripley yells “mother! mother!” at a matronly-voiced computer that speaks calmly over her helplessness. the ship is full of endless details and patterns and unlabeled buttons and dials the audience can’t entirely make sense of; to do anything on the ship is a rigorous, technical process, and we must depend on the characters to know it. the internal mechanics of the ship are so alien that a literal alien can hide among the bits and bobs and not be noticed. it’s great.
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A prophecy is a type of echo which originates from the future instead of the past. [1]
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fangs don’t even register as dangerous to me. whenever i see them it’s just like
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iwtv fandom constantly arguing about who the real bad guy is when shit hits the fan like oh its lestats fault or armands or actually louis is the real villain!! IRRELEVANT. disregard. the reason everything always goes to shit in this show is because unfortunately louis and lestat do match eachothers freak and the resonant harmony of their freakiness sends pure unfiltered wavelengths of suffering to every single characters vampire brainstem and ruins their lives. in this business we call it the invisible chord.
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“the dream cloud”, carved opal. c1915. more info! ᯓ★
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transparent version of misfit by thomas grünfeld
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