secondbrightspot

[secondbrightspot]

[secondbrightspot]

Edouard-Jean Dambourgez (French,1844-1890)

The cheese vendor

Oil on canvas

[secondbrightspot]

Oil container in the form of a boar, Greek Southern Italy, 325-275 BC

from The RISD Museum

[secondbrightspot]

Lily Snowden-Fine - Thistle (2023)

[secondbrightspot]

Untitled, 1985 - by Zenon Żyburtowicz (1949), Polish

[secondbrightspot]

This silence was the largest one of the three: it enveloped the first two, contained them in itself - bottomless and boundless, like the end of autumn. It was the patient obedience of a cut flower, the silence of a man who waiting the death. (epilogue)

[secondbrightspot]

There was a young man from Peru

Whose limericks stopped at line two

[secondbrightspot]

[secondbrightspot]

[secondbrightspot]

Princess Mononoke (1997) Dir. Hayao Miyazaki

[secondbrightspot]

everybody give it up for this brand of green. round of applause for most under appreciated green

[secondbrightspot]

mariko kusumoto

[secondbrightspot]

Antal Jozsef Strohmayer

(Pest 1825–1890)

Large Fruit Still Life with Melon and European roller, monogrammed A. St., oil on canvas

Dorotheum

[secondbrightspot]

Something is Coming - Boris Groh

[secondbrightspot]

I love people sometimes

(Collection of Dream Tigers)

[secondbrightspot]

Ea-nāsir actually come up in a lecture this week. We were talking about the concept of feedback, as you do, and the lecturer just goes ‘I don’t know if you’ve heard of this, but the oldest recorded customer complaint was to a man named Ea-nāsir’. Heard of him? Babes I am intimately familiar with him. He is my Roman Empire.

[secondbrightspot]

When I read “space...the final frontier” there’s a small part of my brain that is that audio of Patrick Stewart saying it but with a ridiculous french accent that makes it “eh-spay-zeh...ze final frahn-tee-aire” while Jonathan Frakes absolutely loses it in the background.