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delusionalbubble · 4 months
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Top 10 Best African Festivals to Attend
African festivals are some of the best in the world. There are many festivals that take place in Africa, each with its own unique traditions, culture, and history. Attending these festivals is a great way to immerse oneself in the local culture and experience the vibrant, colorful, and lively atmosphere of the continent. Here are the top 10 African festivals that you should definitely consider…
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aristocratslog · 7 years
Video
vimeo
THE PRIVATES from Amalgamated Picture Co. on Vimeo.
An unknown rock band struggles with a radioactive energy in their music that blows up amps, liquefies tape decks, and starts electrical fires. On the eve of their first (and possibly last) show, they must decide whether to risk life, limb, and legacy for a 1AM slot on a Tuesday. It could change everything...or nothing at all.
"The Privates" is this week's Vimeo Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/The-Privates
2017 Sun Valley Film Festival 2017 IFFBoston 2017 Brooklyn Film Festival 2017 Palm Springs International ShortFest Hammer to Nail Short Film Contest - Spring '17 - WINNER Short of the Week
Writer / Director: Dylan Allen Producer: Eddy Vallante Starring: Lilli Stein, Rachel Trachtenburg, Alex Herrald, Omar Maskati Director of Photography: Evan Jake Cohen Music: The Privates Original Score: Dave Paulson Editor: Robert Grigsby Wilson
Producer: Javier Gonzalez Executive Producer: Matthew Perkins Associate Producer: Mari Shiel Production Design: Pinky Guest Casting: Rebecca Dealy Casting Assistants: Christy Escobar, Kristie Walsh Costume Design: Megan Stark Evans Hair/Makeup/SFX Makeup: Lexan Rosser Visual Effects: Perry Kroll 1st Assistant Director: Eric “Frenchy” LaFranchi Unit Production Manager: Maddi Clarke 2nd Assistant Director: Tas Mahr Property Master: Nicolas Luna Set Dresser: Alan Jensen Miniatures: Peter Feigenbaum Production Sound Mix: Adrian Martinez Audio Post Producer: Kira MacKnight / One Thousand Birds Sound Design/Mix: Calvin Pia / One Thousand Birds Music Director: Maxwell McDonald ADR Engineer: John Parthum / Mixtape Club Gaffer: Chad Dougherty Key Grip: Glenn Porter Best Boy Electric: Justin Newhouse Best Boy Grip: Jacob Beil Grip: Camilla Foschi 1st Assistant Camera: Matt Garland 2nd Assistant Camera: Brandon Regina Set Photographer: James Chororos Script Supervisor: Rachel Cole Production Coordinator: Quinn Dooley Locations: Jordan Thomas Alexander, Alex Richard Production Assistants: Kuper Bank, Eli Kleinsmith, Sean Woodruff, Mikaela Barish Poster Design: Sam’s Myth Digital Colorist: Andrew Francis Color Assist: Charles Leighton Digital Intermediate Services: Sixteen19
“We Are Really Rocking Now, Haven’t We?”: written & performed by The Privates “You Never Take Me Dancing”: written & performed by The Privates
VFX Breakdown - vimeo.com/226514082/b70a1fb831
Amalgamated Picture Company, 2017. All rights reserved.
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artwalktv · 7 years
Video
vimeo
An unknown rock band struggles with a radioactive energy in their music that blows up amps, liquefies tape decks, and starts electrical fires. On the eve of their first (and possibly last) show, they must decide whether to risk life, limb, and legacy for a 1AM slot on a Tuesday. It could change everything...or nothing at all. "The Privates" is this week's Vimeo Staff Pick Premiere! Read more about it here: http://bit.ly/2uxURps 2017 Sun Valley Film Festival 2017 IFFBoston 2017 Brooklyn Film Festival 2017 Palm Springs International ShortFest Hammer to Nail Short Film Contest - Spring '17 - WINNER Writer / Director: Dylan Allen Producer: Eddy Vallante Starring: Lilli Stein, Rachel Trachtenburg, Alex Herrald, Omar Maskati Director of Photography: Evan Jake Cohen Music: The Privates Original Score: Dave Paulson Editor: Robert Grigsby Wilson Producer: Javier Gonzalez Executive Producer: Matthew Perkins Associate Producer: Mari Shiel Production Design: Pinky Guest Casting: Rebecca Dealy Casting Assistants: Christy Escobar, Kristie Walsh Costume Design: Megan Stark Evans Hair/Makeup/SFX Makeup: Lexan Rosser Visual Effects: Perry Kroll 1st Assistant Director: Eric “Frenchy” LaFranchi Unit Production Manager: Maddi Clarke 2nd Assistant Director: Tas Mahr Property Master: Nicolas Luna Set Dresser: Alan Jensen Miniatures: Peter Feigenbaum Production Sound Mix: Adrian Martinez Audio Post Producer: Kira MacKnight / One Thousand Birds Sound Design/Mix: Calvin Pia / One Thousand Birds Music Director: Maxwell McDonald ADR Engineer: John Parthum / Mixtape Club Gaffer: Chad Dougherty Key Grip: Glenn Porter Best Boy Electric: Justin Newhouse Best Boy Grip: Jacob Beil Grip: Camilla Foschi 1st Assistant Camera: Matt Garland 2nd Assistant Camera: Brandon Regina Set Photographer: James Chororos Script Supervisor: Rachel Cole Production Coordinator: Quinn Dooley Locations: Jordan Thomas Alexander, Alex Richard Production Assistants: Kuper Bank, Eli Kleinsmith, Sean Woodruff, Mikaela Barish Poster Design: Sam’s Myth Digital Colorist: Andrew Francis Color Assist: Charles Leighton Digital Intermediate Services: Sixteen19 “We Are Really Rocking Now, Haven’t We?”: written & performed by The Privates “You Never Take Me Dancing”: written & performed by The Privates VFX Breakdown - http://bit.ly/2vJaUPR Amalgamated Picture Company, 2017. All rights reserved.
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clovesmenezes · 5 years
Video
vimeo
Life Is Born (from All.I.Can) from Sherpas Cinema on Vimeo.
Life Is Born is part of the award winning, best-selling feature film "All.I.Can."
Download All.I.Can. from iTunes: itunes.apple.com/us/movie/sherpa-cinema-all-i-can/id470509338 Receive All.I.Can. on DVD or Blu-ray: sherpascinema.com
Thanks for your support!!
All.I.Can Teaser 1 --> vimeo.com/16442800 All.I.Can Teaser 2 --> vimeo.com/29320702 All.I.Can Teaser 3 --> vimeo.com/31835595 JP Auclair Street Segement --> vimeo.com/32863936 The Group Shred --> vimeo.com/54035990
All.I.Can Awards: "MOVIE OF THE YEAR" - Powder Video Awards 2012 "BEST FILM" - X-Dance Film Festival, SLC 2012 "BEST PICTURE" - International Freeride Film Festival, France 2011 "BEST FEATURE-LENGTH MOUNTAIN FILM" - Banff Mountain Film Festival 2011 "BEST FILM OF THE YEAR" - Adventure Film Festival, Copenhagen 2011 "PEOPLES CHOICE" and "BEST SKI FILM" - Fernie Film Festival, BC 2011 "BEST SKI FILM" - Adventure Film Festival, Boulder 2011 "2012 CINEMATOGRAPHY AWARD" - Mountain Film Festival, Telluride CO "BEST CINEMATOGRAPHY" - ESPN Fan Favorites 2011 "BEST CINEMATOGRAPHY" - International Freeride Film Festival, France 2011 "BEST CINEMATOGRAPHY" - X-Dance Film Festival, SLC 2012 "BEST DOCUMENTARY" - IF3 Film Festival Montreal 2011 "MOST INNOVATIVE VISUAL FX" - IF3 Film Festival Montreal 2011 "AMBASSADOR OF GREEN" - X-Dance Film Festival, SLC 2012 "FULL THROTTLE AWARD" - Kye Petersen, Powder Video Awards 2012 "BEST NATURAL AIR" - Kye Petersen, Powder Video Awards 2012 "BEST POV" - JP Auclair, Powder Video Awards 2012 "BEST EDITING" - Powder Video Awards 2012
Press reviews: "The best movie in skiing." - Jamey Voss, ESPN es.pn/pPxkbQ
"Like listening to a Zeppelin song." - John Stifter, Powder Magazine: http://bit.ly/nl0JiT
"The Sherpas are firmly in the lead of a new wave of filmmakers that are changing the face of ski films for good." - Leslie Anthony, Skier Magazine: http://bit.ly/mVaYsy
"By the end, as I headed out from the screening, trying to walk straight after being pummeled by what I had seen, the only thought going through my head was that the trailer did not do its movie justice." - Mark Quail, skistarmovies.com/review/all-i-can
The Sherpas are proud to present All.I.Can: a two-year feature film project that fuses our passions for riding and exploring the mountains with our potential to help the environment. The film strives to unite global mountain culture and bind us together as the leaders of a revolution. We must be inspired to do all we can for the environment, and we must learn how to take that first tiny step in the right direction.
Multi-award winning Directors Dave Mossop and Eric Crosland journey to Chile, Morocco, Alaska, BC and beyond with riders Kye Petersen, Mark Abma, Eric Hjorleifson, JP Auclair, James Heim, Chris Rubens, Mike Douglas, Dana Flahr, Rory Bushfield, Ian McIntosh, Lynsey Dyer, Alexi Godbout, Matty Richard, Chad Sayers and more.
Music: "Blood Theme", by Data, from the album Skywriter.
facebook.com/sherpascinema Thanks for joining us.
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americanahighways · 5 years
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The first big evening of the festival was in the main festival area with two stages. They did a wonderful job of positioning the stages so that even though there was music playing at the same time you could not hear music from the other stage. The sound guys were fantastic as were the lighting technicians.
The afternoon kicked off right on time with John Moreland on one stage and The Last Bandoleros on the other. Both stages had decent crowds considering it was still early and it was pretty hot. John Moreland was amazing. I had never seen him live and I was very impressed. His songs are dark and lean towards the depressing side but his voice and guitar playing are beautiful and uplifting.
Texas native Amanda Shires took main stage next and she was incredible. I had seen her perform with husband Jason Isbell previously but had not seen her perform with her band. It was a lot of fun and she definitely raised the already hot temperature in the crowd. She was joined on stage for a couple songs about halfway through her set by Jason. He stayed in the background as this was clearly Amanda’s show. I read somewhere that Amanda Shires may be Jason Isbell’s wife, but in Texas Jason is Amanda’s husband.
I did manage to steal myself away for a few minutes to head over and catch a few minutes of the James Hunter Six band who were playing on the other stage at about the same time as Amanda. I felt like I had stepped back in time to the era of the Beatle’s and early Rolling Stones. The band is very soul and blues influenced and are a really fun band to watch and listen to. There was lots of dancing going on too.
I wandered back to the main stage via the artists and vendor section of the festival. There was everything from tie-dyed t-shirts to metal art, a very cool photo booth in a vintage streamline trailer, circus acts, hula-hoopers and giant bubbles for the kids. There was also a great big tent for kids to create all kinds of art. This is a very family-friendly event.
Back on the Original Blacks’ Barbecue main stage blue grass legend Del McCoury was playing. Del McCoury has been playing bluegrass music for 50 years and is still going strong. His band is made up of his sons Rob on banjo and Ronnie on mandolin. In addition there is Alan Bartram on upright bass, fiddle player Jason Carter and they are all led by Del himself on guitars and vocals. Del has 31 International Bluegrass Music Association awards, two Grammys, membership in the Grand Ole Opry and was inducted into the Bluegrass Hall of Fame in 2011.
Meanwhile over on the Bluebonnet Stage Robert Ellis aka the Texas Piano Man was rocking the stage. Ellis was decked out in a white tuxedo complete with tails, a white cowboy hat and cowboy boots. His piano was covered with a cow hide with a vase full of yellow roses and there was a Texas Longhorn skull on the front. This was a true Texas honky-tonk show without the honky-tonk. At one point Ellis seemed to be inhabited by the spirit of Jerry Lee Lewis, standing up and pounding away at the keys. It was a truly fun site to witness.
Jason Isbell and the 400 Unit put on an amazing and rare acoustic performance on the Black’s Barbecue Stage. The weather was perfect and the crowd was feeling great. Jason’s band includes his wife Amanda Shires, who Jason performed earlier in the day with, on fiddle. Browan Lollar –guitar, Derry deBorja – Keys and accordion, Jimbo Hart – bass, vocals, Sadler Vaden – guitar, vocals, and Chad Gamble – drums, vocals. The band opened the set with “24 Frames”. Other songs in the set included “The Life You Chose”, “Alabam Pines”, “Tupelo” and “Codeine”. He and wife Shires sang a duo on “Last of my Kind”. Before launching into “Maybe It’s Time” from the movie “A Star is Born” Jason joked “I don’t have a hit song, but I have a song that played a hit song in a movie”. They closed out the set with “If we were Vampires.”
Over on the Bluebonnet Stage North Carolina’s Mandolin Orange was playing at a smaller yet surprisingly large crowd, considering they were playing at the same time as Jason Isbell. Mandolin Orange is a husband and wife duo made up of Andrew Martin on mandolin and Emily Frantz on fiddle. They play a mix of bluegrass, gospel, pop, and traditional country. the group has toured throughout the U.S and Europe, including appearances at Austin City Limits, South by Southwest, Edmonton Folk Music Festival, Telluride Bluegrass Festival, Newport Folk Festival, Pickathon, Rooster Walk, and MerleFest. Check for photos and write-up on Thursday night, here: Show Review: Old Settler’s 32nd Annual Music Fest: Night 1 https://oldsettlersmusicfest.org/
Show Review: Old Settlers 32nd Annual Music Fest: Night 2 @oldsettler @jasonisbell @jameshuntersix @amandashires @delmccouryband @johnmorelandOK @mandolin_orange @robertellis_ #americanamusic #photosjohn The first big evening of the festival was in the main festival area with two stages. They did a wonderful job of positioning the stages so that even though there was music playing at the same time you could not hear music from the other stage.
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dj-maxx-92 · 5 years
Video
vimeo
THE PRIVATES from Amalgamated Picture Co. on Vimeo.
An unknown rock band struggles with a radioactive energy in their music that blows up amps, liquefies tape decks, and starts electrical fires. On the eve of their first (and possibly last) show, they must decide whether to risk life, limb, and legacy for a 1AM slot on a Tuesday. It could change everything...or nothing at all.
"The Privates" is this week's Vimeo Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/The-Privates
2017 Sun Valley Film Festival 2017 IFFBoston 2017 Brooklyn Film Festival 2017 Palm Springs International ShortFest 2017 NewFilmmakers NY - Anthology Film Archives 2017 Sidewalk Film Festival 2017 South Dakota Film Festival 2017 Milwaukee Film Festival 2017 New Hampshire Film Festival - 'Best NH Short Narrative Award' WINNER 2017 Melbourne Underground Film Festival 2017 Indie Memphis Film Festival 2017 St. Louis International Film Festival 2017 St. Cloud Film Festival 2018 Las Cruces International Film Festival 2018 SIFF + MoPOP's Science Fiction + Fantasy Short Film Festival 2018 New England Online Film Festival - Best Drama (RUNNER-UP)
Hammer to Nail Spring '17 Short Film Contest - WINNER Short of the Week - BEST OF THE MONTH - July 2017 Film Shortage io9 / Gizmodo The BUREAU
2016 ScreenCraft Q1 Short Film Production Fund Semifinalist
Writer / Director: Dylan Allen Producer: Eddy Vallante Starring: Lilli Stein, Rachel Trachtenburg, Alex Herrald, Omar Maskati Director of Photography: Evan Jake Cohen Music: The Privates Original Score: Dave Paulson Editor: Robert Grigsby Wilson
Producer: Javier Gonzalez Executive Producer: Matthew Perkins Associate Producer: Mari Shiel Production Design: Pinky Guest Casting: Rebecca Dealy Casting Assistants: Christy Escobar, Kristie Walsh Costume Design: Megan Stark Evans Hair/Makeup/SFX Makeup: Lexan Rosser Visual Effects: Perry Kroll 1st Assistant Director: Eric “Frenchy” LaFranchi Unit Production Manager: Maddi Clarke 2nd Assistant Director: Tas Mahr Property Master: Nicolas Luna Set Dresser: Alan Jensen Miniatures: Peter Feigenbaum Production Sound Mix: Adrian Martinez Audio Post Producer: Kira MacKnight / One Thousand Birds Sound Design/Mix: Calvin Pia / One Thousand Birds Music Director: Maxwell McDonald ADR Engineer: John Parthum / Mixtape Club Gaffer: Chad Dougherty Key Grip: Glenn Porter Best Boy Electric: Justin Newhouse Best Boy Grip: Jacob Beil Grip: Camilla Foschi 1st Assistant Camera: Matt Garland 2nd Assistant Camera: Brandon Regina Set Photographer: James Chororos Script Supervisor: Rachel Cole Production Coordinator: Quinn Dooley Locations: Jordan Thomas Alexander, Alex Richard Production Assistants: Kuper Bank, Eli Kleinsmith, Sean Woodruff, Mikaela Barish Poster Design: Sam’s Myth Digital Colorist: Andrew Francis Color Assist: Charles Leighton Digital Intermediate Services: Sixteen19
“We Are Really Rocking Now, Haven’t We?”: written & performed by The Privates “You Never Take Me Dancing”: written & performed by The Privates
VFX Breakdown - vimeo.com/226514082/b70a1fb831
Amalgamated Picture Company, 2017. All rights reserved.
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cynthiajayusa · 5 years
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ArtsUnited Celebrates 20th Anniversary
ArtsUnited, the local visual, literary and performing arts organization, celebrates its 20th anniversary with its annual month-long festival, ArtExplosion, Jan. 3 – 26.
The festivities officially kick off on Saturday, Jan. 12 at 7 p.m. at ArtServe, 1350 E. Sunrise Blvd. in Fort Lauderdale, with an evening of art, fashion, music and entertainment at the ArtExplosion gala opening reception and Fashion Reaction runway show.
The exhibition and opening reception will feature dozens of imaginative and amazing art works representing a variety of media from local, national and international artists, as well as a special, one-night-only erotic art show, including LIVE performance art. The jury will award more than $1,000 in prizes to the most impressive entries.
At 8:30 p.m., Fashion Reaction, hosted by lifestyle and fashion expert Max Tucci from “America’s Next Top Model,” will feature a stunning fashion show showcasing the latest designs from local designers, including the Carlos Marrero Collection; Isaac Martinez’s IM Project tees; Laurie Phoenix’s Skirtzophrenic fashions; and Paul Michael’s GETT WETT swimwear. 
Award-winning airbrush artist and reality show star Avi Ram, DJ Frankie Fox and reaction artist Akrylika will provide scintillating sights and sounds throughout the evening, along with performances by local singing sensations Chad Johnson, LeNora Jaye and Dre Acevedo.
“Our membership includes more than 120 artists from virtually every discipline—from painting, sculpture and photography to poetry, fashion design, music and dance,” said ArtsUnited president Chuck Williams. “We’re especially proud to showcase so many talented artists at our 20th annual ArtExplosion. We are offering something for every art lover.”
Tickets are $15, including the reception, Fashion Reaction show and awards ceremony. A $25 VIP package includes a special reception at 6 p.m. with champagne toast and reserved seats for the Fashion Reaction show and awards ceremony. Tickets are available at ArtsUnitedFlorida.com.
ArtExplosion is generously supported by the Greater Fort Lauderdale Convention & Visitors Bureau, Our Fund, Hotspots Media Group and Your Office. For more information, go to ArtsUnitedFlorida.com.
source https://hotspotsmagazine.com/2019/01/03/artsunited-celebrates-20th-anniversary/ from Hot Spots Magazine https://hotspotsmagazin.blogspot.com/2019/01/artsunited-celebrates-20th-anniversary.html
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demitgibbs · 5 years
Text
ArtsUnited Celebrates 20th Anniversary
ArtsUnited, the local visual, literary and performing arts organization, celebrates its 20th anniversary with its annual month-long festival, ArtExplosion, Jan. 3 – 26.
The festivities officially kick off on Saturday, Jan. 12 at 7 p.m. at ArtServe, 1350 E. Sunrise Blvd. in Fort Lauderdale, with an evening of art, fashion, music and entertainment at the ArtExplosion gala opening reception and Fashion Reaction runway show.
The exhibition and opening reception will feature dozens of imaginative and amazing art works representing a variety of media from local, national and international artists, as well as a special, one-night-only erotic art show, including LIVE performance art. The jury will award more than $1,000 in prizes to the most impressive entries.
At 8:30 p.m., Fashion Reaction, hosted by lifestyle and fashion expert Max Tucci from “America’s Next Top Model,” will feature a stunning fashion show showcasing the latest designs from local designers, including the Carlos Marrero Collection; Isaac Martinez’s IM Project tees; Laurie Phoenix’s Skirtzophrenic fashions; and Paul Michael’s GETT WETT swimwear. 
Award-winning airbrush artist and reality show star Avi Ram, DJ Frankie Fox and reaction artist Akrylika will provide scintillating sights and sounds throughout the evening, along with performances by local singing sensations Chad Johnson, LeNora Jaye and Dre Acevedo.
“Our membership includes more than 120 artists from virtually every discipline—from painting, sculpture and photography to poetry, fashion design, music and dance,” said ArtsUnited president Chuck Williams. “We’re especially proud to showcase so many talented artists at our 20th annual ArtExplosion. We are offering something for every art lover.”
Tickets are $15, including the reception, Fashion Reaction show and awards ceremony. A $25 VIP package includes a special reception at 6 p.m. with champagne toast and reserved seats for the Fashion Reaction show and awards ceremony. Tickets are available at ArtsUnitedFlorida.com.
ArtExplosion is generously supported by the Greater Fort Lauderdale Convention & Visitors Bureau, Our Fund, Hotspots Media Group and Your Office. For more information, go to ArtsUnitedFlorida.com.
from Hotspots! Magazine https://hotspotsmagazine.com/2019/01/03/artsunited-celebrates-20th-anniversary/ from Hot Spots Magazine https://hotspotsmagazine.tumblr.com/post/181680175305
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hotspotsmagazine · 5 years
Text
ArtsUnited Celebrates 20th Anniversary
ArtsUnited, the local visual, literary and performing arts organization, celebrates its 20th anniversary with its annual month-long festival, ArtExplosion, Jan. 3 – 26.
The festivities officially kick off on Saturday, Jan. 12 at 7 p.m. at ArtServe, 1350 E. Sunrise Blvd. in Fort Lauderdale, with an evening of art, fashion, music and entertainment at the ArtExplosion gala opening reception and Fashion Reaction runway show.
The exhibition and opening reception will feature dozens of imaginative and amazing art works representing a variety of media from local, national and international artists, as well as a special, one-night-only erotic art show, including LIVE performance art. The jury will award more than $1,000 in prizes to the most impressive entries.
At 8:30 p.m., Fashion Reaction, hosted by lifestyle and fashion expert Max Tucci from “America’s Next Top Model,” will feature a stunning fashion show showcasing the latest designs from local designers, including the Carlos Marrero Collection; Isaac Martinez’s IM Project tees; Laurie Phoenix’s Skirtzophrenic fashions; and Paul Michael’s GETT WETT swimwear. 
Award-winning airbrush artist and reality show star Avi Ram, DJ Frankie Fox and reaction artist Akrylika will provide scintillating sights and sounds throughout the evening, along with performances by local singing sensations Chad Johnson, LeNora Jaye and Dre Acevedo.
“Our membership includes more than 120 artists from virtually every discipline—from painting, sculpture and photography to poetry, fashion design, music and dance,” said ArtsUnited president Chuck Williams. “We’re especially proud to showcase so many talented artists at our 20th annual ArtExplosion. We are offering something for every art lover.”
Tickets are $15, including the reception, Fashion Reaction show and awards ceremony. A $25 VIP package includes a special reception at 6 p.m. with champagne toast and reserved seats for the Fashion Reaction show and awards ceremony. Tickets are available at ArtsUnitedFlorida.com.
ArtExplosion is generously supported by the Greater Fort Lauderdale Convention & Visitors Bureau, Our Fund, Hotspots Media Group and Your Office. For more information, go to ArtsUnitedFlorida.com.
from Hotspots! Magazine https://hotspotsmagazine.com/2019/01/03/artsunited-celebrates-20th-anniversary/
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samanthasroberts · 6 years
Text
Southern Charm Recap: Can They Get Any More White?
I have emerged from my two-day hangover solely to write this weeks recap. Guess killing brain cells is one of my hobbies now.
When we left off I wasnt sure if I was Team Kathryn or Team Whitney, and I dont think thats ever going to get resolved tbh. However, I did just notice Kathryns facial expression in the opening sequence more or less sums up her entire personality.
Thomas and JD, back at it again with the polo. Cause that ended really well the last time. Can they get any more white?
Whitney has some fruit salad and is making coffee and Larissas like, If that’s cooking, I’m about to be the next winner of.
Whitney trying to explain what going steady means to Larissa is pretty hilarious tho.
Kathryn andKody? Corey? Fuck, I forgetare getting a seaweed facial or some shit, AKA Bravo is pampering them so they can talk shit in style. Nice.
Kathryn is bummed that once she has her baby she has to go home alone with her two children.
Kathryn: Im a 24-year-old soon-to-be mother of two. If you dont think Im overwhelmed and nervous then you dont think.
Wow that was like, unnecessarily aggressive Kath.
Cooper? Cooper! Calls Thomas a 50-year-old playboy and is like,
Cooper: Instead of letting it frustrating you I just say let it strengthen you.
Cooper is the moral compass this show needs.
Meanwhile Thomas is sipping bourbon with JD on his porch because Kathryn really needs him.
JD: Hows the baby? Thomas: The doctor said fine… JD looks skeptical, because Im sure he knows better than a trained doctor.
JD: Kathryn moving up the due date seems awfully peculiarseems suspect.
JD is a regular Hardy Boy over here.
JD: I think women dont like being asked for paternity tests.
NO FUCKING SHIT.
JD is like, and Thomas is like, Its clear hes forgotten who hes about to have a kid with because Kathryn is NOT going to be down with Thomas basically accusing her of slutting it up and then trying to trap him into fatherhood. JUST SAYING.
Its date night with Craig and Naomie. Craig chooses going to L.A. over the biggest event for his company, because hes never been to L.A. before. And Craig wonders why hes not allowed to head a bourbon division. I don’t foresee this ending well AT ALL. Craig, youre a fucking idiot and for once Naomie is in the right to tell you youre fucking up.
Craig: Do you see how hard Im trying to justify this?
Yeah, because you KNOW YOURE IN THE WRONG. Thats literally what justification is.
Cameran and Landon meet up for a candle-making class and I am kind of jealous because that low-key sounds fun. Landons explaining her travel guide to Cam, so Im going to take a quick nap.
Cameran: I think its hard for Landon bc she was a typical Southern stereotype of the woman who got married young and was taken care of and she doesnt have that anymore.
Wait, how is this the first Im hearing of this failed first marriage? How has this NEVER come up before this season??
Cameran: So any man prospects? Landon: IDK not really its kind of sad and pathetic.
Landon is like Same tho. Cameran: Do you think the reason youre not meeting anyone is because you want something to work out with Shep? Landon:…Yeah
Cameran and I are both like, FINALLY!
*Cue a montage of them looking really couple-y* I’m rooting for you guys!
Landon brings up every middle schoolers dilemma which is that if she dates Shep, then shell lose him as a friend. Can we get like, a violin quartet to score some melodramatic music or something?
Craig and Shep make it to L.A. and Whitneys bachelor pad is sick. I guess this is what that Bravo money gets you. On an unrelated note, I have a very compelling idea for a new reality show, if you wanna get on board Bravo, Ill get you in at the ground level.
Craig: I wouldve had FOMO if I hadnt gotten to come out heresothanks.
Whitney: Meh whatevs
Whitney: #NewCraig has taken on this persona thats like, not chill dude.
Whitney basically lets it go with the caveat that he may never fully trust Craig again. Eh, Im sure theyll be fine.
Shep: You know when youre perfectly drunk and youre really good at pool? Is that like when Im really drunk and I think Im really good at dancing?
Classic Shmosby.
Larissa crashes the boys weekend which is not at all chill. Larissa is, I guess, the WGG of the group.
Shep: Should I change? I dont want to look all fratty and Southern.
Well that ship sailed like, approximately 36 years ago. Whitney makes a joke about waking up in the morning covered in blood and vomit. Was he secretly with me and my friends this weekend? Unclear. V. possible.
These two slutty-looking blondes show up and Shep is in fucking heaven. Craig low-key wants to kill himself.
Whitney: The goofy, disarming thing works in Charleston but not so much in L.A.
I’m sorry, Whitney, but who you callin goofy? You’re not exactly a chiseled Greek god over there. Whitney takes a casual shot at Craigs bourbon knowledge, or lack thereof, and now that hes gotten that off his chest this friendship is back on track.
The aftermath of Whitneys party looks a lot like the scene I dealt with Sunday morning. So, like, maybe they really were there.
Whitney: The marker of a good boys weekend is a pool of vomit with a partially digested meatball in the middle.
Whitney talks about how Shep didnt get any last night and Whitney said he had a meeting with Hand Solo which made me LOL.
Sheps like, and Im getting soooo mf sick of this trope. I am convinced Shep just acts this way because y’all expect him to be a fuckboy and nobody challenges him or holds him to a higher standard. Also, there’s just no way his dick games that good. THERE IS NO WAY.
JD is on the phone with Paula and SURPRISE, Craig basically didnt do shit for this festival yet still wants to be head of the bourbon division. The entitlement is strong with this one. Craigs phone is dead, party casualty, so JD is calling around to all Craigs friends like the angry dad he is. Did I mention this was dumb af, Craig?
Also, LMAO at how hungover they all look. Their hangovers are giving me life.
Craig: I just feel like Im being used to do all the bitchwork and its annoying. I lied, THIS is the whitest thing to happen on this show.
Shep: People take work too seriously. What happened to just drinking beer and laughing your balls off?
Yeah Shep, I think this may be why your restaurant is struggling to pay the rent.
Thomas and Kathryn are discussing the ins and outs of labor, which I will file away for future knowledge. Thomas calls Kathryn an expert at giving birth which is like, kind of rude lol. But I guess also accurate?
Kathryns opening up to Thomas about being alone this time around, looking up at him with big doe eyes, and Thomas is like,SHUT DOWN.
Thomas: The timing is really bad for me, could you just like, not give birth rn?
Kathryn: Thats why I like having you around, youre like a calming presence IDK why.
Kathryn, do you know what calming means? Im starting to think not.
Back at Whitneys, some massage therapist named Megan shows up, and Shep clearly has a boner.
Shep: So youre gonna give us all massages now?
Megan: Its like holding space to really connect more with yourself.
Shep is blatantly sexually harassing this poor girl. JFC. This is so creepy. Tone it the fuck down.
JD & Co. is launching his bourbon line at Charleston Cup, this horse race in Charleston. Craig is nowhere to be found, shockingly.
JD: Work isnt all roses and cherries. Sometimes its dirt and trenches.
Im putting that on a needlepoint for my office.
Sheps not going because his grandpa died. OK thats actually like, very sad. My condolences.
We will now resume with our regularly scheduled program of shit-talking.
Craig is taking forever to get readyCraig and Chad from are both the secret Betches interns.
Craig is hungover with an upset stomach and a sinus infection, which is literally what happens to me every time I drink. AKA right now. We’ll get through this, Craig. Emergen-c and green tea all mf day.
Cams like,
Craig apparently slept in and didnt do anything to help JD set up. Which, Im not surprised by, but again, is a really bad move for when youre trying to show initiative.
Cameran: #NewCraig is starting to run its course because at this point hes becoming #OldCraig
Dannis dropping some random whiskey fun facts and Craig is like, Fuck the bourbon division, Im not sure Craig is qualified to have any job at Gentry HQ, PERIOD. How the fuck is he going to be a lawyer if he never wants to do work? He’s gonna have a rude awakening if he ever makes it to first-year associate (I have heard).
Craig is there for all of two minutes and is already like, fuck this Im leaving.
Oh JK Craig didnt actually leave. JD gives a speech and what do you wanna bet Craig is gonna get shafted in this thank-you speech?
Wait for it..
BOOM. SHAFTED. I called it.
Cameran is so into this race its scary. How much money did she put down on that horse? Judging by her reaction to losing, Id say a lot.
Once again JD is dressed like a 1920s fat cat. Live your truth, JD.
JDs like, and Craig is like,
JD: Do you think you should have gone out of town? Craig: I mean Ive never had to give up a trip for a job so
Oh boy, Craig. I fear for you in the real world. I really do.
At Kathryns, she and Thomas are eating dinner. Kathryns going into labor tomorrow morning. I hope they dont actually film her birth. That would be kind of fucked.
Thomas: I want to have a traditional family, hear the shnookums running around, hear the house fill with laughter.
Lol, “shnookums” only makes me think of one thing:
Thomas: I still love Kathryn, I care about her but Im afraid a day of reckoning is forthcoming.
UH OH.
Kathryn asks Thomas how he feels and he says hes apprehensive and shes like, BRUH, FEEL APPREHENSIVE?!
Kathryn: If I say anything mean to you tomorrow just give me a free pass.
OK thats fair, she is giving birth and all.
Kathryn gets up and eats some generic brand Lucky Charms before giving birth. I take it all back, she really is struggling with money.
OK low blow. Sorry. Kind of.
Seeing the sheer amount of diapers in Kathryns house is enough to make me never forget to take my birth control.
Thomas: For some reason, maybe through divine intervention we were brought together. Steven Spielberg I believe said, Ive made a lot of movies, but my greatest creation of all was a child.
So I wonder at what point Thomas is gonna be like Who am I kidding, theyre gonna drag that out at least over the course of another epsiode.
OK enough shit-talking from me. That baby is cute. What did they name him?? How they gonna leave us hanging like that?
div.body_middle_part_right .bodypart:nth-child(n+2), a.prevBody{display: none;}
Source: http://allofbeer.com/southern-charm-recap-can-they-get-any-more-white/
from All of Beer https://allofbeer.wordpress.com/2018/03/16/southern-charm-recap-can-they-get-any-more-white/
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jimdsmith34 · 6 years
Text
Southern Charm Recap: Can They Get Any More White?
I have emerged from my two-day hangover solely to write this weeks recap. Guess killing brain cells is one of my hobbies now.
When we left off I wasnt sure if I was Team Kathryn or Team Whitney, and I dont think thats ever going to get resolved tbh. However, I did just notice Kathryns facial expression in the opening sequence more or less sums up her entire personality.
Thomas and JD, back at it again with the polo. Cause that ended really well the last time. Can they get any more white?
Whitney has some fruit salad and is making coffee and Larissas like, If that’s cooking, I’m about to be the next winner of.
Whitney trying to explain what going steady means to Larissa is pretty hilarious tho.
Kathryn andKody? Corey? Fuck, I forgetare getting a seaweed facial or some shit, AKA Bravo is pampering them so they can talk shit in style. Nice.
Kathryn is bummed that once she has her baby she has to go home alone with her two children.
Kathryn: Im a 24-year-old soon-to-be mother of two. If you dont think Im overwhelmed and nervous then you dont think.
Wow that was like, unnecessarily aggressive Kath.
Cooper? Cooper! Calls Thomas a 50-year-old playboy and is like,
Cooper: Instead of letting it frustrating you I just say let it strengthen you.
Cooper is the moral compass this show needs.
Meanwhile Thomas is sipping bourbon with JD on his porch because Kathryn really needs him.
JD: Hows the baby? Thomas: The doctor said fine… JD looks skeptical, because Im sure he knows better than a trained doctor.
JD: Kathryn moving up the due date seems awfully peculiarseems suspect.
JD is a regular Hardy Boy over here.
JD: I think women dont like being asked for paternity tests.
NO FUCKING SHIT.
JD is like, and Thomas is like, Its clear hes forgotten who hes about to have a kid with because Kathryn is NOT going to be down with Thomas basically accusing her of slutting it up and then trying to trap him into fatherhood. JUST SAYING.
Its date night with Craig and Naomie. Craig chooses going to L.A. over the biggest event for his company, because hes never been to L.A. before. And Craig wonders why hes not allowed to head a bourbon division. I don’t foresee this ending well AT ALL. Craig, youre a fucking idiot and for once Naomie is in the right to tell you youre fucking up.
Craig: Do you see how hard Im trying to justify this?
Yeah, because you KNOW YOURE IN THE WRONG. Thats literally what justification is.
Cameran and Landon meet up for a candle-making class and I am kind of jealous because that low-key sounds fun. Landons explaining her travel guide to Cam, so Im going to take a quick nap.
Cameran: I think its hard for Landon bc she was a typical Southern stereotype of the woman who got married young and was taken care of and she doesnt have that anymore.
Wait, how is this the first Im hearing of this failed first marriage? How has this NEVER come up before this season??
Cameran: So any man prospects? Landon: IDK not really its kind of sad and pathetic.
Landon is like Same tho. Cameran: Do you think the reason youre not meeting anyone is because you want something to work out with Shep? Landon:…Yeah
Cameran and I are both like, FINALLY!
*Cue a montage of them looking really couple-y* I’m rooting for you guys!
Landon brings up every middle schoolers dilemma which is that if she dates Shep, then shell lose him as a friend. Can we get like, a violin quartet to score some melodramatic music or something?
Craig and Shep make it to L.A. and Whitneys bachelor pad is sick. I guess this is what that Bravo money gets you. On an unrelated note, I have a very compelling idea for a new reality show, if you wanna get on board Bravo, Ill get you in at the ground level.
Craig: I wouldve had FOMO if I hadnt gotten to come out heresothanks.
Whitney: Meh whatevs
Whitney: #NewCraig has taken on this persona thats like, not chill dude.
Whitney basically lets it go with the caveat that he may never fully trust Craig again. Eh, Im sure theyll be fine.
Shep: You know when youre perfectly drunk and youre really good at pool? Is that like when Im really drunk and I think Im really good at dancing?
Classic Shmosby.
Larissa crashes the boys weekend which is not at all chill. Larissa is, I guess, the WGG of the group.
Shep: Should I change? I dont want to look all fratty and Southern.
Well that ship sailed like, approximately 36 years ago. Whitney makes a joke about waking up in the morning covered in blood and vomit. Was he secretly with me and my friends this weekend? Unclear. V. possible.
These two slutty-looking blondes show up and Shep is in fucking heaven. Craig low-key wants to kill himself.
Whitney: The goofy, disarming thing works in Charleston but not so much in L.A.
I’m sorry, Whitney, but who you callin goofy? You’re not exactly a chiseled Greek god over there. Whitney takes a casual shot at Craigs bourbon knowledge, or lack thereof, and now that hes gotten that off his chest this friendship is back on track.
The aftermath of Whitneys party looks a lot like the scene I dealt with Sunday morning. So, like, maybe they really were there.
Whitney: The marker of a good boys weekend is a pool of vomit with a partially digested meatball in the middle.
Whitney talks about how Shep didnt get any last night and Whitney said he had a meeting with Hand Solo which made me LOL.
Sheps like, and Im getting soooo mf sick of this trope. I am convinced Shep just acts this way because y’all expect him to be a fuckboy and nobody challenges him or holds him to a higher standard. Also, there’s just no way his dick games that good. THERE IS NO WAY.
JD is on the phone with Paula and SURPRISE, Craig basically didnt do shit for this festival yet still wants to be head of the bourbon division. The entitlement is strong with this one. Craigs phone is dead, party casualty, so JD is calling around to all Craigs friends like the angry dad he is. Did I mention this was dumb af, Craig?
Also, LMAO at how hungover they all look. Their hangovers are giving me life.
Craig: I just feel like Im being used to do all the bitchwork and its annoying. I lied, THIS is the whitest thing to happen on this show.
Shep: People take work too seriously. What happened to just drinking beer and laughing your balls off?
Yeah Shep, I think this may be why your restaurant is struggling to pay the rent.
Thomas and Kathryn are discussing the ins and outs of labor, which I will file away for future knowledge. Thomas calls Kathryn an expert at giving birth which is like, kind of rude lol. But I guess also accurate?
Kathryns opening up to Thomas about being alone this time around, looking up at him with big doe eyes, and Thomas is like,SHUT DOWN.
Thomas: The timing is really bad for me, could you just like, not give birth rn?
Kathryn: Thats why I like having you around, youre like a calming presence IDK why.
Kathryn, do you know what calming means? Im starting to think not.
Back at Whitneys, some massage therapist named Megan shows up, and Shep clearly has a boner.
Shep: So youre gonna give us all massages now?
Megan: Its like holding space to really connect more with yourself.
Shep is blatantly sexually harassing this poor girl. JFC. This is so creepy. Tone it the fuck down.
JD & Co. is launching his bourbon line at Charleston Cup, this horse race in Charleston. Craig is nowhere to be found, shockingly.
JD: Work isnt all roses and cherries. Sometimes its dirt and trenches.
Im putting that on a needlepoint for my office.
Sheps not going because his grandpa died. OK thats actually like, very sad. My condolences.
We will now resume with our regularly scheduled program of shit-talking.
Craig is taking forever to get readyCraig and Chad from are both the secret Betches interns.
Craig is hungover with an upset stomach and a sinus infection, which is literally what happens to me every time I drink. AKA right now. We’ll get through this, Craig. Emergen-c and green tea all mf day.
Cams like,
Craig apparently slept in and didnt do anything to help JD set up. Which, Im not surprised by, but again, is a really bad move for when youre trying to show initiative.
Cameran: #NewCraig is starting to run its course because at this point hes becoming #OldCraig
Dannis dropping some random whiskey fun facts and Craig is like, Fuck the bourbon division, Im not sure Craig is qualified to have any job at Gentry HQ, PERIOD. How the fuck is he going to be a lawyer if he never wants to do work? He’s gonna have a rude awakening if he ever makes it to first-year associate (I have heard).
Craig is there for all of two minutes and is already like, fuck this Im leaving.
Oh JK Craig didnt actually leave. JD gives a speech and what do you wanna bet Craig is gonna get shafted in this thank-you speech?
Wait for it..
BOOM. SHAFTED. I called it.
Cameran is so into this race its scary. How much money did she put down on that horse? Judging by her reaction to losing, Id say a lot.
Once again JD is dressed like a 1920s fat cat. Live your truth, JD.
JDs like, and Craig is like,
JD: Do you think you should have gone out of town? Craig: I mean Ive never had to give up a trip for a job so
Oh boy, Craig. I fear for you in the real world. I really do.
At Kathryns, she and Thomas are eating dinner. Kathryns going into labor tomorrow morning. I hope they dont actually film her birth. That would be kind of fucked.
Thomas: I want to have a traditional family, hear the shnookums running around, hear the house fill with laughter.
Lol, “shnookums” only makes me think of one thing:
Thomas: I still love Kathryn, I care about her but Im afraid a day of reckoning is forthcoming.
UH OH.
Kathryn asks Thomas how he feels and he says hes apprehensive and shes like, BRUH, FEEL APPREHENSIVE?!
Kathryn: If I say anything mean to you tomorrow just give me a free pass.
OK thats fair, she is giving birth and all.
Kathryn gets up and eats some generic brand Lucky Charms before giving birth. I take it all back, she really is struggling with money.
OK low blow. Sorry. Kind of.
Seeing the sheer amount of diapers in Kathryns house is enough to make me never forget to take my birth control.
Thomas: For some reason, maybe through divine intervention we were brought together. Steven Spielberg I believe said, Ive made a lot of movies, but my greatest creation of all was a child.
So I wonder at what point Thomas is gonna be like Who am I kidding, theyre gonna drag that out at least over the course of another epsiode.
OK enough shit-talking from me. That baby is cute. What did they name him?? How they gonna leave us hanging like that?
div.body_middle_part_right .bodypart:nth-child(n+2), a.prevBody{display: none;}
source http://allofbeer.com/southern-charm-recap-can-they-get-any-more-white/ from All of Beer http://allofbeer.blogspot.com/2018/03/southern-charm-recap-can-they-get-any.html
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adambstingus · 6 years
Text
Southern Charm Recap: Can They Get Any More White?
I have emerged from my two-day hangover solely to write this weeks recap. Guess killing brain cells is one of my hobbies now.
When we left off I wasnt sure if I was Team Kathryn or Team Whitney, and I dont think thats ever going to get resolved tbh. However, I did just notice Kathryns facial expression in the opening sequence more or less sums up her entire personality.
Thomas and JD, back at it again with the polo. Cause that ended really well the last time. Can they get any more white?
Whitney has some fruit salad and is making coffee and Larissas like, If that’s cooking, I’m about to be the next winner of.
Whitney trying to explain what going steady means to Larissa is pretty hilarious tho.
Kathryn andKody? Corey? Fuck, I forgetare getting a seaweed facial or some shit, AKA Bravo is pampering them so they can talk shit in style. Nice.
Kathryn is bummed that once she has her baby she has to go home alone with her two children.
Kathryn: Im a 24-year-old soon-to-be mother of two. If you dont think Im overwhelmed and nervous then you dont think.
Wow that was like, unnecessarily aggressive Kath.
Cooper? Cooper! Calls Thomas a 50-year-old playboy and is like,
Cooper: Instead of letting it frustrating you I just say let it strengthen you.
Cooper is the moral compass this show needs.
Meanwhile Thomas is sipping bourbon with JD on his porch because Kathryn really needs him.
JD: Hows the baby? Thomas: The doctor said fine… JD looks skeptical, because Im sure he knows better than a trained doctor.
JD: Kathryn moving up the due date seems awfully peculiarseems suspect.
JD is a regular Hardy Boy over here.
JD: I think women dont like being asked for paternity tests.
NO FUCKING SHIT.
JD is like, and Thomas is like, Its clear hes forgotten who hes about to have a kid with because Kathryn is NOT going to be down with Thomas basically accusing her of slutting it up and then trying to trap him into fatherhood. JUST SAYING.
Its date night with Craig and Naomie. Craig chooses going to L.A. over the biggest event for his company, because hes never been to L.A. before. And Craig wonders why hes not allowed to head a bourbon division. I don’t foresee this ending well AT ALL. Craig, youre a fucking idiot and for once Naomie is in the right to tell you youre fucking up.
Craig: Do you see how hard Im trying to justify this?
Yeah, because you KNOW YOURE IN THE WRONG. Thats literally what justification is.
Cameran and Landon meet up for a candle-making class and I am kind of jealous because that low-key sounds fun. Landons explaining her travel guide to Cam, so Im going to take a quick nap.
Cameran: I think its hard for Landon bc she was a typical Southern stereotype of the woman who got married young and was taken care of and she doesnt have that anymore.
Wait, how is this the first Im hearing of this failed first marriage? How has this NEVER come up before this season??
Cameran: So any man prospects? Landon: IDK not really its kind of sad and pathetic.
Landon is like Same tho. Cameran: Do you think the reason youre not meeting anyone is because you want something to work out with Shep? Landon:…Yeah
Cameran and I are both like, FINALLY!
*Cue a montage of them looking really couple-y* I’m rooting for you guys!
Landon brings up every middle schoolers dilemma which is that if she dates Shep, then shell lose him as a friend. Can we get like, a violin quartet to score some melodramatic music or something?
Craig and Shep make it to L.A. and Whitneys bachelor pad is sick. I guess this is what that Bravo money gets you. On an unrelated note, I have a very compelling idea for a new reality show, if you wanna get on board Bravo, Ill get you in at the ground level.
Craig: I wouldve had FOMO if I hadnt gotten to come out heresothanks.
Whitney: Meh whatevs
Whitney: #NewCraig has taken on this persona thats like, not chill dude.
Whitney basically lets it go with the caveat that he may never fully trust Craig again. Eh, Im sure theyll be fine.
Shep: You know when youre perfectly drunk and youre really good at pool? Is that like when Im really drunk and I think Im really good at dancing?
Classic Shmosby.
Larissa crashes the boys weekend which is not at all chill. Larissa is, I guess, the WGG of the group.
Shep: Should I change? I dont want to look all fratty and Southern.
Well that ship sailed like, approximately 36 years ago. Whitney makes a joke about waking up in the morning covered in blood and vomit. Was he secretly with me and my friends this weekend? Unclear. V. possible.
These two slutty-looking blondes show up and Shep is in fucking heaven. Craig low-key wants to kill himself.
Whitney: The goofy, disarming thing works in Charleston but not so much in L.A.
I’m sorry, Whitney, but who you callin goofy? You’re not exactly a chiseled Greek god over there. Whitney takes a casual shot at Craigs bourbon knowledge, or lack thereof, and now that hes gotten that off his chest this friendship is back on track.
The aftermath of Whitneys party looks a lot like the scene I dealt with Sunday morning. So, like, maybe they really were there.
Whitney: The marker of a good boys weekend is a pool of vomit with a partially digested meatball in the middle.
Whitney talks about how Shep didnt get any last night and Whitney said he had a meeting with Hand Solo which made me LOL.
Sheps like, and Im getting soooo mf sick of this trope. I am convinced Shep just acts this way because y’all expect him to be a fuckboy and nobody challenges him or holds him to a higher standard. Also, there’s just no way his dick games that good. THERE IS NO WAY.
JD is on the phone with Paula and SURPRISE, Craig basically didnt do shit for this festival yet still wants to be head of the bourbon division. The entitlement is strong with this one. Craigs phone is dead, party casualty, so JD is calling around to all Craigs friends like the angry dad he is. Did I mention this was dumb af, Craig?
Also, LMAO at how hungover they all look. Their hangovers are giving me life.
Craig: I just feel like Im being used to do all the bitchwork and its annoying. I lied, THIS is the whitest thing to happen on this show.
Shep: People take work too seriously. What happened to just drinking beer and laughing your balls off?
Yeah Shep, I think this may be why your restaurant is struggling to pay the rent.
Thomas and Kathryn are discussing the ins and outs of labor, which I will file away for future knowledge. Thomas calls Kathryn an expert at giving birth which is like, kind of rude lol. But I guess also accurate?
Kathryns opening up to Thomas about being alone this time around, looking up at him with big doe eyes, and Thomas is like,SHUT DOWN.
Thomas: The timing is really bad for me, could you just like, not give birth rn?
Kathryn: Thats why I like having you around, youre like a calming presence IDK why.
Kathryn, do you know what calming means? Im starting to think not.
Back at Whitneys, some massage therapist named Megan shows up, and Shep clearly has a boner.
Shep: So youre gonna give us all massages now?
Megan: Its like holding space to really connect more with yourself.
Shep is blatantly sexually harassing this poor girl. JFC. This is so creepy. Tone it the fuck down.
JD & Co. is launching his bourbon line at Charleston Cup, this horse race in Charleston. Craig is nowhere to be found, shockingly.
JD: Work isnt all roses and cherries. Sometimes its dirt and trenches.
Im putting that on a needlepoint for my office.
Sheps not going because his grandpa died. OK thats actually like, very sad. My condolences.
We will now resume with our regularly scheduled program of shit-talking.
Craig is taking forever to get readyCraig and Chad from are both the secret Betches interns.
Craig is hungover with an upset stomach and a sinus infection, which is literally what happens to me every time I drink. AKA right now. We’ll get through this, Craig. Emergen-c and green tea all mf day.
Cams like,
Craig apparently slept in and didnt do anything to help JD set up. Which, Im not surprised by, but again, is a really bad move for when youre trying to show initiative.
Cameran: #NewCraig is starting to run its course because at this point hes becoming #OldCraig
Dannis dropping some random whiskey fun facts and Craig is like, Fuck the bourbon division, Im not sure Craig is qualified to have any job at Gentry HQ, PERIOD. How the fuck is he going to be a lawyer if he never wants to do work? He’s gonna have a rude awakening if he ever makes it to first-year associate (I have heard).
Craig is there for all of two minutes and is already like, fuck this Im leaving.
Oh JK Craig didnt actually leave. JD gives a speech and what do you wanna bet Craig is gonna get shafted in this thank-you speech?
Wait for it..
BOOM. SHAFTED. I called it.
Cameran is so into this race its scary. How much money did she put down on that horse? Judging by her reaction to losing, Id say a lot.
Once again JD is dressed like a 1920s fat cat. Live your truth, JD.
JDs like, and Craig is like,
JD: Do you think you should have gone out of town? Craig: I mean Ive never had to give up a trip for a job so
Oh boy, Craig. I fear for you in the real world. I really do.
At Kathryns, she and Thomas are eating dinner. Kathryns going into labor tomorrow morning. I hope they dont actually film her birth. That would be kind of fucked.
Thomas: I want to have a traditional family, hear the shnookums running around, hear the house fill with laughter.
Lol, “shnookums” only makes me think of one thing:
Thomas: I still love Kathryn, I care about her but Im afraid a day of reckoning is forthcoming.
UH OH.
Kathryn asks Thomas how he feels and he says hes apprehensive and shes like, BRUH, FEEL APPREHENSIVE?!
Kathryn: If I say anything mean to you tomorrow just give me a free pass.
OK thats fair, she is giving birth and all.
Kathryn gets up and eats some generic brand Lucky Charms before giving birth. I take it all back, she really is struggling with money.
OK low blow. Sorry. Kind of.
Seeing the sheer amount of diapers in Kathryns house is enough to make me never forget to take my birth control.
Thomas: For some reason, maybe through divine intervention we were brought together. Steven Spielberg I believe said, Ive made a lot of movies, but my greatest creation of all was a child.
So I wonder at what point Thomas is gonna be like Who am I kidding, theyre gonna drag that out at least over the course of another epsiode.
OK enough shit-talking from me. That baby is cute. What did they name him?? How they gonna leave us hanging like that?
div.body_middle_part_right .bodypart:nth-child(n+2), a.prevBody{display: none;}
from All Of Beer http://allofbeer.com/southern-charm-recap-can-they-get-any-more-white/ from All of Beer https://allofbeercom.tumblr.com/post/171944066947
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aftersaidat5-blog · 7 years
Text
#MESA2017DC Guide of After Said at 5pm
 #MESA17DC Guide of After Said at 5pm
Here is a guide for #fresh scholarship being presented at the 2017 Middle East Studies Association Annual Meeting. We compiled a list of panels on the cultures and representations of the MENA.  We limited our suggestions to two panels per time slot. Follow us on Twitter and Instagram for hourly updates from the Saturday and Sunday sessions of #MESA2017DC. If you think your panel should also be in this list, let us know! If it is not a manel (a panel consisting of only male academics), we will add it up here.   
Anything underlined in this guide is hyperlinked to the MESA Program Website, so feel free to click on the panels, presentations, or presenter profiles for more information.
Any questions, suggestions, remarks? Send us a message on FB or email us at [email protected]
Saturday November 18
4pm
Undergraduate Research Poster Session
This session looks promising in terms of #fresh scholarship from up and coming scholars in the field. After Said at 5pm followers will especially like these posters:
Representations of the Middle East and Islam in U.S. Public High School Education by Melissa Levinson
The Art of Exclusion: Selective Immigration Practices and Authoritarian Resilience in Bahrain by Nalini Ramachandran
 Saturday November 18
5.30pm
[P4969] Music and Politics "min al-Mashriq ila al-Maghrib"
▪       A Tale of Two Protectorates: Cultural Hegemony in Colonial Morocco and Its Impact on Indigenous Musics by Chami, Hicham
▪       Echoes of the Maghreb: Modernity, Empire, and the Fez Congress of Moroccan Music by Matsushita, Elizabeth
▪       Political Resistance and Nationalism: Women Singers in Lebanon Defying the Drums of War by Moufarrej, Guilnard
▪       Hearing Pyrrhic Victory in Lebanon’s 2015 Protests by Nickell, Christopher 
▪       The Arab Diaspora and Collaborative Hip-Hop: Globalized and Localized Identity Formation by Shuffield, Garrett
 [P4988] Anxieties, Resistances, and the Clergy in Egyptian and Iranian Film
▪       Maslaha: a Film Sanctioning Apparatus or a Covert Censorship? by Arafa, Heba
▪       “Ode au Monde”: The Emergence of Iranian New Wave Cinema and the Problematic of National Identity by Faridi, Maziyar
▪       News of the Nation: Mohamed Bayoumi’s Newsfilms in the Newly Independent Egypt, 1923-1935 by Ghawanmeh, Mohannad
▪       A Nightmare on Valiasr Street: Persian-Language Diasporic Horror Films and the Cultural Capital of "Iranian" Cinema by Houck, Kelly
▪       Islamic Republic’s Treatment of Confusing Signifiers: The Curious Case of Marmulak by Tabarraee, Babak
Sunday November 19
8am
[P4985] Visual Engagement: Between the Self and the Nation 
▪       Reproducing the Real: Reviving the Discourse of Sacred Defense in "Standing in the Dust" by Khadem, Amir
▪       Religiosity and Emotionality in Iranian Theatre: (Re)presentations and Interventions by Moosavi, Marjan
▪       Contemporary art production and the ambivalence of nation-building in the United Arab Emirates by Sindelar, Melanie Janet
 [P5004] Making the Modern: the Politics of Heritage
▪       Kuwait National Museum: Architectural Historiography and the Changing Ethos of Modernism by El Hayek, Chantal 
▪       Making Islam Modern: Heritage and Worship in 1950s Turkey by Hammond, Timur
▪       An Artist Curating Islamic Heritage: Ali Jabri and the Jordan Museum of Popular Traditions by Rauh, Elizabeth
▪       Tracing Syrian Folk Dance: A Critical Assessment of Ibn Dhurayl’s Anthology of Raqs al-Semah and Dabke by Silverstein, Shayna
Sunday November 19
10am
[P4811] Presenting and Representing Iran in Museum Collections and Exhibitions
▪       Exhibiting Iranian Art in the 21st Century by Canby, Sheila R.
▪       Ninety Years of Presenting Iranian Art at The Textile Museum by Krody, Sumru Belger
▪       The Intersection of Past and Present in Iranian Art by Komaroff, Linda 
▪       The Iranian Exhibition Program at the Aga Khan Museum 2016-2017 by Cakir Phillip, Filiz
 [P4812] Tourism, Heritage, and the Politics of Place in the Middle East
▪       Constructing the "Arab Tourist": Leisure and Mobility through/in/of Lebanon, 1920-1970s by Sbaiti, Nadya J.
▪       Building and Breaking Ties: Political Tourism in Israel/Palestine by Schneider, Emily
▪       Islamic tourism in Jordan: heritage policies, paths and itineraries since the 1980’s by Neveu, Norig
▪       Heritage tourism versus Leisure Tourism in Post- 2011 Egypt: Notes about crisis management, resilience and strategic choices by Gamblin, Sandrine
▪       The Re-formed City: Urban Rehabilitation, Conservation, and Reclamation in Post-Revolution Cairo by Panetta, Claire
Sunday November 19
1pm
[P4959] Implicated Digital Transitions in the MENA Region
▪       Incongruent Collaborations: The Advertising Industry and Politics of Underground Music in Egypt by Abdelmagid, Yakein
▪       The Double Work of Behavioral Advertising in Turkey: Imaging and Branding by Atici, S. Gokce
▪       Transitional Differentiation in Urban and Digital Crowds: Reassessing the Place of Hay Ettadhamon, Tunis by Said, Karem Irene
  [P4962] The Gulf: Visualizing the National Narrative
▪       The “Desert” in Expo Milano: Traditions of Architecture Practices in the Making of a “Legitimate” National-Identity by Alkandari, Amina
▪       Theater as Nation: Nationalism as Promoted by Kuwaiti Theatrical Productions by Almubaraki, Shaikhah
▪       Matams, Ashura, and Muharaam: examining counter national narratives in Bahrain by Williams, Ashleen
   Sunday November 19
3.30pm
[P4832] The Cultural Politics of Violence
▪       Simulating the Contact Zone: Corporate Mediations of Violence in Israel, Palestine and Beyond by Lee, Shimrit
▪       Violence, Deviancy and Police Masculinity in Contemporary Egypt by Farquhar, Michael
▪       Terrors of Translation: Ottoman Crime Fiction and the Politics of Fear by Scott Deuchar, Hannah
▪       Un/Making the Mu’taqal: Towards a Cultural Economy of Political Imprisonment in Egypt by Elsisi, Hannah
 [C5033] Evaluating Digital Scholarship - Proposed guidelines for MESA
▪       As an Ottoman historian with a prior life as a Middle East librarian, I take the long view on the efficacy... by Virginia Aksan
▪       It has never been entirely clear to me why scholarship in the digital humanities should pose challenges... by Elias Muhanna
▪       The growing volume and popularity of digital scholarship have created both challenges and opportunities... by E. Natalie Rothman
▪       Evaluating scholarship that employs digital methodologies and tools of analysis does not pose any great... by Chris Gratien
  Sunday November 19
6pm
[S5054] Special Presidential Panel: MESA, ACLU and the Muslim Ban
Participants: Beth Baron (City University of New York), Asli Bali (UCLA), Cody Wofsy (ACLU)
 On March 10, 2017, MESA joined the ACLU and other partner organizations and individuals in a federal lawsuit challenging President Trump's second Muslim ban executive order (International Refugee Assistance Project v. Trump). The case made its way through the federal courts and was placed onto the U.S. Supreme Court docket, but the appeal was dismissed as moot after the expiration of the partial travel ban the Supreme Court allowed to go into effect over the summer. The Trump administration issued a new presidential proclamation imposing a ban on eight countries (Chad, Iran, Libya, North Korea, Somalia, Syria, and Venezuela) with no expiration date. MESA and its fellow plaintiffs challenged this third version as well, and on October 17 the judge blocked it from going into full effect. The government has now appealed that ruling. Cody Wofsy (Staff Attorney, ACLU Immigrants' Rights Project) joins MESA President Beth Baron (City College and Graduate Center, CUNY) and Asli Bali (UCLA School of Law), for a discussion about the administration’s effort to ban travel from certain countries and its impact on higher education.
  Monday November 20
8am
[P4919] Contemporary Political Art of the Middle East
▪       Iconographic Battle: Visual Responses to Rab’a Massacre by Khalil, Nama
▪       Capitalism and Conservatism: the Transformation of Ramallah in Inass Yassin’s Cinema Waleed Project by Crasnow, Sascha
▪       Chouftouhonna: A Tunisian Feminist Art Festival Making Space for the Queer Imaginary by Butler, Anne Marie
▪       Towards a Local Queer Aesthetics: Nilbar Güres’s Photography and Female Homoerotic Intimacy by Ula, Duygu
 [P4912] Liminal Urbanity: Cities Between Ruin and Prosperity
▪       The Afterlives of Abadan: Spatial and Temporal Disjunctures in an Iranian Oil City by Houshyar, Shima 
▪       Destabilizing Regional Frontiers: Mobility, Cosmopolitanism and Belonging in Karachi by Husain, Zehra
▪       Between nostalgia and futures-otherwise: Performances of memory in Lebanon’s railway ruins by Sajadian, China
▪       Shifting Mobility Regimes and Labor Migration in Post-Communist and Europeanizing Kardzhali by Corak, Hazal
   Monday November 20
10.30am
 [R4921] Material Politics in the Middle East
▪       My contribution will focus on what we can learn from examining various attempts to increase irrigated... by Elizabeth Williams
▪       In my comments, I will offer five observations, extrapolated from the case of Mandate Palestine’s electric... by Fredrik Meiton
▪       In my comments I will discuss the ways in which infrastructure planning and public service provision... by Joanne Nucho 
▪       My comments focus on land reform in Cold War Turkey as a central site of statecraft and modernization.... by Begum Adalet
 [P4834] Narratives of Struggle: Maintaining and Preserving Kurdish Cultural Heritage
 ▪       Is there a “Kurdish” dish?: Exploring the effects of aid and internal displacement on culturally cohesive concepts of food in Iraqi Kurdistan by Tribble, Anna 
▪       Reclaiming Kurdish Dress as Political Struggle by Isik, Ruken
▪       Rebuilding the City or a Museum Left in Ruins? Mapping Heritage in Post-Displacement Reconstruction Plans for Kobani by McGee, Thomas
▪       The City of Kermanshan, the Site of Cultural Rebellion and Rebirth by Sharifi, Amir
▪       The Struggle Within: Documenting the Kurdish Experience in Binghamton by De Rouen, Aynur
  Monday November 20
1pm
 [P4747] Negotiating Gender and Morality in the Ottoman First World War
▪       “Licensed Microbes:” Public Morality, Gender, and Prostitution in Ottoman Istanbul during and after the World War I by Yilmaz, Secil
▪       ‘Karmal Allah Send Me Ten Lira’: Women, Migration, and World War I in Mount Lebanon by Pitts, Graham Auman
▪       Waging Reform: Law and Gender in the Ottoman First World War by Dannies, Kate
▪       “Ever in Need of Safeguarding”: Gender and Violence in Ottoman Anatolia, 1914-1918 by Hock, Stefan
  [C4965] Middle East Feminist and Queer Studies: State of the Field
▪       How is new scholarship from Asia and Africa reshaping women, gender and sexuality studies? During the... by Miriam Cooke
▪       I will discuss some of the newer questions and approaches we find in submitted manuscripts as well as... by Frances S. Hass
▪       My comments will focus on the new trends and directions I see in the essays and research articles we... by Banu Gokariksel
▪       As editor for the reviews section, my contribution will include a brief survey of trends in book publishing... by Amy Kallander
▪       As Managing Editor, I will focus my comments on the themes and methodologies that emerge across disciplines,... by Rachel Greenspan
Monday November 20
3.30pm
 [P4915] Blackness in the Middle East: a Comparative Perspective
▪       Afrocentrism, Orientalism and Other Pitfalls of Studying the Swahili: New Thoughts on an Old Problem by Mathews, Nathaniel
▪       Buying and Selling Blackface: Theatrical Anti-Blackness in Pahlavi Era Iran, 1930-1965 by Baghoolizadeh, Beeta  
▪       Dana Bayrami Festival: Forging Solidarity through Afro-Turkish Identity in Modern Turkey by Wingham, Zavier
▪       The Gender of That Which Might Be Called Blackness: Reading the Arap Baci/Kizi within Turkish Popular Culture by Willoughby, Mayowa
 [P4862] The Beast in Image, Text and Politics
▪       The Ghoul: Mythical Creature, Political Practice, Digital Condition by El-Ariss, Tarek
▪       Zombie Publics and Leviathan Regimes: Literary Figuration and Political Affect in Recent Egyptian Fiction by Koerber, Benjamin
▪       Representing 'al-Fil' [The Elephant] by Malas, Khaled
▪       Animal Reason; Human Compulsion by Miller, Jeannie
 [P4976] Women and Leadership: Past and Present
▪       The Public Presence of Mamluk Princesses by Stephan, Tara
▪       Women and Secular Opposition Parties in Islamist-Dominated Political Systems by Fischer, Sarah
▪       Female Religious Authority and Islamic Feminist “Counterpublic” in Turkey: The Case of Rifai Shaykha Cemalnur Sargut by Burak Adli, Feyza
 Tuesday November 21
8am
 [P4823] Imagery in Jewish Morocco
 ▪       Picturing the Mellah: Joseph Bouhsira and Moroccan Jewish Photography by Goldsworthy, Patricia M.
▪       Captives of the Mellah?: Moroccan Rural Jewry in the Colonial Postcard by Boum, Aomar
▪       Documents of Diaspora: The Boccaras in Ntifa, 1971/2011 by Chubb, Emma
▪       Saints in the Age of Mechanical Reproduction: Religious Icons in Jewish Morocco by Kosansky, Oren
  [R4929] Social Media, Feminist Praxis, and State Power
▪       Feminist approaches to social media visualizations and 3D modeling of Twitter and Internet data from... by VJ Um Amel 
▪       Beginning 2004, the open source movement in Arabic grew rapidly and tremendously. A group of Arabic... by Manal Hassan
▪       Discussions of internet freedom often posit Western principles and practices as ideals, fixate on state... by Lisa Parks
   Tuesday November 21
10.30am
[C5040] Reading Middle Eastern Literatures Comparatively
▪       Literature Inside/Outside --- Reading literature of Iran and Iranian Diaspora in a transnational context.... by Persis Karim
▪       For this conversation, I examine literary histories in various languages, such as Arabic, German, and... by Ceylan Ceyhun Arslan
  [P4933] Art and Mediation: Affective and Socio-political Practices of Revolutionary Challenges
▪       Cynicism and Sorrow in Syrian Art After the Uprising by Farhat, Maymanah
▪       Aesthetics of Crisis in the Arab World – Epistemologies of Connectivity in Documentary Modes of the Real by Gaafar, Rania
▪       The Subjective Turn in Contemporary Egyptian Art by Singh, Surti
▪       Media Sousveillance on its Back by Um Amel, VJ
   Tuesday November 21
1pm
 [P4886] Colonialism and Culinary Cultures in the Middle East and North Africa
▪       Tea, Sugar, and Rural Consumers in Colonial Morocco by Cornwell, Graham 
▪       “Art Couscous”: Chewing on the Colonial Experience by Durmelat, Sylvie
▪       Mother Sauces and Civilizing Processes: Writing Cuisine in Egypt and Morocco by Gaul, Anny
▪       “They do drink tea, just not like us”: Imperial Japan, perceptions of tea drinkers in the Middle East and North Africa, and expanding global markets during WWII by Hammond, Kelly
  [P4895] Practices of Translation in the Ottoman and Safavid Empires
 ▪       The Ottoman Turkish Translation of History of Shah Abbas the Great by Bozgan, Elif
▪       Scholarly Interest or Enemy Studies? Ottoman Turkish Translations of Arabic and Persian Chronicles in the 16th to 18th Centuries by Bockholt, Philip
▪       In Search of Originality: Hamsa of Nevizade Atayi by Akyol, Ercan
▪       The Translation of Non-Shi‘ite Works in Safavid Iran by Unal, Yusuf
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oselatra · 7 years
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Five days to celebrate Central, LR Nine
A guide to the coming events.
Events marking the 60th anniversary of the desegregation of Central High School by nine African-American schoolchildren started weeks ago, but here's what's happening in the five-day run-up to the commemoration ceremony on Sept. 25 and in days following.
THURSDAY 9/21
'Education by Design: The History and Design of Little Rock Central High School and Dunbar Jr./Sr. High School.' 6 p.m. Dunbar Magnet Middle School, 1100 Wright Ave., preceded by 5 p.m. reception at Pyramid Art, Books and Custom Framing, 1001 Wright Ave., and 5:50 p.m. unveiling of works by Dunbar and Central High School students in the Dunbar Sculpture Garden behind the school building. Free.
The architecture of the Central High School (opened in 1927) and Dunbar (1929) — both the work of Little Rock's Wittenberg and Deloney firm — and how the design was meant to meet educational goals will be the subject of this talk by Little Rock architect Kwendeche and architectural historian Mason Toms, design coordinator for Main Street Arkansas. The event is part of the June Freeman Lecture Series of the Architecture + Design Network and the University of Central Arkansas's "Imagine if Buildings Could Talk: Mapping the History of Little Rock Central High School" project. (See Sept. 23 and 24 events.)
FRIDAY 9/22
Performance by the CORE Dance Company. Noon-1 p.m. Arkansas Arts Center Atrium. Free.
CORE, the Atlanta-based dance company whose "Life Interrupted" work was about the internment of Japanese Americans in Arkansas camps during World War II, returns to Arkansas for more site-specific choreographed performances. At the Arts Center, the company will perform in conjunction with the exhibit "Will Counts: The Central High School Photographs," a collection of the famous shots photographic journalist in 1957, including his world-famous picture of Elizabeth Eckford being heckled by white students. The company, company will perform again at 6 p.m. Sunday, Sept. 24, at Central's Commemorative Garden.
'William Grant Still's Neglected Masterpiece "Troubled Island." ' 7 p.m. Mosaic Templars Cultural Center. Free.
Opera in the Rock will perform William Grant Still's "Troubled Island," an opera in three acts about the Haitian revolution, with libretto by Langston Hughes and Verna Arvey. Still completed the opera in 1939; its world premiere was March 31, 1949. It ran only three nights; Still was told by a friend that the critics voted to pan the opera because "the colored boy has gone far enough." The composer, who was raised in Little Rock, was the first African-American to conduct a major U.S. orchestra (the Los Angeles Philharmonic). Another first: "Troubled Island" was the first grand opera by an African-American composer to be produced by a major American company, the New York City Opera. Vocalists performing this concert version of Still's opera are Ronald Jensen-McDaniel, Nisheedah Golden, Kenneth Gaddie, Satia Spencer, Candice Harris, Christopher Straw and LaSheena Gordon, with accompaniment by Janine Tiner. Earlier in the day, Arlene Biebesheimer, Opera in the Rock's Artistic Director, will talk about Still's work as part of a noontime "Lunch and Learn" session, also at Mosaic Templars, featuring a selection of recordings of Still's compositions.
Dedication of 'United' Sculpture 1:30 p.m., front lawn of Central High School. Free.
The 2016 Sculpture at the River Market Public Monument Competition donated this sculpture to Central High to mark the 60th anniversary of its desegregation. The work, "United," by Colorado Springs sculptor Clay Enoch, features two figures facing one another and holding incomplete rings. The unjoined rings indicate that there is still progress to be made in race relations, the artist says.
'Civil Twilight: Reflections on Fear, Courage and Resilience,' open rehearsal. 5-7 p.m. Little Rock Central High School National Historic Site Commemorative Garden, 2120 Daisy L. Bates Drive. Free.
The CORE Performance Company has created a dance/spoken word event, in collaboration with local poets Leron McAdoo and Marcus Montgomery and the Central High Wrighteous Poetry Club to commemorate the desegregation of Central. This is an open rehearsal; the main performance will be at 6 p.m. Sept. 24, as part of the ACANSA Arts Festival.
Central High Tigers Football Game 7 p.m. Quigley Stadium.
The Tigers take on North Little Rock Wildcats.
SATURDAY 9/23
March for Education 8 a.m. from the "Testament" sculpture of the Little Rock Nine on the grounds of the state Capitol to Central High.
The march, sponsored by HAD2 motivational company, is designed to highlight the connection between the Capitol and the school.
Paul Laurence Dunbar Community Festival, "The Power of Us through Community, History, and Art." 9 a.m.-5 p.m. Dunbar Magnet School, 1100 Wright Ave. Free.
This third annual festival, sponsored by the Dunbar Historic Neighborhood Association, features a health fair, children's activities, Zumba with Miss Lady Magazine, 3 on 3 basketball tournament, Dunbar history exhibit, Dunbar garden tours, Horace Mann alumni oral histories, a poetry slam, an "Old Town Motown Social," food and more.
'Reflections of Progress' symposium 9 a.m.-11:30 a.m. Clinton Presidential Center Great Hall. Free.
Circuit Judge Wiley A. Branton Jr., son of the civil rights leader who led desegregation efforts in the 1940s and beyond in Arkansas, is the opening speaker in this symposium in which panels will discuss the events leading up to the 1957 crisis, the "Lost Years" of 1957-1959, and 1959 to present.
'Imagine the Inclusive School of the Future Art Contest' 9:30 a.m.-9:30 p.m. Central High Visitor Center. Free.
Juried exhibit of work by students in grades 6-12 at Bryant High School, Conway High School, Episcopal Collegiate School, Lake Hamilton High School, Lisa Academy, Central High, Pulaski Heights Middle School, Southside High School (Fort Smith) and St. Joseph Catholic School (Paris), sponsored by the University of Central Arkansas's College of Fine Arts and Communication.
'A Day of Remembrance: The 60th Commemoration of the Desegregation Crisis at Little Rock Central High School.' 10 a.m.-5 p.m. Hampton Building, 1102 Daisy L. Gatson Bates Drive.
Bi-annual youth summit sponsored by the John Cain Foundation and the New Africa Alliance with presentations by poet Chris James and others.
Moncrief Institute for College and Career Readiness Forum Noon-2 p.m. Mosaic Templars Cultural Center.
Former Razorback basketball star Sidney Moncrief's nonprofit Moncrief Game Changer will lead Q&A and small group discussions on banking, education, insurance, entrepreneurship and other topics with high school and college students. Lunch will be served. Registration required; email [email protected].
Central High School Architectural History Bus Tours Noon-5:30 p.m. Central High Visitor Center. Tickets free; reserve by calling 450-3451.
See and hear about important sites and their architectural styles in the Central High neighborhood, from the homes of Ernest Green and Daisy and L.C. Bates to the historic Magnolia/Mobil service station across from Central High and more. Buses leave at on the hour from noon to 4 p.m. for the 90-minute tours, developed by historians Dr. Kimberly Little of UCA and Mark Christ and Kylee Cole of the Arkansas Historic Preservation Program. Repeated at same hours Sunday, Sept. 24.
High school and college student ensemble performances Noon-6 p.m. Magnolia/Mobil service station. Free.
High school and college student singers will fill the outdoor stage at the restored gas station across from Central High, a project coordinated by UCA and the Oxford American Literary Protect. Hear the UCA Dixieland Band at noon; the Mann Middle School Band, 1 p.m.; the Dunbar Middle School Band, 2 p.m.; the North Little Rock High School Band, 3 p.m.; the Parkview Jazz Band, 4 p.m.; and the Central High School Band, 5 p.m.
'Imagine the Inclusive School of the Future' award ceremony 4-5 p.m. Central High Visitor Center. Free.
While the students sing at the Magnolia/Mobil station outside, winning artworks in the exhibition, sponsored by UCA, will be announced. Show continues through 9 p.m. Sunday, Sept. 24.
Oxford American Jazz Series: 'No Tears Suite' 6 p.m. Magnolia/Mobil Station Station. Free.
This 30-minute jazz ensemble "pop-up" concert features pianist Little Rock Chris Parker's composition, inspired by Melba Pattillo Beals' memoir "Warriors Don't Cry" about her experience as one of the Little Rock Nine. Local jazz artists joining Parker for the performance are: bassist Bill Huntington, drummer Brian Blade, tenor saxophonist Bobby LaVell, trumpeter Marc Franklin, alto saxophonist Chad Fowler and vocalists Kelley Hurt and I/J. Routen. Following the suite's premiere, the ensemble will take on works by Pharoah Sanders, Charles Mingus, John Stubblefield and Sam Rivers.
'Imagine if Buildings Could Talk' video projection and music 7:30 p.m.-9:30 p.m. Central High School façade.
Imagine, if you can, a video projected on the school's facade that uses special effects to transform the entrance with vivid color, animates the statues over the front entrance (representing ambition, personality, opportunity and preparation), and projects historic photographs from 1957 along with visions of the future. Better, go see Scott Meadors' 9-minute 3D mapped video, which will be projected in loops over the evening, with music composed by percussionist Blake Tyson. Both are professors at UCA. (Teaser at renderwalk.wordpress.com.) Repeated at the same times on Sunday, Sept. 24.
'Mavis Staples Live.' 7-9 p.m. Robinson Center. $45-$65, available through Ticketmaster.
Mavis Staples has been singing about civil rights, Jesus and what it means to an African-American in the South since she was a child in Mississippi. She went on to fame as part of the Staple Singers with her father, Pops Staples, and siblings, and because of that fame, her website tells us, they weren't lynched when they were falsely accused of a robbery at a West Memphis gas station — the police chief recognized them. Stax-era recordings "I'll Take You There" and "Respect Yourself" and her moving "Down in Mississippi" bring down any house; she's an artist you've got to see and if her rousing concert at Christ Church Episcopal in 2013 was any indication, she's still got it in spades. Before Mavis comes on, a community choir will set the joyful mood. The event is a fundraiser for the Little Rock Nine Foundation, a mentorship program for young people.
SUNDAY 9/24
ACANSA gospel brunch 11 a.m. Wildwood Park for the Arts, 20919 Denny Road. $45.
The 100-voice-strong, award-winning St. Mark Baptist Church Sanctuary Choir will perform; ticket price includes brunch. (See the ACANSA schedule for more information.)
'Children of the Little Rock Nine,' a panel discussion 3 p.m.-5 p.m., Ron Robinson Theater, 100 River Market Ave.
Children of the Nine will take the spotlight as they talk about their parents' role in the 1957 crisis impacted their lives. The event is co-sponsored by the Clinton School for Public Service and the Butler Center for Arkansas Studies.
Interfaith service 5 p.m.-7 p.m. Robinson Center.
Rev. Raphael G. Warnock, senior pastor of the historic Ebenezer Baptist Church in Atlanta, where Dr. Martin Luther King Jr. was baptized and ordained, and other faith leaders will lead a service featuring readings from the Bible, the Mishnah Sanhedrin and the Quran. A community choir led by Darius Nelson of St. Mark Baptist Church and Kyle Linson of First United Methodist Church will sing.
'Civil Twilight: Reflections on Fear, Courage and Resilience.' 6 p.m.-7:15 p.m. Commemorative Garden, 2120 W. Daisy Gatson Bates Drive.
Dr. Henry Louis Gates Jr. and "Little Rock Nine" opera composer Tania Leon will make remarks at dance/spoken word event with CORE Performance Company (see Sept. 22 entry.)
Complexions Contemporary Ballet 8 p.m., UA Little Rock Center for Performing Arts. $35 ($15 student, military).
Founded in 1994 by two former members of the Alvin Ailey, Complexions is a diverse, experimental company that has performed worldwide. (See the ACANSA Arts Festival schedule for more information.)
MONDAY 9/25
Commemoration ceremony 10 a.m.-11:30 p.m. Central High School's Roosevelt Thompson Auditorium. Registration required; go to the ceremony link at centralhigh60th.org.
President Bill Clinton will be the keynote speaker and the eight living members of the Little Rock Nine have been asked to share their thoughts at this event, held 60 years to the day that the Nine entered Central High School. The auditorium is at capacity, but will be broadcast on monitors in the school's Matthews Gymnasium. Other participants will include Harvard professor and historian Dr. Henry Louis Gates Jr., who will give a lecture later in the evening; Governor Hutchinson; Cameron Sholley of the National Park Service; Mayor Mark Stodola; City Manager Bruce Moore; Central High Principal Nancy Rousseau and the student body presidents of LRSD high schools. The Philander Smith College Choir will perform. Parking will be at the Arkansas State Fairgrounds, and a shuttle will be provided.
'Mind Blazin' forum Noon-1:30 p.m. Mosaic Templars Cultural Center. Free, reserve at mosaictemplarscenter.com.
Luncheon and forum on educational and social disparities in Little Rock facilitated by poet and public school advocate LeRon McAdoo and his wife, Central High communications instructor Stacy McAdoo.
'Teach Us All' 6 p.m. Riverdale 10 VIP Theater.
The Netflix documentary "Teach Us All," its premiere timed to coincide with the 60th anniversary of Central's desegregation, examines educational inequality in Little Rock and America then and now using the crisis at Central High as a framework. The film addresses the LRSD's takeover and asks, "60 years later, how far have we come — or not come — and where do we go from here?" The film was directed by Sonia Lowman, produced by the Lowell Milken Center for Unsung Heroes and distributed by ARRAY, the film collective that heightens awareness of people of color and women directors.
TUESDAY 9/26
'Sounds in the Stacks' 6:30 p.m. Fletcher Library, 823 N. Buchanan St. Free.
Piano and sax duo Robert "Frisbee" Coleman and son Franko Nilsson Coleman will perform as a part of the Central Arkansas Library System's Arkansas Sounds project.
WEDNESDAY 9/27
'A Conversation on Education in Arkansas with Commissioner Johnny Key and Dean Skip Rutherford.' Noon. Sturgis Hall, Clinton School for Public Service. Free
Rutherford, dean of the Clinton School, will interview state Department of Education Commissioner Key. Question No. 1: How can the state justify the takeover of a school district with 50 schools because six were out of compliance? No. 2. When with the state return the Little Rock School District to Little Rock? No. 3. Why does he limit conversation with the public to forums like this one? Et cetera.
Jazz in the Park: Rodney Block 6 p.m. to 8 p.m. History Pavilion, Riverfront Park.
Free jazz concert by trumpeter Rodney Block, the final park concert of the season.
Big Brothers/Big Sisters Toast and Roast of Darrin Williams Sr. 5:30 p.m.-9:30 p.m. Metroplex Event Center. $200-$3,000.
Former Central High School student body president and state Rep. Darrin Williams of Little Rock, the CEO of Southern Bancorp, will be honored. The annual fundraiser benefits the Big Brothers/Big Sisters' work with children in need.
Five days to celebrate Central, LR Nine
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cynthiajayusa · 6 years
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Winter Party Festival: Schedule of Events
Winter Party Festival is a world-renowned week-long celebration featuring many dance and social events, and drawing crowds from around the globe. Below is a list of the major events. For details on everything Winter Party go to: WinterParty.com.
Thursday March 1
The VIP Cocktail Reception – is presented by The Art of Shaving, with DJ AJ Reddy providing the musical backdrop. Mingle with locals, visitors, their partners and special guests at the Nautilus South Beach, a SIXTY Hotel from 7:30-10 p.m. This year as part of their milestone celebration for the 25th Edition Winter Party, they are proud to honor the eight extraordinary individuals who have served as Winter Party Festival Chairs: Justin Bell, Dave Cook, JC Curry, Victor Diaz-Herman, Joe Guerrero, Lisa Mercado, Chad Richter and Derek Yee
IGNITE – Kick off your weekend with a bang as every year this party is the best way to warm up for the weekend. Ignite will star DJs J.Warren and Phil Romano from 10p.m. – 5a.m. at Score. Advance Discount Price through day of event (or until Sold Out): $35; after $45.
Friday, March 2
Vagabundos Pool Party – Winter Party Edition – Announcing a brand new pool party! That’s right, not one, but TWO pool parties are happening at their host hotel, Kimpton Surfcomber Hotel from 12– 6 p.m. This pool party features the sounds of DJs Paulo Fragoso and Cindel, and admission is $20 in advance and $25 at the door.
ArtScape – bridges the gap between LGBTQ artists and the mainstream art world, standing out as the only platform in Miami showcasing works by LGBTQ artists while benefiting the National LGBTQ Task Force and local South Florida LGBTQ nonprofits. The event is quickly becoming the world’s premier destination for LGBTQ art and collectors. To ring in Winter Party’s 25th Anniversary, ArtScape will unveil “Winter’s Rainbow,” a collaboration in honor of Gilbert Baker’s Rainbow Flag, and will have the honor of welcoming guest Judge Alpesh Kantilal Patel, PhD, an FIU professor with a background at the Whitney and the Guggenheim. ArtScape’s opening will be held at the FIU CARTA  on Miami Beach, featuring entertainment by HENESEAS, today from 7-10p.m. with the exhibit running from March 1 – March 6. Tickets are $30 Advanced and $40 at the door.
Heat – returns to Miami at Club Space, one of downtown Miami’s hottest clubs, featuring DJs Alain Jackinsky and Isaac Escalante on the Terrace and Pablo Lopez in the Basement. Celebrate diversity, connect with the community, and dance the night away!
Produced in conjunction with Hilton Wolman Events, Heat takes place from 10p.m. to 7 a.m. with Advance Discount Price through day of event (or until Sold Out) for $85,
General Admission: $95 and VIP Tickets are $130.
Saturday, March 3
Under One Sun Pool Party – is one of our most popular events and the first to sell out every year. This year, they are excited to bring the party back to the Kimpton Surfcomber Hotel, with an amazing pool that has hosted Winter Party Festival many times already. The event stars DJ Joe Gauthreaux from 12 to 6p.m. and Advance Discount Price through day of event (or until Sold Out) is $75 and $85 thereafter. VIP Tickets are $125
Masterbeat Toy Factory – Winter Party Festival is excited to present a very special 25th Edition Saturday night event at a new location: James L. Knight Center. Be amazed as Masterbeat transforms the Center into a giant Toy Factory with its signature production! Join international all-star DJs Oscar Velazquez and Alex Acosta as Winter Party celebrates their 25th Edition. Let your inner child run free – come see what toys they will have for you to play with at the Factory! Toy Factory takes place from 10p.m. to 6 a.m. and advance tickets through day of event (or until Sold Out) is $85 and $95 thereafter with VIP tickets only $130!
Sweat – Winter Party invites everyone to let your inhibitions run wild at their Leather and Fetish event in Wilton Manors. Sweat returns to Hunters Nightclub in Ft. Lauderdale on featuring DJ Ean Sugarman from 10p.m. to 3a.m. with no cover.
Sunday, March 4
Beat The Heat Brunch – Get your fuel for The Beach Party by starting out at brunch from 11am-2pm, at the Social Club in the Kimpton Surfcomber Hotel. Enjoy free samples of Smart Mouth Cold Brew Coffee, $30 bottomless mimosas, and beats provided by DJ Jean Marc! Beat the Heat Brunch is open to all with registration.
The Beach Party – This is the event that started it all! The Beach Party is Winter Party’s largest and most popular event every year, the crown jewel! It’s hard to describe the magic of dancing on the sands of South Beach with your chosen family and thousands of new friends from all over the world! It’s an experience you have to see to believe, and one you will never forget. Grab your sunscreen, your favorite speedo and we’ll see you there! DJs Grind and Rosabel (Ralphi Rosario and Abel) will spin from 12 to 8p.m. at Lummus park (12th street and Ocean Dr.) with General Admission: $125; VIP Tickets are $175; Cabana Club Tickets are $225 and a Private Cabana  $5,000.
Forever Adventure – Winter Party Festival and Masterbeat are partnering once again to present a legendary Sunday night party with DJs Micky Friedmann and the return of Sagi Kariv. They are bringing Forever Tel Aviv to Miami, a party that has been across the globe. Spend your Sunday night  from 10p.m. to 6a.m.unearthing treasure at the James L. Knight Center! Advance Discount Price through day of event (or until Sold Out) is $90 thereafter $100 with VIP $130.
Monday March 5
Verve – Make your last morning at Winter Party memorable when DJ Eddie Elias brings a very special edition Verve to Heart Nightclub from 5a.m. to 12 noon. After a huge success last year, Verve returns with a very special edition for the 25th Edition of Winter Party, produced by Hilton Wolman Events. Advance Discount Price through day of event (or until Sold Out) is $50, thereafter admission is $60.
ACTION! Finale – makes a triumphant return beginning at 10pm and ending at 5am at Score Nightclub.  Produced and presented by Luciano Presents, in partnership with PartyLikeJoe, this party welcomes back two of our favorite DJs to the Winter Party line-up: DJs Nina Flowers and Jalil Z who are sure to wrap up the Festival on a high note! Advance Discount Price through day of event (or until Sold Out) is $30, and thereafter its $40.
source https://hotspotsmagazine.com/2018/03/01/winter-party-festival-schedule-of-events/ from Hot Spots Magazine https://hotspotsmagazin.blogspot.com/2018/03/winter-party-festival-schedule-of-events.html
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demitgibbs · 6 years
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Winter Party Festival: Schedule of Events
Winter Party Festival is a world-renowned week-long celebration featuring many dance and social events, and drawing crowds from around the globe. Below is a list of the major events. For details on everything Winter Party go to: WinterParty.com.
Thursday March 1
The VIP Cocktail Reception – is presented by The Art of Shaving, with DJ AJ Reddy providing the musical backdrop. Mingle with locals, visitors, their partners and special guests at the Nautilus South Beach, a SIXTY Hotel from 7:30-10 p.m. This year as part of their milestone celebration for the 25th Edition Winter Party, they are proud to honor the eight extraordinary individuals who have served as Winter Party Festival Chairs: Justin Bell, Dave Cook, JC Curry, Victor Diaz-Herman, Joe Guerrero, Lisa Mercado, Chad Richter and Derek Yee
IGNITE – Kick off your weekend with a bang as every year this party is the best way to warm up for the weekend. Ignite will star DJs J.Warren and Phil Romano from 10p.m. – 5a.m. at Score. Advance Discount Price through day of event (or until Sold Out): $35; after $45.
Friday, March 2
Vagabundos Pool Party – Winter Party Edition – Announcing a brand new pool party! That’s right, not one, but TWO pool parties are happening at their host hotel, Kimpton Surfcomber Hotel from 12– 6 p.m. This pool party features the sounds of DJs Paulo Fragoso and Cindel, and admission is $20 in advance and $25 at the door.
ArtScape – bridges the gap between LGBTQ artists and the mainstream art world, standing out as the only platform in Miami showcasing works by LGBTQ artists while benefiting the National LGBTQ Task Force and local South Florida LGBTQ nonprofits. The event is quickly becoming the world’s premier destination for LGBTQ art and collectors. To ring in Winter Party’s 25th Anniversary, ArtScape will unveil “Winter’s Rainbow,” a collaboration in honor of Gilbert Baker’s Rainbow Flag, and will have the honor of welcoming guest Judge Alpesh Kantilal Patel, PhD, an FIU professor with a background at the Whitney and the Guggenheim. ArtScape’s opening will be held at the FIU CARTA  on Miami Beach, featuring entertainment by HENESEAS, today from 7-10p.m. with the exhibit running from March 1 – March 6. Tickets are $30 Advanced and $40 at the door.
Heat – returns to Miami at Club Space, one of downtown Miami’s hottest clubs, featuring DJs Alain Jackinsky and Isaac Escalante on the Terrace and Pablo Lopez in the Basement. Celebrate diversity, connect with the community, and dance the night away!
Produced in conjunction with Hilton Wolman Events, Heat takes place from 10p.m. to 7 a.m. with Advance Discount Price through day of event (or until Sold Out) for $85,
General Admission: $95 and VIP Tickets are $130.
Saturday, March 3
Under One Sun Pool Party – is one of our most popular events and the first to sell out every year. This year, they are excited to bring the party back to the Kimpton Surfcomber Hotel, with an amazing pool that has hosted Winter Party Festival many times already. The event stars DJ Joe Gauthreaux from 12 to 6p.m. and Advance Discount Price through day of event (or until Sold Out) is $75 and $85 thereafter. VIP Tickets are $125
Masterbeat Toy Factory – Winter Party Festival is excited to present a very special 25th Edition Saturday night event at a new location: James L. Knight Center. Be amazed as Masterbeat transforms the Center into a giant Toy Factory with its signature production! Join international all-star DJs Oscar Velazquez and Alex Acosta as Winter Party celebrates their 25th Edition. Let your inner child run free – come see what toys they will have for you to play with at the Factory! Toy Factory takes place from 10p.m. to 6 a.m. and advance tickets through day of event (or until Sold Out) is $85 and $95 thereafter with VIP tickets only $130!
Sweat – Winter Party invites everyone to let your inhibitions run wild at their Leather and Fetish event in Wilton Manors. Sweat returns to Hunters Nightclub in Ft. Lauderdale on featuring DJ Ean Sugarman from 10p.m. to 3a.m. with no cover.
Sunday, March 4
Beat The Heat Brunch – Get your fuel for The Beach Party by starting out at brunch from 11am-2pm, at the Social Club in the Kimpton Surfcomber Hotel. Enjoy free samples of Smart Mouth Cold Brew Coffee, $30 bottomless mimosas, and beats provided by DJ Jean Marc! Beat the Heat Brunch is open to all with registration.
The Beach Party – This is the event that started it all! The Beach Party is Winter Party’s largest and most popular event every year, the crown jewel! It’s hard to describe the magic of dancing on the sands of South Beach with your chosen family and thousands of new friends from all over the world! It’s an experience you have to see to believe, and one you will never forget. Grab your sunscreen, your favorite speedo and we’ll see you there! DJs Grind and Rosabel (Ralphi Rosario and Abel) will spin from 12 to 8p.m. at Lummus park (12th street and Ocean Dr.) with General Admission: $125; VIP Tickets are $175; Cabana Club Tickets are $225 and a Private Cabana  $5,000.
Forever Adventure – Winter Party Festival and Masterbeat are partnering once again to present a legendary Sunday night party with DJs Micky Friedmann and the return of Sagi Kariv. They are bringing Forever Tel Aviv to Miami, a party that has been across the globe. Spend your Sunday night  from 10p.m. to 6a.m.unearthing treasure at the James L. Knight Center! Advance Discount Price through day of event (or until Sold Out) is $90 thereafter $100 with VIP $130.
Monday March 5
Verve – Make your last morning at Winter Party memorable when DJ Eddie Elias brings a very special edition Verve to Heart Nightclub from 5a.m. to 12 noon. After a huge success last year, Verve returns with a very special edition for the 25th Edition of Winter Party, produced by Hilton Wolman Events. Advance Discount Price through day of event (or until Sold Out) is $50, thereafter admission is $60.
ACTION! Finale – makes a triumphant return beginning at 10pm and ending at 5am at Score Nightclub.  Produced and presented by Luciano Presents, in partnership with PartyLikeJoe, this party welcomes back two of our favorite DJs to the Winter Party line-up: DJs Nina Flowers and Jalil Z who are sure to wrap up the Festival on a high note! Advance Discount Price through day of event (or until Sold Out) is $30, and thereafter its $40.
from Hotspots! Magazine https://hotspotsmagazine.com/2018/03/01/winter-party-festival-schedule-of-events/ from Hot Spots Magazine https://hotspotsmagazine.tumblr.com/post/171416644915
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