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#Jailer box office
ashishlavania · 6 months
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richdadpoor · 8 months
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Sunny Deol's Gadar 2 To Rajnikanth's Jailer, Check Box Office Collections Of August Releases
Gadar 2 is inching closer to Rs 500 crore club. Rajnikanth’s Jailer recently crossed the Rs 600 crore mark worldwide. The month of August has been a delight for cinephiles and the entertainment industry as the theatres witnessed back-to-back hits. This month, when Sunny Deol’s Gadar 2 and Rajinikanth starrer Jailer proved to be blockbusters, a few of the other films also earned good numbers at…
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superstar-rajinikanth · 8 months
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JAILER - Creating History At The Box Office
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djarshaddj · 8 months
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Jailer Box Office Collection Day 13: On 2nd Tuesday the film sees 17.54% dip at Domestic box office
Jailer Box Office Collection Day 13: After a notable performance at the box office, the Rajinikanth-starrer film saw a 17.54% dip on day 13 at the box office. The film opened with a massive ₹ 48.35 crore nett in India; in the opening weekend, it crossed the Rs. 100 crore mark, and after the first week was over, it successfully made ₹ 235.85 crore nett at the domestic box office. After 13 days,…
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banglakhobor · 9 months
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সানির 'গদর ২' ও রজনীকান্তের 'জেলার' সহজেই ছাপিয়ে যাবে 'রকি অউর রানি'র আয়, মত অ্যানালিস্টদের
নয়াদিল্লি: রণবীর সিংহ (Ranveer Singh) ও আলিয়া ভট্ট (Alia Bhatt) অভিনীত ‘রকি অউর রানি কি প্রেম কাহানি’ (Rocky Aur Rani Kii Prem Kahaani) মুক্তি পেয়েছে গত ২৮ জুলাই। ১০ দিনের শেষে ট্রেড অ্যানালিস্টদের (trade analyst) প্রাথমিক হিসেব বলছে দেশের মাটিতেই এই ছবি ১০০ কোটির গণ্ডি ছুঁয়ে ফেলেছে। ৯ দিনের শেষে এই ছবি মোট আয় করেছে ৯২ কোটি টাকা। নিঃসন্দেহে বলিউডের জন্য সুখবর। কিন্তু সমীক্ষা বলছে কর্ণ জোহরের ছবির…
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dotieeee · 9 months
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A Small Set of Agreements
Part 2 of A Small Act of Kindness
A DARK three-shot
Pairing: Dark!Morpheus x you, afab reader
Warnings: dark!Morpheus, obsessive behaviour, dark!Dream won't take 'no' for an answer, disturbing themes like kidnapping, imprisonment, isolation, non-con/dub-con kissing and touching etc, 18+ only!!
Inspired by this ask for @roguelov See: https://www.tumblr.com/roguelov/721739134130143232/this-isnt-smut-but-dream-has-strong-miette?source=share
Officially now a three-part series!!! Masterlist here Part 1: Click here
Summary: You were imprisoned by a vindictive Endless, who will stop at nothing to win you over, including taking advantage of your forced vulnerability.
The grand dining hall of the Dreaming was empty, save the King of Dreams and you, his little plaything, the one he claimed to have caught his affections. Clearly, with this splendid display of all your favourite dishes, with the elaborate, ruby-coloured gown he said he fashioned from his own sand that you now wore, the miles and miles of red tulips he showed you during your walk with him on Fiddler's Green, he was trying to win you over.
Yet, despite the voracious appetite you had developed the moment you were free from your glass cage, here you were, toying with a slice of peach on your plate, very much not hungry and over all just about done with the way your jailer was unabashedly staring at you across from where he was sitting. The hungry looks you were getting from barely three feet away had absolutely nothing to do with food.
You tucked your fork neatly on the plate and pushed it away gently. Morpheus, who was leaning back on his dining chair like the king he was, tilted his head in concern. "Is there something the matter, my beloved? Is the food not to your liking?"
You gave a quick smile that didn't quite reach your eyes. "The food was great, thank you. Is there, uh…" is there no end to this, you had meant to ask, but decided against it. "Is there anything more you'd like me to do?"
You didn't like the sly grin that followed your question.
"I can think of many things I'd like you to do," he said, his voice dipping dangerously lower.
Fidgeting in your seat, you fought the urge to glare at him, and instead looked daggers at the innocent, half-finished peach cake on your abandoned plate. “I’m just saying, it’s getting a bit late. Not that I had much to do anyway…” Your voice trailed off, your mind drifting off to simpler times: how, around five in the afternoon, you and a colleague would get some coffee from the bakeshop, then rush back to the office to finish wherever you left off; sometimes your boss would get a box of those fancy doughnuts delivered and all of you would share five minutes of the afternoon sugar rush and  bitching about the accounting department. Boring as it might’ve been in hindsight, right then and there, you would’ve given just about anything, including a limb, to be there instead of here as mere passing entertainment for an age-old nightmare lord.
Said nightmare lord leaned forward, still with that annoying smirk, and said, "We are in no rush, my love. The day is not over until I say so.”
When you offered no reply, he stood from his seat and approached your side, extending his hand.
"Come with me."
Taking a deep breath, you took his hand and allowed him to lead you away from the dining hall. Where to, you had no idea, and after several flights of wide, marble stairs you tried to pry your hand away, but he tightened his grip with a warning look in his eyes. Nowhere in the enormous palace did you see anyone else around, making you feel even more alone with him than ever before. After seemingly endless staircases, he pushed open a double door, revealing a massive, extravagant gallery of pristine marble and velvet tapestries. Hand in hand, albeit unwillingly, he led you to probably the largest balcony you’ve ever been, offering the most breathtaking sight you’ve ever seen in your life:
His kingdom in all its glory, basking in the orange-purple glow of the setting sun.
You sighed deeply, closed your eyes and let the glow of the sunset warm you up, pretending you were all alone in a five-star hotel enjoying the nicest vacation you've ever had.
Until you felt a pair of lips kiss your hand and ruined the fantasy.
Morpheus let go of your hand as you open your eyes in favour of wrapping his arms around your midriff from behind. Your back stiffened as he pulled you close to his chest and planted a soft kiss on your hair, just above your earlobe. You heard him hum in satisfaction as his forefinger lazily drew circles on your clothed waist.
“Morpheus, what are you doing…?” you whispered, your breath hitching as you felt him take an audible whiff of your hair.
"One of the many things I had in mind," he whispered.
You shivered at the rather vulnerable position you were in, but it wasn't like you could tear yourself away from his unwanted embrace. He had you trapped, just like the cage he'd be putting you back in if he senses just the slightest resistance from you, so you stood there, rigid as a board. You tried your best to concentrate on the view that lay before you, but it was made even more impossible with the way those lips brushed against your earlobe and then kissed the base of your neck.
“Please…stop…”
Morpheus only hummed in response. He’d been keeping you on your toes the entire day, but what he said next just floored you.
“Come lay with me, my beloved.”
“Wh-what? You mean, sleep with you?” You gathered strength to abruptly pull away from him in utter shock. He’s clearly lost his damn mind. Once free, you put enough distance between you and him and faced him with your cheeks flaring up. “I don't believe this…you can't be serious!”
Unfazed and clearly taking offence at the wide berth, he said, “Do you doubt my love for you? Have I not been clear with my intentions? I wish for you to be my lover. Do lovers not declare their devotion to each other by indulging in each other's flesh?”
“One. Date.” You said pointedly. “That was all we agreed upon. One fucking date!”
“That is why I am asking now. Will you lay with me?”
The audacity of this cosmic being had you reeling inside, close to tearing your hair out in absolute frustration. “This is crazy. I've done everything you've wanted me to do today, but you can't expect me to just go along with that!”
Still incensed, you watch him take a threatening step forward with hands clasped in front of him, his jaw clenched and his eyes narrowed slightly. “I am giving you a chance to recant your response. After all, I freed you from your enclosure in the condition that you will do as I ask.”
“You're fucking sick, you know that?” You backed away as much as the balcony railing allowed you to. “I'd rather rot in that glass cage than sleep with you. No way.”
Morpheus just scoffed at you, his hands unfurling to his side. “Pride. I once recall being held captive in a prison not unlike yours. I could've been freed much sooner had I not been proud.”
Your eyes slowly widened as you observed fine grains of sand trailing upwards to his curled fingers. You’ve learned to fear his sand over time. It was a source of his immense power, and judging by the way he melted your glass cage that morning into sand with a single wave of his hand, he was more than ready to create another he could put you into. But, amidst the growing terror in you as his power, something else he said caught your attention.
“You, however, are human, and I, an Endless. Would you last a hundred years like I did?” he asked, his eyes flashing silver in contrast with the last dying embers of the sun.
Your captor was once captured for a century. But who would do such a thing to him? Was this why, even as an otherworldly being, he was so messed up and acting like he is?
“You…you were imprisoned,” you said in a hushed tone, suddenly finding yourself unable to meet his eyes. “And for that long? Ho-how did you get out? Why would anyone do that? How does that happen to…someone like you? I mean no offence, I’m just…uh…”
“Being compassionate.”
It was the gentlest tone you’ve ever heard from Morpheus since after your rejection of him. Glancing up at him, you were surprised how soft his facial features had become. Despite the circumstance, you were mesmerised by the way his eyes glistened in blue and all the stars it held. His hands relaxed and the sand gradually receded until it faded to nothing. Could you perhaps persuade him to have a change of heart?
“You are concerned for me,” he said. "It is an admirable trait you cannot help but display, even in duress. Your heart is good. All the more reason for me to possess it."  His tone shifted, and in a split second, the galaxies in his eyes vanished, consumed by the pitch-black abyss that could destroy anything in its path. "My human captors paid a hefty price for their transgressions against me. I do not wish the same on you." 
It was then you knew that whatever happened to him in his capture, there was no saving him from it, there was no change possible in him. There was no hope for you.
“I have, not once, ‘transgressed’ against you, and you know it, you fucking cu-”
“And yet, here you are,” he interrupted through gritted teeth, “Refusing me the only thing I have dared to want since your kind has wronged me.”
“Then why would you want anything to do with me, if 'my kind' offends you that much?” you spat back.
He paused at words as if contemplating them. You could tell by the way his expression faltered a little that they had an effect on him. He turned away from you to stare into the skyline, now void of the warm sun you were starting to miss.
“Those who trapped me sought those which do not belong to them. Their actions caused the collapse of the Dreaming.” He eyed you sideways, and continued, “Your actions on that fateful day of our meeting, however, led me to a better understanding of my responsibilities to my realm. Do not associate yourself with their sins.”
It took him only a few steps to finally close the distance between you. He was barely a few inches away from you now, no longer able to hide the look of longing in his eyes. He dipped his head so close to yours you could feel his breath fan your cheeks, and if you leaned any further against the balcony railing, you risked falling over.
“I see you as you are, so pure and selfless, someone who has so little, yet deserves everything she dreams of. I can give you that, and more, my precious little saviour. You need only say the word.”
But you saw him as he was, too: he was a monster; your abductor and tormentor, and you, a mere human, meant to be kept in a cage in this sick game only he knew how to play. You’d never give him the satisfaction.
“No.”
“'No?’ I suggest you reconsider.”
“Alright, give me a moment.” You followed that with a short pause, crossing your arms, then continued, “There, I've thought of it. Still no. Put me back in my cage, lock me up for ten, twenty, fifty, years – hell, make it a hundred so we're even, I’d be dead by then – I don't care. I am not sleeping with you.”
You matched his reproachful and hurt look with an unyielding expression, bracing yourself for the consequences of your words. He withdrew from you with a slight curl of lips, and the sand that had once receded whirled itself around the both of you.
“Have it your way.”
As you closed your eyes, the floor beneath your feet shifted, and you were lifted to your feet momentarily before setting you back down on a cold, uneven surface. When you felt the sand around you disappear, your eyes were greeted by the familiar sight of a spherical glass enclosure. You placed a palm on the clammy surface and moved closer so you could better see where he had brought you.
It was an enormous chamber, more opulent than anything you’ve ever been in the entire day, yet somehow emptier, darker, more foreboding. Right in the middle of the expanse was a massive four-poster bed covered in midnight, silky sheets. In the dark, you could barely make out a symbol carved on the headboard: a helmet of some sort, akin to a gasmask, with an odd spinal vertebrae sticking out at the end of it. This wasn’t the artificial space he had constructed – it was his room. 
He brought you to his room so he could watch you perish.
“Judging by your expression, you already know where you are.”
The ruler of nightmares stepped out of the shadows to reveal himself. He strode with dawdling steps closer to your cage with arms behind his back and stopped only a few inches away from your glass prison.
“You have no idea how displeased I am with your actions today, my little saviour,” he spoke, slowly placing his hand on the glass directly over your palm. “You shall be punished as I see fit. Death will not come for you. You are mine for eternity.”
You shivered, but not from the cold, as he withdrew his hand from the glass and turned around, presumably to leave.
Morpheus turned his head to the side and said with a final tone, “Should you seek my forgiveness, you need only call upon me and say the word.”
The King of Nightmares then left for good, his long cloak billowing behind him, leaving only the resounding bang of the giant double doors as they closed. Left entirely to yourself, you had only one thought as you curled in a ball inside your prison:
You weren’t going to last much longer.
***
The first few days trapped in your sphere inside his room had its ups and downs.
On a positive note, you were no longer floating in artificial space and can now tell between night and day by the light streaming from his tall windows and perpetually open balcony. On the other hand, you now had company night after night, in the form of a nightmare personified, with his eyes glowing in the dark as it focused only on you. Although he’d occasionally leave, presumably to attend to his duties as a king, he always came back, sat on his royal, high-backed chair, and observed you, without a word, in captivity. It was deeply unsettling. Both of you had not spoken since, but there was no need to. 
By your seventh day stuck in your glass cage, you woke up to a different sight: he had taken you to his throne room. The sphere was floating just a few inches from the ground at the foot of the pristine stairs leading to his throne. Your increasingly pale pallor looked terribly out-of-place in a hall surrounded with colourful glass panels that seemed to shift its display of images, plus the enchanted ceiling made to look like the night sky. You looked around to see where he was, but he was absent. He may have gone off to wherever the hell his attention was called for.
But it didn't take long for you to have company. Out of the corner of your eye, you saw that one of the massive double doors to the hall had opened. Thankfully, it wasn't him you saw. It was a tall, bald woman with pointy ears, wearing a fine-looking suit taking long strides towards you with an alarmed expression, mouthing something you couldn't hear.
Maybe she could free you!
Getting up and kneeling on the curved glass, you rapped the glass with your knuckles with urgency and for the first time in seven days, you spoke, "Help! Help me, please!"
The woman crouched down to touch the glass and said something, but you couldn't really concentrate on reading lips now, given how stressed you were getting. Was she mute? Maybe she didn't hear you the first time. You shouted, "Please, let me out! Help me!"
But then she motioned to her ears, and then mouthed, slowly this time, so you could read what she was saying through her lips:
'I can't hear you.'
"Lucienne."
Your heart jumped at the suddenness of the Nightmare King's voice booming inside the hall. You could hear him just fine. What the fuck was going on?
"There is no point engaging her in a conversation, Lucienne. She can only hear my voice, and only I can hear her. That is her punishment. I suggest you leave her be the next time you see her."
Morpheus appeared in your line of vision, locking his cold, pitiless eyes on your wide, bewildered ones. Turning to the woman named Lucienne, who got to her feet and bowed slightly to him, he said, "There is a new island that emerged northwest of the Land of Unfinished Inventions. Have someone survey the island and list its inhabitants. I shall be at the library to fetch the report by sundown."
Whatever Lucienne replied was to anybody's guess. With a final bow and a sympathetic look at your direction, she exited the throne room and left you alone with him. He gave you a searing look just before he climbed the stairs to his throne, fluffed his long black coat and settled down on his royal seat. You shot back a reproachful glare before turning your back to him, hugging your knees and completely ignoring him.
Several more of his subjects dropped by that morning, presumably to seek his counsel. A raven even tried to peck on your glass cage, but Morpheus, who called the raven Matthew, basically told him to ignore you, then sent him away. He spoke to all them with an authoritative tone, but by then you had learned how to block him out so you never really understood the conversations. Anyone who approached his throne had a clear view of you, displayed like a prize won from the spoils of war. Everyone ogled at you, some even gave looks of pity, but there wasn’t anything they could’ve done in the presence of their ruler. You had never been so embarrassed in your life, but you tried ignoring these looks as best you can, seeing as your captor had planned this so he could break you and force you to do his bidding. By midday, the slew of Dreaming subjects seeking their king’s presence had waned, and once again, you were left alone with him in total silence.
He broke the silence blanketing the throne room by calling your name. You heard it loud and clear, but his call was completely and deliberately ignored. He decided to call your name once more, this time with a tone of slight warning.
You gingerly sat up to see him standing before your cage, his hands behind his back and looking down at you with a disapproving look.
“Shall I take your voice away, as well, seeing as you refuse to use it in my presence?”
“Go to hell,” you replied flatly as you met his stare head on. It was getting exhausting, trying to put on a brave face, especially after he just threatened to take away your ability to speak, but you did so anyway.
“I have been there, my beloved,” he said with a slightly amused tone. “That does not insult me.”
Great, why couldn’t he have just stayed there?
“Frankly, I don’t care where you’ve been.”
His smirk only grew wider, and he started circling your cage at a leisurely pace. "Oh, but you'd care where I am going."
Why would I, you thought to yourself, and you couldn't help but raise a curious eyebrow.
"I will be at the library."
Part of you knew he was baiting you, but at that point, it couldn't hurt hearing him out, would it? Truth be told, you were dying for anything to do. Anything.
So you asked, "You have a library?" You recognized the flash of victory on his face.
"I do," he replied, crouching down on his knees to better look at you. "It contains everything humanity has ever written, including those that it has yet to finish. There is none like it across all the realms in the universe."
A library. The last time you had been to a library was about three months ago (if your calculation of your time spent in his realm was correct) and it was because of work. You hadn't had a time to even enjoy the place, and given that it'll be a long time before you even go back there (if he'd even let you), you now regretted not checking out a few books you had meant to borrow.
"I am aware you are partial to Mary Wollstonecraft. There is but one novel of hers she left unfinished when she passed."
Of course. The Wrongs of Woman.
"It lies in my library, completed, and it awaits you," he goaded on with that infuriatingly smug expression. "You only have to say the word."
As tempting as it was, you knew that by agreeing with his proposal, you would be giving away any remaining dignity you had left. Between a book and your autonomy, it was an easy choice. You withdrew as far back as you could in your cage and shook your head once.
"I can't."
Morpheus seemed genuinely taken aback by your resistance. "You would keep yourself from reading your favourite author's work in favour of refusing me?" He asked incredulously.
"I don't want it," you whispered, trying to keep your voice from breaking. "Just leave me alone. Please."
Your captor clenched his jaw and fists and said nothing, but guessing from how his knuckles turned white, he was furious. You couldn't care less if he was, though. Maybe you'd make him angry enough to kill you instead – that way, you wouldn't have to put up with all this anymore.
You hugged your knees, buried your face in them, and finally started to cry.
***
It stung. Your words actually felt like a whiplash to Morpheus's heart. He was seething, true, but everyday without you in his arms wounded him further, it was getting more strenuous for him to reel in his frustration without further taking it out on you. Your heart was farther out of reach than ever before, and nothing he could offer you seemed to work.
And then, he heard you sob, just as he was leaving to blow off steam and attend to his kingdom. It pained him to leave you in such a broken state, but you left him no choice. He had to keep you there until you saw your error. He knew the moment you said the words, he would take you in his arms and give you all the stars in the universe, should you ask him.
But even when he had finished all the work he had intended to do, even when he had already obtained the report he had asked Lucienne to make, that piteous weep plagued his mind. In all the days he's had you inside your glass enclosure, he had never heard you cry like so. He was always aware of your inner strength – your display of backbone in your imprisonment was nothing short of admirable. But you were wasting away the longer you resisted him, and he could not have that.
Despite all these conflicting emotions stirring up a storm inside him, what he desperately needed was to just spend precious time with you, to feel your soft touch, and to have you fall asleep in his arms as he read you poetry from a long-forgotten era…
The last thought brought forth a rather inspiring notion. He had distractedly drifted to the bookshelf that held the book he had taunted you with that morning. He hated having to deprive you of reading the book he thought you'd adore, but perhaps he could make a compromise.
He pulled the book out of the shelf without wasting time, and willed himself inside your cramped glass cage. You were asleep, it seemed, as far back as you could, with your head resting uncomfortably on the glass. There was not much space so he had to be careful and sat with his legs crossed. As he did, however, you had chosen to shift in your sleep and your hand had hit his leg lightly, stirring you awake. Even with your tear-stained cheeks, he found it adorable how you blearily rubbed your eyes to better focus on what exactly you had accidentally touched.
The sun had long since set, so Morpheus used his sand to transport the entire glass enclosure to his bedroom. This was an intimate moment he felt should remain away from prying eyes. Once the sand had cleared, he softly said your name out loud. His voice instantly jolted you alert, your eyes growing wide, and he knew that if you had room you would get as far away from him as you could. He was quite thankful he had created such a constricted space.
"What are you doing here?" You asked. Your voice sounded strained, probably from crying, and your eyes were red and puffy. He hated how you looked so forlorn, he had to stop himself from taking you in his arms, whisking you to his bed and kissing all your troubles away. He had to remind himself that there would be a time for that once you had ultimately, utterly surrendered to him. He had to concentrate, not on your supple, slightly trembling lips, but on what he truly came here for.
"I have in my hand the book I have told you about." He held the book up so you could better see it and know he was not trying to trick you. He saw your eyes light up momentarily at the sight of the tome, and that delighted him immensely. It had been a while since he had seen your light. He needed more of it.
"I would like to read it to you."
Your innocently confused expression was nothing but endearing. "I can just read it myself," you said.
"And you shall – once you have accepted my terms. Until then, you will have to get used to my story-telling," he countered, slightly teasing you. Morpheus had been told many times how alluring his voice was. Perhaps it would have the same effect on you. You seemed to weigh your options and tried detecting deception from him. He was starting to lose hope that you didn't want him with you, so he was relieved when you finally nodded.
Morpheus had almost forgotten how to smile after your refusal at his balcony, but the one he showed you was genuine, nonetheless.
You were quiet the entire time he read from the book, but the way you were so focused on him and hung onto every word made his heart flutter. He was halfway through one chapter when you started to shift just a little bit closer to him, your head leaning on the glass as you took to his storytelling. Just as he reached the end of the chapter, your eyes were already trying to stave off sleep and your head was falling to the side, but the limited space in the glass sphere he already occupied prevented you from laying down.
Momentarily pausing his reading, he said, "You can rest your head here, if you'd like." He tapped his thigh lightly, urging you to use it as a pillow. He knew how uncomfortable it was to lie on cold glass, and you had not slept on a proper bed since your arrival to his realm. If he had his way, he lamented, he'd have you in his arms and on his bed, the both of you stripped of all your clothing, yet draped in the most luxurious silk sheets his kingdom could offer. He hoped you would accept his invitation of resting on his lap just so he could have your bodies touch again, to feel your warmth, to be connected with you in any way once more. To his absolute delight, you did, and he happily continued to read from the book until he heard your deep, rhythmic breathing.
You had fallen asleep on his lap.
It was nothing compared to the kiss he had shared with you in your home, of course, but it was enough for Morpheus to cry a small victory: you had trusted him enough to fall asleep with him, on him, in his presence. He smiled to himself, sighing minutely, as his fingers traced your exposed cheek with a longing even he could not describe. He hardly dared move in fear of waking you up and you recoiling at your closeness, so he found contentment in stroking your hair with all the gentleness he could muster.
There, in the glass amidst the stillness provided by your hushed breathing, he resolved to be more patient: if this was how being with you made him feel, then it would be worth the wait.
***
The sun was streaming through your eyelids when you came to, but you didn't want to wake up just yet. You just had the best, albeit dreamless, sleep you've ever had in a long while, owing to that pillow your head had been resting on. You were hoping you'd be able to squeeze in five more minutes, until it struck you:
You never had a pillow in your glass prison.
Your eyes immediately shot open, greeted by a multitude of swirling galaxies that seem to float in deep blue waters. You just slept on the lap of Dream of the Endless, him and that soft, radiant smile and those long, fluttering eyelashes. You knew that stare perfectly well even when you haven't been at the receiving end of until now: it was the gaze of a lover.
He was anything but.
"Good morning, my precious little saviour."
You sat up at once, trying to assure yourself you couldn't have slept anywhere else due to the limited amount of space in the glass cage. Nevertheless, you automatically muttered an apology under your breath for falling asleep on him.
"My love, there is nothing to apologise for," he said gently as he watched you pull your legs close to your chest. "It must have caused you great discomfort to have been sleeping on such an unfriendly surface for so long."
And whose fault is that? You thought wryly. Your eyes landed on the book he had propped against the glass. The book he had been reading to you just before you fell asleep. This didn't escape his ever-observant eyes.
"Should you like to continue where we left off, I am willing to relinquish the book…release you from this glass sphere, let you peruse other books in my library..."
He picked up the book and waved it lightly in front of him.
"For a price, of course."
Ah, there it was. He wouldn't be offering you anything for free at this stage, Hell would freeze over first (which is apparently a place that actually exists). He drew closer to you, his hands leaning against the glass on both your sides to trap you.
"Kiss me, my beloved," he whispered. Thankfully you still had your knees to your chest or your noses would've already touched. His heavy gaze focused on nothing but your lips, he continued, "Grant me a kiss, and I shall allow you unfettered access to a library like no other."
You calculated your options. While you were grateful he hadn't asked you to sleep with him, a kiss was still a form of contact with a being keeping you against your will you'd much rather have nothing at all to do with. Still, you couldn't help but look at his slightly parted lips, and a memory of you kissing them in your home surfaced. Had it really been that long ago? It wasn't bad, if you tried being objective. Plus, you'd finally have something to do outside your sphere. It's just a kiss, nothing more.
You gave him a single nod.
Delight washed over your captor's features as he touched your knees lightly, urging you to lower them and allow him to get closer. You could feel your skin tingling where he touched them, but that was soon forgotten the moment you shifted to a more relaxed pose. Without an ounce of hesitation, he cupped your face and pressed his lips on yours.
Reluctant as you were, he didn't seem to mind, for he gripped the back of your neck and changed his angle, his tongue prying your mouth open. Within seconds, his tongue danced with yours, and you were struggling to keep up. His other hand gripped your waist and pulled you closer to him as he bit your lower lip gently, and the surprised gasp you let out only made him deepen the kiss. An eternity seemed to pass before his lips withdrew from yours, but to your horror, he started caressing your jaw, dipping lower into your neck and suckling your skin. You placed a hand on his chest and tapped.
Breathless, you said, "Don't…please, you said it was just a kiss – "
You felt a rumble from his chest, and he harshly yanked your wrist away, effectively cutting off any complaint you had.
"The kiss will be over when I say so," he growled against your ear, before nipping on your earlobe and planting open-mouthed kisses on your neck once more.
Dear heavens, his mouth scorched your skin, and you knew the way he sucked on it would leave bruises. You wanted to break free from his death grip and scream, but you took his thumb placed on your pulse point as a warning, so instead you gripped his coat and closed your eyes tight with a whimper. You felt his teeth scrape your collarbone before he pulled the neckline of your dress so he could bite down on your shoulder.
Just as you were about to cry, Dream pulled away, gave you one last peck on the lips, and nudged your chin a little. When you opened your eyes at last, you found yourself sitting on the floor of his room and the glass you had been encased in nowhere in sight. He helped you to your feet with his arm still around your body.
"I will have an attendant help you with your preparations," he said as he let go. "You will meet me at the dining hall."
The kiss he left you with on your forehead did not help your shaking and the shame you felt at what you just did for this little bit of freedom.
***
Morpheus said you needed to meet him in the dining hall, which meant fuck-all because you had absolutely no clue where it was. His palace was an elaborate maze of rooms and galleries, hallways and staircases, and the occasional dreamer wandering around, lost just like you were. You tried asking one of them where it was, but the response you got didn't make sense at all (to them it probably did, as dreams often were; when they wake up from it, not so much).
A loud crash and a string of curses interrupted your musing, so you followed the sound, and after two right turns and a left, you found a woman at the end of the hallway kneeling on the floor, fussing over a broken dish and the spilled contents it once held. You were on her side at once, picking up the broken ceramic as carefully as you could.
"Oh, this is so embarrassing," the woman whined, fishing out a cloth to wipe the mess off the floor as best she could. "I'm sorry you had to see this, I'm not normally this clumsy…"
"It's okay, I'm happy to help," you brushed her off as you began picking up the smaller bits and piling them on a corner. "Besides, I'm kind of lost, maybe after we clear this up, you can help me find the way to the dining hall?"
You looked at her expectantly, but she had already paused at cleaning the mess in favour of ogling at you.
"I know you, " She exclaimed. "You're the girl he put in the glass cage!"
Distracted by her reaction, you let out a soft, pained gasp; a tiny piece of the ceramic had pricked your finger.
"If you don't mind my asking, are you alright?" The woman asked hesitantly with a concerned expression.
You nodded. "It's just a nick, I'll be fine."
"No, I don't mean your finger, dear," she whispered as she drew closer to you. "How did you end up on his bad side?"
"Oh." The question had taken you aback, but you weren't sure how to respond. Maybe if she knew the truth, she could help? "I didn't –"
A firm call for your name made you freeze midspeech. It was Dream, striding purposefully to where you were. It was clear with his expression that he wasn't happy.
"You were to meet me at the dining hall. What kept you?" he questioned as soon as he reached you.
"I got lost," you defended as you got up to your feet. Not wanting to upset him any further, you tried to hide your bleeding finger behind your back, but it was too late; he grabbed your wrist and brought it to his view. If he was unhappy then, he became furious in an instant.
"What have you done to yourself?" He asked through gritted teeth, his grip on your hand tightening, his eyes blazing and demanding answers.
Your heart was beating wildly as you tried to explain, "N-nothing, it-it was just – "
"My Lord, if I may."
The woman you just met interrupted and stood calmly even under the scrutiny of her ill-tempered king. That took courage, which you found yourself being drained of every single day with him.
"I tripped over myself and made a mess of this dish I was supposed to bring to the dining hall," she began. "The good lady, seeing my distress, temporarily abandoned her search for her destination and only tried to assist me, injuring herself in the process."
Morpheus turned to you, his features softening a little. "Is this true, my beloved?"
All you could do was give him a shaky nod. You felt relieved when his anger visibly dissipated and his grip on you softened, his expression turning apologetic. Without looking at the woman, he ordered her to fetch someone named Mervyn to clean the spill on the floor, to which she simply bowed and left.
"Then, there is no excuse for my harshness," he said, before bringing your injured finger to his lips. The cut healed itself in a matter of seconds, much to your astonishment. "I should be grateful that you were willing to put yourself in harm's way to help my palace staff."
He went further by placing your palm on his cheek and then kissing it, his stare darkening as he did. You fought that nagging urge to yank your hand away, fearing that his anger might resurface.
"I could not have chosen better."
You averted that increasingly heated gaze of his, but it was too late to avoid the other thing you had been dreading: he pulled you by the hand to him for a kiss on your lips.
Dream pinned you in place with a firm grip on your waist and another behind your back, which then travelled to the back of your neck. Struggling was futile, so you did your best to hold it all in as he suckled your lower lip and drew in all your gasps, leaving you close to suffocating, just like the way he spirited you away. With every motion you allowed his tongue on your mouth, he syphoned away whatever self-respect you had left.
Will he leave you with anything?
It didn't take long before a sob began to form at the back of your throat. Perhaps he heard it, or felt it, for he let go with much reluctance. Instead, he settled with bringing your foreheads together while you composed yourself. It wouldn't do you much good if you suddenly lost your mind right in front of him, right?
"Have I told you how much I am in awe of your beauty, my love?" He whispered against your lips. "You prove to me time and again that your heart is just as beautiful, if not more so."
You offered no words while he stroked your cheek with his forefinger and he placed his lips over your ear.
"As such, I will prove to you just how much it belongs to me."
He will take everything from you, even after you have nothing left. *****************************
Part III here!!!
Thank you for reading!!!! Please engage and all that. it's really appreciated :)
Part 3 out now will contain smutSMUTSMUT---
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rajinists · 9 months
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JAILER Box Office Storm in just 3 days
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historyhermann · 1 year
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The erasure of records, digitization, and 1990s Hollywood films
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Gif of one of the scenes from Hackers (1995)
In the past week, I've watched a number of 1990s Hollywood films, such as Sneakers (1992), Hackers (1995), The Net (1995), and My Fellow Americans (1996), where the "everything's on the computer" state of records, as stated in passing in The Andromeda Strain (1971), has been reached. All of these films share a similar theme: the erasure and change of records (mostly digital), which has an increased relevance as archival institutions continue to digitize more and more of their records, although not everything, as I noted in my post about challenges of archival digitization in late April.
Reprinted from post on my History Hermann WordPress blog and Wayback Machine. Originally posted on May 19, 2019.
Looking at the 1990s films
Let's start with The Net, since it was the first of these films that I watched, computer with bulky hand-held phones and dial-up computers. In this film, Sandra Bullock plays an isolated middle-age White woman (Angela Bassett) who is a "program systems analyst from Los Angeles" who lives most of her life online, talking on chat rooms and ordering pizza. That all changes when she takes a trip to Cessna (before which there is a computer malfunction which screws with flights), Mexico, meets a man who basically seduces her in order to get control of a virus which is on a floppy disk, of all things. This plan fails, however, as she realizes, after literally sleeping with him for some reason, that he wants to kill her, so she gets away in a dingy that crashes on rocks, knocking her unconscious. She wakes up three days later in a hospital and the disk has been destroyed. As she is about to go back into the country, after a record was changed that checked her out of the hotel, she is told to sign a temporary visa document which states that her name is Ruth Marx.
As the movie goes from here, she realizes that her identity has been stolen by an imposter, with the change of records by the villains who want to make profits off their security technology and gain access  to every system possible. With this, the movie is a bit of warning that it is very easy for someone to be digitally erased with so much of our lives online, with which you don't even have to spoil the ending. Clearly there are inept secondary characters (police officers, nurses, and jailers), many of whom, like sole archivist Madame Nu in Attack of the Clones think that records are inviolable and cannot be changed. The partially inept villains are even able to kill a few people, like the  Undersecretary of Defense by falsifying a report saying he has AIDS and a friend of Bullock's character. At one point, she says that "our whole lives are on the computer, and they knew that I could be vanished. They knew that nobody would care and it wouldn't matter." Later she adds to the inept court-appointed lawyer, who believes in the inviolability of the records in that they cannot be tampered with, to defend her from false charges:
Just think about it. Our whole world is sitting there on a computer. It's in the computer. Everything. Your DMV records, your Social Security... your credit cards, your medical history. It's all right there. Everyone is stored. And there's this little electronic shadow on each of us... just begging for somebody to screw with. They've done it to me, and they're gonna do it to you...I'm not Ruth Marx. They invented her. They put her on your computer with my thumbprint.
There were some similar themes in the 1992 film, Sneakers, which starred Robert Redford. The film focuses around attempts to create a black box which would crack American codes, allowing access to any American security system. In the process, a team tries to steal the box back and one of the characters purchases blueprints from the county recorders office for $50.00, leading the movie to be cited as an example of "the use and portrayal of records in film." [1] With the information from the county recorder's office, and their own observations, they are able to break-in to the company of the villain and get the box, but before it is handed to the NSA of the characters removes the main processing chip.
There is more than that. Redford's character is basically a hacker, as was his friend Cosmo (who is the film's villain) who was arrested and thrown into prison for computer crimes. The black box has a similar power to malicious code in The Net. Again, the focus is that records can easily be changed, or in the case of this movie, mimicked, to certain ends. Like the previously mentioned film, the cast is mostly White, but a bit more diverse in that they have a former Black CIA agent on the team of the "heroes."
There's one other film which has similar themes: Hackers, which features Angelina Jolie in a starring role. It focuses on a group of teen hackers who work to take down a villain who wants to sink a few oil tankers while getting wealthy in the process. In this "cult classic" film, as some places call it, there are computers running on dial-up (like in The Net), huge portable phones, people in some of the nerdiest clothes ever, and moving of information around on...floppy disks! In fact, the virus itself is on a floppy disk.
The altering of records is a key part of this film as well, as the villain alters criminal records of the male protagonist and his mother to list them as criminals, blackmailing him to give up the floppy disk. In the end, this group of hackers, all men except Angelina Jolie's character, and all White except one kid with dreadlocks, sets out to take down the servers of the villain's mega-corporation,  succeeding thanks to help from two Japanese hackers and their subsequent "electronic army" of hackers. Somehow they basically get off from their prison sentence thanks to a television broadcast from one of the hackers, which seems strange as he could be utterly lying. As with most movies of this nature, the plot doesn't always completely add up.
Finally, there is a bit of an outlier: the 1996 film, My Fellow Americans. This is perhaps the most hokey film of all, although archives is a main part of this film. Ex-Presidents, played by James Garner and Jack Lemmon, discover a scandal in the current administration. Lemmon discovers that conspirators have altered his official records, at his presidential library archival vault, in order to "erase traces of a meeting." At another time, Mark Lowethal's character goes to the National Archives, finding that the presidential appointment log does not show this meeting. [2] It turns out the culprit behind these changes is the current sitting present, the former vice-president, with his chief of staff being the one whom "doctored the Archives log and the log in Kramer's library."
In this case, the film does not involve the changing of a digital record but only the changing of a paper record. Still, this has a similar theme to the other three movies in that records can be doctored, manipulated, and changed to the benefit of certain individuals. Although, this can be, at times, easier to do with digital records than with paper records. I would also say the theme that records can be changed, erased, or rewritten follows through the Halt and Catch Fire series, along with shows like Mr. Robot, going into its last season this coming fall.
Why do these films matter?
"If  I  could take  all the  things  that  I  am, all the  feelings  I  have, all the  things  that  I  want,  and somehow  get  them  on a  computer  card, you would be  the  answer. I  don't  know  why  or  how  you've  come  along at this  particular  point  in my  life. See, that's  the  magic part. I'm  not  gonna  let  you  go."- Dr. Sidney Schaefer talks to his girlfriend (who ends up being one of the people who is spying on him) in The President's Analyst, a 1967 film
They matter because more and more of the records held by archival institutions are digital, specifically "born-digital" (like tweets, Facebook posts). Of course, they are a bit dated, as they came out between 1992 and 1996. However, the point that records can be changed and manipulated should be considered. There should be measures in place to make sure that the records, especially digital records, are not tampered with. Perhaps this would require fixity checks, but also could necessitate rules on the usage of records themselves.
At the same time, the archives themselves should not be like the dark and haunting Thatcher Memorial Library in Citizen Kane, which has what some have described as having one of the world's meanest archivists, played by Georgia Backus, with hair up in a bun "and an intimidating stare on her face, a real dragon lady at the gates of knowledge." This is not the type of archives you want to go to! This is not the image which should be projected. [3]
What I have said so far is only scratching the surface. These 1990s movies have standing importance because born-digital files which are entering archives across the world, like some in New Zealand, include "photos, radio broadcasts and documents," requiring appropriate workflows. Margot Note, a prolific writer in this field, described that as a former lone arranger who directed all archival management at an organization she launched a project to digitize a set of records, creating digital surrogates of 2,000 of the collection's best images, adding that such surrogates are superior to past formats like microfilm since they can be delivered through networks "offering enhanced access to simultaneous users around the world." In the same article she advocated the importance of digital collections, saying they grant "valuable remote access to the information contained within the original records" if they are created within the appropriate archival infrastructure, with metadata and search functionality, indexing. She adds that digital collections of archival records can not only provide for "multiple points of access and enhanced image details" but it can allow for more in-depth study than analog originals, increase interest in items which have often been ignored,and it can also act as "an advocacy tool for an archives." She also argues that different types of digital surrogates of records can be created, either for web display, storage, or print reproduction. She ends by saying that while "electronic copies suffer no degradation through the duplication process," a copy of a digital photograph is "indistinguishable from its source" meaning that the "original" loses its meaning, and that with digitized images, "researchers risk losing information that enables them to understand how the image was accessed and how its physicality changed over time." As such, there should be efforts to limit or eliminate such a loss.
But there is another aspect to archival records. Librarian Carrie Wade argued back in December 2018 that information is political with information loss affected by federal funding decisions of research repositories ruining the work of professionals. Similarly in the case of archivists, they should not be completely neutral not only because who "we elect impacts our ability to do our jobs well and the access that people have to information," as she argues, but they literally cannot be neutral as they are human beings with viewpoints, emotions, and thoughts of their own.  Building upon this, there are clear archival silences or "gaps in the archival record," with these silences "created and enforced within archives" as a result of practices that are  "central to the work of archivists." Digital records, whether born-digital, like social media posts, or digitized paper records, can help bridge this gap. After all, paper or analog records can be digitized in ways that allows access to them through online channels while originals are restricted.
All of this is relevant to the 1990s films I referenced in the first half of this post, as it requires having effective records management programs. The policies regarding records not only in Hackers and The Net, or even My Fellow Americans and Attack of the Clones were clearly outdated, and should be taken as a warning to have correct policies. This also requires taking into account challenges with capturing resources that are born-digital and making it available, effectively curating this information for the user. Furthermore this is important as a major trend in libraries is collection of data to prove their value even though this has its downsides especially when it comes to ethical concerns with data mining and big data, even though this can be useful. At the same time, how material is defined for easy access is a challenge "to every content owner," as is choosing the right metadata, with "important detail work" in this process. The same is the case for finding more "accessible ways for people to find and scan content" and ways to share these "images with your target audience." [4]
Concluding words
All of this ties back, of course, to the classic animated sitcom, Futurama, with its mentions of "technical support," CDs, CD players/CD racks, and floppy disks (some of which are 15-inch). In fact, in one episode, "How Hermes Requisitioned His Groove Back" (season 2, episode 15), the last half of the episode is about going into the central bureaucracy to get back a disk with Bender's brain on it, which is floppy disk. Others mention existing government records, databases, a record vault (safe  box) and an arrest record. In one episode Fry even declares to Bender that "I'm not a robot like you! I don't like having disks crammed into me" while in another he downloads "a celebrity from the Internet" from a parody of Napster, which is kidnapping celebrities and illegally copying them, with the "backup disk" being a floppy disk. Others focus on big data and concentration of information, digital cameras and operating systems.
I mention all of this because it shows the relevance of record erasure, digital archives, digitization, and the changing digital environment. This requires of course that you don't have "unauthorized data access" like Fry accessing the computer connected to the brain spawn. In the end, while these 1990s Hollywood movies are dated in various ways and problematic in others, they still have relevance connected to present developments of archival institutions in response to new technologies and making records more accessible to online users.
© 2019-2023 Burkely Hermann. All rights reserved.
Notes
[1] Kyle Neill, Senior Archivist of the Peel Art Gallery Museum & Archives also argues that there are archival themes in The Dark Knight (2008), The Avengers (1998), Chinatown (1974), and Tinker, Tailor, Solider, Spy (2011).
[2] This reminds me of a major plot point in Thrill Seekers, a 1999 TV movie, where the protagonist finds out that there are people who travel in time (from the future) to disasters and serve as tourists, disgustingly watching people die. In the process, the researcher on staff at a local newspaper, a bit like a records clerk, has databases of newspapers on her computer, which he searches to find information, which she lets him use even though she just met him (not good records management). Ultimately she says that she will go to the National Archives to find the original images, proving that he was not lying about the time travelers. Later, the protagonist goes back and time and saves her. But, I thought I'd just mention this, as the fact she is a bit of a records clerk brings in line with the records clerks in Erin Brocovitch (2000) and Chinatown (1974). The former has a clerk who flirts with a law firm filing clerk (Erin Brocovitch) who uncovers wrongdoings of a water utility company on her three visits to the records office of the Regional Water Board, letting her into "a records storage area, piled high with files, papers and binders, where she proceeds to copy water records," allowing her to complete her work. The latter has a sullen young man who does not like his job, grudgingly providing assistance, with Jack Nicholson's character "tearing out part of a page from a record book by covering the noise with a cough" after he is told he cannot check out the volume.This clerk, as one reviewer puts it, has "a well crafted scene presenting a stereotypical records keeper" with the clerk/archivist as "an impatient, unhelpful civil servant guarding over his records domain who treats the public as trespassers" while the "records are in long aisles in bound volumes." Some have compared Erin Brocovitch to another film with records as central, specifically A Civil Action (1998).
[3] The same goes for Hollywood images of old archivists like in Vampires (1998) where the church archivist is introduced, a "slight, bearded man with glasses" whom is sent along on a quest," in They Might Be Giants (1971) where a wealthy lawyer, who thinks he is Sherlock Holmes, teams up with a psychiatrist "to try to rid the world of evil" and in the process, one person plays an aged archivist who, despite his problems, "does come across as the sanest person in the movie and he finds clues to track down Moriarity," or in Amityville II: The Possession (1982) when a father uses a local archives to find out about a hosue causing trouble for his family, and in the process he is helped by an elderly archivist, a person who says "I've worked here for 25 years." There are other mentions of archives, but without archivists in Arlington Road (1998), Batman Begins (2005), Beverly Hills Ninja (1997), Broken Lullaby (1994), GoldenEye (1995), Journey to the Far Side of the Sun (aka Doppelganger) (1969), L.A. Confidential (1997), Message in a Bottle (1999), Ninth Gate (1999), Rogue One: A Star Wars Story (2017), Secret Nation (1991) [Canadian film], Shooting the Past (1999), Smila's Sense of Snow (1997), The Dark Knight (2008), The Name of the Rose (1986), The Phantom (1996), and The Shadow (1994). Also, there are said to be flirtatious archivists in Carolina Skeletons (1991) and Just Cause (1995), along with helpful ones (either initially or ultimately) in Cloud Atlas (2012), Deceived (1991), Quatermass and the Pitt (1967), The Fugitive (1993), and The Mask of Dimitrios (1944). There are also a number of films which have archivists in the background: Charlton-Brown of the F.O. (1959), Macaroni (1986), Red (2010), Ridicule (1996), Rollerball (1975), and The Age of Stupid (2009), and those that are said to have nasty or mean archivists: Blade (1998), In the Name of the Father (1993), Scream 3 (2000), The Nasty Girl [Das Schreckliche Madchen] (1990), and The Watermelon Woman (1996). Please, do not constitute this as an endorsement of any of these films, as likely they are mostly terrible.
[4] Also see articles about how libraries lead with digital skills and a cryptic finding aid.
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cinemapremi · 4 months
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Salaar Box Office Collection Day 7: Worldwide Crossed Rs 500 Crore!
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In a cinematic rollercoaster, Prabhas-starrer Salaar experienced a phenomenal start, raking in over Rs 90 crore on its first day. However, the seventh day witnessed a staggering 85% drop, with collections plummeting to Rs 13 crore. Let's delve into the highs and lows of Salaar's box office journey. Salaar Box Office Record: Prabhas’s Movie Makes History, Beats Shah Rukh Khan’s Jawan Salaar vs Dunki Box Office Battle: Salaar’s Massive Opening Day, Is Dunki Left in the Dust?
The Week in Review
Salaar Box Office Collection Day-wise Breakdown DayCollection (in Crores)190.7256.35362.05446.3524.9615.175.32 (estimated) Occupancy Insights Salaar experienced 21% occupancy in Telugu markets on the seventh day, its primary audience. Hyderabad witnessed a 24.75% occupancy rate with 638 shows. In the Hindi-speaking market, it faced stiff competition but maintained a 20.52% occupancy. Delhi-NCR and Mumbai regions recorded occupancies of 23.75% and 18.25%, respectively.
Global Box Office Collection
Salaar achieved a global milestone, crossing the Rs 500 crore mark on the seventh day. This places it among the elite films of the year, alongside releases like Pathaan, Jawan, Jailer, Leo, Gadar 2, and Animal. Notably, Salaar's global journey began with a robust Rs 175 crore on the first day, culminating in a total of Rs 325 crore for the week.
Prabhas's Resurgence
The film signifies a major comeback for Prabhas, who faced setbacks with Saaho, Radhe Shyam, and Adipurush. Salaar's success paves the way for his upcoming venture, Kalki 2898 AD, featuring Amitabh Bachchan and Deepika Padukone.
Behind the Scenes
Directorial Excellence Directed by Prashanth Neel, Salaar boasts a stellar cast, including Prithviraj Sukumaran, Sriya Reddy, Shruti Haasan, and Tinnu Anand. Anticipation surrounds the second part, Salaar Part 2 Shouryanga Parvam, for which a release date is awaited. https://www.instagram.com/reel/C0W4pEhPAWV/?utm_source=ig_web_copy_link&igsh=MjM0N2Q2NDBjYg== KGF Director's Legacy Prashanth Neel, renowned for directing the Yash-starrer KGF films, adds another feather to his cap with Salaar. The KGF franchise collectively earned nearly Rs 1500 crore in India.
Ceasefire Triumph
Salaar Part 1: Ceasefire, a parallel success, is estimated to surpass Rs 300 crore in India. The seventh-day collection alone is projected to exceed Rs 5.32 crore across languages. The film's global team proudly declared its triumph, surpassing the Rs 500 crore mark worldwide. SalaarCeaseFireHits500Crs resonated across social media, solidifying its global dominance.
Unraveling Salaar's Tale
Adapted from Prashanth's 2014 Kannada film Ugramm, Salaar delves into the story of childhood friends, exploring the transformation into foes. Starring Jagapathi Babu, Bobby Simha, Sriya Reddy, and others, the film weaves an intricate narrative.
The Second Weekend Saga
Amidst drops in the Telugu version, Salaar finds support in the Hindi-dubbed release. As it enters the second weekend, hopes are high for a resurgence, potentially overtaking Dunki’s second-weekend numbers. Salaar's box office saga is a testament to Prabhas's enduring star power and Prashanth Neel's directorial prowess. While facing challenges, Salaar's triumphs and setbacks make it a compelling chapter in Indian cinema. Is Salaar Prabhas's biggest hit? Salaar marks Prabhas's significant comeback but is not his highest-grossing film to date. When will Salaar Part 2 release? The release date for Salaar Part 2 Shouryanga Parvam is yet to be announced. How did Salaar perform internationally? Salaar achieved global success, crossing Rs 500 crore worldwide within a week. What is Salaar Part 1: Ceasefire's standout feature? Ceasefire is estimated to surpass Rs 300 crore in India, showcasing its substantial impact. Can Salaar recover in the second weekend? Salaar's acceptance in the Hindi belt may lead to a strong second weekend, potentially surpassing Dunki's numbers. Also Checkout. Read the full article
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physsting · 1 year
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Stasis
CW: Gore, torture, starvation/dehydration, lady whumper (lemme know if I missed any)
For day three of @amonthofwhump 's March Trope-A-Thon
~~~~
Siever lay in his tiny box of a cell, curled up in a ball despite his broken rib throbbing in pain. Before the Deltas it would have been unbearable, but now it was simply an unpleasant ache that faded into the background of all the others.
The cell was too small to sleep in. He could only lay down if he jammed his knees up to his chest and curled his chin down to meet them. Sitting upright wouldn't let him do more than fade in and out of a daze. His legs ached and cramped and he longed for nothing more than to get up and stretch them out.
They'd thrown him in here the first day after he'd refused to give them nothing more than his name and identification number. They'd opened the little slide on the door and asked if he was ready to talk three times since then, and he'd only ever given them the same answer.
He could do this all day. The Deltas were tough. His training covered this. A little isolation, a little starvation and dehydration, some sleep deprivation and some leg cramps couldn't break him.
A small part of his brain that Siever couldn't silence spoke up behind the bravado. The Akiri were renowned for their cruelty, it reminded him, surely a small cell isn't the extent of their toolkit. Remember when they found Carter? He was-
No. He wasn't anything. Now was no time to dwell on the past. Now was a time to shore up his defenses, focus on the mission and nothing else.
The slot opened and a pair of eyes came into view.
"Are you willing to cooperate?" The familiar voice asked.
"Siever Johannes, SMJ0146226." Siever winced as his breath caught the rib.
"I was hoping you'd say that."
The slot slammed closed, the door's heavy latch opened with a thunk and it swung open on screeching hinges. Siever could only glimpse at his jailer before he grabbed him and dragged him out of the cell and from the room. He kicked and clawed weakly at the grip on his arm, but the man was strong and the days of starvation had taken their toll on him. It was all he could do to remain on his feet as the man carried him around the war base. They came to a room with several other people in it along with a large circular platform on the ground. The jailer threw Siever to the ground, saluted the group, and left.
Siever pushed himself up to his knees. Someone had detached from the group - a lady wearing a different uniform than the rest. He could guess that she was the ranking officer. She stalked over to him, hands behind her back, a small smile on her lips.
"So you're the one we've caught. You don't seem like much, must have been the runt to be left behind."
Siever glared at her, putting all the anger of the people lost to the Akiri into it. She regarded him a few moments more before delivering a swift kick to the stomach. He gritted his teeth and choked down the groan. It's fine. That was nothing. She grabbed his hair and wrenched his face up to meet hers.
"Get him up there."
"You have two options. You either tell us where the stronghold is and we'll let you go, or I can kill you here. Today. Which would you prefer?"
They stared at each other for several seconds before she released his hair and let him slump down.
One of the other people from the group detached and hauled Siever to his feet. They moved him over to the circular platform and left him there. Siever only had a moment to wonder what was going on before the machine clicked on. A blue shimmer fille the air above the platform and a mysterious force lifted him off his feet and suspended him in the air. He tried to move but his body reacted in slow motion. The woman smirked at him.
"Its a modified stasis module. It slows anything contained in it's field to 1/100ths of normal speed while leaving anything uncontained unaffected." She retrieved a knife from her belt and took Siever's hand. He tried to take it back - she wasn't even holding it very tight - but he barely moved before she slid the knife across the palm of his hand and oh that was worse. It was an eternity, every individual nerve in his hand crying, screaming out as it was severed. He' been cut before, but he could withstand a quick slash and move on with his life. This he had to endure.
She dropped his hand and stepped back with a placid smile. "I assume your answer is unchanged."
Siever glared at her. I can do this. It's awful, but I can stand it. I will survive.
She took his hand again and pressed the knife in harder, tearing into muscle tissue and forcing a scream from his throat.
"Where is the stronghold?"
Siever whimpered. This was worse than the torture he'd been trained for. He couldn't move away, couldn't even flinch, only sit there and take it.
He screamed again and again, open mouthed wails, as she dragged the knife back and forth across his flesh.
I will survive
She pointed the knife down into the fleshy mess of his palm and pressed.
I will survive
I will survive for God and country
Hours later, the power shut off to the building and Siever's limp body fell out of the statis chamber. The lady groaned and sent someone out to see what the problem was. The statis had kept the blood from flowing freely, but now they all went like waterfalls. His hands, up and down his arms, across his chest and belly and legs and feet all spewed red onto the white floor. The lady made a disgusted sound and took several steps back. Siever shivered, dazed and woozy, and slowly curled into a ball. A door slammed open in the distance, followed by shouting and gunfire. Siever took in shaky breaths, mumbling to himself.
I will survive
I will survive
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theeejay · 1 year
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Jailer becomes the first movie to include stars from 5 Indian Film Industries
Kollywood: Rajinikanth
Mollywood: Mohanlal
Sandalwood: Shiva Rajkumar
Tollywood: Suneel
Bollywood: Jackie Shroff
Pan Indian Box Office Blockbuster On Its Way...!!!
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rabbitcruiser · 1 year
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Valentine’s Day 
Love and romance. Candy and flowers. Cards and gifts. Dinner and dancing.
Valentine’s Day comes along with a whole host of plans and accoutrements that are meant to all boil down to one thing: Love. And it all comes in the name of one man, St. Valentine, who was an interesting (and perhaps slightly misunderstood) character in history.
It’s time to learn about and celebrate Valentine’s Day!
History of Valentine’s Day
While some people believe that the history of this day is pretty clear, the reality is that the story behind St. Valentine’s Day is covered in a great deal of mystery. Tradition hails February 14 (and perhaps even the whole month of February!) as a time for love and romance, with both ancient Roman and Christian backgrounds.
But when the life of St. Valentine, the patron saint of this day, is considered, that’s when things tend to get a bit more murky. Some people don’t realize that the Catholic church actually has record of three of its own saints who went by the name of Valentine (or Valentinus) and all three died as martyrs.
Valentine’s Day Timeline
270 AD St. Valentine is martyred
Defying anti-marriage instructions given by Emperor Claudius II in order to build up the army, Valentine secretly supports and marries young couples which eventually leads to him being put to death. His death is said to have taken place on February 14.
496 AD First Valentine’s Day is recognized
Pope Gelasius decides to get rid of the Feast of Lupercalia, a pagan festival of love, and chooses to replace it with a celebration in honor of St. Valentine, who was martyred a couple hundred years prior.
1382 Chaucer’s Poem, Parlement of Foules, is written
This poem contains the first known literature reference connecting romantic love with Valentine’s Day. In the text of the poem, Chaucer writes of birds who would pair off with a mate, but some people refute the idea that it is connected to Valentine’s Day because February is too early and cold for birds to be mating.
1700 Americans begin exchanging Valentines
During this century, the inspiration for romance and love on Valentine’s Day turns into the specific gesture of exchanging notes, poems and love letters which may have been delivered by hand or by the US Postal Service.
2010 Valentine’s Day is released in theaters
This romantic comedy has a star-studded cast with big names like Julia Roberts, Bradley Cooper and even Kathy Bates, and tells the story of several different romances between couples that happen all in one day. However, at the box office, the film doesn’t really get the greatest reviews from critics.
Valentine Promotes Marriage
Perhaps the most commonly held tradition around St. Valentine is related to the year 270 AD when Claudius II was the emperor of Rome. Known as “Claudius the Cruel”, the emperor who wanted to build a strong army but was having trouble because of the attachment the men had to their wives and families. His solution? Just ban engagement and marriage, of course!
The story goes that Valentine, a priest in Rome, disagreed with the decree from Claudius and decided to go ahead and perform marriages anyway, allowing young lovers to marry each other in secret. When discovered, Claudius ordered the public beating and beheading of Valentine, which took place on February 14. The church later honored him by naming him as a saint.
This same Valentine is rumored to have become friends with the daughter of his jailer. He is said to have left her a note signed, “From Your Valentine”. This may explain the idea of asking someone “Will You Be My Valentine?”.
Less common are the other two saints also called Valentine, one who was a bishop in what is now Terni, Italy, and another who was martyred in a Roman province of Africa.
Feast of Lupercalia
It’s possible that even before Valentine, the priest, was martyred on February 14, the Feast of Lupercalia, a pagan feast of love, was celebrated around the same time. One tradition that went along with this festival is that the names of women were put into a box and drawn out by the men that they would be matched up with, letting chance (or fate!) take the lead.
By 496 AD, Pope Gelasius was tired of such pagan celebrations, so he declared that the Feast of Lupercalia would be canceled and, instead, St. Valentine’s Day would be celebrated on February 14. As time passed, this day became one where lovers would exchange poems, cards, notes and flowers, singing songs and performing other romantic gestures.
How to Celebrate Valentine’s Day
Celebrating Valentine’s Day comes with all sorts of inherited romantic traditions which can certainly be fun and bring lots of joy! But this is also a great way to get creative with showing people how much they are loved–even if it isn’t a romantic relationship.
Try out some of these ideas for celebrating Valentine’s Day:
Make a Card or Gift for Someone
Whether it’s a romantic partner or just a friend, Valentine’s Day is a great day to say “I Love You”. Hand made cards and gifts are especially welcome when it comes to showing someone how much they are cared for. January is a dark and quiet month anyway, so there’s plenty of time to prepare homemade gifts from a hobby like knitting a scarf, braiding a friendship bracelet, embroidering a towel, painting a picture or simply making a card.
Send Roses for Valentine’s Day
With delivery services abounding in almost every town, getting flowers delivered has never been easier! Choose to send red roses that stand for passion; yellow for friendship; pink for sweetness; peach for sincerity or gratefulness; white for purity or loyalty; ivory for perfection; and lavender for a crush (or love at first sight!).
Make Dinner Reservations
It’s likely that a last minute idea for going out to dinner will result in ordering takeout to eat at home, because restaurants are basically always full on Valentine’s Day. But, think ahead (sometimes months ahead, depending on the popularity of the restaurant) and make a reservation for two at a romantic place.
Enjoy a Story About Love
Head over to a local bookstore or library and browse the selection of novels or biographies that might feature stories about love. Or, it might even be interesting to read a biography about the guys named Valentine!
Those who don’t have as much time to read could put on their favorite drama or rom-com movie and see what hijinx the main characters get into. Try out some of these films about love to get started:
Valentine’s Day (2010). Okay, maybe this one is obvious. And perhaps it’s not even a great film, but it would be remiss to leave out this one with an all-star cast including Julia Roberts, Bradley Cooper, Jennifer Garner and Ashton Kutcher.
The Notebook (2004). This quintessential romance by Nicholas Sparks can be read as a novel or watched in the film starring Ryan Gosling and Rachel McAdams.
Pride and Prejudice (2005). This delightful take on the Jane Austen’s novel of the same name stars Keira Knightly, Rosamund Pike and Matthew Macfayden.
Think Like a Man (2012). Based on Steve Harvey’s book Act Like a Lady, Think Like a Man, this rom-com features Michael Ealy, Regina Hall, Kevin Hart and Meagan Good.
Get Creative for Valentine’s Day
This day doesn’t have to be the same as it’s always been. In fact, it’s a great day to try something new. Go on a mountain hike, visit a museum together, go whitewater rafting or learn how to play chess. Whatever would be fun and can be done in the spirit of love is the perfect activity for this day!
Valentine’s Day FAQs
When is Valentine’s Day?
Valentine’s Day takes place every year on February 14. It started on this day in AD 496 when the pope established the holiday in Rome in honor of the martyred Saint Valentine, who was killed on February 14.
What to do on Valentine’s Day?
This day can be filled with opportunities to show people how much they are loved. Exchange cards, send someone flowers, make breakfast for family members or write a poem.
When was the first Valentine’s Day?
Valentine’s Day is not actually a modern holiday, but has been celebrated in the middle of the month of February for more than 1500 years. The first Valentine’s Day was established by Pope Gelasius.
Is Valentine’s Day a global holiday?
Yes! Valentine’s Day is celebrated in various capacities in countries all over the world. From sharing a bottle of wine to giving gifts, from school children in America exchanging Valentines cards to people in Wales exchanging carved wooden spoons, this day is one that shows how people simply love the idea of love.
Who was Saint Valentine?
There is a bit of overlap in the stories as it seems there were at least three martyred saints with the name Valentine. However, the one most notably celebrated was a priest in Rome who defied the emperor’s anti-love commands and married young couples anyway.
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richdadpoor · 8 months
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Jailer Box Office Collection Day 15: Rajinikanth-starrer Ends 2nd Week With Lowest Numbers
The total gross domestic collection stands at Rs 350.30 crore. Jailer has earned Rs 183 crore overseas so far taking the total worldwide collection to Rs 533.3 crore. Rajinikanth’s Jailer has been seeing a major dip in its box office collection lately. On Thursday, the film managed to earn Rs 3.05 crore in all languages with an 18.67 per cent dip, the lowest so far in its theatrical run.…
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archivyrep · 1 year
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The erasure of records, digitization, and 1990s Hollywood films [Part 1]
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Gif of one of the scenes from Hackers (1995)
Some time ago, I watched a number of 1990s Hollywood films, such as Sneakers (1992), Hackers (1995), The Net (1995), and My Fellow Americans (1996), where the "everything's on the computer" state of records, as stated in passing in The Andromeda Strain (1971), has been reached. All of these films share a similar theme: the erasure and change of records (mostly digital), which has an increased relevance as archival institutions continue to digitize more and more of their records, although not everything, as I noted in my post about challenges of archival digitization in late April 2019.
Note: This article is reprinted from my History Hermann blog, with this post published there on May 19, 2019. I published it on my Wading Through the Archival Stacks WordPress blog on Aug. 28, 2020 with some revisions because I thought it was relevant to archives, at least when it comes to films.
Looking at the 1990s films
Let's start with The Net since it was the first of these films that I watched, computer with bulky hand-held phones and dial-up computers. In this film, Sandra Bullock plays an isolated middle-aged White woman (Angela Bassett) who is a "program systems analyst from Los Angeles" who lives most of her life online, talking in chat rooms and ordering pizza. That all changes when she takes a trip to Cessna (before which there is a computer malfunction which screws with flights), Mexico, meets a man who basically seduces her in order to get control of a virus which is on a floppy disk, of all things. This plan fails, however, as she realizes, after literally sleeping with him for some reason, that he wants to kill her, so she gets away in a dingy that crashes on rocks, knocking her unconscious. She wakes up three days later in a hospital and the disk has been destroyed. As she is about to go back into the country, after a record was changed that checked her out of the hotel, she is told to sign a temporary visa document which states that her name is Ruth Marx.
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As the movie goes from here, she realizes that her identity has been stolen by an imposter, with the change of records by the villains who want to make profits off their security technology and gain access to every system possible. With this, the movie is a bit of warning that it is very easy for someone to be digitally erased with so much of our lives online, with which you don't even have to spoil the ending. Clearly, there are inept secondary characters (police officers, nurses, and jailers), many of whom, like sole archivist Madame Nu in Attack of the Clones think that records are inviolable and cannot be changed. The partially inept villains are even able to kill a few people, like the Undersecretary of Defense by falsifying a report saying he has AIDS and a friend of Bullock's character. At one point, she says that "our whole lives are on the computer, and they knew that I could vanish. They knew that nobody would care and it wouldn't matter." Later she adds to the inept court-appointed lawyer, who believes in the inviolability of the records in that they cannot be tampered with, to defend her from false charges:
Just think about it. Our whole world is sitting there on a computer. It's in the computer. Everything. Your DMV records, your Social Security... your credit cards, your medical history. It's all right there. Everyone is stored. And there's this little electronic shadow on each of us... just begging for somebody to screw with. They've done it to me, and they're gonna do it to you...I'm not Ruth Marx. They invented her. They put her on your computer with my thumbprint.
There were some similar themes in the 1992 film, Sneakers, which starred Robert Redford. The film focuses on attempts to create a black box that would crack American codes, allowing access to any American security system. In the process, a team tries to steal the box back and one of the characters purchases blueprints from the county recorders office for $50.00, leading the movie to be cited as an example of "the use and portrayal of records in film." [1] With the information from the county recorder's office, and their own observations, they are able to break-in into the company of the villain and get the box, but before it is handed to the NSA, one of the characters removes the main processing chip.
There is more than that. Redford's character is basically a hacker, as was his friend Cosmo (who is the film's villain) who was arrested and thrown into prison for computer crimes. The black box has a similar power to malicious code in The Net. Again, the focus is that records can easily be changed, or in the case of this movie, mimicked, to certain ends. Like the previously mentioned film, the cast is mostly White, but a bit more diverse in that they have a former Black CIA agent on the team of the "heroes."
© 2022 Burkely Hermann. All rights reserved.
Notes
[1] Kyle Neill, Senior Archivist of the Peel Art Gallery Museum & Archives also argues that there are archival themes in The Dark Knight (2008), The Avengers (1998), Chinatown (1974), and Tinker, Tailor, Soldier, Spy (2011).
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djarshaddj · 8 months
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Jailer Box Office Collection Day 11: On second Sunday the film hit huge 500 Cr Milestone at worldwide box office!
Jailer Box Office Collection Day 11: Rajinikanth-fronted Jailer finally overcome the second Sunday and showed a 15.08% jump at the domestic box office with Rs. 18.7 crore nett collection, Rs. 13.5 crore contributed by the Tamil version, Rs. 4.05 crore from the Telugu version, Rs. 0.45 crore from the Kannada version, and Rs. 0.70 crore nett from the Hindi version. In 11 days, the film collected a…
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mirchtadka · 3 months
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Box office collections in India reached a milestone in 2023, surpassing the 12,000 crore mark for the first time, exhibiting a remarkable 14.93% growth compared to the previous year, 2022.
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The film industry faced challenges in 2020 and 2021, with theaters being closed for extended periods. Although theaters resumed operations in 2022, the year proved disappointing due to several film failures. Contrary to expectations, 2023 emerged as a turning point for Indian cinema, marking a historic high in collections and bringing joy to the production, distribution, and exhibition sectors.
The unprecedented achievement in 2023 saw the gross box office collections in India exceeding Rs. 12,000 crores. From 2015 to 2019, collections consistently rose, reaching Rs. 10,948 crores in 2019. However, 2020 witnessed a drastic decline to Rs. 2,056 crores when theaters shut down in mid-March. Although collections improved to Rs. 3,772 crores in 2021, it remained below the 2019 levels. Despite challenges, 2022 saw a notable increase to Rs. 10,637 crores. The real breakthrough occurred in 2023 with a substantial jump to Rs. 12,226 crores, indicating a return to normalcy.
In comparison to the previous peak year of 2019 (10,948 crores), 2023 witnessed a significant growth of 1,278 crores, showcasing a robust 15% increase over the collections of 2022.
The impressive numbers were primarily attributed to the resurgence of Hindi cinema, with blockbusters like Shah Rukh Khan’s “Pathaan” and “Jawan,” Sunny Deol’s “Gadar 2,” and Ranbir Kapoor’s “Animal” surpassing expectations. In regional cinema, “Salaar: Part 1 – Ceasefire” emerged as the biggest Telugu hit, while “Leo” and “Jailer” topped the charts in Tamil cinema. These seven films collectively contributed nearly 30% to the overall domestic collections of Indian cinema in 2023.
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