#Joe Mondragon

[projazznet]

Harry Edison and His Orchestra – Sweets

“Recorded in 1956, Sweets is one of the quintessential Edison albums showcasing the former Count Basie bandmember at the height of his abilities with a stellar ensemble of other Basie-ites, including tenor saxophonist Ben Webster, guitarist Barney Kessel, pianist Jimmy Rowles, bassist Joe Mondragon, and drummer Alvin Stoller.”- Matt Collar/AllMusic.

#harryedison #jazztrumpeter #trumpet #jazz #projazznet

[filmes-online-facil]

Assistir Filme Rebelião em Milagro Online fácil

Assistir Filme Rebelião em Milagro Online Fácil é só aqui: https://filmesonlinefacil.com/filme/rebeliao-em-milagro/

Rebelião em Milagro - Filmes Online Fácil

Na pequena cidade de Milagro, Novo México, onde a água local é um recurso escasso, o obscuro desenvolvedor Ladd Devine planejou construir um resort que acabará por sugar toda a água dos campos vizinhos. Quando o fazendeiro e agricultor Joe Mondragon acidentalmente quebra uma válvula de água reservada para grandes empresas, ele inadvertidamente desencadeia uma guerra de direitos da água em pequena escala entre os agricultores e os desenvolvedores. (e 12 - Estimado 12 Anos)

[tfc2211]

Joe Mondragon - Bass Stan Levey - Drums Barney Kessel - Guitar Paul Smith - Piano

#Paul Smith Quartet #I Didn't Know What Time It Was #1957

[odk-2]

Peggy Lee - Fever (1958) Eddie Cooley / Otis Blackwell (AKA John Davenport) / Peggy Lee from: "Fever" / "You Don't Know"

Jazz | Jazz Vocal

JukehostUK (left click = play) (320kbps)

Personnel: Peggy Lee: Vocals Joe Mondragon: Bass Shelly Manne: Drums

Arranged by Peggy Lee Produced by Dave Cavanaugh

Recorded: @ The Capitol Records Studios in Hollywood, California USA on May 19, 1958

Peggy Lee's version of the song featured significantly rewritten lyrics from those of the original, composed by Ms Lee herself.

Released June of 1958

Peggy Lee performing at a Miami Nightclub. (c.1960's) Photograph by Bunny Yeager

#Capitol Records #1950's #Fever #Peggy Lee #Otis Blackwell #Dave Cavanaugh #Eddie Cooley #Bunny Yeager #Joe Mondragon #Shelly Manne

[gustojazz-blog]

Miles Davis - Sketches of Spain, 1960.

Concierto de Aranjuez (Adagio) - 00:00

Will o' the Wisp - 16:24

The Pan Piper (a.k.a. Alborada de Vigo) - 20:18

Saeta - 24:18

Solea - 29:30 

#Miles Davis #Gil Evans #Joe Mondragon #Paul Chambers #Jimmy Cobb #Elvin Jones #album

[sinophonicjazz]

December 23, 1952 -- Warne Marsh With Hampton Hawes Trio (Warne Marsh, tenor sax; Hampton Hawes, piano; Joe Mondragon, bass; Shelly Manne, drums) records at "The Haig", Hollywood, CA.  

[multifandomsimagine]

Movie Masterlist

A Dog’s Purpose

Ethan Montgomery

Baywatch   // **NOT WRITING FOR THIS ANYMORE**

Matt Brody

Book of Life

Joaquin Mondragon

La Muerte

Manolo Sanchez

Maria Posada

Xibalba

Bullet Train 

Ladybug

Lemon

Maria Beetle

Tangerine

The Son

The Wolf

Bumblebee  // **NOT WRITING FOR THIS ANYMORE**

Charlie Watson

Fantastic Beasts and Where to Find Them

Newt Scamander

Flipped 

Mark Baker

Matt Baker

Grease

Betty Rizzo

Danny Zuko

Frenchy

Jan

Kenickie

Marty Maraschino

Sandy Olson

Grease Live

Betty Rizzo

Danny Zuko

Doody

Frenchy

Kenickie

Sandy Young

Hotel Transylvania

Jonathan "Johnny" Loughran

Mavis Dracula

How To Train Your Dragon Series

Ruffnut Thorston

Tuffnut Thorston

Ice Girls

Darcy

Jumanji (2017 & 2019)

Alex Vreeke / Jefferson “Seaplane” McDonough

Bethany Walker 

Jurassic World

Owen Grady

Zach Mitchell

Labyrinth

Jareth the Goblin King

Sarah Williams

Mamma Mia Series

Bill Anderson

Donna Sheridan

Harry Bright

Rosie Mulligan

Sam Carmichael

Sky Rymand

Sophie Sheridan

Tanya Chesham-Leigh

Monster Tucks

Trip Coley

Murder on the Orient Express

Helena Andrenyi

Rudolph Andrenyi

Night at the Museum Series

Ahkmenrah

Nick Daley

Ocean’s 8

Daphne Kluger

Debbie Ocean

Lou Miller

Nine Ball

Old Guard

Andy / Andromache of Scythia

Booker / Sebastian Le Livre

Joe / Yusuf Al-Kaysani

Nicky / Nicoló di Genova

Nile Freeman

Pitch Perfect Series

Barden Bellas

Beca Mitchell

Das Sound Machine

Emily Junk

Jesse Swanson

Kommissar

Pieter Krämer

Stacie Conrad

Sandlot

Benny Rodriguez

Scary Stories to Tell in the Dark

August "Auggie" Hilderbrandt

Charlie "Chuck" Steinberg

Ramon Morales

Ruth "Ruthie" Steinberg

Stella Nicholls

Scouts Guide to the Zombie Apocalypse

Ben Goudy

Carter Grant

Denise Russo

Sky High

Layla Williams

Warren Peace

William “Will” Stronghold

The Invitation 

Evelyn Jackson 

Grace

Lucy Billington

Viktoria Klopstock

Walter De Ville

To All the Boys I’ve Loved Before

John Ambrose

Josh Sanderson

Lara Jean Covey

Peter Kavinsky

#Yoshino speaks #Movie Masterlist

[onejazztrackaday]

Fever – Peggy Lee

Peggy Lee’s version of this 50s flame song is undoubtedly the most well known, and became her signature song.  was originally recorded by American R&B singer Little Willie John, and has also been recorded by Elvis Presley, Boney M., Madonna, Christina Aguilera, Michael Bublé, The McCoys, La Lupe and Beyoncé.

The song was written by Eddie Cooley and Otis Blackwell, who used the pseudonym John Davenport, as he was still under contract to another producer.  

When Peggy Lee recorded the song, it featured significantly rewritten lyrics which she composed herself. The uncopyrighted lyrics featured historical invocations (including the verses beginning "Romeo loved Juliet," and "Captain Smith and Pocahontas") and are now generally thought of as a standard part of the song, included in most subsequent cover versions.

It’s also likely that Peggy Lee arranged this torchy version herself. The magic this slower smooth, sultry version comes from being accompanied only by bass (played by Joe Mondragon) and a very limited drum set (played in part with fingers by Shelly Manne), and the finger snaps were provided either by the singer herself, by Howard Roberts, the guitarist for the date, who set aside his guitar for this number, or possibly even by the producer, Dave Cavanaugh.

Fever was released as a single in 1958, but not originally included on her Things Are Swingin' album when it was first released in 1959; but added as a bonus track on its 2004 reissue release.

– Bozzie 🎷

#peggy lee #fever #joe mondragon #shelly manne #howard roberts

[diyeipetea]

HDO 306. Una hora con... Billie Holiday [Podcast]

En agosto de 1956 y enero de 1957 tuvieron lugar las últimas sesiones de grabación de Billie Holiday producidas por Norman Granz. Además de un repertorio de clásicos incontestables, el productor eligió como acompañantes de Lady Day a unos músicos de tanto nivel como Ben Webster (saxo tenor), Harry “Sweets” Edison (trompeta), Jimmy Rowles (piano), Barney Kessel (guitarra), Joe Mondragon yReid…

View On WordPress

#Alvin Stoller #Audioblog #Barney Kessel #Ben Webster #Billie Holiday #Hablando de Oídas #Harry "Sweets" Edison #HDO #HDO el podcast de jazz de Pachi Tapiz #HDO el podcast de Pachi Tapiz #HDO Hablando de oídas #Jazz #Jazz en España #jazz en español #Jazz Podcast #Jimmy Rowles #Joe Mondragon #José Francisco Tapiz #La actualidad del jazz en España #Lady Day #Norman Granz #Pachi Tapiz #Podcast #podcast de jazz #Podcast de jazz en España #Podcast de jazz en español #Reid Mitchell #Toma Jazz #Tomajazz #Tomajazz Toma Jazz

[projazznet]

Shorty Rogers and André Previn – Collaboration

Collaboration is an album by jazz trumpeter Shorty Rogers and pianist André Previn, released by RCA Victor in 1955.

Shorty Rogers – trumpet, arranger André Previn – piano, arranger Milt Bernhart – trombone Bud Shank – alto saxophone, flute Bob Cooper – tenor saxophone Jimmy Giuffre – baritone saxophone Al Hendrickson , Jack Marshall – guitar Curtis Counce , Joe Mondragon – bass Shelly Manne – drums

#cooljazz #bop #shortyrogers #andreprevin #projazz #projazznet

[sgurumiyaji]

本日の〆ジャズは「Chet Baker Ensemble」'54。

西海岸クールジャズが、まだ華やかなりし頃の録音。テナー奏者のジャック・モントローズがアレンジを担当。Herb Geller(as)、Jack Montrose(ts)、Bob Gordon(bs)、Russ Freeman(p)、Joe Mondragon(b)、Shelly Manne(ds)という、お馴染みのメンバー。サックス・アンサンブルを従えてチェットが吹���まくる…って図式です。

かなりキメキメのアンサンブルですが、譜面が読めないというチェットがビシッとキメてます。チェット本によると、ややこしいアレンジものは、ルームメイトだったラス・フリーマンが弾いて聴かせて、それをメモリーして吹いてたそうです。これもそうだとしたら凄いですね。

トランペットとしてはかなり柔らかい音色のチェットと、サックス・アンサンブルの相性はかなり良く、複雑なアレンジも心地良いです。

このアルバム、レコードではバカ高いし、CDだと他のアルバムとのカップリングでレコード並みのお値段。そしてレアです。こういうのはサブスクで聴いた方が良いのかも。録音はそこそこ良いと思います。この音源は1曲目以外は擬似ステレオみたいですが。

#jazz #trumpet #chet baker #cd

[tfc2211]

Joe Mondragon - Bass Stan Levey - Drums Barney Kessel - Guitar Paul Smith - Piano

#Paul Smith Quartet #Blues A La P.T. #1957

[jazztidbits]

Billie Holiday & Her Orchestra - Stars Fell On Alabama (Verve Records 1957)

Harry Edison (trumpet), Ben Webster (tenor saxophone), Jimmy Rowles (piano), Barney Kessel (guitar), Joe Mondragon (bass), and Larry Bunker (drums)

[852recordstores]

https://www.852recordstores.com/products/lee-konitz-plays-with-the-gerry-mulligan-quartet-blue-note-tone-poet-series

Lee Konitz / Gerry Mulligan - Lee Konitz Plays With The Gerry Mulligan Quartet Blue Note Tone Poet Series LP 2021

Limited 180gm vinyl LP pressing in gatefold jacket.

Three giants of West Coast Jazz came together in this deeply swinging session recorded for the Pacific Jazz/World Pacific label in 1953. Alto saxophone master Lee Konitz joins with the great Gerry Mulligan on baritone saxophone and legendary trumpeter Chet Baker on a half-live, half-studio program of standards along with one Mulligan original. The group is supported by bassists Carson Smith and Joe Mondragon with Larry Bunker on drums for this spontaneous and inventive jazz treasure.

Blue Note Tone Poet Series

The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.

Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.

Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).

A1: I Can't Believe That You're In Love With Me

A2: Sextet

A3: Lover Man

A4: Lady Be Good

B1: Carson City Stage

B2: Cherry

B3: Makin’ Whoopee

B4: Motel

Release Date: 17 Sept 2021

#Leon_Konitz

#Konitz-Solal

#Gerald_Joseph_Mulligan

#Blue_Note

[rugbby]

我一直都是想要做出新的東西，找出新的挑戰來刺激我在音樂上的想法，而且我多數時候都做到了。這可能跟我自己一個人生活有關，因為我整天在外面接觸各種音樂，整個世界都是圍著我轉的。我現在常常跟法蘭西絲待在家裡，偶爾參加一下晚宴，過兩人生活。但一九五九年底還有一個東西我覺得必須去做，就是跟吉爾·艾文斯開始錄一張專輯，我們把它叫做《西班牙素描》(Sketches of Spain)。 當初是這樣的，我一九五九年在洛杉磯的時候去拜訪一個叫喬·蒙德瑞根(Joe Mondragon)的朋 友，他是很棒的錄音室貝斯手，住在聖費南多谷(Sam Fernando)。喬是墨西哥裔，有西班牙和印地安血統，長得很帥。我到他家的時候他放了一張唱片，是西班牙作曲家華金·羅德里格(Joaquin Rodrigo)的《阿蘭輝玆協奏曲》(Concierto de Aranjuez)，他跟我說：「邁爾士，你聽聽看，你可以做這個！」我就坐在那邊，一邊盯著喬一邊聽那音樂，心裡在想，夭壽，這些旋律線好強。我當場就知道，這曲子我非錄不可，因為那旋律一直留在我腦子裡。我回紐約之後打電話跟吉爾討論了這件事，拿了這張唱片給他聰，看看他覺得可以怎麼做。他也很喜歡，但他說我們還要多找幾首，那個份量才夠錄成一張專輯。我們弄來了一張祕魯印第安人的民俗樂，把裡面的一段重覆樂句拿出來，就是專輯上的〈魔笛手〉 (The Pan Piper)。然後我們也用了那首西班牙傳統的進行曲〈Saeta〉，西班牙人會在受難日邊遊行邊唱這首歌，就是像西班牙那邊那樣吹的。 西班牙在古代被非洲人征服過，所以有很多黑皮膚的摩爾人。在南部的安達魯西亞(Andalusia)地區，音樂、建築、整個文化都受到很多非洲來的影響，也有很多人有非洲血統，所以那理的音樂帶有非洲黑人的感覺，包括風笛、小號跟鼓都是。 〈Saeta〉這首就是安達魯西亞地區的歌曲，這個名字有「以歌當箭」的意思，是這地方最古老的宗教歌曲之一。這首歌通常在塞維亞(Seville)的復活節聖週慶典上演唱，用完全沒有伴奏的清唱方式，唱出基督受難的事蹟。那時候大家會在街頭遊行，然後就會有一個女的站在人群上方的一個陽臺上，抓著鐵欄杆開始唱歌，這時候遊行的隊伍會停在她的陽臺下面，站在那迎聽她唱這件歌。我吹這首的時候，就是想用小號吹出她的歌聲。我吹完之後，接著就是一段小號齊嗚，讓遊行的隊伍知道要繼續前進了，整首曲子裡面都用悶悶的鼓聲來襯托歌聲。這首的最後有進行曲的感覺，因為實際上就是這樣，遊行隊伍會繼續往前走，只剩下那個唱完歌的女人靜靜待在她的陽臺上。我在這首曲子裡面吹的 小號聲，又要喜樂又要哀傷，要做到這一點非常困難。 說實在的，整張《西班牙素描》裡面最難的就是這個，要把原本人聲歌唱的部分用小號吹山來， 特別是歌手即興吟唱的時候真的超難，而且即興還占了大部分。困難的地方在於要把歌手唱歌的時候， 歌詞之間的東西表達出來。因為你會聽到那裡面有一堆阿拉伯音階，或者非洲黑人音階，而且他們會變調，跟蛇一樣扭來扭去、竄來竄去、跑來跑去，好像到了摩洛哥一樣。最難的是我只能這樣弄個一、兩次，因為如果在一首歌裡面弄了三、四次，你要的感覺就不見了。我在〈Solea〉這首裡面吹的小號有一部分跟〈Saeta〉差不多，是同一種聲音。〈Solea〉是一個基本的佛朗明哥曲式，講的是孤寂、渴望、悲嘆，很接近美國黑人藍調的那種戚覺。〈Solea〉是安達魯西亞的歌，所以也有非洲的淵源。但在錄〈Saeta〉的時候，我是等吉爾把都音樂準備好了才開始吹。 首先他要把整首歌重新編曲，因為他的總譜和給各聲部的分譜都寫得他媽太密太瑣碎了。他把音 樂要怎麼走全部寫得鉅細靡遺，連只是換個氣都寫進去。吉爾總喜歡把小拍記在總譜上，他的譜密到我們的小號手裡面有個叫伯尼·哥洛(Bennie Glow)的，是我最愛用的白人小號手，他在吹一段墨西哥旋律的時候吹到臉整個變紅，他後來跟我說那是他這輩子吹過最難的一段。我叫吉爾重新寫過，但他覺得他編的這個沒什麼問題，搞不懂為什麼伯尼會覺得他編的東西很難吹。 要知道，吉爾可以花整整兩個星期只寫出八個小節，就為了寫得盡善盡美。他會一直修一直修一 直修，修完還會一直改一直改一直改。我常常被逼得要站在他旁邊，等太久就直接把他的譜抽走，因為他會一直拿不定主意到底是要再加點東西還是拿掉東西。他真的很完美主義。 所以伯尼那次吹到臉色脹紅之後，我就跟吉爾說：「吉爾，你不用把音樂寫成那樣，編得太緊密了，樂手搞不來。你不用把小號譜寫得這麼完美，因為他們本來就是受古典音樂訓練的，本來就死都不想吹錯音。」我這樣說他就能接受了。我們一開始找的小號手不對，我們找的是受古典音樂訓練的 人，但這就出現了一個問題，我們必須請他們不要完全照著譜吹。他們聽了，看我們（主要是吉爾） 的眼神好像看到神經病一樣。他們完全沒有即興的能力。他們會看著吉爾，表情好像在說：「這傢伙到底在講三小？這是協奏曲不是嗎？」所以他們聽到「要吹出樂譜沒寫的東西」的時候，就覺得我們一定是神經病。但我們只是希望他們去感受音樂，在讀譜把它吹出來，但我們一開始找的這批小號手就是沒辦法，我們只得換一批人，所以吉爾才要把總譜重新編排過一次。這次我們找了一些受古典樂訓練，但又知道怎麼感受音樂的人。 《邁爾士．戴維斯自傳：爵士巨擘的咆哮人生》 https://www.instagram.com/p/CMbn35sH148/?igshid=1nyugxn11xb12

[projazznet]

Happy birthday to jazz clarinetist, alto saxophonist, singer, and big band leader, Woodrow Charles "Woody" Herman (May 16, 1913 – October 29, 1987).

Woody Herman – Songs For Hip Lovers

Songs for Hip Lovers is a 1957 vocal album by the jazz bandleader Woody Herman, arranged by Marty Paich.

Woody Herman – clarinet, vocals Ben Webster – tenor saxophone Bill Harris – trombone Charlie Shavers, Harry Edison – trumpet Barney Kessel, Billy Bauer – guitar Jimmy Rowles, Lou Stein – piano Joe Mondragon, Milt Hinton – double bass Jo Jones, Larry Bunker – drums Marty Paich – arranger

#woodyherman #jazzsinger #bandleader #jazzlegend #projazznet