#Lyrical Photo Video Maker with Music 2021 | Explore Tumblr Posts and Blogs

lasclvacations · 2 years

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Pinnacle studio 9 portable

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chorusfm · 5 months

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2:00 AM Wake Up Call

Recently I was able to schedule an interview with 2:00 AM Wake Up Call, the solo project from Micah Leith, to discuss the band’s latest single called ”No Nostalgia.” In this interview, I asked Micah about what went into the process for creating the visualizer video for the new track, how Micah does most of the songwriting for this project, and the opening of 2:00 AM Wake Up Call’s new merch store. If you’re enjoying the new single, please consider supporting this artist here. Can you tell me what went into the process for creating the visualizer video for “No Nostalgia”? It was a coming together of a few things that I’ve had in the works/in the back of my mind for a while. When I was a kid I loved making little animations with MS Paint and Windows Movie Maker, and so when I was working on the Prayer for the Lost single for the original release of Mall Fantasy is Dead, I incorporated a bit of animation to the live action elements of that video. I also animated the video for the New Year single off of the We Are Sun and Moon and Stars EP from early 2023. Completely unrelated to that, back in 2019 when I was still in college and working on the very initial ideas for the original Mall Fantasy album, I started digitally tracing images of my hometown’s mall from photos online, basically drawing over all the outlines and hand coloring them. The intent at the time was to use these in the marketing for the album somehow, or maybe make a music video out of them, but I never actually used them anywhere except for some background panels in the Y2K video from 2021. Unrelated again, in the summer of 2023, I found out that the local Sears was closing, one of the last ones in North Carolina. I went there a few times with my partner to get cheap office supplies and stuff on sale, and one time we decided to just film the mostly empty store, potentially to score as an unrelated music project. So, when I was tasked with thinking up an idea for a new “No Nostalgia” music video, I combined all these elements together. I started by cutting the Sears footage (and some other miscellaneous mall footage) into a rough cut of the video, then I used a script to export every frame from that footage synchronized to the BPM of the song, and then I manually traced over every frame. I cut all the frames together, synced to the song with a pulsing effect to mimic the beat in the background, then to add some textural interest, I keyed in old commercials under the lines, and mixed a bit of Windows Media Player’s old visualizer into the plain black background. Finally I burned this to a DVD, complete with a menu and some original DVD menu music, bought a cheap old LCD from goodwill, built a mini-set from K’NEX and Lego and some other random nostalgic bits and bobs from my parent’s house, and filmed the DVD playing on the screen. I think the end result is pretty effective. What is your process for songwriting? How has that evolved since your early days of writing? Nowadays I have a routine of songwriting pretty nailed down. I’ll go to my favorite coffee shop, sit outside no matter the temperature, and write a couple of songs as I sip. I think it’s very effective to have a place where you go to song-write, because being there always puts you in the headspace to write, and therefore you can essentially access that at will. One thing that, judging by my conversations with other songwriters, is not all that common is the fact that I always write the lyrics first for my songs. Sometimes a melody will pop into my mind as I write, sometimes not, but I’ll always start with just essentially poetry with a consistent meter, and sometimes some scribbled chords in the margins. I’ll also often write a song chronologically. I’ll start with some idea or lyric, sometimes taken from my phone notes app where I’ll write down random phrases or lines that come to me in the moment, and then start with the first verse. I develop the idea as I write it, so that by the time I get to the chorus, I have a better… https://chorus.fm/features/interviews/200-am-wake-up-call/

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braveheart18 · 10 months

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girlslivevideocallapp · 3 years

Text

Lyrical Photo Video Maker with Music 2021

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lordeemailarchive · 3 years

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*great British bakeoff voice* It’s album week!

(17/08/2021) (Solar Institute Bulletin No. 5) (From New York City)

Tapestry by Jean Lurçat

Hello my sweets. I can’t quite believe it — the 20th is almost upon us. Three days from now, Solar Power will be yours. I’m not gonna get mushy, I’ll be saving that for the inevitable MUSHY ALBUM DAY BULLETIN, but I will say that at the moment I’m feeling the classic pre-album cocktail of fragile and psyched and shy at all times. This album took thousands of hours and a zillion units of personal growth to make and it’s starting to hit me. Moving on... It is my cosmic pleasure to share MOOD RING with you!!!!!!!!!!!!!!!!!!

I realised I had to write this song late last year — I kept waking up in the night and writing lines of lyric into my phone, which is how I usually know something’s gonna become a song. It was really interesting distilling some thoughts on wellness culture and the search for spiritual meaning in our modern world into a 3-minute pop song. The kind of challenge she likes best! Part of why this album was so FUN to make was that I got to explore these tropes of people seeking wellness, enlightenment or even utopia. The person who welcomes you to the island in Solar Power video is one, the dude in Dominoes is another, and now we can add this little lady to the mix. I didn’t name her, but you should go hard. I’ll say it once and then never again: this is satire. She is not me. :-) It goes without saying I feel tons of empathy for this character. It was never my intention to fully flame her, although I don’t let her off the hook. We’re living through wild times, and it’s tough to begrudge anyone the methods they employ to feel sane, questionable though they may be. Something like a mood ring represented a sort of magical thinking, the same kind I dip into when I get my aura photographed, or try and bend my horoscope to my will — when I just need to believe something in a moment to feel good or clear. And deep down, I DO feel cozy and connected when someone asks me to ======set an intention for my practise===== at that start of a Pilates class, you know? Maybe you recognise elements of this character in yourself — I certainly sprinkled some things in that came straight from my life. Literally sprinkled… see chia seeds. Anyway I hope you love this song and video— I’m really proud of them both. PS This video was soooo relaxing to shoot, I can’t even tell you… I felt like I had had a spa day by the end. Eerie soothing case in point!!!

I’m deeply indebted to many sources of inspo here — this great piece by Jia on optimisation, this also great piece by my friend Tess on crystal provenance, the general realisation that many wellness practises adopted by white women have rough consequences for indigenous peoples, every drink that looks like this, every little dropper bottle full of expensive black liquid that claims to “detoxify”, the Daily Mail, Erewhon, and of course the ultimate mood ring, my iP***e. Other fun stuff that has happened that you’ve probably seen by now— this NYT diary of a song on SP, along with these beautiful photos by Justin J Wee (who had a Team lyric tattoo and didn’t tell me, way to bury the lede Justin!!!) I wanted to show you the music box - obviously don’t look at this if you don’t want to see any of the art - but i figured it might help to have it explained. It’s sooo cool. (We’ve put together a few limited run merch pieces made by NZ makers I love, and you’ll only be able to access these if you’ve purchased the music box. I’m working on these with different makers all the time— expect these to pop up sporadically in the next year. There’ll also be a few exclusive merch designs in there. Regular merch (including some hot hot hot new designs) will all available thru my site.) Also I finally got my hands on a deluxe vinyl — holyyyyy shiiiiit, you are gonna freak. By far the best vinyl I’ve ever ever made. Massive thanks to my designer Hassan and his team who murdered this. Ophelia’s reaction was very cute.

My goodness, I’ve said it before and I’ll say it again, these emails you send touch me VERY DEEPLY! Don’t know what I did to deserve such sweet, sensitive thoughtful people in my life. I’m replying to a few emails direct when I can. Firstly, we need to give SCWWTS Kyra props for this INCREDIBLE crocheted SP bag! Like what Kyra!! I’m so impressed.

SCWWTS Matthew sent a lovely thoughtful email pointing out some of the linguistic connections between songs — lines like ‘half of my wardrobe is on your bedroom floor’ and ‘got a memory of waiting in your bed wearing only my earrings’ — he asked “Are these bonds/connections/evolutions between your songs — now spanning three albums/eras and almost a decade — intentionally crafted, or is it more of a spiritual, subconscious thing?” Great question Matthew, they’re almost always intentional. I really love building in those little links and connections between past eras, and I try to be really careful and intentional with how I use language in songs. For example, there’s a moment on Solar Power I rework the ‘every perfect summer’ line from Liability — which invokes the original source while giving it new meaning for a new life stage. And those two lines you mentioned were actually set in the same bedroom. You clever thing. SCWWTS Declan and SP share a birthday, which is delicious to me!! Happy Birthday, Declan! I’ll be thinking of you and sweet Hamish on the day. SCsWWTS Felix and Nuria both asked what my favourite nail polish colour is. For a very long time I’ve gotten a shade called Oxblood on my toes. I’m also preferential to a deep, rich brown. I went to a nail salon the other day and realised, ‘Oh, I’ve totally fucked this for myself, I’m gonna be getting these weird looks from people when I’m getting pedicures for the rest of my life.’ It’s lit! SCWWTS Chris wants to know if I have any interest in learning a language. It’s funny you ask that, Chris, because that’s since crept in as a bit of an upcoming goal. I’m keen to improve my te reo Māori, and I’d also love to learn Spanish one day! I still don’t have my license tho, so…. Maybe that first, Ella? SCWWTS Sofía wrote, “The tall buildings and nice people of Mexico City are all I have ever know and leaving them behind, even if it could be just for a while, is frightening to me. Do you have any advice to jump head first into new adventures? I would love to hear your thoughts”. Sofía, I struggle with this myself. I find new places and people very stimulating and if I’m not in the right headspace, they can overwhelm me. My therapist gave me a really great way to frame this once, though — she said something along the lines of “This discomfort is a feeling you exchange for getting to live a bright, full life. In going out past your depth, metaphorically speaking, you are making a commitment to being as alive as you possibly can.” I hope that helps. I guess that’s all? Here’s a photo of me typing this mailer.

Love and other indoor sports, L xxxx

(source: received this email)

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toyahinterviews · 3 years

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TOYAH ON THE DOMINIC KING SHOW WITH CHRIS ADDISON BBC RADIO KENT 26.5.2021

CHRIS: I catch up now with musician, actress, TV presenter and film director Toyah Willcox in a career spanning 40 years. She’s had 8 Top 40 singles, released over 20 albums, written two books, appeared in over 40 stage plays and ten feature films not even to mention all the TV shows she’s presented. Cherry Red Records have remastered her 1980 album The Blue Meaning which includes a really early version of It’s A Mystery. Toyah! Hello! TOYAH: Hello! Are how are you? CHRIS: I’m really well. You’re looking fabulous! TOYAH: Since lockdown I’ve created a whole new life online and I’m permanently on camera! CHRIS: I’m really enjoying these kind of Sunday sessions with you and Robert – they’ve been amazing! TOYAH: I hope you enjoy them as much as much as we do (laughs) CHRIS: I love the fact that a recent one I saw was Scorpions "Rock Me Like A Hurricane" and wow! Such choreography going on - right into the camera! TOYAH: (laughs) Well, you know I’m very hungry for the camera. It’s what my job entails me to be CHRIS: But what I love about you is you just go for it! You’re going to go for the full make-up, costumes, they’re all there, you guys are on it

TOYAH: Well, we realise the kitchen is the star of the show, we’d be absolutely misdirected if we thought it was us. The kitchen is the star. I think with so many people in lockdown stuck in their kitchens it’s a pretty great place to do what we do normally on stage and to bring it into the context that here we are We’re in the same place as you and let’s have some rock. As there is such an eternity of great rock songs! I like to think that we can keep going on forever! Show me a camera and I’ll find it. I just work with cameras so it’s a joy. I absolutely love it I love the irony of what we do and especially with the Scorpions because the lyrics was one of the most outrageous lyrics I’ve ever sung especially when you take it out of context from when it was originally written and put it into today. And I have utter respect for these acts but it is very interesting how culturally we are changing so quickly. You re-visit lyrics and you think hmm ... CHRIS: Do you let a song go or do you continue it with a knowledge that we’re in a different place? TOYAH: I think with me I treat the generations that knew me forty years ago with the truth of who I was and what I wrote forty years ago. I keep to that truth. I don’t think there’s anything offensive in my lyrics … I mean with "The Blue Meaning" that’s coming out it’s very much part of kind of cultural presence of forty years ago. You can’t disguise that, you accept it I know some artists where the lyrics have been idolising women of a certain type and they’ve changed the lyrics and I encourage them to change the lyrics because I just think it’s totally unacceptable to value and idolise women on one level only, purely as a physical body With me my writing was very very aggressive as a punk rocker. It was beyond feminism. It was confrontational. I’ve been thinking a lot about this lately and I’ve decided to stay with it. When we’re performing it on stage it’s just saying this is who I was forty years ago, it’s certainly not who I am today CHRIS: It’s almost like a time capsule in a way because we obviously all grew up with the music so for us it’s a part of our shared memory

TOYAH: Absolutely. My first album "Sheep Farming In Barnet" is an absolute joy and I actually think today it’s so present in the zeitgeist of today. "The Blue Meaning", which critics are very kindly saying is the kind of embryonic beginnings of goth, I think really firmly belongs in 1980. Where as "Anthem" (1981) which is coming out at Christmas, being reissued, I think again will sit well today And it’s just to do with what I, as a woman, was up against forty year ago. I was the only female on the team, we were touring a country that was a terror with the Yorkshire Ripper, I wasn’t allowed to walk alone anywhere on any street around the UK and you know - that affects you creatively. When I listen to "The Blue Meaning" and hear and see something that is groundbreaking but also I just think people need to know that belongs forty years ago CHRIS: The album as you mentioned, "The Blue Meaning", out on the 28th of May and of course on there "It’s A Mystery", an original version. Is that right - it was with Blood Donor? TOYAH: Yes! Wonderful wonderful experimental synthesiser band Blood Donor and Keith Hale, who is the key creator of Blood Donor, also was one of the producers with Steve James on "Sheep Farming In Barnet". Steve James produced "The Blue Meaning" with a pink vinyl (the 2021 reissue) and Keith Hale submitted a song called "It’s A Mystery" which the record company liked But "It’s A Mystery" at that time was something like a twelve minute intro vocal and then another twelve minute instrumental. So Keith and I rearranged it into an actual song and I wrote the lyrics for the second verse. And that of course went onto "Anthem" and became a massive hit

CHRIS: Incredible. I’ve enjoyed having you in the studio with us for the Kent Sessions (May 2019) and it’s been really great having you perform and I know with our friend Chris Wong, your guitarist, just a lovely experience. It was such an intimate space, wasn’t it? It almost felt, when we brought some of the team down - when we could actually have a group of people in the same room … It was just chill out session it felt - TOYAH: Yes, I remember, you had ten people in the room that sounded like 200 (Chris laughs) They were working very hard indeed. What’s lovely, with any song, if it works acoustically you know it’s a good song CHRIS: Yeah TOYAH: And songs do tend to hold out acoustically really well and for me it’s a great way of learning even more about the song. It really informs me as a performer CHRIS: You mentioned "The Blue Meaning" – that’s (on the cover of the album) Wykehurst Place in Sussex, isn’t it? So gothic TOYAH: Very gothic and very unusual at the time to use it in a photo shoot. I’m tied to the opening gates and my band are all in the windows. Then this (the back cover, below) is an iconic shot by Gered Mankowitz. I absolutely adore it. Gered photographs everyone from Freddie Mercury to Mick Jagger right through to Blondie, Patti Smith And this is, as you say, coming out and it’s coming out on pink vinyl in celebration of my hair which I think is wonderful. Everyone loves vinyl. It’s tactile, it’s artistic, it allows people to feel that they own the music. They own the moment. Vinyl is incredibly popular

CHRIS: Toyah, one of the loves I know looking back at certain parts of the career and a stones throw away from where I’m speaking to you now is Derek Jarman’s cottage, Prospect Cottage in Dungeness. What kind of impact as a film maker did he have with you? TOYAH: With me it was huge. I did my first ever movie with Derek Jarman and was "Jubilee" (below). At the moment there’s a movie being made about about The Sex Pistols where Jordan, who was a part manager of The Sex Pistols and Adam And The Ants - she features heavily in this movie. Jordan was the star of Jubilee alongside me, Jenny Runacre, Little Nell from "The Rocky Horror Picture Show" Derek Jarman was someone that never compromised and he was always struggling for money. I remember with "Jubilee" it was made for £360 000 which is extraordinary because I made a cult hit (the film "Aaaaaaaah!") four years ago with Steve Oram for £20 000 and I’ve just shot and directed ten videos for my new album "Posh Pop" for £5000 ... so technology is shrinking budgets in a good way But Derek made "Jubilee" for £360 000 and it was a struggle. I remember we lived of sandwiches and water but he was a wonderful wonderful man to work with and what I loved about him he never compromised the picture for anything. John Marbury was the set builder, it was an astonishing artistic experience and then I went onto make "The Tempest" with Heathcote Williams playing Prospero and I was playing Miranda And again just saw Derek grow. Each movie he grew as an artist. And he was a visual artist as well as a physical artist. He designed sets for Ken Russel, he did the sets for the movie called "The Devils". He was a hands-on artist who influenced me incredibly

CHRIS: I walked into his cottage the first time when the art creative of Folkestone (Creative Folkestone) had got hold of the property and walking into that space, which I’d never been in because as a local I’d always seen it and as a kid we used to do art sitting in that space and you know I never got the chance and I know sometimes people talk about this but you felt that the sprit of Derek was there in the walls, in the floor, in the seats - TOYAH: In the garden - CHRIS: In the garden, obviously, so it was kind of an amazing experience and I know you’re talking about - Danny Boyle has been doing lots of filming locally, Folkestone and in the area to bring that together as well. You talked about a new album and the last 48 hours I guess you’ve been putting that together before chatting to me? TOYAH: Yes, I started the album in lockdown, it involved myself, my co-writer and producer Simon Darlow and my husband regularly testing so we could all be together. We finished recording the album a month ago, all the artwork’s being done, I’ve directed and shot ten videos that will be released alongside the album and that was all done in lockdown but you wouldn’t guess. We finished the mixing probably an hour ago. It’s a deliciously beautiful album called "Posh Pop" And because of the experience we all had in lockdown and the increased communication with humanity and compassion towards humanity in this exceptional past 12 months I think this is one of my most connecting albums I have ever done in my entire career CHRIS: Wow! When do you think it will be out? TOYAH: The first single "Levitate" comes out on the 26th of June. We will be releasing singles every two weeks. The album is available on the 27th of August and that will be available in vinyl and in CD format and then just before Christmas you can buy all three of those formats along with the DVD of all the videos CHRIS: Toyah, it’s always brilliant talking to you. Thanks so much for being with me on the show tonight and reconnecting with all the music that you’re making and such great videos! People should go and watch you and Robert together! Brilliant! TOYAH: And I will be in your area gigging. I’m doing Let’s Rock Kent … I believe (laughs) … There’s so much going on! And I’m in St Mary’s (Magdalene Church) in Cobham (2.12.2021) so we are coming down to your area to play

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