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#Otto Ludwig Preminger
wheelscomedyandmore · 5 months
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Sammy Davis, Jr.: “In the Clan days, under Sinatra's influence, we all tended to be 'One-Take Charlies,’ and we used to try to keep actual shooting time down to a minimum. Sinatra lost all impetus if he had to hang around for take after take. Bing [Crosby] was very much the same. Both of them always knew their lines, turned up on time, did a good job and wanted to get on with the next bit. Both found filming tedious when they played opposite someone who couldn't get it right the first time.
Of the two Frank was the most notorious; he has even been criticized for trying to shoot the rehearsals. I remember Bogie told him one day that, if he put as much care into his movies as he did into his singing, he could be as great as Spencer Tracy who, Bogie always maintained, was the greatest living American film actor. But, having worked with Frank several times, I think his way succeeds very well for him. For instance, I was around when he was shooting The Man with the Golden Arm, an extremely controversial story about a drug addict. The drug withdrawal scene was by far the most potent in the movie, and the director, Otto Preminger, allotted a whole expensive week to shoot the single scene. Frank got there on the very first morning and said, 'Come on, Ludwig. Get the cameras rolling. I know exactly how this thing's got to be played. Forget the rehearsals.' Preminger risked it and it became a classic scene, one of Sinatra's finest pieces of cinema.”
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gazetteoesterreich · 10 months
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highonfilms · 11 months
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5 Must See Movies of Otto Preminger
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alwaysfirst · 2 years
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Screen and stage veteran Jered Barclay passes away at 91
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Jul 28, 2022 20:15 IST Washington , July 28 (Always First): Seasoned stage and film actor Jered Barclay, who appeared in vaudeville and provided voiceovers for the animated television series Smurfs and Transformers, has passed away at the age of 91. According to the Hollywood Reporter, Barclay died Saturday in North Hollywood from MDS Leukemia, actress Myra Turley, his longtime friend with whom he performed in the two-person play A Tantalizing, directed by Harvey Perr, announced. Barclay began his nine-decade career in 1934 at the age of three, appearing in vaudeville with Judy Garland, Shirley Temple, and Sammy Davis Jr. He was also a director, photojournalist, and acting coach. At age 6, he started acting on the radio. At age 12, he travelled with the Clyde Beatty Circus, and at age 14, he made his theatrical debut. The Seattle native moved to Los Angeles after receiving a B.A. in drama from the University of Washington. He appeared in three episodes of Alfred Hitchcock Presents, Otto Preminger's The Man with the Golden Arm (1955) and Lillian Hellman's The Children's Hour (1961), as well as Roger Corman's 1958 sci-fi fantasy film War of the Satellites, in which he played John Compo. In movies like Rawhide, Bonanza, Cheyenne, Bronco, The Dakotas, Lawman, Colt.45, and Gunslinger, he played Jerry Barclay. Then, in 1962, he relocated to New York to take the stage in two plays by Edward Albee, Jerry in Eddie Parone's Zoo Story and a young man in Alan Schneider's The American Dream. Alongside James Earl Jones and Estelle Parsons, Barclay played Meff in James Saunders' Next Time I'll Sing to You in 1963. On Broadway, he also played Deuperret in Peter Weiss' Marat Sade and Ludwig Max von Kupfer in John Osborne's A Patriot for Me. Barclay provided voiceovers for several animated series produced by Hanna-Barbera, including Foofur, The Little Rascals, Challenge of the GoBots, The Dukes, The Kwicky Koala Show, and The Smurfs. In The Transformers, he furthermore portrayed Cerebros. Rue McClanahan, Dixie Carter, Johnny Depp, Liza Minnelli, Lily Tomlin, Patrick Swayze, and Josh Brolin were among the actors who studied acting under Barclay beginning in the 1980s. He started working as a travel photojournalist in 1993, covering all seven continents and 108 nations for 27 publications. (Always First) Read the full article
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perfettamentechic · 2 years
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23 aprile … ricordiamo …
23 aprile … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2021: Milva, pseudonimo di Maria Ilva Biolcati, è stata una cantante e attrice teatrale italiana. Popolare in Italia e all’estero, ha trionfato sui palcoscenici di gran parte del globo, ottenendo particolari consensi, oltre che in Italia, soprattutto in Germania, dove ha partecipato in molte occasioni a eventi e a spettacoli musicali sui principali canali televisivi. Ha pubblicato con successo…
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miguelmarias · 3 years
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TOP 2020
25/12/2020
 A)    Great movies made since 2015 seen for the first time in 2020: 
Buoyancy(Freedom;Rodd Rathjen, 2019)
Les choses qu’on dit, les choses qu’on fait(Emmanuel Mouret, 2020)
L’Île au trésor(Guillaume Brac, 2018)
Le Sel des larmes(Philippe Garrel, 2019/20)
Ghawre Bairey Aaj(Home and the World;Aparna Sen, 2019)
Undine(Christian Petzold, 2020)
Happī awā(Happy Hour;Hamaguchi Ryūsuke, 2015)
Netemo Sametemo(Asako I & II;Hamaguchi Ryūsuke, 2018)
Adolescentes(Sébastien Lifshitz, 2013-9/20)
Family Romance, LLC.(Werner Herzog, 2019)
Demain et tous les autres jours(Noémie Lvovsky, 2017)
Gamak Ghar(Achal Mishra, 2019)
Lunana:A Yak in the Classroom(Pawo Choyning Dorji, 2019)
Semina il vento(Sow the Wind;Danilo Caputo, 2020)
Objector(Molly Stuart, 2019)
La France contre les robots(Jean-Marie Straub, 2020)
Paris Calligrammes(Ulrike Ottinger, 2019/20)
Un film dramatique(Éric Baudelaire, 2019)
 B)    Great movies made before 2015 seen for the first time in 2020: 
Là-Haut, un Roi au-dessus des nuages(Pierre Schoendoerffer, 2003)
Pangarap ng Puso(Demons/Whispers of the Demon/Hope of the Heart;Mario O’Hara, 2000)
Les Films rêvés(Eric Pauwels, 2009)
La vida en rojo(Andrés Linares, 2007/8)
Come Next Spring(R.G. Springsteen, 1955/6)
Song of Surrender(Mitchell Leisen, 1948/9)
Adventure in Manhattan(Edward Ludwig, 1936)
Strannaia zhenshchina(A Strange Woman;Iuli Raízman, 1978)
Chastnaia zhízn(Private Life;Iuli Raízman, 1982)
Málva(Vladimir Braun, 1956/7)
Zhila-byla devochka(Once There Was a Girl;Viktor Eisimont, 1944)
The Unknown Man(Richard Thorpe, 1951)
Aisai Monogatari(Story of a Beloved Wife;Shindō Kaneto, 1951)
Practically Yours(Mitchell Leisen, 1944)
A Summer Storm(Robert Wise, 1999/2000)
Lettre d’un cinéaste à sa fille(Eric Pauwels, 2000)
Sombra verde(Untouched;Roberto Gavaldón, 1954)
Fantasma d’amore(Dino Risi, 1981)
Adieu, Mascotte(Das Modell vom Montparnasse;Wilhelm Thiele, 1929)
Mori no kajiya(The Blacksmith of the Forest;Shimizu Hiroshi, 1928/9;fragment)
Zwischen Gestern und Morgen(Between Yesterday and Tomorrow;Harald Braun, 1947)
Last Holiday(Henry Cass, 1950)
Dialogue d’ombres(Danièle Huillet & Jean-Marie Straub, 1954-2013)
Out-Takes from the Life of a Happy Man(Jonas Mekas, 2012)
Nice Time(Claude Goretta & Alain Tanner, 1957)
Aloma of the South Seas(Alfred Santell, 1941)
A Feather in Her Hat(Alfred Santell, 1935)
La Danseuse Orchidée(Léonce Perret, 1928)
Underground(Vincent Sherman, 1941)
Time Out(in Twilight Zone-The Movie)(John Landis, 1983)
Lackawanna Blues(George C. Wolfe, 2005)
Janie(Michael Curtiz, 1944)
Dernier Amour(Léonce Perret, 2016)
Jeunes Filles en détresse(Georg Wilhelm Pabst, 1939)
Kisapmata(Blink of an Eye;Mike De Leon, 1981)
La Dernière Lettre(Frederick Wiseman, 2002)
The Lady of the Dig-Out(W.S. Van Dyke II, 1918)
Their Own Desire(E.Mason Hopper, 1929)
 C)    Very good movies made since 2015 seen for the first time in 2020: 
Zumiriki(Oskar Alegria, 2019)
Atlantique(Mati Diop, 2019)
J’accuse(An Officier and A Spy;Roman Polanski, 2019)
Richard Jewell(Clint Eastwood, 2019)
Alice et le Maire(Nicolas Pariser, 2019)
Contes de Juillet(July Tales;Guillaume Brac, 2017)
Dark Waters(Todd Haynes, 2019)
Ofrenda a la tormenta(Fernando González Molina, 2020)
Nomad:In the Footsteps of Bruce Chatwin(Werner Herzog, 2019)
Into the Inferno(Werner Herzog, 2016)
The Zookeeper’s Wife(Niki Caro, 2017)
Journal de septembre(Eric Pauwels, 2019)
La Deuxième Nuit(Eric Pauwels, 2016)
Kaze no denwa(Voices in the Wind;Suwa Nobuhiro, 2019/20)
Da 5 Bloods(Spike Lee, 2020)
Izaokas(Isaac;Jurgis Matulevičius, 2019)
A Metamorfose dos Pássaros(Catarina Vasconcelos, 2020)
Tabi no Owari Sekai no Hajimari(To the Ends of the Earth;Kurosawa Kiyoshi, 2019)
La Nuit d’avant(Pablo García Canga, 2019)
My Mexican Bretzel(Nuria Giménez, 2018-9)
Domangchin yeoja(The Woman Who Ran;Hong Sang-soo, 2019/20)
Öndög(Wang Quanan, 2019)
Hatsukoi(First Love;Miike Takashi, 1959)
Million raz pogivaet odin Cheloviek(One man dies a million times;Jessica Oreck, 2018/9)
The Two Popes(Fernando Meirelles, 2019)
Félicité(Alain Gomis, 2016/7)
Salt and Fire(Werner Herzog, 2016)
Ni de lian(Your Face;Tsai Ming-liang, 2018)
Qi qiu(Balloon;Pema Tseden, 2019)
River Silence(Rogério Soares, 2019)
Charlie’s Angels(Elizabeth Banks, 2019)
La boda de Rosa(Iciar Bollain, 2020)
Guerra(War;José Oliveira & Marta Ramos, 2020)
My Thoughts Are Silent/Moyi dumky tykhi(Antonio Lukich, 2019)
Namo(The Alien;Nader Saeivar;co-script-Jafar Panahi, 2020)
Los silencios(The Silences;Beatriz Seigner, 2018)
Terminal Sud(Rabah Ameur-Zaïmeche, 2019)
Tu mérites un amour(You Deserve a Lover;Hafsia Herzi, 2019)
Les Misérables(Ladj Ly, 2019)
Padre no hay más que uno(Santiago Segura, 2019)
Honeyland(Tamara Kotovska & Ljubomir Stefanov, 2019)
Izbrisana(Erased;Miha Mazzini & Dusan Joksimovic, 2018)
This Is Not A Burial, It’s A Resurrection(Lemohang Jeremiah Mosese, 2019)
Primero Enero(Darío Mascambroni, 2016)
Lahi, Hayop(Pan, Genus/Genus Pan;Lav Diaz, 2020)
 D)    Very good movies made before 2015 seen for the first time in 2020: 
Topaze(Marcel Pagnol, 1936)
The SIGN OF THE RAM(John Sturges, 1947/8)
Abandoned(Joseph M. Newman, 1949)
Bewitched(Arch Oboler, 1944/5)
La Femme du Bout du Monde((Jean Epstein, 1937)
The Outcast(William Witney, 1954)
Saadia(Albert Lewin, 1953)
Un monde sans femmes(Guillaume Brac, 2011)
Dishonored Lady(Robert Stevenson, 1947)
Always Goodbye(Signey Lanfield, 1938)
A Blueprint for Murder(Andrew L. Stone, 1953)
Bedevilled(Mitchell Leisen, 1955)
That Forsyte Woman(Compton Bennett, 1949)
The Miracle(Irving Rapper, 1959)
The Madonna’s Secret(Wilhelm Thiele, 1946)
The Town That Dreaded Sundown(Charles B. Pierce, 1976)
Grayeagle(Charles B. Pierce, 1977)
Barricade(Peter Godfrey, 1949/50)
Tomorrow is Forever(Irving Pichel, 1945/6)
David Harum(James Cruze, 1934)
The Vanquished(Edward Ludwig, 1953)
Keisatsukan(Uchida Tomu, 1933)
...Enfants des courants d’air(Édouard Luntz, 1959, short)
The Winds of Autumn(Charles B. Pierce, 1976)
Suddenly It’s Spring(Mitchell Leisen, 1946)
Uchūjin Tōkyō ni arawaru(Warning from Space;Shima Kōji, 1956)
Swiss Family Robinson(Edward Ludwig, 1940)
Ludwig der Zweite, König von Bayern(Wilhelm Dieterle, 1930)
Faithless(Harry Beaumont, 1932)
Botan-dorō(Peony Lanterns;Yamamoto Satsuo, 1968)
Ginza 24 chou(Tales of Ginza;Kawashima Yūzō, 1955)
Goodbye Again(Michael Curtiz, 1933)
Lines of White on a Sullen Sea(D.W. Griffith, 1909)
You Gotta Stay Happy(H.C. Potter, 1948)
Cave of Forgotten Dreams(Werner Herzog, 2010)
Riff-Raff(Ted Tetzlaff, 1947)
The Moon is Down(Irving Pichel, 1943)
The Bride Wore Boots(Irving Pichel, 1946)
Adventures in Silverado(Phil Karlson, 1948)
The Stolen Ranch(William Wyler, 1926)
Congo Maisie(H.C. Potter, 1940)
Marcides(Mercedes;Yousry Nasrallah, 1993)
Hell’s Five Hours(Jack L. Copeland, 1958)
Daniel(in Stimulantia;Ingmar Bergman, 1967)
Diên Biên Phú(Pierre Schoendoerffer, 1992)
Canyon River(Cattle King;Harmon Jones, 1956)
Dos Basuras(Kurt Land, 1958)
Smart Girls Don’t Talk(Richard L. Bare, 1948)
The Big Shakedown(John Francis Dillon, 1933/4)
Corvette K-225(Richard Rosson;p.,collab.Howard Hawks, 1943)
The Gay Deception(William Wyler, 1935)
The Invisible Woman(A.Edward Sutherland, 1940)
Rage in Heaven(W.S. Van Dyke II;collab.Robert B. Sinclair,Richard Thorpe, 1941)
Wild Side(Sébastien Lifshitz, 2004)
I bambini e noi(Luigi Comencini, 1970//7)
The House Across The Street(Richard L. Bare, 1948/9)
The Doughgirls(James V. Kern, 1944)
The Love Trap(William Wyler, 1929)
Torch Song(Charles Walters, 1953)
The Meanest Man in the World(Sidney Lanfield, 1942/3)
Cole Younger, Gunfighter(R.G. Springsteen, 1958)
Ballerine(Gustav Machatý, 1936)
Via Mala(Josef von Báky, 1945//8)
Sky Giant(Lew Landers, 1938)
Les Invisibles(Sébastien Lifshitz, 2012)
Promène toi donc tout nu(Emmanuel Mouret, 1998)
A Story for the Modlins(Una historia para los Modlin;Sergio Oksman, 2012)
Something in the Wind(Irving Pichel, 1947)
Spoveď(Confession;Pavol Skýkova, 1968)
Guilty Hands(W.S. Van Dyke II;collab.Lionel Barrymore, 1931)
Atto di accusa(Giacomo Gentilomo, 1950)
Suspense(Frank Tuttle, 1956)
This Is The Night(Frank Tuttle, 1932)
Escape in the Fog(Oscar ‘Budd’ Boetticher,Jr., 1945)
The Price of Fear(Abner Biberman, 1956)
Happy People:A Year in the Taiga(Werner Herzog, 2010)
Urok(The Lesson;Kristina Grozeva & Petar Valchanov, 2014)
Le Naufragé(Guillaume Brac, 2009)
Lili Marlen(Peter Mihálik;script.Dušan Hanák, 1970;short)
Deseo(Antonio Zavala Kugler, 2013)
  E)     Great movies that improved by new watchings: 
Shanghai Express(Josef von Sternberg, 1932)
The Best Years of Our Lives(William Wyler, 1946)
Till We Meet Again(Frank Borzage, 1944)
Man’s Favorite Sport?(Howard Hawks, 1963/4)
Along The Great Divide(Raoul Walsh, 1951)
Hondo(John V. Farrow, 1953)
Where The Sidewalk Ends(Otto Preminger, 1950)
Mrs. Miniver(William Wyler, 1942)
Driftwood(Allan Dwan, 1947)
‘Good-bye, My Lady’(William A. Wellman, 1956)
Touch of Evil(Preview version, 1975;not later ‘improvements’)(Orson Welles, 1958)
Le Crabe-Tambour(Pierre Schoendoerffer, 1977)
Unfinished Business(Gregory LaCava, 1941)
Madigan(Don Siegel, 1968)
Big Business(James Wesley Horne;s.Leo McCarey, 1929)
Putting Pants on Philip(Clyde A. Bruckman;s.Leo McCarey, 1927)
The Runner Stumbles(Stanley Kramer, 1979)
Yushima no Shiraume(Romance at Yushima;Kinugasa Teinosukē, 1955)
David Harum(Allan Dwan, 1915)
The Virginian(Cecil B. DeMille, 1914)
Island in the Sky(William A. Wellman, 1953)
All About Eve(Joseph L. Mankiewicz, 1950)
L’Eclisse(Michelangelo Antonioni, 1962)
The Roaring Twenties(Raoul Walsh, 1939)
The Plainsman(Cecil B. DeMille, 1936)
JLG/JLG-Autoportrait de décembre(Jean-Luc Godard, 1994)
‘Je vous salue, Marie’(Hail Mary;Jean-Luc Godard, 1984)
La Roue(Abel Gance, 1923)
They All Laughed(Peter Bogdanovich, 1981)
Innocent Blood(John Landis, 1992)
An American Werewolf in London(John Landis, 1981)
The Thing Called Love(Peter Bogdanovich, 1993)
Into the Night(John Landis, 1985)
The File On Thelma Jordon(Thelma Jordon;Robert Siodmak, 1949)
The Little American(Cecil B. DeMille, 1917)
In Our Time(Vincent Sherman, 1944)
The Hunters(Dick Powell, 1958)
Phase IV(Saul Bass, 1974)
L’Honneur d’un Capitaine(Pierre Schoendoerffer, 1982)
Backfire(Vincent Sherman, 1948//50)
Five(Arch Oboler, 1951)
Somewhere in the Night(Joseph L. Mankiewiz, 1946)
A Man Alone(Ray Milland, 1955)
Die Geiger von Florez(Paul Czinner, 1926)
Living on Velvet(Frank Borzage, 1934/5)
La Recta provincia(Raúl Ruiz, 2007//15)
La Noche de enfrente(Raúl Ruiz, 2012)
Carrie(Sister Carrie;William Wyler, 1951/2)
The Spiral Staircase(Robert Siodmak, 1945/6)
The Paradine Case(Alfred Hitchcock, 1947)
L’Amore(Una voce umana+Il Miracolo)(Roberto Rossellini, 1947/8)
The Heiress(William Wyler, 1949)
 F)     Very good movies watched again 
Bluebeard’s 10 Honeymoons(W.Lee Wilder, 1960)
The Five Pennies(Melville Shavelson, 1958)
Take a Letter, Darling(Mitchell Leisen, 1942)
Escape(Joseph L. Mankiewicz, 1948)
Appassionatamente(Giacomo Gentilomo, 1954)
Así como habían sido(Trío)(Andrés Linares, 1986/7)
San Antone(Joseph Kane, 1953)
The High and the Mighty(William A. Wellman, 1954)
Taki no Shiraito(The Water Magician;Mizoguchi Kenji, 1933)
The Web(Michael Gordon, 1947)
The Buccaneer(Anthony Quinn;s.Cecil B. DeMille, 1958)
The Buccaneer(Cecil B. DeMille, 1938)
Desire Me(uncredited:George Cukor/Jack Conway/Mervyn LeRoy/Victor Saville, 1946)
Flaxy Martin(Richard L. Bare, 1948/9)
Swing High, Swing Low(Mitchell Leien, 1937)
Death Takes A Holiday(Mitchell Leisen, 1934)
Irene(Herbert Wilcox, 1940)
Beloved Enemy(H.C. Potter, 1936)
The Cowboy and the Lady(H.C. Potter, 1938)
Der Golem, wie er in die Welt kam(Paul Wegener, 1920)
Mia madre(Nanni Moretti, 2015)
Hell On Frisco Bay(Frank Tuttle, 1955)
Stormy Weather(Andrew L. Stone, 1943)
The Milky Way(Leo McCarey;w.Harold Lloyd, 1936)
Pietà per chi cade(Mario Costa, 1954)
Repeat Performance(Alfred L. Werker, 1947)
Das indische Grabmal:1.Die Sendung des Yoghi,2.Der Tiger von Eschnapur(Joe May, 1921)
Julie(Andrew L. Stone, 1956)
The Member of the Wedding(Fred Zinnemann, 1953)
Winterset(Alfred Santell, 1936)
The Right to Romance(Alfred Santell, 1933)
As Young as You Feel(Harmon Jones, 1951)
You’ll Never Get Rich(Sidney Lanfield, 1941)
The Woman Accused(Paul Sloane, 1933)
Foma Gordeiev(Mark Donskoí, 1959)
The Parent Trap(David Swift, 1961)
High Wall(Curtis Bernhardt, 1947)
Mr. Lucky(H.C. Potter, 1943)
Un Marido de Ida y Vuelta(Luis Lucia, 1957)
The Safecracker(Ray Milland, 1957/8)
She’s Funny That Way(Peter Bogdanovich, 2014)
Oh...Rosalinda!!(Michael Powell & Emeric Pressburger, 1955)
Caribbean(Edward Ludwig, 1952)
Harper(The Moving Target;Jack Smight, 1966)
For You I Die(John Reinhardt, 1947)
Crashing Hollywood(Lew Landers, 1937/8)
Le Souvenir d’un avenir(Chris. Marker & Yannick Bellon, 2001)
Susan Slept Here(Frank Tashlin, 1954)
Bishkanyar Deshot(In the Land of Poison Women;Manju Borah, 2019)
Pollyanna(David Swift, 1960)
A Tale of Two Cities(Jack Conway;collab.Val Lewton & Jacques Tourneur, 1935)
Café Society(Woody Allen, 2016)
Shadow on the Wall(Patrick Jackson, 1949/50)
Tonnerre(Guillaume Brac, 2013)
Le Jouet criminel(Adolfo G. Arrieta, 1969)
‘Once more, with feeling!’(Stanley Donen, 1959)
The Shopworn Angel(H.C. Potter, 1938)
The Absent Minded Professor(Robert Stevenson, 1961)
Gavaznha(The Deer;Masud Kimiai, 1974)
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carmenvicinanza · 3 years
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Romy Schneider
https://www.unadonnalgiorno.it/romy-schneider/
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Romy Schneider è stata un’attrice austriaca naturalizzata francese.
Una delle artiste più desiderate degli anni ’60 e ’70, famosa per aver ricoperto, giovanissima, il ruolo della Principessa Sissi.
Nacque a Vienna col nome di Rosemarie Magdalena Albach-Retty, il 23 settembre del 1938. Sua madre, Magda Schneider, fu un’attrice di successo, protagonista di oltre settanta film, molto corteggiata da Hitler, che fu forse anche il suo amante. Anche il padre, Wolf Albach-Retty, era un attore ma poco significativo, che presto abbracciò il nazismo e abbandonò la famiglia, lasciando dei forti segni nella piccola Romy.
Fu sua madre, da cui prese il cognome, a convincerla a intraprendere la carriera cinematografica, mentre lei da giovanissima, rinchiusa in collegio, aveva scoperto una grande passione per la pittura.
Girò il suo primo film a 15 anni, nel 1953. Venne subito notata per la sua bellezza eterea e naturale. Grazie alla grande somiglianza con sua madre, interpretarono spesso il ruolo di mamma e figlia anche sul set.
Nel 1954 prese il nome d’arte di Romy Schneider. L’anno successivo ha recitato il ruolo di Sissi, nel primo dei tre film dedicati alla Principessa Elisabetta d’Austria e poi nei successivi altri due. L’interpretazione, diventata leggendaria l’ha consacrata subito a un enorme successo. Ancora oggi viene interpellata la principessa Sissi, etichetta che ha provato invano a scrollarsi di dosso per il resto della sua vita e che le ha procurato non poco disagio.
Nel 1958 sul set del film L’amante pura conobbe un giovane e bellissimo Alain Delon, destinato a diventare uno dei più grandi miti del cinema. Ben presto si innamorarono e iniziarono una lunga e turbolenta relazione. Si trasferirono a Parigi e insieme girarono importanti film rimasti nella storia.
Romy Schneider, brava, convincente, bellissima ha avuto tanti ruoli, dalle commedie ai film drammatici e lavorato con più importanti registi del suo tempo.
La fine dell’amore con Delon, nel 1964, le causò un periodo di forte depressione che trovava rifugio nell’oblio dato dall’alcol.
Si legò, successivamente, al regista Harry Meyen, in un matrimonio che durò pochissimo da cui nacque un figlio, David, il 3 dicembre del 1966. Intanto l’attrice, idolatrata dal pubblico francese, girò altri importanti film, come La piscina e La Califfa.
Nel 1973, fu di nuovo Sissi in Ludwig, di Luchino Visconti, un ruolo totalmente diverso da quello interpretato vent’anni prima in un film che destò clamore.
Il 21 gennaio del 1977, Romy Schneider divenne madre di Sarah, futura attrice, avuta dal secondo marito Daniel Biasini.
È del 1980 la sua magistrale interpretazione nel film Fantasma d’amore diretto da Dino Risi.
Il 5 luglio del 1981, suo figlio David, quattordicenne che sognava di fare l’attore, è tragicamente morto, infilzato, mentre cercava di scavalcare il cancello della casa dei nonni. Un dolore dal quale sua madre non si è più ripresa.
Il 29 maggio del 1982, un anno dopo la perdita del figlio, Romy Schneider è morta nella casa parigina del produttore Laurent Petin, il suo ultimo compagno. Aveva quarantatre anni.
La causa è stata un attacco cardiaco, forse dovuto al suo corpo molto debilitato, ma non furono poche le voci che sostennero che si fosse trattato di un suicidio.
Romy Schneider è stata un’attrice meravigliosa, capace di grande naturalezza e spontaneità. Ha lavorato con grandi registi come Luchino Visconti, Orson Welles, Dino Risi, Otto Preminger e molti altri. Nella sua carriera, dipanatasi prevalentemente in Francia e in Italia, con varie incursioni a Hollywood, dove ha lavorato con tanti importanti attori, ha vinto vari Premi César e un David di Donatello.
Aveva una personalità fortemente sensibile e fragile. I drammatici avvenimenti della sua vita, a partire dal rapporto dei genitori, la turbolenta relazione e i continui tradimenti del grande amore della sua vita, Alain Delon, il suicidio dell’ex marito Harry Meyen, un tumore e poi la perdita dell’amato figlio, la resero ancora più infelice e tormentata.
Ha rappresentato il sogno segreto di tanti uomini, era baciata dalla cinepresa, ma nel privato è stata una donna tanto infelice e insicura.
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highonfilms · 1 year
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5 Must See Movies of Otto Preminger
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