#Silvia Saponaro

[thebowerypresents]

Mr. Bungle – Terminal 5 – September 8, 2023

Back in 2020, the experimental-rock band Mr. Bungle put out their fourth studio album — and first in 21 years — the very well-received The Raging Wrath of the Easter Bunny Demo. And now that they’re doing a proper tour in support of it, the five-piece returned to NYC to thrill a packed Terminal 5 on Friday night.

(Mr. Bungle play Roadrunner in Boston tonight.)

Photos courtesy of Silvia Saponaro | @Silvia_Saponaro

#Dave Lombardo #Mike Patton #Mr. Bungle #Photos #Roadrunner #Scott Ian #Silvia Saponaro #Terminal 5 #The Raging Wrath of the Easter Bunny Demo #Trevor Dunn #Trey Spruance

[damiannasworld]

Stadio San Siro, Milan 24.07.23

📸 Silvia Saponaro for Spettakolo!

#damiano david #ethan torchio #thomas raggi #victoria de angelis #måneskin #maneskin #san siro #milan #july 2023

[lesser-known-composers]

Johann Rosenmüller (1619-1684) Sonata da camera n. 6

Allegrio – Adagio – Allemande – Correnta – Ballo - Sarabanda

Silvia Colli, Aki Takahashi, violini. Luca Taccardi, Eleonora Ghiringhelli, viole da gamba. Antonio Fantinuoli, violoncello. Massimo Sartori, violone. Luisa Busca, Lorenzo Cavasanti, flauti dolci. Manuel Staropoli, traversa e cornamuse rinascimentali. Gianfranco Saponaro, Roberto Terzolo, cornamuse. Claudia Ferrero, clavicembalo. Luca Casalegno, percussioni.

Pietro Busca, direttore e concertatore

#Johann Rosenmüller

[ilovesunflowerbean]

silvia_saponaroThe lovely @juliacumming of @sunflowerbean this weekend @terminal5nyc

#Silvia Saponaro #julia cumming #sunflower bean

[ilovejuliacumming]

silvia_saponaroEt voilà .... @sunflowerbean !!!

#julia cumming #Silvia saponaro #sunflower bean

[infosannio]

SABATO 13 E DOMENICA 14 APRILE ALLE ORE 21.00 TEATRO IVELISE PRESENTA “PAROLA D’ORDINE: DISORDINE”: MONOLOGO COMICO CON ACCOMPAGNAMENTO MUSICALE DAL VIVO

  Sabato 13 e domenica 14 aprile alle ore 21.00, direttamente da Torino, saliranno sul palco dell’Ivelise due artiste vincitrici del bando “La Nouvelle Saison ”: Silvia Saponaro e Giulia Antoniotti in “Parola d’ordine: disordine”.

L’opera,…

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#Cronaca #Interni #Roma #Teatro

[infogenova]

Prima serata del format Comic Bazar ha come protagonista la new entry Silvia Saponaro con Parola d’ordine: disordine, dialogo tra musica a parola.

[the1975hqs]

Meadows Festival | October 1, 2016 | by Silvia Saponaro

#george daniel #the 1975 #edits #2016

[iinokashira]

Music Hall of Williamsburg ,Brooklyn ,NY 16.May.2017

photo by Silvia Saponaro

#temples band

[francescafiorini]

Sinead O’Connor aveva lasciato il palco quattro anni fa per intraprendere un viaggio di auto-rinnovamento, un percorso di rinascita. La rivediamo nelle foto della data di Parma di Silvia Saponaro.

L’Irlanda degli anni ’70 è stata lo sfondo in cui Sinéad O’Connor ha mosso i primi passi, da lì il suo spirito è sbocciato, manifestando un dono incredibile, la sua voce. Scoperta dal batterista della famosa band irlandese In Tua Nua, Sinéad pubblica alla fine del 1987 il suo primo album, The Lion and the Cobra, aggiudicandosi immediatamente un disco di platino. Dall’esplosione fino a Nothing Compare to You, Sinéad ha lasciato un segno indelebile con la sua immagine unica e uno stile vocale inconfondibile. Un’artista senza paragoni: unica, senza compromessi, una pioniera e visionaria senza precedenti. Sinéad O’Connor incarna bellezza e innocenza con la sua voce, ma con un’anima in parte punk e in parte una combinazione mistica di impavidità e autenticità, che nel tempo ha ispirato notevolmente chi è venuta dopo di lei.

Dopo un periodo di successo con album acclamati, singoli ai vertici delle classifiche e numerosi premi e collaborazioni, un lungo viaggio spirituale l’ha condotta verso un’esistenza turbolenta, travagliata e irrequieta per poi trovare finalmente conforto nella religione islamica. Quest’anno segna il ritorno di Sinéad O’Connor e un nuovo inizio per l’artista.

Photogallery: Sinéad O’Connor, Campus Industry Music Parma,18.01.2020 Sinead O’Connor aveva lasciato il palco quattro anni fa per intraprendere un viaggio di auto-rinnovamento, un percorso di rinascita.

[thebowerypresents]

Ministry & Gary Numan – Terminal 5 – March 19, 2014

A pair of highly influential acts — Chicago industrial rockers Ministry and English synth-pop godfather Gary Numan — brought their North American tour to Terminal 5 on Tuesday, the first night of spring.  

Photos courtesy of Silvia Saponaro | @Silvia_Saponaro

#Al Jourgensen #Bowery Presents #Cesar Soto #Gary Numan #John Bechdel #Live Music #Ministry #Monte Pittman #Music #New York City #Paul D’Amour #Photos #Roy Mayorga #Silvia Saponaro #Terminal 5

[nicolascas]

Titus Andronicus at Shea Stadium

In honor of their latest record, a 93 minute rock opera called The Most Lamentable Tragedy, Titus Andronicus performed a sweaty, nearly three-hour set at Shea Stadium in Brooklyn, NY on Tuesday, July 28. Intrepid photographer Silvia Saponaro documented the sold out show, which was their final one of a five night stand at Shea, for this gallery.

#Impose Magazine #Silvia Saponaro #Titus Andronicus #The Most Lamentable Tragedy #Patrick Stickles #Shea Stadium

[ilovejuliacumming]

silvia_saponaroPermawashing the hell out of this print!! #16x20 @juliacumming@sunflowerbean

#Silvia saponaro #julia cumming #sunflower bean

[ilovemikepatton-blog]

"Eu sei que vou sofrer a eterna desventura de viver, a espera de viver ao lado teu, por toda a minha vida." Tom Jobim

#mike patton #tom jobim #silvia saponaro #pic

[thebowerypresents]

Queens of the Stone Age Keep Rock Alive on Saturday Night at Forest Hills Stadium

Queens of the Stone Age – Forest Hills Stadium – August 12, 2023

It was a fitting match for the old tennis grounds of Forest Hills, the Queens of the Stone Age in the heart of Queens. Saturday night brought along its summer best calm-before-the-storm weather, frontman (and rock elder statesman) Josh Homme giving the gathering crowd a queen-like wave, with a new gray beard that comes to a fine point. The greeting followed a welcoming kickoff run-through of the now classic “No One Knows,” the buoyancy of its impish guitar riffs setting the stage for the performance to come. 

It's hard to position Homme’s charisma without pointing out how lacking it is from other rock bands, especially of late. The man is equal parts performer and musician, as apparent as ever on “Smooth Sailing,” Homme channeling the song’s lurching drive and launching an angular guitar solo as if he were wrestling a snake. The stop-and-start drive of “My God Is the Sun” felt like someone driving a car with one foot on the gas and the other on the brake. With wind gusts picking up around the same time, the thick smoke coming from machines was pulled into a tight breeze running across the stage. “Sometimes you love and sometimes you lose, and that’s OK,” said Homme, introducing “Emotion Sickness,” off their latest, In Times New Roman…. The tune put all three guitarists to work with dueling guitar riffs and three-part harmonies. 

The best Queens of Stone Age songs come with heel-turn shifts in momentum. “If I Had a Tail” began pop-flavored before getting sucked into a noise-rock black hole. On “I Sat by the Ocean” Homme pulled out a glass slide, making it sound syrupy. The band’s current iteration is thick with guitar heavy hitters — and put to good use: A breakdown at the end of “The Way You Used to Do” sounded Allman Brothers-eque with guitars doubling up on each other and harmonizing. Homme polled the audience to see which new song, “Made to Parade” or “Time & Place,” they preferred, with the former eking out the win. It featured some of his best soloing of the night, hard to believe it was left to audience democracy on whether it would be played. The slow-burning QOTSA classic “Better Living Through Chemistry” followed, pausing before dropping and plowing through a final path of destruction. Next, the hard-hitting new single “Paper Machete” served as something of a resurrection.

Homme conducted a sensual sing-along for “Make It wit Chu,” having groups of the audience trade off the chorus before blues-riffing the song to a climax. “We’re not doing a fake encore where we make you clap for us, we want to stay out here with you,” he said. Forgoing the traditional encore, Queens of the Stone Age remained for three more: After “Little Sister” and “Go with the Flow,” the frontman offered, “Wait ’til you see what we have for you” as an introduction to “A Song for the Dead.” It brings such a relentless take-no-prisoners momentum, one would think the band would have welcomed a break to catch a sip of water before launching into the finale. One would also hope this song is exactly what dying feels like, with the brain spilling out every feel-good chemical it has as it sends the soul through an all-encompassing tunnel of sound and light. With the stage lights barraging the venue with flashes of white, the track deteriorating into noisy guitar feedback, it was a perfect end to the show. Rock ain’t dead — and even if it’s dying, being near death happens to sound fucking awesome. —Dan Rickershauser | @D4nRicks

Photos courtesy of Silvia Saponaro | @Silvia_Saponaro

#Allman Brothers Band #Dan Rickershauser #Dean Fertita #Jon Theodore #Josh Homme #Forest Hills Stadium #In Times New Roman #Michael Shuman #Photos #Queens of the Stone Age #Review #Silvia Saponaro #Troy Val Leeuwen