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#also from what I have observed film adaptations tend to lose nuance and exacerbate issues present in the books they’re based on
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Ok so like. Film adaptations of books are not universally bad things on principle. I’m definitely not saying that it’s impossible to produce a good one. But at the same time, film and the written word are different mediums that aren’t necessarily suited to telling stories in the same way.
For example, in a book, especially a highly character driven one, you get to directly see and read a lot of a character’s thoughts. And this has a huge impact on your experience of the story. And sure, you can convey this in a somewhat similar way with a voice over in a film adaptation, but depending on the scene being adapted, this doesn’t always work great or feel natural.
And that’s not a bad thing. It just means that it doesn’t translate to film well because film is a different medium that tells stories in a different way. And there certainly are books that translate well to film. But to be honest? A lot don’t. Especially not in a way that even comes close to touching the original that it is based off of. And that’s fine. Plenty of amazing movies and TV shows wouldn’t translate well into books and most people wouldn’t really want or expect them to.
So no. I really don’t think that “achieving” a film adaptation should be seen as a goal the way it seems to be for a lot of books and I think that seeing this as a goal is often doing a huge disservice to the original work. I think that books that are well served by film adaptations are the exception, not the rule, and that most of the drive to produce film adaptations of popular books is driven by the urge to squeeze every last possible bit of profit out of every single creative idea ever rather than like. I don’t know. Actual appreciation for the source material and a genuine wish to understand it in a different light.
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