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paranoia-assault · 3 years

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Fate/Stay Night Review

I've been meaning to get around to this for a while, so this post will contain my thoughts on Fate/Stay Night. I'll be going in order of how you're supposed to play the routes. Massive spoilers btw. Also this is copied over from Twitter, so sorry for any weird formatting.

Keep in mind I enjoyed every route, so any negative points I bring up never made me think the route wasn't worth reading. That said, UBW > HF > Fate, so we'll be starting with my least favorite route.

There's 2 reasons why the Fate route is my least favorite. The first is that is has to explain a lot, so it feels like not much happens in it compared to the other two routes. The second is Shirou's "girls can't fight" bullshit. I can't stand Shirou in the 1st half of the route. Shirou does get better, but this is probably my least favorite version of him. I cannot stand every moment he tries to hold Saber back from fighting and almost gets himself killed because "girls can't fight." It is extremely aggravating.

That said, Shirou is fantastic in the second half of the route. The Fate route is Saber's story, and he plays the perfect part in it. His dream of being a super hero goes perfectly with her wish of being a great king. Seeing these ideologies clash, then come together, is amazing. It's why I like the Shirou/Saber ship despite Shirou/Rin being my favorite. These two were practically made for each other. Last Episode only adds to this, and it made me retroactively like the Fate route more. Saber's ending was beautiful and their eventual reunion even more so.

Illya was also great as a villain. I do think Gilgamesh and Kirei both have routes where they shine better as villains, so when I think "the villain of the Fate route," it's Ilya who comes to mind. Berserker was the perfect threat, and the two together were genuinely terrifying.

Summed up thoughts on the Fate route: Good starting point. A bit slow, and Shirou is very annoying in the first half, but the Saber/Shirou dynamic in the second half makes the route worth playing. 7/10.

Time for my favorite route: Unlimited Blade Works. I fucking adore this route. When I think "Fate/Stay Night," this is the route that comes to mind. If I were to recommend one route, it would be this one. I even plan on watching the anime for it at some point.

The main reason I love this route is Shirou. UBW Shioru specifically is one of my favorite Fate characters. He is confronted with a massive challenge to his ideals. He's pretty much shown they're flawed. But rather than toss them aside, he strengthens his convictions. He denies his future self, determined to be different. Yeah, his ideals might have flaws, but why should that matter? Carrying on Kiritsugu's dream is meaningful to him. The pain is worth saving those he can. Even if it's a thankless, miserable task, he won't turn away from it.

Oh, and let's talk about Archer. I love him. Seeing a pessimistic side of Shirou, a potential result of his ideals, was fascinating. I was genuinely shocked when the twist happened, and it made me deeply appreciate Archer's character. Archer is another of my favorite F/SN chars.

Now, let's talk about my favorite F/SN character, Rin. Rin is great. She was trained to understand and accomplish what has to be done, but has a soft spot not unlike Shirou's that leads her to help others. She had a painful upbringing, but doesn't regret a second of it.

She is the perfect foil for Shirou. She recognizes the pain his ideals are putting him through, but rather than force him to throw them away, she decides to stay with him to make sure he doesn't push himself too far. She tries to help Shriou learn to enjoy himself. Shirou/Rin is my favorite ship in the VN for this reason. They compliment each other so well. Their personalities clash in a way that lets them both grow, and they're genuinely cute together, though you can say that last part about any of the 3 main Shirou ships.

The villains are also great. Caster isn't the same type of threat as Illya/Berserker, but her backstory and dynamic with her Master is really interesting to see. I enjoyed her moments on screen. Gilgamesh was the perfect final boss for this route though. Specifically for Shirou. Gilgamesh' powers match Shirou's reality marble perfectly. Infinite Noble Phantasms. Gilgamesh calls Shirou fake, but that leads to Shirou showing how an imitation can outclass the original. It's such a smart hero/villain dynamic, and the perfect end to Shirou's story in UBW.

Saber even gets some closure in this route, though not as much as in Fate. She gets to be Rin's Servant at the end (which I adored btw), and once again chooses to destroy the girl, moving on from her past. Also, she lives in the good ending which makes me happy.

I also need to talk about Illya. Her scene with Berserker is one of her best scenes in the entire VN. She's barely on screen in this route compared to the other routes, but somehow she made just as much of an impact with that time. I felt so bad for her in that last scene.

Summed up thoughts on the UBW route: This route is where all the characters shone their brightest. Shirou's ideals are handled perfectly, almost every Servant gets the attention they deserve, and the writing is overall high quality the entire route. 9/10.

Finally, Heaven's Feel...I think my thoughts on this route will be the most controversial, as I have very mixed feelings.

I do want to say this first. I love Sakura. She is a fantastic character, and she deserves the world. I'm glad she gets the spotlight in this route.

I also think Kirei was at his best this route. His backstory, along with his final confrontation with Shirou, were both extremely well written. He went from a despicable villain to a despicable written I love to hate. He almost stole the show as much as Sakura did, honestly.

Rider was great this route. I love the twist that Sakura is her true master, and her protective nature over Sakura was great to see. This is the only route where she manages to stand her ground against Saber for a decent period of time, too. I'm glad she lives to the end.

The highlight of the route, however, has to be Sakura and Rin's bond. Learning that they were sisters, and seeing them slowly and awkwardly get closer, is fantastic. That final confrontation between the two of them blew me away with the spectacle & Rin using the second sorcery. Of course, the hug that ended the fight was the best part. Rin realizing she can't kill Sakura after all, despite everything she said to Shirou, was beautiful. Sakura's horror at thinking she killed her sister, showing she's not a full monster yet, was tragically heartwarming.

Them bringing the sorceries in with Illya and Rin was nice. I like how we got an epilogue that took place two years after the final battle rather than a few months. There is a lot to like about this route.

...But there's also a lot I don't like.

Zouken and Assassin are just...okay villains. I don't think they're terrible, but they're not as interesting as any of the other villains in F/SN.

My main complaint is that this route introduced too much. So many elements are here that aren't even touched on in previous routes. Zouken, true Assassin, the crest worms, the true Holy Grail, Angru Mainyu, these are all elements of the route that I'm just supposed to accept only come into play under these circumstances. Sometimes it feels like they came up with it all after the other two routes were written. None of them are badly written per se, it just feels so out of nowhere that I couldn't fully get into the story here.

As for what I do think is badly written...I don't like Shirou in this route. He feels more selfish than in the others, often pushing aside others' feelings. The main moment that comes to mind is when Illya goes with Sakura. When Shirou finds her, he slaps her and yells at her, not accepting her feelings of wanting the end of her life to be meaningful. And there is no way to escape her death. The route makes that clear. Shirou also throws away his ideals for Sakura, which I don't like. The route before this one had him stick to his ideals despite being given evidence of the despair it will lead to. Yet here he tosses them aside without that, simply for one person.

Maybe badly written was too harsh. Shirou's fine, I like him more than in the first half of the Fate route, but he just doesn't seem to fit with the other instances of Shirou, and there were often times he frustrated me. Again, I did love his confrontation with Kirei though.

Now for the romance of this route. Shirou/Sakura. I'm sorry, but...I'm not a fan of this one. It's cute, even made me emotional at times. I think these two can have a great relationship. The thing is, I don't like how it happens here specifically. I think these two are way too dependent on each other, to the point that one can't live without the other. Just look at the bad ending where Rin kills Sakura and Shirou gives up entirely, or the normal ending where Sakura wastes away her life after Shirou's death. There's even a physical dependence due to the state of Shirou's body at the end of the route. It's honestly worrying how much they need one another.

I think they can grow past this, and I'm sure they do since the true end is a happy one. I don't hate their ship. It's my least favorite of the three, but I can easily see it being someone's favorite. Hell, I know someone for who it is. The ship isn't awful, just has some issues.

Back to the route as a whole, it is certainly the most ambitious, but I think they got carried away at times. It's certainly more geared toward horror as well, especially with those bad endings. Not that that's a bad thing, even if I'm not often into horror.

Summed up thoughts on the HF route: A spectacular finale to the VN, but it has a few hiccups along the way. There are a lot of great character moments and interesting ideas that make it worth the time. The true ending is beautiful as well. 8/10.

Overall thoughts on F/SN: A great time that I would recommend to anyone who can get it working on their computer. Fantastic characters and cool concepts drive what can be just decent writing at times, and the high points are really high. Definitely worth the lows. 8/10.

Quick add on for my thoughts on the prequel, Fate/Zero: An amazing first half that got me attached to so many characters, but it falls apart in the second half due to Gen Urobuchi's more problematic writing tendencies. Those have been discussed to death, so I won’t go into detail on them here, Still, the show has enough moments that make it worth watching. 6/10.

That's my experience with Fate so far. I'm about halfway through the first arc of FGO, so I'll make a thread summarizing my thoughts on each singularity when the time comes. Also I want to read Fate/Hollow Ataraxia if I can. Overall I can say I’m glad I got into this franchise, and I’m excited to engage in more Fate content.

Anyway, this review took me 80 minutes to write, and another 15 to copy over here. Clearly I’m pretty passionate about this franchise.

#fate #fate stay night #fate stay series #fate stay ubw #unlimited blade works #heaven's feel #fate stay night spoilers

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nettlestonenell · 4 years

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Armie Hammer wants a sequel to The Man From U.N.C.L.E.—shouldn’t you?

This post is a long time in coming, Gentle Readers and @jammeke, but now, though it might be here, before your very eyes, to think it will be well-laid out would be a mistake. It’s set to be just about as messy as Ilya’s misplaced loyalties and murky motivations.

How dare!

I probably first watched this film well over a year ago (courtesy @jammeke posting things about it). I used Sling OnDemand (I think on TNT). In the ensuing viewings I also watched it in that way, but as I was sitting down for a fourth(?) viewing, it kept coming to me that I was tired of watching it with commercials I couldn’t skip, and I had a sneaking suspicion that it had been edited for time and I was missing out on scenes. [pointless aside: I was also watching the film in chunks, and never as a whole]

Where is she now? What’s the time stamp? How far along did she get? Are you shagging the hotel hostess yet?

So, I, uh, set out to buy it on DVD—without any luck! In the sense that copies I could find cost more (w/ shipping) than buying it to stream. So, I bought it to stream on Amazon. Do I regret my choice, Gentle Readers? No, no I don’t. I do regret burden of knowledge in learning that TNT was already playing the entirety of the film. That was a hard pill to swallow.

Nope, I’ve looked. That’s absolutely everything. Nothing additional lurking around here...

So here it is, as it is, @jammeke, “My Notes on The Man from U.N.C.L.E.”

Look, I don’t know what this film is. I probably can’t fully articulate its appeal. Or maybe I can--certainly after transcribing four page I’ve tried. Number One thing to know about me and fiction/films is that a top draw for me is seeing something out of the ordinary, such as beautiful locations, a historical era, delicious costumes. There are times, frankly, this can trump weak story and undefined character for me. (The best films, of course, combine all three) Certainly, The Man... delivers in the delight of the eyes. Additionally, I must confess that growing up as a person older than @reblogginhood but younger than Miss Fisher, so much of what was on TV was essentially reruns of this film’s iconic Look(tm). So, when I see women dressed like Gaby I am just another three-to-seven-year-old overcome with the drop dead glamour of it all.

Darling, tell me how you really feel...

Some questions I have:

· IS Armie Hammer a hulk of a man? Everyone in this film seems to think so, yet he always tracks to me as trim (rather than hulking)

· Why translate via captions some Russian speaking, but not all?

· IS Napoleon’s backstory directly cribbed from USA’s White Collar?

· DOES Gaby have a German accent?

· Does Ilya get preternaturally attached to all the people he’s ordered to look after? Also, what is his bonding rate with kittens?

Sorry, wrong iteration.

· If Lady Villain knows the lens is wrong—if her technical understanding is that in-depth--does she really need Gaby’s dad to make the bomb?

· How old was Gaby during the war?

· What happens when Ilya gets a NEW puppy assigned to him? (please let this be addressed in film #2)

Hooray for:

· That bathroom fight! *all the Burn Notice feels!

· Gaby is her own lady, and chooses sides as necessary—not always unilateral in her support for either male character. Case in point: she sides with Ilya over the clothes, and Napoleon over the incident of the wallet.

· That delicious (speaking as Rusty, here) Ocean’s 11-stylized action. It’s pretty, so I’m not bored with it. Sometimes a sandwiched montage gets shown, so I’m REALLY not bored. I’ve got 18 tiny moving boxes of things to look at!

· Pinkie rings. There, you’ve told me everything I need to know about that character.

· Solo in a beret. English has not yet found a word for the feeling it evoked in this viewer. Somewhere between ‘precious’ and ‘oh, no’.

See, there? Now you’ve felt it too.

· Goggles! All the accessories! Dune Buggies! (I mean, that’s what I’m calling Napoleon’s chase-scene ride)

Things I adore:

· It seems (after some research) that more than a few folks view Gaby as a third wheel, and though she’s not exactly a Princess Leia commandeering her own rescue and exuding competence and a deserved take-charge-attitude at every corner, she IS a foci for both male characters (though romantically it would seem only for one), just as Ilya is a foci for both her and Napoleon [no one seems to worry about Napoleon, though they should--film #2, anyone?]

· Mechanic Gaby not needing a beauty makeover, or being dragged into one. She gets some nice clothes, but it’s never suggested that she’s not attractive or acceptable before putting them on, and I respect, nay, embrace it.

Oh, my heart. She’s still not as tall as them!

· Ilya, drab pigeon Ilya, knowing fashion

· Oh man, don’t even get me started on the power of the statement, “it doesn’t have to match”

· You knew it was coming on this sublist: the wrestle-fight. I mean, c’mon. Poor little Gaby, locked behind the Iron Curtain, living a life of always being watched. She’s in the swankest hotel (I mean, Napoleon chose it, so we can be sure it’s swank with an E). She’s trying to celebrate her freedom, her liberation. She’s playing verboten music, she’s drinking to excess. Girl wants—and deserves—a party. And Ilya is…not built for that (that he knows of). For some fun, just imagine if she had been given Napoleon to room with instead.

o I will say that this scene, and some of their other interactions have what I would call early (non-sibling) Luke and Leia energy. Ilya seems to have moments of being struck by Gaby in a way Luke is struck by Leia in the early part of the trilogy. When Leia takes charge, and Luke accepts it. When Leia does something incredible, and Luke is left open-mouthed. *no, I don’t see OT Star Wars in everything. Shut up.

· “He fixed the glitch.”

· Again, shout-out to the non-action action.

· “I left my jacket in there.”

· The whole race to rescue Gaby I am in love with beyond words. [I have noted it as “Crazy Jeep Drive with Warhead!”] Probably b/c it comes across as totally egalitarian. Both men want her rescued. They’re no longer in competition. It’s just as important to Napoleon as it is to Ilya to catch up to her. Also, it is bonkers, like some sort of X-games version of a commercial for the vehicles they’re driving. And screaming Willie Scott does not make an appearance.

Someone says “winkle” out.

· Look! Another note about the screen divisions and how I love it, shout-outs to the original Steve McQueen The Thomas Crown Affair (a contemporary of when this movie is meant to be set), and TV’s 24.

Things that get a great, big NOPE:

· Jerrod Harris: you’ve been in so much streamable content in the last decade I can’t hate you, but frankly, you’re terrible here—unless you’re supposed to be giving a mannered, not-campy-enough-to-be-enjoyable performance here. Your American English puts me in the mind of Alex Hawaii 5-0′Loughlin where it feels you’re concentrating so hard on your accent that you fail to convince anyone that you’re a harried, over-worked and exasperated spy handler. Your performance is at odds with every bit of dialogue you’re given to say.

· That awful, mishandled title that doesn’t even connect to the film until the final moments (a sequel set-up, for sure)

· Look, you don’t introduce Hugh Grant casually mid-way through your film in a throwaway appearance. I mean, he’s HUGH GRANT we all know something’s up now.

· This is not exactly a great big NOPE, b/c I love a flat cap, Tommy Shelby—but I feel like a less tall man with a far rounder face in a flat cap would track more as Russian to me that AH does. To me, he just looks like he’s about to go golfing.

Over par? Unacceptable!

· Is Victoria a British-accented Italian? A British woman who married—what? Gaby’s uncle isn’t Italian!? An Italian who went to school in Britain? My head hurts. Also, is her hair meant to be unconvincingly bleached?

Other commentary:

· Napoleon’s adult ne’er-do-well backstory is so far from being emotionally equivalent to Ilya’s childhood trauma [and his enslavement to the USSR] it seems bestial when he calls it out on multiple occasions. Badly done, Solo.

· Gaby is the film’s key (sorry, Buffy fans). Everyone is connected to her. Yes, she could have been given a bit more on the character front, but I don’t see her as as much of a flaw in the film as some others/reviewers seem to.

· Look, essentially (and not very nuanced-ly), Ilya is a stalker. I think the film goes a certain distance in establishing that his early behavior toward Gaby is not normal, but concurrently it does not truly call him out on it. He’s essentially viewed as an odd-duck, sure, but not a true threat to her (should she not reciprocate or tolerate his intensity toward her). I think I might be able to cite his behavior when Gaby comes on to him (that he doesn’t jump at a chance with her) that maybe he’s given a little more nuance than a straight-on stalker, and it helps that he and Napoleon never get into a pissing match over Gaby’s person, only over her new clothes. But overall the film has to walk a fine line (and the jury is still out on how successful it is, I’d say) between playing Ilya’s laser-like attention to Gaby for its humor, and calling it out for the unsettling, threatening behavior it is.

· Honestly, it wasn’t until I engaged the Closed Captioning that I understood Napoleon was calling Ilya the ‘Red Peril’. So, that was nearly three viewings in.

· I give the screen credits A+, on both ends. Not to mention the end credits are actually INTERESTING with lots to see and learn! (Certainly we learn more about HG in them than we do at any time during the film)

Things I would have liked:

· More of fish-out-of-the-Iron-Curtain Gaby moments

· A better dichotomy shown of East vs. West Berlin/Germany. There’s nothing easy either visually or otherwise to distinguish the two.

· HC being given a more specific American accent (from an actual locality). This, for an American viewer, works better than the flat, unlocated American accent many a British actor will bust out. *Mind you, HC does a generally good job, but he fails utterly on both “Immediate” which he pronounces at least twice as “immeedeejt” [rather than imm-E-deeot] and “Nazi” as “NAHT-zee” [rather than “NOT-zee”]. And let’s not get started on that late in the film use of ‘earnt’, a word that—well, it’s just not in the American English twentieth century lexicon.

· C’mon. You gotta tease the Hugh Grant more.

· Solo is a blank before the war. I’ve read thoughts on the film calling out Gaby as the blank character, but they’re wrong. Solo is the blank. He’s the ‘made’ man, his identity seemingly assembled during the war and after. For example, he doesn’t go into the war a thief, nor (it would seem) a particularly educated or urbane individual. Now THAT’s a juicy backstory I’d love to learn about, perhaps in film #2--or #3? What creates a Napoleon Solo? What would he be doing if he weren’t on the government’s leash/incarcerated? Is anyone left caring about him back wherever he calls home? I mean, who doesn’t love a gender-flipped 60s-era Holly Golightly backstory? [And yes, I would love there to be an ex-wife or even a current wife mixed up in his origins as well—Guy Ritchie, call me!]

Notes I have that I’m not sure if they still make sense to me:

· Only mom calls me Napoleon (do he say it ‘mum’?) Is he a secret Canadian?

· Solo’s torture, 1st view recall Napoleon’s childhood? *I think this means that after watching the first time I somehow erroneously believed that during the torture Napoleon’s childhood was a topic gone over. This was wrong. HOWEVER, this would have made far more story-sense than the backstory we’re given on an easily disposeable villain.

· “Even the average Russian agent. You’re special.” ?

· Uncle is Baddie (*so glad I made this note to myself)

· Ilya’s dad IS an embarrassment. I’m not sure what genius commentary I had in my mind, here. Perhaps that Ilya himself is embarrassed of him? Not just Ilya’s handler’s? [Also, aside: Napoleon totally slut-shames Ilya’s mom, which is the doublest of double standards from ‘I got myself the biggest and most ornate suite b/c I-wanted-plenty-of-space-for-my-random-seductions’ and I really wish Ilya had thrown that back in his face] *yes, of course I know that Ilya and Napoleon would not likely equate a wife/mother’s sexual exploits with that of Solo’s, but let’s be honest, this film tweaks the nose of (I won’t say reverses, it doesn’t go that far) plenty of tropes and gender expectations, and this certainly seems like a missed opportunity to call Solo on the carpet (which I hope film #2 does far more)

Things I wrote down so long ago I don’t recall what they mean:

· CC-save

In conclusion:

What does film #2 look like? What title does it get? Will the Peter/Neil White Collar dynamic continue to grow? *note that I have no confidence a second film will ever come to pass...

In the end, all I know is, “It didn't help when American Tom Cruise, who was slated to play U.S. spy Napoleon Solo, dropped out, prompting the casting of Cavill (who had previously read for the Russian role).“ I would not have watched that film.

#tmfu #tmfu 2015 #ilya kuryakin #napoleon solo #gaby teller #henry cavill #armie hammer #alicia vikander #the man from uncle 2015 #the man from u.n.c.l.e.#the man from uncle #i don't know what this film's tags are meant to be to keep it from popping up in the TV series searches Sorry

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hils79 · 3 years

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Fic Tag Game

I saw this on @kholran’s tumblr, liked it to fill in later and then promptly forgot. Don’t check Tumblr as soon as you wake up, fam. You will forget what you did an hour later. Anyway, this looks fun and now that I’m actually writing regularly again I thought I’d give this a go.

Name: Hils

I am an ancient internet crone who, when I set up a Livejournal back in 2001, decided to just use a version of my actual name. I’m some version of Hils most places.

Fandoms: Since this is specifically about fic, I’m going to limit it to fandoms I’ve written in. Because otherwise we’d be here all night. I’m also not going to include fandoms where I only wrote one fic on a whim. All of the below are fandoms where I’ve written two fics or more.

Buffy the Vampire Slayer: This was my first experience with online fandom and still the longest and most prolific time I’ve spent in any fandom I think. My ship of choice was Buffy/Spike. I’ll be honest, when it became canon on the show I kind of lost interest. Be careful what you wish for :D

Pirates of the Caribbean: Yeah, I have a think for enemies to lovers. Jack/Norrington was my ship of choice here. This was also my first m/m OTP.

Lord of the Rings RPF: This was my first RPF fandom (I know it's not for everyone don't judge me) and my pairing of choice was Sean Bean/Viggo Mortensen. It was a pretty small pairing even in terms of LOTRRPF but I had a lot of fun.

Smallville: I started shipping Clark and Lex from pretty much the first episode. Which was funny because I’ve been a Superman fan since I was a little kid and never expected to end up here. This was another big fandom for me where I wrote a lot. It’s second after Buffy for number of fics I’ve posted.

Merlin: This was another one where I started shipping Merlin/Arthur from pretty much the beginning. It’s funny that, as a Brit, this is the only British fandom I’ve ever been in.

Supernatural: Another big one. I’d watched the show from pretty much the beginning but it wasn’t until Castiel arrived in season 4 that I started writing fic. This is my third biggest fandom in terms of number of fics published and it’s also responsible for my two longest fics

Marvel: I’m using this as a broad umbrella to cover a bunch of different MCU movies, the comics, and the Agents of SHIELD TV show. Pairings I have written are: Tony/Pepper, Tony/Steve, Steve/Bucky, Phil/Clint

The Man From UNCLE: I grew up watching repeats of the old 60s show which I adored, and then the movie came out and was also fantastic, so my fics cover both the movie universe and the TV universe. Mostly Napoleon/Ilya with some Napoleon/Gaby/Ilya thrown in

Check Please: My introduction to hockey and I’m ashamed to say I still haven’t read the end of it despite owning a hard copy of it. Jack/Bitty are so sweet but, again, I kind of lost interest once they actually got together in canon

Hockey RPF: Sort of a natural progression from Check Please really. All my hockey fic is locked and comment moderation is on but it’s there if you feel the need to look. Pairings I wrote were Sid/Geno, Gabe/Tyson and Phil Kessel/Carl Hagelin which was a nice little rare pairing to play with.

The Untamed: My introduction to cdramas. I’ve only posted a couple of fics because I find the fandom quite intimidating in terms of volume and quality. Weirdly this is one of the few fandoms where the pairing being canonically together just inspired me to write instead of putting me off. This fandom got me writing again after a couple of years of barely posting anything at all.

Guardian: I fell into this one HARD. I posted my first fic about a month after I finished the show and I still have ideas for more. This was kind of a turning point for me in getting me to write regularly again.

DMBJ/The Lost Tomb: This is where I pretty much live at the moment. I don’t know what it is about these silly shows that inspires me so much but I love them and the characters dearly. This is one of the few fandoms where I’m just as happy writing gen as I am writing shippy stuff. I just love the Iron Triangle friendship so much.

Tropes: Hurt/Comfort is the big one for me. Pretty much all my fics involve this trope in some sense. Other than that I think it depends on the characters and the fandom.

Fic I spent most time on: Definitely Misha Collins Makes A Match (yes it’s an RPF fic). I had to plot out a whole road trip route set in a country where I don’t live.

Favorite fic(s) you’ve written: Ooh, that’s a tough one. I generally don’t read my fics after I’ve published them and once they’re out there I consider them Done and move on to thinking about the next one.

And There's That Pesky Thing Called Reality - I had a lot of fun playing with the meta aspects of fandom. It’s dated quite badly now but if you want a taste of what fandom was like in 2010 this is it.

He's My Brother - I enjoyed exploring different characters’ points of view for this one and how they see Wei Wuxian at different points in the show

Fic I spent least time on: I think I wrote and posted Love On Ice in one evening.

Longest fic: Discounting things I’ve written with other people it’s Misha Collins Makes A Match again

Shortest fic: According to AO3 Three Little Words which is a 200 word Buffy/Spike fic

Most hits/kudos/comments/bookmarks:

Hits: The Truth About Cats, Dogs and Penguins which is a Sid/Geno hockey RPF fic

Kudos and Bookmarks: Unleashed which is a Steve/Bucky AU where they meet in their local dog park

Comments: He's My Brother. The Untamed fandom might be a bit scary but they are also very kind

Fic you want to rewrite/expand on: I’m already planning at least one addition to the Zhu Yilong/Chen Minghao series I wrote for this year’s Sundial Exchange

Share a bit of a WIP: I generally only have one WIP on the go at a time and I just write outlines for any other ideas I have. So, this is a bit of what I’m working on at the moment. This is not, despite the below snippet, a Zhu Yilong/Chen Minghao fic.

“Do you want his number?” Chen Minghao asks with a grin. “You can ask him yourself. I’ll need to check with him first but I think he’ll be fine with it.”

Something drops in Zhu Yilong’s stomach. He’s a mature adult who has met plenty of famous actors during his time in the industry. But there’s something different about being introduced to someone you admire. He’s not going to let his shyness get in the way of this opportunity though, not when it could help with his current role.

“That would be great. If you’re sure it’s no trouble.”

Chen Minghao waves a dismissive hand. “Of course it’s no trouble. All I need to do is send a text.”

I tag: ALL of my writer friends. I want to know all about your projects. TELL ME.

#my fic #about me #kind of

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serpentsapple · 4 years

Text

(This post includes major spoilers for The Grisha Trilogy and the Shades of Magic series.)

@dykeblight replied to our introductory post with the following:

alright bud since u decided to put this in the main tags of the books ur critiquing ur ready to hear my take on this. first of all the wording in this post is pretentious as hell and it bothered me all thru out reading it. second of all, let’s lay some shit down: the only books ive read discussed in this post are adsom and tgt, and while i agree that tgt isn’t the most radically feminist book series out there, i have to ask: why are u focused on women writing this? why is this post generalizing

horrible male authors but name dropping female ones? alinas journey was largely about her realizing that she could make her own choices. about her not needing to be queen or supreme ruler or some shit. about how she could literally settle down with the worlds most boring dude and still be happy. anyways, beyond that: adsom. first of all, whenever someone pulls the “not like other girls” card for lila, i have to pull the “she’s genderfluid” card. it wasn’t Explicitly stated in the series, and v

has expressed regret for that, so it’s probably going to be more obvious in the next series. also, adsom is very much a period piece. you couldn’t be a woman in the early nineteenth century doing what lila did without like, yknow, *not being a woman.* the threat she got on that first ship— a period piece! if it was a male author, then that’s gross. but it’s not, a woman wrote it! lila also proceeded to burn the whole goddamn ship down. sometimes authors don’t want to write traditionally feminine

characters!!! sometimes women want to write about what THEY can relate to! and ve schwab, as a queer woman, probably did that. so now we come back to the question of WHY are you calling out only female authors for this? you could have accomplished the same goal by just including books and authors that you deemed Respectable. not to be that bitch, but there was literally no reason for you to post this lmfao. i think we should first tackle the issue that is men having access to keyboards, and

maybe then we can broaden our horizons by critiquing everything women do thats decidedly not perfect.

We created this blog to discuss these topics, so we welcome other opinions and interpretations!

To reiterate our goal and perhaps clarify... male authors already receive enough publicity and analysis - to the point they eclipse, at times, their female peers, even when it comes to writing female characters. How wonderful of them to treat fictional women as fellow human beings! (How shameless of others to treat them as their personal sexual fantasy!) Yet we would like to hear what women have to say about themselves. It is why we focus exclusively on their works.

Furthermore, we believe these works as worthy of analysis as any text written by a man. And it is precisely because of this conviction - their books potentially as grandiose, as mediocre as any man’s - that we will not refrain from criticising them. To treat them differently would be implicitly agreeing with the notion they aren’t as intellectually engaging as men’s writings.

Moreover, we are not advocating for “feminist” books from women. In fact, we dislike this qualifier: too often misattributed, rarely useful, always commercial. We desire convincing female characters, as talented as they are flawed, as just as they can be immoral. Thus, while we have grown tired of uncreative, unnecessary sexism in fantasy, we are not expecting perfect little militants in every story. We expect to be moved and stunned, to be left inspired or reflecting on what we read.

I hope this has cleared up our intent with the blog. Now, for the specific series discussed...

While I could see this be Bardugo’s aim for Alina’s journey, I disagree with it being well executed. Narratively speaking, I do not think Alina was treated fairly and was able to make true choices. Throughout all three books, Alina remained unobservant and somewhat self-centered, never challenging the affirmations of others and instead regarding them as truth. Let’s take the example of the Darkling: she accepts his supposed initial good intentions and views him, to the very end, as some kind of lost and anguished “boy”. Yet that isn’t what the text shows - on the contrary, the Darkling is a hollow character that spent centuries sitting on his behind, doing nothing for his fellow Grisha. Alina is never given the chance to realise this and reevalute what happened to her.

Beyond this, I feel like Alina’s journey was contrived from the start. Bardugo does not allow her to see beyond the words of others, nor does she allow her to actually grow. Alina’s crush on Mal and her fixation on remaining with him - despite him disliking what she is! - stems from a child’s anxiety and solitude. Instead of becoming her own woman, making her own choices and yes, having to face losing relationships, Alina regresses to the safety of her childhood, powerless and normal, just like Mal. Let us remember that, to remain with him, she sealed her powers within herself, endangering her health! So symbolically, it is a slap in the face: just when she embraced her powers - meaning letting go of her fears, of Mal -, she loses it all and go back to square one.

This is why I don’t find Alina’s journey satisfying. Even if it hurts, I wish to see female characters confronted to their fears and their flaws, and grow from them*. That is not what we witnessed with Alina. And: why is it that female characters must be “depowered”? Why does the Darkling (and Ilya Morozova) get to keep his immense powers, must live with his guilt, yet Alina loses every and any scrap of magic? Why is she punished for her greed so much, when she hardly is the greediest? (This echoes also Genya’s “punishment”, so heavily tied to her being a beautiful woman and beauty being, in Bardugo’s world, a key quality for women. Nikolai’s monstruous transformation is cruel but never specifically targeted at his sex.)

Why is it female characters only whose “happy” ending involve going back to their boyfriend’s house, complete with potential children? In a fantasy world, is it the best we can offer to these characters? Why does “making her own choice” usually involve them being unambitious and - I am barely caricaturing - happy housewives? Where are the female characters being greedy, powerful to the point of madness, and fascinatingly ruthless? Where are the genius, the good but scheming inventors and princesses? Where are the female Darklings and the female Nikolais?

Yes, it may not be Alina’s story and that’s alright. But reading the story she received, I could not help wondering: is it truly her story, or is it her story in a narrative unfair to women?

As for Lila... what Schwab stated confusingly in interviews or twitter threads cannot be used to analyse the text itself, though it may help. In this case, it holds a very different perspective from what she may affirm outside of it, so let’s keep close to what she wrote.

I disagree that it is a period piece. Her series is firmly set in a fantasy version of our world, with four alternate but equally real Londons, and with interactions between them that differentiate her England from ours. She chose to keep this England similar to ours, so the departure from it could be obvious; she chose, again, to have Lila threatened with rape by sailors even in Red London, her full invention. She chose, still, to never mention the miserable reality of lots of poor women like Lila in our England - namely, prostitution. She picked what suited her, as authors do, yet could not come up with any other plot than sexual assault. That she is a woman does not excuse her utter lack of imagination on that front! I find the notion that female characters are condemned to sexual threats depressing, on top of insulting towards authors who still strive to be creative.

And this is all ignoring what Schwab forced her other female characters to endure, which is sexual slavery, somewhat coerced pregnancies and social isolation, plus being sexist caricatures and butchered so men could be sad about it. In that context, what is Schwab exactly saying about women, if even her heroine is misogynistic and desperately trying to escape this reality? If Lila isn’t a woman - which she is in the text, she never denies being one, she only affirms being different, meaning a full human being! -, does that mean women’s place is in caricature and distress and death? If she is, then must they reject their womanhood and deride other women to be in the spotlight?

And this is all, again, ignoring that Schwab who, yes, admitted wanting to write a female character she wished to see in fiction, that resembled her... had Lila’s whole development derailed in favour of male characters. Lila’s ambition and excessiveness vanished in a third book dedicated to temptation! Lila’s anger and recklessness receded in front of Holland, all so we could learn about his sad backstory. Which involved, as salt to the wound, the stereotypes of a greedy girlfriend and the ever failing mother Schwab is so fond of.

Our post never suggested that women should not write non traditionally feminine women. Rather, that would be quite refreshing! I would love to read about these women that we hardly see.

Is it what Schwab wrote, though? Lila indeed crossdresses and appears androgynous enough to sometimes pass as a man (not always, in a manner that is most convenient to the author). Yet: she constantly mocks other women for being vapid, gossiping, feminine, in a word weak. Yet: Schwab has her, in the second book, attend a ball dressed femininely and feeling insecure about it, all to state she is - quoting! - “not most girls” and have Kell, her love interest, compliments her. She has the happy tomboy reaffirmed as able to be feminine and beautiful that way! How is that not depressing for every woman and girl who never want to be feminine? Why did Schwab choose to have her in a dress instead of a suit, like Lila would probably have preferred? Why did Schwab choose to strictly divide women and men into two categories, dress-wearing and not-dress-wearing? Why is Lila alone in her plight as an androgynous woman? Why didn’t this fantasy world have women and men dressed in a way they felt comfortable with?

This isn’t a period piece. Schwab was free to make that choice... and she did not. I would add, too, that women in real life have always struggled and fought against misogyny. They were women and they were still complex human beings and they still tried to live as comfortably as they could. Sometimes they failed, yes, because society wouldn’t want them to. But women like Lila have existed, and behaved like her, and dressed like her, and dreamed as big as her. Why should not we expect as much of fiction, then?

Sidenote: I am especially critical of that awful “tomboy turns into a lady” trope that fandom will seize it and run. It is disheartening to see countless edits and fanarts of Lila depicting her as feminine instead of androgynous as she was written, and often in feminine clothing at that. So if even the narrative later ends up confirming it...

*Or perhaps spiral down, willingfully blind. Alina’s story isn’t supposed to be a tragedy, however, so this does not apply here.

(If you don’t mind, I would like to hear why you found the post’s wording pretentious?)

#reply #shades of magic #the grisha trilogy #our posts #mod V

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mehenxe · 4 years

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◈ ◈ ◈ ◈ & ღ & ♫ bc ur a slut for music ; & ✮ (i want explanaTIONS ...gET META W THIS SHIT )

◈ — share some head-canons you have for a muse of your choosing, but x4.

[ elijah kane ] ◈ — all efforts to get him into studying how to make robotics like hyacinth have resulted in a lot of miniature woodland creatures able to sprint across desks. it’s not exactly what anybody had in mind, but hey, you never know if ilya might not want to send in an actual animal for something he has going on. they can call up sugar kane industries ( big face-palm here ) to take care of the job. ( wyatt voice: seriously, you couldn’t think of anything better than sugar kane. ) / hyacinth kane has a nice ring to it. elijah has tested out several different nicknames: sugar kane also for them, mistah k, ( missus k? ), cinthy ... cindy ... ( sean: yeah! cindy k! like cindy crawford! / who the fuck is cindy crawford? / wyatt — / how old are you. ) / he’s had a life-long dream to be able to go scuba-diving off the coast of — some exotic island he can’t remember the name of. beforehand, it was one of those things that he was too afraid to do, but full-out war changes your perspective. in truth, he’s always been a water baby, growing up going swimming in the local rivers and running pellmell down the dirt lanes. he grew out of it, and then grew back into it. whether or not he’s going to be able to do that without monroe tagging along ( and then by default, ilya, and then probably hojin will want to come, and then ravi will have to, and then oliver will want to watch over them and then jinho will buy a whole yacht with his dumb vampire money — ) — ah, well, there’s worse people to spend an extended holiday with. his father will come along too: sit on the deck in a lawn chair and drink a virgin margarita as he deserves after putting up with this whole extended family. and with his son being a you-know-what.

[ alice bedi ] ◈ — there was a time where she was interested in wigs. she had percival sit down on her shack’s bed and watch as she perused through at least fifteen different styles of wigs. each one got a firm head-shake: too rough on your complexion; lilac looks good as a colour, but the style is horrid; why did they think it was a good idea to make a bob that length? a tough customer. she returned back to wearing veils, her preferred style being that of mantilla, or the veil that’s worn to chapel over a jade comb. due to the volume and length of her natural curls, she rarely wears the combs at all, but will if it’s a particularly formal occasion, like that time she accompanied percival to a ‘high-society event.’ ( translation: they crashed a party because he was bored, and she had a bad feeling about him going alone. ) / as the local librarian’s assistant, she’s the first to get in the way when someone is overtly curious: why are you asking so many questions? hmm? the irony is that she herself asks just as many questions — she insists that the difference is: she reads the room and knows when it’s inappropriate to ask them. ( and if she knows it’s inappropriate to ask them, and instead chooses to risk asking them regardless, it’s because she knows it’ll smooth out in the end. / despite what she wears daily, one of her most favourite colours is moss green. there are a multitude of reasons. moss is her favourite foliage. it’s similar to algae, another favourite foliage. and it reminds her of someone who she says is her sister; however, anybody who knows her, knows that she has no blood-siblings. one or the other might be a lie, or both might be the truth. when she’s in a mood, she’ll smear the moss at the base of her neck like a perfume, a splotch of green beneath white.

[ huang shen ] ◈ — he designed an irrigation system to work, specific to his farm, to be able to make rice paddies despite the surrounding environment. it’s a southern crop in the united states, but there was no way he was going to move to the south just to expand the business. his entire family was so relieved about it that they danced through the sprinklers and set off fireworks — and none of them are really into that kind of thing. it’s particularly incredible due to the area they’re in, being very prone to sometimes too much drought and too much rain, and both are responsible for driving out selling numbers of crops. his plan is to switch into an agricultural degree, and perhaps even expand it into engineering, so that he can continue helping this way. / one of his surprises for algernon was learning sign language. for the longest time, months even, shen made it out like he had no idea what was being said, and let damien, as surly as ever, be the translator when algernon was unwilling or unable to speak. in the background, however, he was working with a tutor and seeking to understand better what it meant to be both HoH and mute. then, when algernon’s birthday came around, everyone went silent ( holy god he was so nervous ) and he gave an entire romantic, long speech entirely in sign language. he’s sure that some of it got lost in translation due to how hard his hands were shaking, but the way that algernon kissed him afterwards, it didn’t seem to affect much. now, they communicate constantly on this even ground. / he’s started up horseback riding again — and has roped tobias into doing it alongside him. tobias might have grace on the stage floor, but certainly not on the back of a horse; he somehow ended up upside-down beneath the horse’s belly, and then fell down in a tangle of limbs. shen has taken to the western side of things, re-learning how to barrel race and rope cattle; but he and tobias have had to separate their lessons due to these antics. lucas isn’t allowed to come to any of them; his stupid remarks send them into fits of laughing. ( bold of us to assume he doesn’t just sit in the truck and shout anyways. )

[ deok bae ] ◈ — due to the empire no longer supporting his upgrades, nor looking in his general direction, he has had to find other ways to obtain new modifications. this is including, but not limited to, going and pulling them out of other people’s bodies as catharsis — but usually, he defects to yuri and silas to fix him up. to his chagrin, the LED-light in his forehead has absolutely no use whatsoever, only displaying his brain’s processing as a symptom of installation. he pulled it out himself via the tip of a knife’s blade. the next time that he’s seen by those who haven’t seen him in quite some time, he might be unrecognisable. i am not deok bae — perhaps deok bae is no longer himself either. if there was no connection to eli in his head, he would forget that; perhaps he would merely succumb to the machinery, perhaps he would succumb to the wolf-dom. there are several pairs of teeth in his mouth awaiting for their moment to bite. / when he was a teen, his version of ‘sneaking out’ would be to wheel his chair to the gardens at the back of the temple, where he would sit and think for hours and hours. his father would come and find him there; sometimes, master jhcor would instead. his father would return him back to where he needed to be, but master jhcor would sit beside him and gaze serenely until bae felt the need to speak what was on his mind: his angers, his fevers, his rages. one time, he was surprised to see that it was not master jhcor, nor master deok, but zan coming to sit with him. his heart had sat in his throat the whole time, half-expecting zan to laugh at him or say something particularly piteous. instead, the conversation was — well, looking back, absurdly normal, all things considering. when bae blinked tiredly, zan rose and took the handles of his chair and took him back. he hadn’t intended to ask him to do so, but it was done anyway. / bae drinks a lot of soda. it’s somewhat fitting, if you believe all that talk about how coca-cola can double as a cleaner due to the high carbonation and way it’s made. he does seem to get shiny after several cans — it’s also convenient that he can’t experience sugar-highs nor malfunctions of the liver or stomach due to too much consumption. he considers himself to be a soda connoisseur as a result. he offers a lot of hmm, that’ll taste disgusting comments that annoy the shit out of the others — but then kisung takes a drink and bae ends up being right, so there’s no regrets.

ღ ━ favourite canon ships for your muse(s). are there any you dislike?

there’s ... none that i dislike. there’s moments of come on, but that’s bound to happen. i think the favourite ships are the ... guardian / princess vibes ( whether it’s literal or not: akane / the samurai, quinn / sehrin, jian / elaine ). i also love the growing from previous immaturities towards each other ( grey / tobias, jihoon / wyatt, playboy / jordan ) — and himbos of course ( hojin / ravi!! ) there’s also the whole ... tsh, vampiric aesthetic that we get ( minzhe / yongha ) ... the ones like jisoo / mingfei, cyrian / ulysses, cadoc / pestilence ( exploring violence against but without the stickiness ). of course, if i keep going, i’ll end up listing all of them and then where would we be.

♫ ━ a small playlist for a muse of your choice

for nam jungsoo, because i actually once did make a playlist for him:

1. brand new — sic transit gloria ... glory fades 2. within temptation — what have you done 3. iamx feat. imogen heap — my secret friend 4. florence + the machine — shipwreck (the odyssey) 5. crown the empire — hologram

i mean, the songs are still kinda relevant considering his current character ...

✮ ━ top three favourite muses that you’ve played

but is it possible to pick three favourites ... that’s the real question. maybe. jianguo, because of catharsis, because of cultural exploration and similarities. grendel, because of the depth, the personal torment, the surrounding family. jinho & julius, because of exploring that darkness. and famine — man, now that’s something. there’s a lot more than three though. like blood and jisoo and tobias and arthur. but. the questions INSIST THAT I CHOOSE.

#mr: mine #moonbeam tag #v: we are engraved in our hearts

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courage-a-word-of-justice · 4 years

Text

Fate/Zero 1 - 25 (FINAL)

Most of these notes stayed intact during Fate/Stay Winter posts, but I’m releasing them in an unedited version here (aside from the dotpoints and read more, of course).

Fate/Zero 1

For some reason, I have it recorded that I’ve watched F/Z ep. 1, but I don’t remember it! I only remember Saber fighting someone…that’s why I have notes for this ep too.

Ewwwwwww…what’s that in the Macedonian box…?

Oh! Heaven’s Feel is the name of one of the movies that came out this year or last.

LOL, the grandparents of Waver literally refer to him as “Waver”. I thought it was a title. Is it really his name???

I’m very good at making connections between seemingly disconnected things using only the things I know. I predict Kariya’s in for a verrrrrrrry bad time and will probably die in this Grail War, if not go bananas. I already know Rin, Ilya (the Einzbern child) and Sakura are already part of the Fate/ canon, so they’re probably going to fight in a Grail War as well.

Ahhhhhhh! B*stard Archer (that is, Gilgamesh)! He’s hereeeeeeeee!

What’s that counter on the ep title card…? Is it the time until the Grail War…?

Fate/Zero 2

I’ve seen enough spoilers being bandied about that I already know Rider is Alexander the Great.

Like, seriously, why do we call the dude “Waver Velvet”? What’s his real name?

Kiritsugu acts as Ilya’s dad, but…I’m pretty sure he isn’t her dad. Kiritsugu’s surname is Emiya, right? He’s Shirou’s dad, as far as I know. Then again, I only know what I know from being around Fate/ fans for so long.

LOL, there are far too many dragons in this name – Ryuunosuke Uryuu.

Ohhhhhhhhhhhh! Is this Giant B*stard Archer???? Is this Giant B*stard Archer??? (i.e. Gilgamesh) Oooooooooh! No wonder people like Gilgamesh, even though they call him a giant loveable b*stard.

Fate/Zero 3

Thy don’t call Rider that for nothin’, eh?

I wonder how Saber managed to get a passport…? She’d need one, eh?

Oh…CGI car…it’s burning my eyesssssssss! (although I do believe Troyca didn’t do any better with El-Melloi’s Case Files)

“Hotel in Fuyuki” – They couldn’t be any more explicit with this stuff, could they…?

“…Highness.” – I can see why Saber is so popular with the Fate/ fans now.

Huh? I seem to remember the battle that comes next! Damn *bleep* <- (censored name of anime club manager responsible for the anime marathon that caused me to go from the beginning of F/Z in the first place)! I definitely remember Saber fighting Lancer.

Fate/Zero 4

(sorry, seen this one! That’s where the confusion was! So no notes here!)

Fate/Zero 5

Berserker looks like Goblin Slayer covered in smoke…LOL.

…Well, they don’t call that guy Berserker for nothin’ either.

Rider would make a great Santa Claus, LOL.

Fate/Zero 6

Isn’t there a Joan of Arc in the Netflix Fate/ (Apocrypha)?

Dang, that Kayneth is an evil b*stard, alright!

Kirei is basically Wolverine…?

No wonder you never hear about Caster when people talk about Fate/…he’s neither hot nor a waifu…so nobody gives a s*** about him.

Fate/Zero 7

Is that a Gantz?

Wait, y’mean Rider is motivated…by pants? *spits* Hahahaha…

You can see Ufotable’s much-praised CGI at work here, too.

I can definitely see why Ufotable was chosen for Katsugeki and why they chose Izuminokami for their protag.

Had to google Jeanne to remember what she looks like in this universe, but yeah…she does look like Saber.

For some reason, I had a fleeting thought that Lancer would be the one to be on the mountain alongside Saber…I was right.

So basically, the entire Fate/ series is this: who would win? A mage or an assassin? (Or something like this.)

Fate/Zero 8

I still think Kirei is basically Wolverine.

Kiritsugu = “to cut and tie”.Update: It’s “to tie” and “to inherit”, apparently.

F/Z 9

I wonder…just what is Lancer’s motivation for the Grail? Surely, Servants have their own motives…

I literally covered my eyes when Sola-Ui bent Kayneth’s finger back…it was almost as bad as seeing Nozomi get tortured (Magical Girl Spec-Ops Asuka)…*gulp*

“Not well” is an understatement, Sola-Ui.

I had to google how old Waver was in this Grail War…he’s 19, apparently, so right in my strike zone right here, so to speak~.

Beleaguered Waver is what you cool kids would call the 2020 Mood…and yes, I’m watching this on the 1st of January, 2020 (but you’re reading this after I put it up later in the month), so I’m keeping the comment.

“What kind of moron would go busting in?” – *facepalm* It seems Rider would.

What the heck is Rider riding his chariot over on the floor, anyway? What’s up with these sewer creatures ? They’ve got tentacles…!

F/Z 10

Rin reminds me of Asuka (NGE)…*gulp* That can only mean bad things for her.

Zenjo? I’ll make a note of that name.

That one glowing sign says “Fuyuki Station”.

Rin no Bouken = Rin’s Adventure. I don’t see why the subbers included “Big” in there, tbh.

F/Z 11

Uh-oh. Why do I get the feeling Saber’s going to get very, very drunk…?

Gee whiz, the great b*stard is a narcissist…

Well, sometimes I forget I had “Archer = Gilgamesh” spoilt for me ages ago…probably because he’s all over Babylonia, not to mention he seems to be one of the more popular characters precisely because he is the great b*stard.

“I wish for my homeland’s salvation.” – An interesting thing to say, considering Brexit.

What the f*** is a Gordius…oh, okay. So that’s Rider’s chariot.

How many Assassins are there??? I thought there was just the one, but there were 4 last time.

This discussion is interesting…no wonder Saber got mistaken for Joan of Arc back in the day.

Welp, Assassins gotta assassinate…*shrugs*

Eyyyyyy…there’s this one guy who looks basically like an older Waver Velvet! That explains a few things, I think.

F/Z 12

“Ramasonic” (sic).

I still think Gil-I mean, Archer’s snakeskin pants are hilarious.

I feel like last episode was a lot better in regards to how good Fate/ could be. This episode is just Ufotable animating talking Gilgamesh and Kirei heads.

Why do I get a bad feeling something bad’s going to happen to Maiya…again?

Kirei trying to look bada*s while leaning against a wall…it looks sort of funny, to be honest with you…because he bends his neck at a funny angle.

F/Z 13

This is the end of the 1st cour, apparently…according to AniList, at least.

“…5 billion people.” – I think the number is 7 billion now, but okay.

Never leave your Servant unsupervised, amirite?

I saw one of the bookstore’s shelves has science fiction on it…hmm, in a show with magic, that seems ironic…or was that non-fiction? Also somewhat ironic.

Oh, this “Don’t you want to do anything fun?” from Rider to Waver is an interesting parallel to Kirei’s episode (the previous one).

Dragon guy’s off his rocker…seriously.

Paraphrasing here, but “…if you want to use the Grail to make yourself taller…” – then stick to milk and other calcium products, Waver…LOL. I mean, other anime characters do.

Even Saber Naruto runs! There are no aliens here…but that car does have gull-wing doors (<-had to google what the doors were called), so…is it a DeLorean or something? Then someone could time travel instead.

I thought one of the previous commands from the overseers was to defeat Caster…?

Fate/Zero has become a kaiju movie, LOL.

Scared Waver is also a 2020 Mood…LOL.

F/Z 14

What’s this “Giant of Light” business…?

Geesh…If Ufotable did a Godzilla movie, I would watch that…(now that this monster makes me think of that possibility.)

This is a small quibble, but is it “Diabolo” or “Diablo”?

Somehow it didn’t even hit me until the fight was halfway over…but does Gilgamesh control a flying airship as part of his Noble Phantasm?!

Pretty scenery or not, talking people standing still are just that…not very entertaining, for sure. It’s basically the only flaw of this series, aside from the fact it hasn’t plumbed the depths of its themes yet.

Ufotable’s clouds look kind of like Gainax’s in Houkago no Pleiades, huh?

Tokiomi seems to blame Kariya for the whole sister vs. sister thing. Hmm, it really just shows how demented the guy is.

F/Z 15

Berserker is only ever in CGI, huh? No wonder Ufotable was given the job.

“That’s…from King Arthur’s legend…” – Can I please interrupt with the Excalibur song? (I’m annoying like that and want to ruin your level of immersion, that’s why.)

Hey, who knew? We get to see Joan in this anime, too. Thank you, Ufotable and Type Moon for saving me a Netflix subscription.

F/Z 16

“Things have been rather hectic this evening.” – Well, you don’t say…

*Saber and Lancer start their fight * - I detect signs there may have been people shipping Saber and Lancer at this point in time, what with their mutual ideas of honour and such.

Kayneth is kind childish, LOL – he’s like a kid peeping at his parents while they complain to each other about a hard day’s work or something.

Uh, this curse from Lancer here is definitely gonna be relevant later, right…?

I was muttering, “Oh goodness” (<- I’m self-censoring here, but you get the point) a few times over when Kiritsugu and Maiya finally got around to killing Kayneth, Lancer and Kayneth’s fiancee. By the way, were those two ever married…? Also, this makes me wonder…what would happen if you got a completely useless Servant? Like “King of Fools” or something. It would sound like the Familiar of Zero, sure, but it would be an interesting exercise in making a compelling narrative.

F/Z 17

Dangit, B*stard Archer. Disappearing just after you provoked Kirei…

Oh! I found the Avalon scene confusing at first, but now that they explain it, it makes a lot more sense.

“As I live and breathe, Kirei!” – Sounds mighty ironic for a meant-to-be-dead historical figure to say that.

F/Z 18

We jump to someone else’s story…or do we?

For some reason, I think this beach place is based on Okinawa. (It seems like the best match.)

“This isn’t a game.” – Seems highly ironic, given his current situation.

I know Kiritsugu is probably looking into Shirley’s eyes, but all they show is the boobs downwards, so I imagine it to be fanservice.

That shaking was just to disguise the bad animation, wasn’t it…?

…and suddenly, zombies!

Well, that’s great, Kiritsugu. You ended up burning down a village by association. Good job…

“Vampires.” – Well, that wasn’t the word I was expecting…

For some reason, I think this new arrival is a woman, but now that I get a proper look at their face, they kinda look like the Great B*stard (Gilgamesh). Update: It looks like they have cleavage, but then they also kinda resemble Samatoki (Hyp Mic)…so, uh…I dunno. Update 2: Okay, she’s a woman…Natalia, to be precise.

The houses on fire look a lot like the ones in Katsugeki, come to think of it.

F/Z 19

Wait, what’s a Mystic Code again…?

Oh, I didn’t think this show would do it, but there’s a good few seconds of recap. I know, because I had to skip it.

Oh, the reason Kiritsugu doesn’t seem to ally with the Association or the Church is because Natalia wasn’t part of either. Right…I’m so dumb.

Am I just reading into Kiritsugu’s pose here too much, or does he look like Christ the Redeemer a bit…?

There’s something oddly pretty about Vorzak. Then again…it’s too bad he’s designated to be dead.

I could tell Kiritsugu was CGI for a second…but he was in fog. Dangit, Ufotable. You know how to disguise your CGI well.

…Okay, those bees were very CGI. Scrap what I just said.

Bees on a plane. What a way to die.

I’ve noticed Kiritsugu’s eyes don’t have any pupils in them. They’re always kind of dead, but not in th same way En’s (<- from Boueibu) are.

What happened to Kiritsugu’s mother…?

The extended flashback seems to be the best way to my heart, assuming you can pull it off properly.

What’s with that “sometime, somewhere”?

F/Z 20

There hasn’t been a proper OP since 3 episodes ago.

Was Maiya ever interested in Kiritsugu as a woman? This vague pseudo-harem sorta annoys me, which is why I need answers.

The crows in this show aren’t very fluffy. Not that I have a problem with that…it’s just a bit random (and I’m saying that as I operate without much sleep and will have a huge period of getting up early in my near future, so you’re probably going to see even more randomness coming from my brain).

Modanyaki. Never thought I’d be googling a Japanese concept for this anime.

This sleeping bag Waver reminds me of Aizawa, but this is at least 4 years too early for that.

That cloud in the top left is shaped funny…like a knight, maybe? (There’s a triangular bit that looks lik a helmet.)

I believe the bird is a bush warbler (uguisu), based on the colour.

So this is where you learn what the f*** a Gordius Wheel is…right.(sounds a bit pissed)

Seeing Kariya squirm…it makes me thank my lucky stars I had the sound off. My imagination makes the scene worse, though.

So fakers beget fakers and killers beget killers, huh? Not surprising.

“I’ve always told him he was doing the right thing.” – Because you didn’t know any better, huh, Iri?

F/Z 21

“Knight on Two Wheels” – What would that knight be riding, a bike…? (somewhat sarcastic)

…A motorbike. Close enough. (not sarcastic anymore)

The motorbike’s plate says “Fuyuki - Te” – instead of a licence plate combo, Japan has a single hiragana.

Well, at least now I know why you never hear of Kariya outside Fate/Zero much…those worms don’t give him long to live.

Isn’t Tokiomi dead though…?

Holy s***, Kariya, you just got framed! *yells in the tone of voice as if Kariya got owned…which he did, in a sense*

*brow furrowed* What’s up with the framing of Aoi’s killing that makes this seem like attempted rape…?

Kirei looks all dead inside. (LOL) I know it’s the animators’ fault that they didn’t bother with him in that scene, but…he has the eyes of a dead fish there, y’know? I can’t help but laugh.

F/Z 22

Never in my life have I seen a grandpa want to talk on the roof.

The grandpa reminds me of Rider…that’s probably where part of their relationship comes from.

You can see the lack of sleep is getting to Kiritsugu right now…his face looks a little sunken…

…Fate/ is apparently pretty infamous for treating its women badly from a feminist persepctive and I think I get why now…(referring to the death of Aoi and now Kirei’s treatment of Iri)

I think the scariest part of F/Z is watching th emotionless guy learn how to feel…kinda like Equilibrium, y’know?

Hmm? I wonder how this show will choose to end, since it’s signalling its end from 3 episodes out?

I predicted Rider would say something along the lines of “…befitting of the Rider class” and lo and behold! He did!

So Rider can summon a single horse as well as the entire chariot? *Saitama face* Okay then.

Number of Times Waver Appears: 1, Number of Times Waver Cries: 1, Number of Times Waver Blushes: 2

Come to think of it, even though I had that weird “Ohhhhhh! Great B*stard Archer!” reaction at first, Gilgamesh has shown up in most of the worst scenes of this show so far (basically, most of the “talking heads” scenes where he talks shop with Kirei). Then again, my change in feelings probably because I’ve had to keep a special eye out for Waver and knew Saber was the poster girl for the entire series.

The counter appears to be “time until the Holy Grail War”…well, that or its final conflict.

F/Z 23

I like how Waver’s joining in with Rider’s yelling.

I have the sound off, so now I’m just mentally narrating Sakura with this creepy child voice and it’s spooking me out…the Urobutcher could really go toe-to-toe with Stephen King if it weren’t my imagination…(LOL…?)

I feel sorry for that car’s owner…the car wasn’t meant to be wrecked…

I fully expect Berserker to be Lancelot or some other guy in King Arthur’s canon, judging by Saber’s reactio-hey, who’s Arondight…? Update: Oh, f***. It really is Lancelot. Turns out Arondight is the name of Lancelot’s sword. How did I know? There’s that upcoming Camelot adaption, isn’t there? Connect the dots.

Oh, f*** me – I feel conflicted. On the one hand, Lancelot’s hella handsome (and his dark hair is exactly my kinda thing), on the other hand…doesn’t he look like he came out of Castlevania or Vampire Hunter D or something??? F***in’ vampires!

Oh, f*** again, I stand corrected. Lancelot was handsome, before he became a Caster-looking…thing.

*bursts into spontaneous laughter* The new Lancelot looks kinda like Tsukasa from Dr Stone, LOL.

Number of Times Waver Cries: 2

Wait, isn’t Bucephalus Greek??? Update: No, he wasn’t. He was Alexander the Great’s horse. That explains why he’s Rider.

I was wondering how Waver managed to live long enough to be El-Melloi II when he was stuck in a battle to the death. Welp, that’s how he did it, folks! *points at screen*

Number of Times Waver Cries: 3…but…anti-climax, much, f***in’ Gilgamesh???

Uh, what’s up with Psalm 23:4? (I had to google that snippet of the Bible to find out its citation.)

LOL, Kirei and Kiritsugu have very similar faces. Didn’t realise that until now.

F/Z 24

It’s weird seeing Kirei full of fighting spirit…He’s still frickin’ Wolverine, though.

Is this taking cues from the Matrix? I bought it from the charity store the other day because I haven’t seen it yet, but I know Bullet Time from TV Tropes.

Now Kirei is channeling Bruce Lee, LOL.

Ouch…the bullet to the hand reminds me of the nail gun scene in The Island (which still freaks me out to this day). (…and now I’ve gone and done it – every time I think of that movie, I get the song The Island – part 1, at least - in my head as well.)

I can almost see Sakaido (from ID: Invaded) in some of these scenes instead of Kiritsugu…trust Ei Aoki and associates to do that.

I went to dump a screenshot in Paint and one of my Fate/ backgrounds from one of the previous posts was set to my background! (I have my backgrounds set to rotate every 12 hours and I have over 600 pictures for that purpose.) *sighs happily and incredulously* Well, whaddaya know…sometimes the stars do align.

I almost expected Shirley to appear, but it turns out it was Iri instead.

Kiritsugu still has his Command Seals so he’s still connected to the Grail War somehow…hmm…

C’mon, I predicted Gilgamesh would compliment Saber when she was down and bleeding.

F/Z 25 (FINAL)

Who’s Lord Justeaze?

Sakura has the same eyes as Kiritsugu. Dead, lifeless eyes.

Did Kariya just throw himself to the worms???

The Great Naked B*stard Gilgamesh.

A priest is a zombie, huh? How ironic.

Isn’t Gilgamesh annoyed by his lack of clothes…? Update: Never mind. He gets a cloth soon enough.

Wait, if Saber destroyed the Grail, who won…?

Huh? The timer ran out.

Aw, even Waver’s growing up.

One of the books says 零戦 (reisen) which apparently means “Zero Fighter [Plane]”. One of the sets of books says “William Shakespeare”, who I know is a Servant somewhere in the Fateverse.

The Bible verse is Job 19:25.

Lancelot’s head doesn’t disappear when the rest of him fades away…It’s pretty poignant.

Jubstacheit is the head of the Einzberns. Update: Think I had to google that.

“Becoming a hero has an expiration date.” – As much as I know that in my creative heart to not be true, my adult heart says yes, it’s true.

Welp, that’s the end of one series. Time for another.

#Fate/Zero

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siverwrites · 5 years

Text

Press Start Letter

AO3: Siver

There are some pretty big groups here, so I’ll try to keep things short. Prompts are just possible starters. As long as the DNWs are avoided it’s all good! Really can’t go wrong taking anything from my Likes list. A lot of found family vibes happening in this batch so anything in that vein in particular is great.

All requests are for fic or art. Art: Interactions of some sort: emoting at each other, talking, sharing some activity, taking a walk, hugs are always welcome, soft things, whatever suits the pair/group

Likes: fluff, hurt/comfort, comfort, missing scenes, friendships, long-term friendships, close relationships of any sort whether romantic or platonic, familial bonds, found family, sickfic, AUs, fandom crossovers or fusions, angst with a happy end, bonding, cuddling/hugs/holding, banter, mutual care and support, emotional bonding, loyalty, pre-canon, post-canon, reuniting, slice of life

DNW: NSFW, non-con, dub-con, underage relationships, unrequested ships, infidelity

Ghost Trick

I love this game, its characters and pretty much everything about it, so whatever you want to do will be great I am sure. New timeline mysteries and missing memories are always welcome where it makes sense. Alternate timelines and what-ifs are cool to explore. Fluff, comfort, family found or otherwise and friendships are always a go. Any combination of these characters is more than welcome too!

Alma & Emma: Friends! Mom-friends? Knew each other before the girls were born? Is Alma Emma’s beta-reader?Is a certain detective husband merely a great inspiration and Alma is endlessly amused?

Alma & Sissel: That cat is Strange shenanigans. Alternatively Alma knows and teamup times of any sort! Or just some good old comfy cat times

Cabanela & Jowd: Close friends (or more), partners. Determination and loyalty. Really can’t go wrong with anything and these two. Case fic? Just time spent together? Mutual insufferability? Nothing like it!

Cabanela & Kamila: Best weird cool uncle! Best cool niece (whether kids are a what do situation for Cabs or not). How do they spend time together? How does he spoil her rotten?

Cabanela & Missile: Loyalty to the max--of course they get along. Anything cute/fun for these is welcome. Dog snuggles! Dance lessons! Rookie Detective Missile is on the case bark bark!

Cabanela & Pigeon Man: I’m always down for anything during the year they worked together. Alternatively what the heck might pull them together in post-game?

Cabanela/Jowd: No infidelity please. So, this could be a no-reset scenario, something during the game events–ch.9 and ch.15 stuff is always great. Or on a less angsty route, it is the ot3 or some kind of happy V. but Alma’s simply not involved if they’re at work, she’s at work, or a trip or she’s on a trip, etc, so the focus is on their end. Fluff, bonding, banter, travel, domestic stuff, on-the-job antics either at the station or out on a case.

Cabanela/Jowd/Alma: Post-game. All the polyamory fluff! Domestic fluff, travel fluff, vacation fluff, road trip, picnics, beach trips, train trip? etc. Go for a date whatever a date might entail for these three. Hugs, snuggles, and love. Light angst is fine too, as long as they get a happy end.

Jowd & Lynne & Memry: Detective group/mentor shenanigans. Likely chicken.

Jowd & Pigeon Man: Old friends. Anything from their past working together, or new timeline working together! Jowd’s gotten strange. There’s a meteorite. PM is intrigued.

Jowd & Sissel: Detective and Ghost Cat. Working together!

Kamila & Amelie: Anything friendship is good. Current ages or future fic/art when they’re older!

Lynne & Memry, Lynne/Memry: The Odd Girls working together drawing all the oddest cases!

Pigeon Man & Blue Doctor: Who is the Blue Doctor. How long has he been around? How might they meet and what do think of each other?

Rindge & Lynne & Memry: Odd Girls + trying-to-be-normal Rindge in an odd world. Contrasts! Clashing ways of working that manage to work!

Sissel & Missile & Lovey-Dove: The animals just hanging out doing animal things. The animals getting on a mission of their own?

Cabanela: Anything Cabanela being his sparkly determined Cabanela self. Something during his five years goal? Day to day life? A hobby? Post-game fun times? Just. Cabanela.

Crossover settings are cool too. Some other settings that I like born of Discord Talks:

FFVI: Half esper Sissel? Magic infused Cabanela with the Empire working in secret? Jowd suplexing a train? Returner Lynne somewhere back there? General Final Fantasy VI shenanigans with these characters. World of Balance? Reunions in the World of Ruin? Opera Cabanela. More info here https://archiveofourown.org/series/1169099 or here: https://archiveofourown.org/series/1196335 or here: https://archiveofourown.org/works/16407494

Ivalice: Viera Cabanela! Nu Mou (Tactics Nu Mou specifically) Jowd and family! Anything here. I am more familiar with Tactics versions but anything goes. Fluff? Intrigue? Mist frenzied Cabanela and after effects–maybe the first time Jowd’s seen this happen, and particularly startling from the usually controlled Cabanela who relies more on magic?

FFX: Summoner Jowd, devoted guardian Cabanela who hates this whole process, but isn’t about to leave Jowd. Something during the journey? Something with Yunalesca? Even shortly after it’s all over but they have this new world and old scars to contend with?

Crystal Chronicles: No idea what races they’d be but if there’s something fun to be had here, fly at it. Lilty Jowd? Yuke Cabanela (got that tall bird thing going)? Something more fitting? Something something miasma, something crystals. A moment in their caravan journey?

Trails Series: The cast in Zemuria! Dominion Cabanela undercover in Arc-en-Ciel. What might his stigma be? Knight Alma of the Gralsritter assigned with Cabanela. Crossbell Chief of Police of Jowd separated from Alma some years previously to some disaster (like the manifestation of Cabanela’s stigma) and doesn’t know the other two are alive, along with his daughter Kamila who’s learning all she can about orbal tech. Reuniting! Hermit Pigeon Man orbal scientist and contact for Jowd? Is Lynne a Detective under Jowd or a Bracer? What of Memry? Other ideas entirely!

Trails in the Sky | Sora no Kiseki

Anything in any of the three Sky games or something in between them. Missing scenes, scene extensions, travel along the roads, airship travel times, etc. Ample opportunity for anything in the Garden in 3rd. I love these characters, their world, their relationships or potential for.

Estelle Bright & Cassius Bright: Any kind of father-daughter bonding time. Pre-FC, post-SC before she and Joshua set off, post-return to Liberl, anywhere something can fit really.

Estelle Bright & Olivier Lenheim | Olivert Reise Arnor: Estelle is perpetually and understandably exasperated with him, but what about a quieter moment? Parting ways after SC, or some encouragement at some point during SC for Estelle, or Estelle catching Olivier in an off moment (example: like their talk about the dreams from Luciola).

Estelle Bright & Tita Russell: Sisters! Anything showing a sisterly bond is great.

Julia Schwarz & Mueller Vander: They share the same role with drastically different charges. Relate to one another in some respects? Do some training? Commiserate? Encourage through some similar worries for Kloe and Olivier respectively?

Kevin Graham & Ries Argent: Kevin is a dumbass and is lucky Ries is patient for this self-deprecating fool. More seriously anything about their relationship is good during 3rd or post-3rd (nothing that could spoil Cold Steel III or IV please)

Olivier Lenheim | Olivert Reise Arnor: Just Olivier being Olivier during his Liberl travels either when he’s alone or while he’s with the group, whether it’s outrageous Olivier or quiet time Olivier with a hell of a long road ahead of him on this battle he’s chosen.

Kloe Rinz & Julia Schwarz: Beyond their bond as knight and princess I think they love each other platonically. Sisterly? Something showing their close bond. Helping each other out? Julia protects Kloe but Kloe protects her back in turn? Talks of duty but also personal wants?

The Legend of Heroes VII | Zero/Ao no Kiseki

These games hit my found family buttons hard. Anything portraying some kind of relationship among these characters is awesome. Any combination of these characters is more than welcome too!

Elie MacDowell: Explore Elie’s thoughts and feelings on everything that’s happening in Crossbell. What about her personal feelings on the Croises and betrayed by Mariabell? Her feelings on her own standing and what she wants?

Cecil Neues & Ilya Platiere: They’re an odd friendship and both married to their work but they make it work. Anything exploring their friendship or the time while Ilya was hospitalized--hard on both of them in different ways.

Elie MacDowell & Tio Plato & KeA: Girl’s day out! Aidios knows they could use one. Some kind of Mishy involvement is a bonus (or a necessity in Tio’s eyes).

Lloyd Bannings & KeA: Lloyd is the daddest of dads. Lloyd and KeA time of any sort is good.

Lloyd Bannings & Randy Orlando: They’ve both lost family but they can be brothers for each other. Supporting each other

Randy Orlando & Tio Plato: Big brother Randy and little sister Tio? They both lost their childhoods. Something to relate on?

Rixia Mao/Ilya Platiere: While Ilya clearly cares for Rixia, Rixia’s love may be one-sided (for the time being at least, perhaps more in the future?). Rixia’s thoughts and fears while Ilya is hospitalized. Once awake, Ilya’s concerns for what Rixia really wants and her place--she belongs with Arc-en-Ciel and they both know it

Sergei Lou & Alex Dudley: Past working together or connections in current time. Wildly different personalities but Dudley still listens to Sergei. Anything exploring their working relationship, or anything exploring them off the job on break.

Sergei Lou & KeA: Grumpy uncle Sergei cannot resist the charms of KeA. Anything familial (possibly despite himself) between these two.

Shizuku MacLaine & KeA: Let these kids be happy. Give them a good time together.

Wazy Hemisphere & Noel Seeker: The temporary SSS members, outliers that never quite fit the same as our core four. They’re completely different in personality but how might they connect at least for a little while?

Randy Orlando: Always interested in anything exploring Randy’s struggles with home and family and where his place is (the night he runs away included!). He belongs with SSS but it’s hard for him to see. Also appreciate how casino owner Drake looks out for him. He’s cared for even if he can’t always see it!

Trails of Cold Steel | Sen no Kiseki

Following the theme of these games, bonds! Old bonds, new bonds, forming bonds!

Elliot Craig & Fie Claussell: They don’t get much interaction in-game all told, but I have a special soft spot for a budding friendship between them. School days activities or something during the month they (and Machias) spent in the Celdic area between CS I and II?

Fie Clausell & Instructor Beatrix: Fie finding comfort in Beatrix’s presence. Beatrix looking out for her.

Olivier Lenheim | Olivert Reise Arnor & Alfin Reise Arnor & Mueller Vander: Olivier is Too Much. Alfin is Too Much. What is a Mueller to do when he’s got both of them around?

Olivier Lenheim | Olivert Reise Arnor & Alfin Reise Arnor: Alfin is very much Olivier’s sister. Little sister and big brother shenanigans! Or maybe something welcoming him back to Erebonia?

Olivier Lenheim | Olivert Reise Arnor & Mueller Vander, Olivier Lenheim | Olivert Reise Arnor/Mueller Vande: Gen or romance slant. I’m good with either or one with shades of the other. I enjoy Mueller and Olivier’s closeness and how they contrast each other. Olivier’s more eccentric and flamboyant nature, but also his more serious side. And Mueller’s regular exasperation with him, but also his care for him. Being there for each other. I’m fond of the little things like how Mueller always calls him Olivier even in Erebonia when Olivert’s identity is known and public. Heimdallr fun or trouble (Olivier…). Planning against Osborne. Look after a tired Olivert? Something during the civil war when they’re in the west?

Principal Vandyck & Instructor Beatrix: Both are more than they appear. I loved the Instructor teamup in the last part of CS I and these two have a history. Explore their connection, or reminiscing. Would also be interested in their activities during Trista’s occupation.

Towa Herschel & George Nome & Angelica Rogner: Anything exploring their friendship, or perhaps something during their time as the proto Class VII or their memories of that time in comparison (or contrast) to the new Class VII?

Mueller Vander & Elise Schwarzer: Elise is sliding into a similar role for Alfin as Mueller for Olivier. Maybe he can give her some advice? Or the two stand by while their respective charges/friends are <vague gesture> That. One way or another the siblings are a handful and Mueller and Elise know it (and if forced into honesty wouldn’t have it any other way).

Pyre

Another case of give me all the found family joys. Daily activities while they travel? Post Peaceful revolution activities? (Note: I’m good with any of the _ae options for Vagabond girl for naming purposes)

Big Bertrude & Volfred Sandalwood: I adore their close friendship and that it came about from Bertrude’s unrequited love, but it’s okay, better than okay! Anything between them in their history, or during the Nightwings travels or post revolution would be great.

Big Bertrude & Sir Gilman: Big snakes and little snake. Grump and enthusiast. Awkward mutual (grudging?) respect?

Jodariel & Sir Gilman: Contrasts in everything from personality to size. Something exploring that would be great

Tariq | The Lone Minstrel & Big Bertrude: We don’t see a lot of interaction between them. How do they get along? What stories might they share? An appreciation for music or something to tolerate? What does a day in the blackwagon look like between them?

Tariq | The Lone Minstrel & Sir Gilman: The Moon and the Wyrm. Music and Knighting. Just these two interacting somehow

Vagabond Girl & Jodariel: Jodariel going mom-mode on _ae? Or just a big hug? _ae being far more enthusiastic than Jodi is used to these days?

Vagabond Girl & Sir Gilman: So much energy!

Volfred Sandalwood & Sandra: So much potential for interaction as a reader. And snark. And an unimpressed Sandra. But on some things they can maybe agree...

Volfred Sandalwood/Tariq | The Lone Minstrel: Something gentle for the tree and the moon who somehow fell for him, any time period

Ti'Zo: Imp doing imp things. Anything Ti’zo will make me happy

FFVI

All that travelling time is ripe for more interaction or character exploration. Equally interested in what they might be doing after the world is saved too.

Cayenne Garamonde | Cyan Garamonde (FFVI): Where does Cyan go when the world is saved? What is a new home for Cyan? Alternatively a look at Cyan’s time during the year between the World of Balance and the World of Ruin

Celes Chere (FFVI): Opera Celes! Celes time away from the party after Vector. Celes after the world is saved--what does she do, where does she go?

Edgar Roni Figaro & Setzer Gabbiani: King and Engineer in a mechanical moving castle? Pilot of the only airship? They could have some great talks. Maybe some proposed airship upgrades?

Thank you for anything you do!

#press start #press start 2019 #letter

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