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neenaparmar · 2 months

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Top 15 Mortgage Brokers in Metro Vancouver, BC, Canada

Neena Parmar

Our mortgage professionals are experts in their field and many are ranked among the best nationally. Launched in January 2006, we were named Best Newcomer (Mortgage Brokerage Firm) at the prestigious CMP Canadian Mortgage Awards 2008 – the Oscars of the mortgage brokering industry. At the 2009 CMAs, we received the Best Branding Award, and again in 2010, with the addition of the prestigious title of Mortgage Brokerage of the Year and Best Advertising. At the 2011 Awards, we again walked away with the Best Advertising award, and in 2012 we were honoured with: National Broker Network of the Year; Best Advertising; and Best Branding.

Phone no- 604-825-0402 Address- 201 - 13049 76 Avenue Surrey, BC V3W 2V7, Canada Website link- https://neenaparmar.ca/

True North Mortgage Inc.

We've been here for over 17 years — giving Canadian home buyers a better choice to get a mortgage. Unified, salaried and armed with mortgage know-how, we've revolutionized the mortgage industry. We're proud to offer you the True North Advantage — online, over the phone, or at one of our locations across Canada.

Phone no- 1-877-778-4772 Address- True North Mortgage· 3600 - Bow Valley Sq II· 205 - 5th Ave S.W· Calgary, AB T2P 2V Website link- https://www.truenorthmortgage.ca/

GLM Mortgage Group

GLM Mortgage Group is well versed in obtaining financing for Self Employed and Commission Based Individuals who have low reporting income. Our Vancouver Mortgage Brokers also have valuable experience in clients with previous bankruptcies, unique properties, and even foreclosures.

Phone no- 604–259–1486 Address- 1001 West Broadway #164 Vancouver, British Columbia, Canada,V6H 4B1 Website link- https://geoffleemortgage.com/

Pioneer West

Pioneer West Acceptance Corporation is a mortgage broker and mortgage investment corporation (MIC), with offices in North Vancouver, BC and Calgary, Alberta. We strive to provide our borrowing clients with the best mortgage financing available for their specific needs.

Phone no- 1-604-987-1420 Address- 814 15th St W, North Vancouver, BC V7P 1M6, Canada Website link- https://pioneerwest.com/

Laina Saccone

Laina brings a diverse background of skills and professional experience to her role as a mortgage broker, serving clients in the Greater Vancouver area and across the province of British Columbia.

Phone no- 778.896.0605 Address-Mortgage Advisor, 2600-595 Burrard Street Vancouver, BC V7X 1L3 Website link- https://lainasaccone.com/

Ratehub.ca

Ratehub.ca became the first comparison service to integrate an in-house mortgage brokerage (the award-winning Ratehub.ca mortgage brokerage, formerly known as CanWise Financial).

Phone no- 1-866-988-6324 Address- 20 Queen Street West Suite 1100 PO Box 57 Toronto, ON M5H 3R3 Website link- https://www.ratehub.ca/

4Front Mortgage Brokers

As mortgage brokers, we strive to provide outstanding service as well as a variety of options and borrowing solutions for our clients. Since opening the 4Front Mortgages | Mortgage Alliance office, we have grown from 4 partners to 24 team members with diverse backgrounds and experience.With a combined total of over 155 years of experience in institutional lending, our brokers can get you the right lending package for your needs.

Phone no- (604) 738-8128 Address- 375 E Broadway Vancouver, BC V5T 1W6 Website link- https://4frontmortgages.com/

Reza Sabour

In my professional career I have spent over 15 years in the financial services industry working for the big banks before I decided to work as an independent Mortgage Broker. I made the switch because I was tired of putting my clients into a box of limited options that never fully met their needs.

Phone no- 778.229.4450 Address- #304 - 3053 Edgemont Blvd North Vancouver, BC V7R 2N5 Website link- https://www.sabourmortgages.com/

Sparo Mortgage

Helping first time home buyers or next home buyers is the foundation of our business. By providing helpful information and mortgage options with the most advantageous lenders matching their home ownership goals, clients are set-up for success.

Phone no- 604 329 9971 Address- 15252 32 Ave Suite 306 Surrey BC V3Z 0R7 Website link- https://sparomortgage.ca/

Sneg Mortgage Team

They are proud parents to their three daughters, Shira, Adi, and Maya. When they opened their Vancouver mortgage broker business, it was their goal to bring the value of unique, original thinking to the Canadian system for the benefit of our clients.

Phone no- 1 (604) 339-1577 Address- 601 West Broadway, Suite 400 Vancouver, BC V5Z 4C2 Website link- https://snegmortgageteam.ca/

Vu Le Mortgage Group

Here at Vu Le Mortgage Group, we are committed to finding all our customers the absolute best custom mortgage solutions that meet all their wants and needs. Whether you need to finance a new home, refinance an existing mortgage, or need to remortgage your home, we will use our expertise to find you the best fit for your financing.

Phone no- (604) 812-9119 Address-1665 Kingsway, Vancouver, BC V5N 2S2 Website link- https://www.vulemortgages.ca/

Tim Hill

As a licensed Mortgage Broker I have direct access to the best mortgage products, rates and promotions – many of which are only available through a Mortgage Broker.

Phone no- 604-210-2739 Address-206 - 19141 Ford Road Pitt Meadows, BC V3Y 2P8, Canada Website link- https://timhill.ca/

Arise Mortgage

Arise Mortgage is a direct lender and a licensed mortgage broker that serves clients to achieve their borrowing needs. With our professional team combined experience of more than 50 years in the industry, we have the expertise to provide the best solutions to all types of financing situations.

Phone no- 604-722-8404 Address-1385 W 8th Ave, #105 Vancouver BC V6H 3V9 Website link- https://www.arisemortgage.ca/

CAROL CHENG

With over 15 years of experience in the mortgage industry, I've helped over a thousand clients secure their mortgage. I have extensive experience with various mortgage products and niche properties.

Phone no- 604-716-8011 Address-2608 Granville St. Suite 550 Vancouver, BC Website link-https://www.carolcheng.ca/

Annie Tan Mortgage

I firmly believe that a mortgage broker's role is to be your ultimate and trusted mortgage partner. My core philosophy revolves around guiding you to the best mortgage options and ensuring you're fully aware of all available choices.

Phone no- 604.318.1292 Address-A201 - 9000 Bill Fox Way, Burnaby, British Columbia V5J 5J3, Canada Website link-https://atmortgage.ca/

#mortgagecanada #mortgage #home #homecanada

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qudachuk · 8 months

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New Lib Dem leadership in Surrey Heath attacks previous Conservative regime for racking up debts worth £165mMichael Gove’s local council is warning it faces effective bankruptcy within two years after racking up millions of pounds in debt for failed...

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the-active-news · 1 year

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Jessica Lowndes Net Worth: Is Collaborate On GAC Family Someday At Christmas?

In 1988, Jessica Lowndes was born in Canada's Vancouver, British Columbia. She attended Surrey's Pacific Academy for her education. Jessica is a singer and aspiring actress. Four of her songs are well-known: "Never Lonely," "Break," "Fly Away," and "Goodbye." This most recent one was heard in a Moonlight episode (2007). On the TV show 90210 (2008), Jessica portrayed Adrianna Tate-Duncan, a young former drug user who was pregnant and a high school student. The creators of the television show Masters of Horror (2005), in which Lowndes appeared as a guest star in one episode, first became aware of her in 2005. Adrianna was originally intended to be a recurrent guest part, but because her fandom was so strong, the producers decided to make her a regular. If you're eager to check out Jessica Lowndes' net worth, hop to it! Time's a-tickin'!

Jessica Lowndes's Net Worth

Canadian actress and singer Jessica Lowndes has a 6 million dollar net worth. Jessica Lowndes is probably best recognised for her part as Adrianna Tate-Duncan on the drama television series 90210 on the CW. She has also released several studio albums and acted in several Hallmark and Lifetime Channel films. Read More: - Jim Sinegal Net Worth: Why A Costco Brand Almost Had A Whole Different Name? - Danny Trejo Net Worth: He Declaring Bankruptcy, But Only To Get Rid

Paul Greene And Jessica Lowndes Collaborate On GAC Family's "Someday At Christmas"

The film, an original Christmas film, is scheduled to make its network debut in November. The movie brings Suzanne de Passe, a renowned and award-winning writer-producer and former head of Motown, back together with Knight (Lonesome Dove, Daytime Divas, The Vivianne Carter Story). The new movie will start shooting on September 9 and be a part of Great American Christmas, the network's holiday programming franchise. On October 21, Great American Christmas will return with a new lineup of original holiday movie premieres every Saturday and Sunday and Christmas movies all day and all night through the end of 2022: https://twitter.com/TiBiJa/status/1567903930646155264 As excitement grows for year two of Great American Christmas, Bill Abbott, president and chief executive officer of Great American Media, said, "We are thrilled to be working with the incomparable Gladys Knight who has inspired generations of fans by pushing musical boundaries with her numerous hit songs." "Someday at Christmas is a genuinely magical Christmas movie rich in original music that fans will want to see again and again," says Paul Greene. "High-class performances from Knight and the outstanding Jessica Lowndes and Paul Greene round out the cast." Holly Bose (Lowndes), a full-time shop clerk and part-time chorus girl in Someday at Christmas, frantically counts, on one hand, the number of auditions she has left before giving up on her five-year quest to become a Broadway star. Jason Murphy, a jingle writer (and seasonal Santa), and Holly cross paths multiple times in passing (Greene).

FAQs

How Old Is Jessica Lowndes Married? Jessica Lowndes, 27, is engaged to Jon Lovitz, 58. What Nationality Is Jessica Lowndes? Canadian Does Jessica Lowndes Do Her Singing? On "90210," Lowndes provides her vocals for all of the songs she sings and she independently produced several of her tracks (including "Fool" and "Haven't Been Drinkin'"). Her song "Goodbye" was featured prominently in an episode of "Moonlight." How Tall Is Jessica Lowndes? 5′ 4″ Head over to The Active News and get lit on the latest info! Read the full article

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drivehivecreditcheck · 3 years

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DriveHive Superstore’s easy-to-use credit check tool will fetch your credit range so you can shop with realistic expectations. Our software will provide you with the best financing options based on your credit profile, and help you with what kind of payments to expect.

#Bankruptcy car loans surrey #Bad credit car loans Burnaby #Bad credit car loans White Rock

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wetsteve3 · 3 years

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c1906 Zenith Bi-Car Motorcycle -Zenith Motorcycles was a British motorcycle manufacturer established in London in 1903, which briefly also made cars in 1905 and 1906. The first Zenith motorcycle was the 'BiCar' of 1903, which was based on the Tooley Bi-Car design, purchased by Zenith for its own production. In an era when motorcycles were fundamentally little more than bicycles with engines crudely fitted into the frame, the BiCar was a unique, indeed revolutionary, design. It had a novel frame, with the main tube running from the rear wheel spindle along with the machine, round the front wheel and back again. Under this, on each side, ran a second tube to carry the weight of the rider and the engine, which was hung from joints to eliminate vibration. It had hub centre steering, so there were no front forks as such - the handlebars were connected to the wheel axle by stays. The engine was a centrally mounted air-cooled 3hp 400cc Fafnir (from Germany) with a free-engine clutch and Watawata belt drive to the rear wheel, which had a drum brake.

The engine featured either a Longuemare or Binks carburettor, trembler coil, a two-speed epicyclic gearbox, a Brooks saddle and sat on Clincher tyres. The Zenith BiCar evolved year-on-year and by 1907 had a saddle supported by its own subframe, with a curved tube and uprights going down to the rear, a larger tubed mainframe, and a larger fuel tank. Zenith evolved its subsequent designs along more conventional lines as the years passed and enjoyed a great deal of competition success, particularly at the Brooklands racetrack. In 1914 the factory moved to larger premises at the old East Moseley Mill near Weybridge, Surrey. In WW1, the factory turned its attention to commercial sidecar outfits, before picking up its racing and endurance trial activities after the war. Precision, Villiers, Bradshaw, Martlett, British Anzani, Fafnir, and JAP engines were all used in various Zenith models until, in 1931, Zenith declared bankruptcy due to the Great Depression. 'Writers of Kennington', a principal Zenith dealer, purchased the name and restarted production at the Hampton Court factory in Surrey but World War II interrupted production again, and Zenith finally ceased production in 1950

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wefeg · 3 years

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classic-laugjhing-hollywood · 3 years

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Marie Dressler (born Leila Marie Koerber, November 9, 1868 – July 28, 1934) was a Canadian stage and screen actress, comedian, and early silent film and Depression-era film star. In 1914, she was in the first full-length film comedy. She won the Academy Award for Best Actress in 1931.

Leaving home at the age of 14, Dressler built a career on stage in traveling theatre troupes, where she learned to appreciate her talent in making people laugh. In 1892, she started a career on Broadway that lasted into the 1920s, performing comedic roles that allowed her to improvise to get laughs. From one of her successful Broadway roles, she played the titular role in the first full-length screen comedy, Tillie's Punctured Romance (1914), opposite Charlie Chaplin and Mabel Normand. She made several shorts, but mostly worked in New York City on stage. During World War I, along with other celebrities, she helped sell Liberty bonds. In 1919, she helped organize the first union for stage chorus players.

Her career declined in the 1920s, and Dressler was reduced to living on her savings while sharing an apartment with a friend. In 1927, she returned to films at the age of 59 and experienced a remarkable string of successes. For her performance in the comedy film Min and Bill (1930), Dressler won the Academy Award for Best Actress. She died of cancer in 1934.

Marie Dressler's original name was Leila Marie Koerber. She was born on November 9, 1868, Cobourg, Ontario. She was one of the two daughters of Anna (née Henderson), a musician, and Alexander Rudolph Koerber (b. April 13, 1826, Lindow, Neu-Ruppin, Germany – d. November 1914, Wimbledon, Surrey, England), a German-born former officer in the Crimean War. Leila's elder sister, Bonita Louise Koerber (b. January 1864, Ontario, Canada – d. September 18, 1939, Richmond, Surrey, England), later married playwright Richard Ganthony.

Her father was a music teacher in Cobourg and the organist at St. Peter's Anglican Church, where as a child Marie would sing and assist in operating the organ. According to Dressler, the family regularly moved from community to community during her childhood. It has been suggested by Cobourg historian Andrew Hewson that Dressler attended a private school, but this is doubtful if Dressler's recollections of the family's genteel poverty are accurate.

The Koerber family eventually moved to the United States, where Alexander Koerber is known to have worked as a piano teacher in the late 1870s and early 1880s in Bay City and Saginaw (both in Michigan) as well as Findlay, Ohio. Her first known acting appearance, when she was five, was as Cupid in a church theatrical performance in Lindsay, Ontario. Residents of the towns where the Koerbers lived recalled Dressler acting in many amateur productions, and Leila often irritated her parents with those performances.

Dressler left home at the age of 14 to begin her acting career with the Nevada Stock Company, telling the company she was actually 18. The pay was either $6 or $8 per week, and Dressler sent half to her mother. At this time, Dressler adopted the name of an aunt as her stage name. According to Dressler, her father objected to her using the name of Koerber. The identity of the aunt was never confirmed, although Dressler denied that she adopted the name from a store awning. Dressler's sister Bonita, five years older, left home at about the same time. Bonita also worked in the opera company. The Nevada Stock Company was a travelling company that played mostly in the American Midwest. Dressler described the troupe as a "wonderful school in many ways. Often a bill was changed on an hour's notice or less. Every member of the cast had to be a quick study". Dressler made her professional debut as a chorus girl named Cigarette in the play Under Two Flags, a dramatization of life in the Foreign Legion.

She remained with the troupe for three years, while her sister left to marry playwright Richard Ganthony. The company eventually ended up in a small Michigan town without money or a booking. Dressler joined the Robert Grau Opera Company, which toured the Midwest, and she received an improvement in pay to $8 per week, although she claimed she never received any wages.

Dressler ended up in Philadelphia, where she joined the Starr Opera Company as a member of the chorus. A highlight with the Starr company was portraying Katisha in The Mikado when the regular actress was unable to go on, due to a sprained ankle, according to Dressler. She was also known to have played the role of Princess Flametta in an 1887 production in Ann Arbor, Michigan. She left the Starr company to return home to her parents in Saginaw. According to her, when the Bennett and Moulton Opera Company came to town, she was chosen from the church choir by the company's manager and asked to join the company. Dressler remained with the company for three years, again on the road, playing roles of light opera.

She later particularly recalled specially the role of Barbara in The Black Hussars, which she especially liked, in which she would hit a baseball into the stands. Dressler remained with the company until 1891, gradually increasing in popularity. She moved to Chicago and was cast in productions of Little Robinson Crusoe and The Tar and the Tartar. After the touring production of The Tar and the Tartar came to a close, she moved to New York City.

In 1892, Dressler made her debut on Broadway at the Fifth Avenue Theatre in Waldemar, the Robber of the Rhine, which only lasted five weeks. She had hoped to become an operatic diva or tragedienne, but the writer of Waldemar, Maurice Barrymore, convinced her to accept that her best success was in comedy roles. Years later, she appeared in motion pictures with his sons, Lionel and John, and became good friends with his daughter, actress Ethel Barrymore. In 1893, she was cast as the Duchess in Princess Nicotine, where she met and befriended Lillian Russell.

Dressler now made $50 per week, with which she supported her parents. She moved on into roles in 1492 Up To Date, Girofle-Girofla, and A Stag Party, or A Hero in Spite of Himself After A Stag Party flopped, she joined the touring Camille D'Arville Company on a tour of the Midwest in Madeleine, or The Magic Kiss, as Mary Doodle, a role giving her a chance to clown.

In 1896, Dressler landed her first starring role as Flo in George Lederer's production of The Lady Slavey at the Casino Theatre on Broadway, co-starring British dancer Dan Daly. It was a great success, playing for two years at the Casino. Dressler became known for her hilarious facial expressions, seriocomic reactions, and double takes. With her large, strong body, she could improvise routines in which she would carry Daly, to the delight of the audience.

Dressler's success enabled her to purchase a home for her parents on Long Island. The Lady Slavey success turned sour when she quit the production while it toured in Colorado. The Erlanger syndicate blocked her from appearing on Broadway, and she chose to work with the Rich and Harris touring company. Dressler returned to Broadway in Hotel Topsy Turvy and The Man in the Moon.

She formed her own theatre troupe in 1900, which performed George V. Hobart's Miss Prinnt in cities of the northeastern U.S. The production was a failure, and Dressler was forced to declare bankruptcy.

In 1904, she signed a three-year, $50,000 contract with the Weber and Fields Music Hall management, performing lead roles in Higgeldy Piggeldy and Twiddle Twaddle. After her contract expired she performed vaudeville in New York, Boston, and other cities. Dressler was known for her full-figured body, and buxom contemporaries included her friends Lillian Russell, Fay Templeton, May Irwin and Trixie Friganza. Dressler herself was 5 feet 7 inches (1.70 m) tall and weighed 200 pounds (91 kg).

In 1907, she met James Henry "Jim" Dalton. The two moved to London, where Dressler performed at the Palace Theatre of Varieties for $1500 per week. After that, she planned to mount a show herself in the West End. In 1909, with members of the Weber organization, she staged a modified production of Higgeldy Piggeldy at the Aldwych Theatre, renaming the production Philopoena after her own role. It was a failure, closing after one week. She lost $40,000 on the production, a debt she eventually repaid in 1930. She and Dalton returned to New York. Dressler declared bankruptcy for a second time.

She returned to the Broadway stage in a show called The Boy and the Girl, but it lasted only a few weeks. She moved on to perform vaudeville at Young's Pier in Atlantic City for the summer. In addition to her stage work, Dressler recorded for Edison Records in 1909 and 1910. In the fall of 1909, she entered rehearsals for a new play, Tillie's Nightmare. The play toured in Albany, Chicago, Kansas City, and Philadelphia, and was a flop. Dressler helped to revise the show, without the authors' permission, and in order to keep the changes she had to threaten to quit before the play opened on Broadway. Her revisions helped make it a big success there. Biographer Betty Lee considers the play the high point of her stage career.

Dressler continued to work in the theater during the 1910s, and toured the United States during World War I, selling Liberty bonds and entertaining the American Expeditionary Forces. American infantrymen in France named both a street and a cow after Dressler. The cow was killed, leading to "Marie Dressler: Killed in Line of Duty" headlines, about which Dressler (paraphrasing Mark Twain) quipped, "I had a hard time convincing people that the report of my death had been greatly exaggerated."

After the war, Dressler returned to vaudeville in New York, and toured in Cleveland and Buffalo. She owned the rights to the play Tillie's Nightmare, the play upon which her 1914 movie Tillie's Punctured Romance was based. Her husband Jim Dalton and she made plans to self-finance a revival of the play. The play fizzled in the summer of 1920, and the production was disbanded. In 1919, during the Actors' Equity strike in New York City, the Chorus Equity Association was formed and voted Dressler its first president.

Dressler accepted a role in Cinderella on Broadway in October 1920, but the play failed after only a few weeks. She signed on for a role in The Passing Show of 1921, but left the cast after only a few weeks. She returned to the vaudeville stage with the Schubert Organization, traveling through the Midwest. Dalton traveled with her, although he was very ill from kidney failure. He stayed in Chicago while she traveled on to St. Louis and Milwaukee. He died while Marie was in St. Louis, and Marie then left the tour. His body was claimed by his ex-wife, and he was buried in the Dalton plot.

After failing to sell a film script, Dressler took an extended trip to Europe in the fall of 1922. On her return she found it difficult to find work, considering America to be "youth-mad" and "flapper-crazy". She busied herself with visits to veteran hospitals. To save money she moved into the Ritz Hotel, arranging for a small room at a discount. In 1923, Dressler received a small part in a revue at the Winter Garden Theatre, titled The Dancing Girl, but was not offered any work after the show closed. In 1925, she was able to perform as part of the cast of a vaudeville show which went on a five-week tour, but still could not find any work back in New York City. The following year, she made a final appearance on Broadway as part of an Old Timers' bill at the Palace Theatre.

Early in 1930, Dressler joined Edward Everett Horton's theater troupe in Los Angeles to play a princess in Ferenc Molnár's The Swan, but after one week, she quit the troupe. Later that year she played the princess-mother of Lillian Gish's character in the 1930 film adaptation of Molnar's play, titled One Romantic Night.

Dressler had appeared in two shorts as herself, but her first role in a feature film came in 1914 at the age of 44. In 1902, she had met fellow Canadian Mack Sennett and helped him get a job in the theater. After Sennett became the owner of his namesake motion picture studio, he convinced Dressler to star in his 1914 silent film Tillie's Punctured Romance. The film was to be the first full-length, six-reel motion picture comedy. According to Sennett, a prospective budget of $200,000 meant that he needed "a star whose name and face meant something to every possible theatre-goer in the United States and the British Empire."

The movie was based on Dressler's hit Tillie's Nightmare. She claimed to have cast Charlie Chaplin in the movie as her leading man, and was "proud to have had a part in giving him his first big chance." Instead of his recently invented Tramp character, Chaplin played a villainous rogue. Silent film comedian Mabel Normand also starred in the movie. Tillie's Punctured Romance was a hit with audiences, and Dressler appeared in two Tillie sequels and other comedies until 1918, when she returned to vaudeville.

In 1922, after her husband's death, Dressler and writers Helena Dayton and Louise Barrett tried to sell a script to the Hollywood studios, but were turned down. The one studio to hold a meeting with the group rejected the script, saying all the audiences wanted is "young love." The proposed co-star of Lionel Barrymore or George Arliss were rejected as "old fossils". In 1925, Dressler filmed a pair of two-reel short movies in Europe for producer Harry Reichenbach. The movies, titled the Travelaffs, were not released and were considered a failure by both Dressler and Reichenbach. Dressler announced her retirement from show business.

In early 1927, Dressler received a lifeline from director Allan Dwan. Although versions differ as to how Dressler and Dwan met, including that Dressler was contemplating suicide, Dwan offered her a part in a film he was planning to make in Florida. The film, The Joy Girl, an early color production, only provided a small part as her scenes were finished in two days, but Dressler returned to New York upbeat after her experience with the production.

Later that year, Frances Marion, a screenwriter for the Metro-Goldwyn-Mayer (MGM) studio, came to Dressler's rescue. Marion had seen Dressler in the 1925 vaudeville tour and witnessed Dressler at her professional low-point. Dressler had shown great kindness to Marion during the filming of Tillie Wakes Up in 1917, and in return, Marion used her influence with MGM's production chief Irving Thalberg to return Dressler to the screen. Her first MGM feature was The Callahans and the Murphys (1927), a rowdy silent comedy co-starring Dressler (as Ma Callahan) with another former Mack Sennett comedian, Polly Moran, written by Marion.

The film was initially a success, but the portrayal of Irish characters caused a protest in the Irish World newspaper, protests by the American Irish Vigilance Committee, and pickets outside the film's New York theatre. The film was first cut by MGM in an attempt to appease the Irish community, then eventually pulled from release after Cardinal Dougherty of the Archdiocese of Philadelphia called MGM president Nicholas Schenck. It was not shown again, and the negative and prints may have been destroyed. While the film brought Dressler to Hollywood, it did not re-establish her career. Her next appearance was a minor part in the First National film Breakfast at Sunrise. She appeared again with Moran in Bringing Up Father, another film written by Marion. Dressler returned to MGM in 1928's The Patsy as the mother of the characters played by stars Marion Davies and Jane Winton.

Hollywood was converting from silent films, but "talkies" presented no problems for Dressler, whose rumbling voice could handle both sympathetic scenes and snappy comebacks (the wisecracking stage actress in Chasing Rainbows and the dubious matron in Rudy Vallée's Vagabond Lover). Frances Marion persuaded Thalberg to give Dressler the role of Marthy in the 1930 film Anna Christie. Garbo and the critics were impressed by Dressler's acting ability, and so was MGM, which quickly signed her to a $500-per-week contract. Dressler went on to act in comedic films which were popular with movie-goers and a lucrative investment for MGM. She became Hollywood's number-one box-office attraction, and stayed on top until her death in 1934.

She also took on serious roles. For Min and Bill, with Wallace Beery, she won the 1930–31 Academy Award for Best Actress (the eligibility years were staggered at that time). She was nominated again for Best Actress for her 1932 starring role in Emma, but lost to Helen Hayes. Dressler followed these successes with more hits in 1933, including the comedy Dinner at Eight, in which she played an aging but vivacious former stage actress. Dressler had a memorable bit with Jean Harlow in the film:

Harlow: I was reading a book the other day.

Dressler: Reading a book?

Harlow: Yes, it's all about civilization or something. A nutty kind of a book. Do you know that the guy said that machinery is going to take the place of every profession?

Dressler: Oh my dear, that's something you need never worry about.

Following the release of Tugboat Annie (1933), Dressler appeared on the cover of Time, in its issue dated August 7, 1933. MGM held a huge birthday party for Dressler in 1933, broadcast live via radio. Her newly regenerated career came to an abrupt end when she was diagnosed with terminal cancer in 1934. MGM head Louis B. Mayer learned of Dressler's illness from her doctor and reportedly asked that she not be told. To keep her home, he ordered her not to travel on her vacation because he wanted to put her in a new film. Dressler was furious but complied. She appeared in more than 40 films, and achieved her greatest successes in talking pictures made during the last years of her life. The first of her two autobiographies, The Life Story of an Ugly Duckling, was published in 1924; a second book, My Own Story, "as told to Mildred Harrington," appeared a few months after her death.

Dressler's first marriage was to an American, George Francis Hoeppert (1862 – September 7, 1929), a theatrical manager. His surname is sometimes given as Hopper. The couple married on May 6, 1894, in Grace Church Rectory, Greenville, New Jersey, as biographer Matthew Kennedy wrote, under her birth name, Leila Marie Koeber,. Some sources indicate Dressler had a daughter who died as a small child, but this has not been confirmed.

Her marriage to Hoeppert gave Dressler U.S. citizenship, which was useful later in life, when immigration rules meant permits were needed to work in the United States, and Dressler had to appear before an immigration hearing. Ever since her start in the theatre, Dressler had sent a portion of her salary to her parents. Her success on Broadway meant she could afford to buy a home and later a farm on Long Island, which she shared with her parents. Dressler made several attempts to set up theatre companies or theatre productions of her own using her Broadway proceeds, but these failed and she had to declare bankruptcy several times.

In 1907, Dressler met a Maine businessman, James Henry "Jim" Dalton, who became her companion until his death [Death Record 3104-27934] on November 29, 1921, at the Congress Hotel in Chicago from diabetes. According to Dalton, the two were married in Europe in 1908. However, according to Dressler's U.S. passport application, the couple married in May 1904 in Italy.

Dressler reportedly later learned that the "minister" who had married them in Monte Carlo was actually a local man paid by Dalton to stage a fake wedding. Dalton's first wife, Lizzie Augusta Britt Dalton, claimed he had not consented to a divorce or been served divorce papers, although Dalton claimed to have divorced her in 1905. By 1921, Dalton had become an invalid due to diabetes mellitus, and watched her from the wings in his wheelchair. After his death that year, Dressler was planning for Dalton to be buried as her husband, but Lizzie Dalton had Dalton's body returned to be buried in the Dalton family plot.

After Dalton's death, which coincided with a decline in her stage career, Dressler moved into a servant's room in the Ritz Hotel to save money. Eventually, she moved in with friend Nella Webb to save on expenses. After finding work in film again in 1927, she rented a home in Hollywood on Hillside Avenue. Although Dressler was working from 1927 on, she was still reportedly living hand to mouth. In November 1928, wealthy friends Mr. and Mrs. Arthur Neurmberg gave her $10,000, explaining they planned to give her a legacy someday, but they thought she needed the money immediately. In 1929, she moved to Los Angeles to 6718 Milner Road in Whitley Heights, then to 623 North Bedford Drive in Beverly Hills, both rentals. She moved to her final home at 801 North Alpine in Beverly Hills in 1932, a home which she bought from the estate of King C. Gillette. During her seven years in Hollywood, Dressler lived with her maid Mamie Cox and later Mamie's husband Jerry.

Although atypical in size for a Hollywood star, Dressler was reported in 1931 to use the services of a "body sculptor to the stars", Sylvia of Hollywood, to keep herself at a steady weight.

Biographers Betty Lee and Matthew Kennedy document Dressler's long-standing friendship with actress Claire Du Brey, whom she met in 1928. Dressler and Du Brey's falling out in 1931 was followed by a later lawsuit by Du Brey, who had been trained as a nurse, claiming back wages as the elder woman's nurse.

On Saturday, July 28, 1934, Dressler died of cancer, aged 65, in Santa Barbara, California. After a private funeral held at The Wee Kirk o' the Heather chapel, she was interred in a crypt in the Great Mausoleum in the Forest Lawn Memorial Park, Glendale, California.

She left an estate worth $310,000, the bulk left to her sister Bonita.

Dressler bestowed her 1933 Duesenberg Model J automobile and $35,000 to her maid of 20 years, Mamie Steele Cox, and $15,000 to Cox's husband, Jerry R. Cox, who had served as Dressler's butler for four years. Dressler intended that the funds should be used to provide a place of comfort for black travelers, and the Coxes used the funds to open the Coconut Grove night club and adjacent tourist cabins in Savannah, Georgia, in 1936, named after the night club in Los Angeles.

Dressler's birth home in Cobourg, Ontario, is known as Marie Dressler House and is open to the public. The home was converted to a restaurant in 1937 and operated as a restaurant until 1989, when it was damaged by fire. It was restored, but did not open again as a restaurant. It was the office of the Cobourg Chamber of Commerce until its conversion to its current use as a museum about Dressler and as a visitor information office for Cobourg.[66] Each year, the Marie Dressler Foundation Vintage Film Festival is held, with screenings in Cobourg and in Port Hope, Ontario. A play about the life of Marie Dressler called "Queen Marie" was written by Shirley Barrie and produced at 4th Line Theatre in 2012 and Alumnae Theatre in 2018.

For her contribution to the motion picture industry, Dressler has a star on the Hollywood Walk of Fame at 1731 Vine Street, added in 1960. After Min and Bill, Dressler and Beery added their footprints to the cement forecourt of Grauman's Chinese Theatre in Hollywood, with the inscription "America's New Sweethearts, Min and Bill."

Canada Post, as part of its "Canada in Hollywood" series, issued a postage stamp on June 30, 2008, to honour Marie Dressler.

Dressler is beloved in Seattle. She played in two films based on historical Seattle characters. Tugboat Annie (1933) was loosely based on Thea Foss, of Seattle. Likewise Hattie Burns, in Politics (1931), was based on Bertha Knight Landes, the first woman to become mayor of Seattle.

Dressler's 152nd birthday was commemorated in a Google Doodle on November 9, 2020.

#marie dressler #classic hollywood #classic movie stars #golden age of hollywood #early film #silent era #silent hollywood #silent movie stars #1910s movies #1920s hollywood #1930s hollywood #comedy legend #hollywood legends

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LGBTQIA+ Historical Romance Novels for Winter, Hanukkah, Solstice, and Christmas 2019 - Updated Dec 17th!

 A Very Surrey SFS Christmas by Nicola Davidson (m/f, m/m, f/f, bisexual, and poly)

- Welcome to the Surrey Sexual Freedom Society - where unconventional and uninhibited ladies and gentlemen discuss all matters erotic…

 It’s Christmastide in Surrey, and the Society members have gathered at Lady Portia and Denham’s estate to host a magnificent masked ball. Alas, not everything is going quite to plan, as a curmudgeonly duke, England’s naughtiest cat, a viscount with writer’s block, two newborns, and some colorful local residents conspire to turn order into chaos. But with those you love all things are possible, and it wouldn’t be A Very Surrey SFS Christmas without madcap mischief, banter, and a whole lot of wicked fun…

This series of extended epilogues include Beatrice and Amelia, Madeline and Ethan, Clayton, Susanna, and Joseph, Lady Portia and Denham, and Fairfield. Please note this book contains explicit language and sexual content.

Peter Cratchit’s Christmas by Drew Marvin Fraye

- Peter Cratchit, a young lad preparing to make his way in the world, is the eldest son of Scrooge’s lowly clerk Bob Cratchit. Peter flourishes under the tutelage of his “Uncle” Scrooge and seeks to make his mark as a man of business, like his uncle before him.

One Christmas Eve, as Scrooge lays dying, Peter embarks on a risky ocean voyage that he believes will secure the future for his family. Onboard, Peter finds love, happiness, and success, only to lose it all by the voyage’s end. Returning to London, Peter shuns his family and instead finds himself living on the streets, haunted by his failures and his dead lover, selling his body just to survive while he waits for the winter cold to claim him once and for all.

But winter snows also mean Christmas is coming, and for the Cratchit family, Christmas is a time of miracles. Can a visit from three familiar spirits change Peter’s life again? Is there one more miracle in store for the lost son of one of Dickens’ most enduring families?

Yuletide Treasure by Eliot Grayson

- There’s not enough Yuletide spirit in the world to fix this holiday disaster…

Eben Sypeman’s world is falling apart. It’s two days before Yule and his business partner is dead, leaving behind empty accounts and looming bankruptcy. And if that isn’t bad enough, his patron goddess is irritated with him. It seems she’s tired of his tendency to mince words and avoid conflict. She’s insisting—quite forcefully—that he start being totally honest with everyone, including himself. Divinely enforced honesty couldn’t have come at a less opportune time, especially when his clerk’s tall, dark and distractingly handsome son enters the picture.

The last thing on Tim Pratchett’s mind is romance. All the former soldier wants is to fill in for his sick father at work and recover from his war wounds in peace. But there’s something about the grumpy Eben that confounds and entices him in equal measure. Their timing couldn’t be worse. They’re complete opposites. And yet … none of that matters when he’s with Eben.

But if Eben and Tim have any hope of finding their very own happily ever after, they’ll have to survive a dickens of a truth curse and the machinations of a trickster goddess—all while searching for enough yuletide treasure to save them all.

A joyous, relaxing Yule indeed. Bah, humbug.

This is an M/M romance with explicit scenes, a voyeuristic pagan goddess, and an odious nephew. Despite any other possible similarities to A Christmas Carol, there are neither ghosts nor geese, but readers can expect a happy ending and at least one use of the word “dickens.”

The Stonecutter Earl’s First Christmas by Adella Harris

- Nathan Fitzroy hates the holidays. Estranged from his family for refusing to marry, he’s still expected to keep up appearances, which means attending their holiday celebrations. And that means that, from the beginning of December until the middle of January, he needs to find work that will let him take off almost as many days as he works there. For him, that means working at a molly house called the Goat’s Horn.

Owen Landon was quite content to be a stone cutter. It was what he’d trained for, and it earned him enough money to pay his brother’s school fees and still live comfortably enough in a cottage in their village. He’d always been told his father was distantly related to nobility, but he’d never thought much of it, until a solicitor came to tell him he was the new Earl of Morebrook, a position he has no idea how to fill.

One night in December, when Owen can’t stand his new role another moment, he sneaks away to the seediest molly house he can find, the Goat’s Horn, for a distraction. And find one he does, a beautiful fellow with just the accent and bearing he’s supposed to be learning. When he sees the man again away from the molly house, he comes up with a plan to both spend more time with him and learn to be an earl. Owen offers him a position tutoring him before the start of the Christmas parties he’s supposed to attend.

Nathan’s worst nightmare comes true when one of the clients of the Goat’s Horn recognizes him outside of the molly house. But the man offers him a position that will allow him to earn money away from the Goat’s Horn until Christmas. If only he can remember he’s supposed to be tutoring the fellow, not bedding him, and certainly not falling in love with him. A steamy Christmas romance with hints of Pygmalion.

Approx. 50,000 words, 200 pages

Tinsel and Spruce Needles holiday series by Elna Holst (f/f and f/non binary MCs, MCs with disabilities !!!!!)

Candlelight Kisses

- Malmö, Sweden, 1994 Erika Stolt is a feminist activist, and not one of the slick, lipstick lesbian variety. She’s the kind who trashes beauty contests, who graffitis her own subversive messages over commercial billboards, and who fucks people mainly as a political statement. But then a community service sentence lands her a spot as the unlikely new assistant of one of the candidates for the Malmö Lucia contest, and the world as she knows it is promptly turned on its head.

Little X

- Malmö, Sweden, 1996 Sofie Andersson is a dyslectic born under the star sign Aries, who drives the local buses for a living. Her hobbies include knitting terrible hats and intermittent lesbianism. This December she is on the point of moving into her first flat of her own, figuring out her place in the world, when an instant attraction to a handsome stranger leads her to question everything she’s taken for granted.

Wild Bells

- Lund, Sweden, 1998 Mia Andersson is not a nice person. She is a sharp, sensational-looking, aloof lawyer-to-be, and the busiest sapphic player in town. Mia Andersson takes no prisoners, tells no tales, and if you gave her your number, chances are she won’t call. But this holiday season, at age twenty-seven, wheels that are out of her control have been set in motion, and it looks like she might just get caught in the spin.

February and December: Dominus Calendar Series I (Volume 1) by JP Kenwood

- As a lifelong passion continues to fade, another love deepens… two stand-alone m/m stories of love, lust, and friendship in ancient Rome featuring characters from JP Kenwood's Dominus series. February: Home from the first war against the kingdom of Dacia, Gaius Fabius ignores his obligations in Rome and returns to his secluded seaside villa in southern Italy. Under the pretense of a holiday trip, his best friend and secret lover, Lucius Petronius, surprises him with an unexpected visit. Later that evening, the lusty masters share the delights of Gaius’s blond pleasure slave, Nicomedes. December: With whispers of an embezzlement scandal floating through the capital, Lucius Petronius and his beloved concubine, Bryaxis, celebrate the raucous winter solstice festival of the Saturnalia with Luc’s family. After a joy-filled evening of food, gifts, and stories, Lucius and Bryaxis reverse roles in the master chamber. Warnings for explicit language, filthy loving, and daft shenanigans.

Christmas for a Vampire by Ruby Moone - Because even Vampires deserve a second chance.

Companion story to The Christmas Curse.

Recently turned vampire Ellis Davenport faces another dismal Christmas. His new life is filled with riches but is cold, lonely, and empty. Refusing to acknowledge his vampire self or to participate in any kind of vampire society, he skirts the edges of that world and has done so since the man he loved chose death rather than spend eternity with him. As far as Ellis is concerned, Quinn Fordham died on the battlefield in Badajoz. But, as he circulates at yet another tedious Christmas party, he hears piano music, someone playing the Moonlight Sonata like Quinn used to play for him. Entranced, he finds his lover but just as their lips touch, Quinn disappears. Before Ellis has time to resolve this odd hallucination, he and his friend Trent sense the approach of Lord Heath, their vampire sire. Yet, before their sire arrives, Ellis is stunned to find Quinn not only alive, but a vampire, and furiously angry with him. Can they move beyond the lie that separated them and find each other again?

Dances Long Forgotten by Ruby Moone - Coming December 19th! Per Ruby: Ghosts of past romance Second chance love Gentlemen dancing with gentlemen Long buried family secrets

On Christmas Eve, Dylan, the man of James Pell-Charnley’s dreams, is on the point of walking out. Then they hear the faint strains of a waltz in the library of the empty abbey. The music is said to be heard only by those truly in love, and it gives James the courage to tell Dylan the story.

In December 1841, Lord Hugo Pell-Charnley is in a terrible mess. The youngest son of the late Marquis, youngest brother of the incumbent, never felt to fit. When his life comes crashing down, and his life and his family are threatened, he is forced to face his elder brother and confess his deepest secret. When he arrives at Winsford Abbey he finds he must also confront the shame from his past in the form of Lyndon Cross. The boy he’d loved but betrayed in school. As they clear the ghosts from the past, they dance in each other’s arms in the library to the soft strains of the waltz, but long buried secrets threaten to destroy their happiness.

Two hundred years later, can those dances long forgotten give James and Dylan the courage to hold on to love?

Hither, Page by Cat Sebastian

- A jaded spy and a shell shocked country doctor team up to solve a murder in postwar England.

James Sommers returned from the war with his nerves in tatters. All he wants is to retreat to the quiet village of his childhood and enjoy the boring, predictable life of a country doctor. The last thing in the world he needs is a handsome stranger who seems to be mixed up with the first violent death the village has seen in years. It certainly doesn’t help that this stranger is the first person James has wanted to touch since before the war.

The war may be over for the rest of the world, but Leo Page is still busy doing the dirty work for one of the more disreputable branches of the intelligence service. When his boss orders him to cover up a murder, Leo isn’t expecting to be sent to a sleepy village. After a week of helping old ladies wind balls of yarn and flirting with a handsome doctor, Leo is in danger of forgetting what he really is and why he’s there. He’s in danger of feeling things he has no business feeling. A person who burns his identity after every job can’t set down roots. As he starts to untangle the mess of secrets and lies that lurk behind the lace curtains of even the most peaceful-seeming of villages, Leo realizes that the truths he’s about to uncover will affect his future and those of the man he’s growing to care about.

If anything else becomes available, this list will be updated, and the date listed at the top–after the post title.

A Christmas Cotillion by Ellie Thomas

- England, 1820. Bachelor Jonathan Cavendish has become reclusive in the years following a failed romance with the love of his life. In the years following their split, he has thrown all his energy into restoring the small estate he inherited from a great uncle and has put aside any thoughts of romance. Although he’d rather remain at home alone for the festive season, this year he’s accompanying his cousin Freddy to a Christmas country house party. Freddie seems to be constantly falling in love and, on this occasion, he is infatuated with a young lady called Belinda. Jonathan is asked by Freddy’s anxious mother to accompany him to the house party to keep an eye on the situation, in case the young lady turns out to be an unsuitable choice. Despite this inauspicious beginning, Jonathan catches the eye of Nick, the handsome son of a local well-to-do farmer, who is a constant presence at the holiday entertainments. Nick is intrigued by Jonathan’s kindness and also by the sadness he hides from public view. The initial attraction between the men seems to be mutual, but can Nick break through Jonathan’s defences and teach him to love again?

2018′s More Extensive List

#mlm #flf #historical romance #lgbt books #mcs with disabilities #non binary romance

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Surrey Bankruptcy and Debt Solutions: Expert Advice

Get expert insights into bankruptcy and debt solutions in Surrey. Master your financial challenges with our comprehensive guide.

#bankruptcy in surrey #debt negotiations Surrey #debt negotiations Vancouver

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