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myficdump · 3 years

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Love Like You: Ch.1

Here it is! The Eddsworld fic I've been writing for 3 days :D. This is a platonic soulmates fic with soul marks and so far, the main focus is on platonic yandere Tord & Edd. This is going to be a multi-chapter fic and there won't be any ships. All pairings are platonic. I've yet to decide Tord's age, but I'm thinking maybe 26? Edd, Tom, and Matt are 17. Also, I have big events planned out but everything in between is vague so ideas are appreciated.

The title is from the su song Love Like You, but it might change as I figure things out and if I find something that fits better. I hope you guys like this! <3 <3 <3

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The three marks practically covered his entire forearm. Although they were three different flowers, they just clicked. They fit so well that unless you were close up, it looked like one soul mark. Edd liked that. It perfectly described his relationship with his three friends. Or, soon to be three friends. He had hoped he’d find the third one soon. Two of the marks belonged to Tom and Matt, who he found when he was young. He felt so complete when he brushed against them on the school’s playground. It was as if they filled a gap in his soul that he never realized he was missing.

Edd’s third mark was a mix of black and red today. It was a stark contrast from the mix of light blue and yellow of Tom’s and Matt’s marks. Hesitantly, Edd brushed his fingers against the top mark and winced. A sharp jab of dull anger and agitation welled up into his chest. Ah, something had really set off his friend today. He moved his hand lower down his forearm to trace over Tom and Matt’s soul marks instead. A wave of calm and contentedness swept the echoes of the anger away and he pulled his hoodie sleeve down.

While he liked running his hand over his marks as he did his schoolwork, he didn’t want to continuously touch his top mark if his friend was having an awful day. It would affect his own mood. He worried that if he did, then his friend would touch their own mark and then both of them would stay in a vicious cycle of intense negative emotions. It was a real concern as it’s happened a few times before.

Edd often keeps his hand pressed against his top mark, basking in his friend’s good mood. Especially when he’s had a rough day at school. Of course, his friend took notice once as they pressed their hand against their mark and their emotions intensified. Slowly, his mood lifted and when he concentrated enough, he was able to send a “Hi!” with as much warmth as he could. No matter what soul mark a person had, they were always able to talk to their soulmate if both of them were touching the mark at the same time and concentrated hard enough. He didn’t do this much with Tom and Matt as he saw them practically every day and had their numbers, but it was rare he was able to talk to his friend.

It was also rare because his friend didn’t touch their mark at the same time as him often.

After sending his greeting, his top mark changed to a deep white mixed with dark pink. Edd had laughed seeing that. It wasn’t often his friend was surprised. And seeing the affection mixed in made warmth fill his chest.

“Hello!” His friend sent back. “You sound young.”

Edd laughed. Of all the things his friend could have said, they had to comment on his voice. His friend didn’t sound bad themselves. Their voice was deep, with an accent he couldn’t place. Still, he wasn’t going to assume their gender. Only looking out for one type of person could cause him to miss who they were.

“No! I’ll be an adult soon,” He sent back, tongue sticking out in focus. “You have a… nice voice.!”

“Thank you. Listen, I have to go now. But I'll find you. I promise.” A tinge of regret passed through him, but they sent him another wave of affection through their mark.

Quickly, before they moved their hand, Edd sent, “I can’t wait to meet you!” along with his best attempt to project his own affection and happiness to them. He didn’t know if it worked, but their emotions dulled.

In hopes that they’d be able to do that again soon, he kept his hand pressed against his mark for ten more minutes until his mom called him downstairs for dinner.

So yeah, he wasn’t going to do that right now. At least, not until he checks later if his friend’s mood changes.

If that short conversation wasn’t proof enough, his friend was definitely older than him. Perhaps not old enough to be his third grandparent, but certainly older than him. Plus, he’s had that mark on his arm since he was born. All three of his marks were platonic soul marks, which were the flower type. Most often, these signaled platonic love. Edd took that to mean that all three of his soul marks were his best friends.

Romantic soul marks were often different, but as he and neither of his friends had one, he doesn’t know much about them since he never bothered to look into it.

Half of his childhood had been spent figuring out what his and his friends' marks were. After they learned how to read, they spent at least an hour inside the library searching for flowers that matched their marks. Finding them was difficult, but they were pretty sure his top marks were Heliotropes! And according to the flower guide they found, it meant eternal love/devotion. It was sweet and had him convinced that his friend would be his best friend.

The second mark on his arm, Tom’s, were Chrysanthemums. “You’re a wonderful friend,” the book had said it meant. His third and final mark, Matt, was Lisianthus. They represent appreciation/admiration for a friend, gratefulness, and charisma.

Unlike Edd, Tom and Matt only had two flower marks. Tom’s first mark, Edd, was Asters. It had meant a form of deep emotional love and affection, along with the message of “take care of yourself for me”. It was very fitting, A Hyacinth, Matt’s mark, was Tom’s last mark. Interestingly enough, under the picture of the flower, the book just said “I’m sorry. Please forgive me.” Other books just said they meant sorrow, regret, and forgiveness. Any time Edd asks about it, Tom clams up and asks him to leave it alone. Some things were just not meant to be shared.

Matt’s first mark, Edd, was Morning Glories. They meant affection and love. His second mark, Tom, was Daisy’s. While meaning loyal love and purity, there was also a deeper meaning of keeping a secret between friends. Again, there was a story there. Edd didn’t know what the secret could be, but based on his friends' reactions when he asked them, he left it alone.

Each of their marks was on their left forearms and except for Tom’s single Hyacinth, they were in bunches with multiples of the same flower.

Edd loved them, he really did. When he doubted his friendship with them, he’d look at his marks and remind himself that’s what they thought of him. It was just hard sometimes, to remember that he was loved. Sometimes he felt like an imposter, like he didn’t deserve their love. If asked why, he wouldn’t be able to put it into words. It was just how he felt at times.

Late at night when he wasn’t feeling too great, when stress just ate at him, he’d run his fingers over his arm, feeling his mark and whatever emotions his friend was feeling. He’d remind himself that if nothing else, the Heliotropes showed that his friend would always love him. Oftentimes, his friend was feeling content at night, and feeling that while stressed really helped him calm down.

Though on rare nights, his friend fed into his stress, morphing his feelings into a wave of intense anger as he rubbed his mark. He hated those nights but could never bring himself to move his hand away from his mark.

Edd sighed and put his pencil down. He didn’t feel like finishing his schoolwork anymore. Maybe Tom and Matt could come over and play games with him?

* * * * *

Meanwhile, in another country, Tord was pacing back and forth in his office. “Fucking incompetent, pieces of shit,” he hissed through clenched teeth. “They had one job! One easy, little job and still they fucked it up!”

He ran a shaky hand through his hair. As the job truly was an easy one, how this happened, Tord didn’t have a clue. All those two idiots had to do was go into the government building, collect the information from the mole he planted there, and bring it back. That was it! Tord could’ve done it himself if he wasn’t so busy. And yet, the two morons were still caught, very nearly giving away the identity of his mole.

He wished he could bring the two back and torture them for this. But alas, they were already dead. Tord couldn’t afford either of them giving up any information on his army so he had them exterminated before they could be questioned. It didn’t stop him from wanting to smash something.

A knock on his door caused Tord to pause. As he took a deep breath, he stuck two fingers into the sleeve of his left arm to briefly trace his mark. He couldn’t see the color, but a cool flow of calmness and excitement pricked his rage. It was enough to stop him from shouting.

“You may enter.”

Paul entered the room, which wasn’t a surprise. He was one of the few who weren’t scared shitless to bother him when he was in a rage.

“You’re going on a vacation.”

“Excuse me,” Tord said flatly, a scowl on his face.

Paul continued on as if he wasn’t in danger of being shot in the foot. Well, to be fair, he wasn’t. Tord would never get rid of one of the more competent people in his army and Paul fully knew it. “With all due respect, don’t even try to argue with me. I could practically hear you grinding your teeth from outside the door and you’re going to wear a hole in your carpet. At this point, if you don’t rest, you’re going to give yourself stress ulcers.”

Closing his eyes, Tord took another deep breath and counted to ten. For good measure, he shoved his fingers into his sleeve again to press against his mark. The calmness and excitement soothed his rage as he said with an even voice, “And who else agrees with you?”

“The only name I’ll give up is Pat. I’m not stupid enough to think you won’t take your anger out at anyone else. Get ready, the plane leaves tonight.”

“You really aren’t going to give me enough time to sort anything out?”

Paul shot him an annoyed look. “No, because knowing you, you’ll just get too sucked into your work and not pack. I’ll take care of anything urgent.” He saluted Tord before leaving.

Tord rubbed his temples as he muttered, “He didn’t even tell me where I was going.” He dropped into his seat and yanked his desk drawer open. Leaning back in his chair, he lit a cigar and planned countless scenarios of his “vacation”.

A small part of his mind hoped he could find the owner of his mark. They seemed so nice compared to him.

Knowledge of his leave was no doubt spreading through his base like a wildfire, so he had no doubt no one would bother him. His soul mark was safe from prying eyes, so he rolled up his sleeve and traced the outline of the Sunflowers. His face morphed from a scowl to a small smile. His beloved was still feeling calm and excited. He wondered what they were up to.

The Sunflowers lived up to their name as they truly did bring warmth to his life. They were supposed to mean adoration and loyalty. He hadn’t met them yet, but considering they were a kid, the sunflowers were fitting. It’d be even more apparent once he met them.

Tord’s smile dropped. He really wanted to find them, get to know them, and fill their bond. But what about his army? So many people wanted him dead and in no good conscience could he drag a kid into this mess. He never allowed anyone under eighteen to join and from the short talk he had with his beloved, they sounded too young to be eighteen. People could say what they wanted about him, but he refuses to have child soldiers.

If he found them, he’d have to bring them back here. Hiding them here was the only way he could keep them safe.

With that train of thought, Tord sat up. Already a plan was forming in his mind. Nothing could be concrete until he met them, but he’d have an empty room ready for him near his own. Just in case he found them on this trip. Chances were slim but he hated not being prepared.

With that in mind, he left his office to go pack. The thought of finding them made this trip a little more bearable.

#platonic yandere #soulmarks #tw yandere #yandere tw #eddsworld #yandere tord #yandere ew #yandere ew tord #yandere #yandere fic #yandere eddsworld #eddsworld fic #platonic relationships

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williamlwolf89 · 4 years

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57 Literary Devices That’ll Elevate Your Writing (+ Examples)

Where were you when your fourth-grade teacher first introduced you to literary devices?

(Did you learn about the mighty metaphor? Or maybe its simpering cousin, the simile?)

Perhaps you were daydreaming about cheese pizza and wondering what your mom packed you for lunch.

Years later, you’re starting to realize that maybe you should’ve taken better notes back then.

Because you’re a writer now, or trying to be, and it’s kind of embarrassing when your friends (or worse, your kids) come to you and ask: “What’s an onomatopoeia?”

And all you have to say is: “An onomatopoeia? Uh, well, you know it’s a species of a…a…achoo! Darn my dratted allergies!”

Never again.

Not with this handy-dandy list of 57 (count ‘em!) literary devices that will help your writing soar above the clouds… pull ahead of the teeming hordes… shine beyond the most brilliant — uh, you get the idea.

But let’s back up. You probably need a quick refresher first, right? Let’s do a quick Q&A.

Starting with…

What are Literary Devices?

Literary devices are strategies writers use to strengthen ideas, add personality to prose, and ultimately communicate more effectively. Just as chefs use unique ingredients or techniques to create culinary masterpieces (flambéed crêpes, anyone?), skilled writers use literary devices to create life-changing works of art.

So who should care about literary devices?

You, of course. If you want to be a charismatic, powerful writer that readers want to follow (or clients want to hire), that is.

The right literary devices can make your ideas more memorable, your thoughts more clear, and your writing more powerful.

Your knowledge and skillful use of literary devices will catapult you above the hordes of wannabe writers, increasing your self-confidence, and endowing you with the kind of influence that will keep your audience salivating to consume your work.

How are Literary Devices Different From Rhetorical Devices?

Literary devices and rhetorical devices have a good bit of overlap. They’re very similar — so similar, you’ll find a lot of confusing, conflicting information online.

Google “alliteration” and you’ll see it on lists for both rhetorical and literary devices. The same is true with “personification”, “tmesis”, “litotes”, and numerous others.

So what’s the difference?

Here’s an oversimplified TL;DR:

Literary devices are a narrative technique. Rhetorical devices, also known as persuasive devices or stylistic devices, are a persuasion technique.

What are the 10 Most Common Literary Devices?

Alliteration

Anthropomorphism

Dramatic Irony

Euphemism

Flashback

Foreshadowing

Hyperbole

Onomatopoeia

Oxymoron

Point of View

(Yes, we were surprised “anthropomorphism” made the list too.)

Alright, enough questions. It’s time for the main event.

Our Huge List of Literary Devices

You will find some recognizable names in this list. You will also find a few party crashers that (unless you were an English major) you’ve probably never heard of (I’m looking at you, verisimilitude).

But whether it’s a familiar friend or an idiosyncratic interloper, each and every device comes with a lovingly hand-crafted definition and an enlightening example, carefully curated by yours truly.

(Don’t say you haven’t been warned.)

Here’s our list of the 57 must-know literary devices to get you started on the road to writerly stardom:

1. Alliteration

Some super sentences supply stunning samples of alliteration, such as this one. In other words, an alliteration is a literary device that features a series of words in swift succession, all starting with the same letter.

Graceful and clever use of alliteration (not, ahem, like the example above) can create a pleasant musicality to writing.

But note: Alliterations are a special kind of consonance, which means they must use words that start with consonant sounds. Repeated vowel sounds are known as assonance.

Example of Alliteration

Most people think of tongue twisters like “Peter Piper picked a pot of pickled peppers” when they think of alliteration. But did you know many famous writers throughout the ages have used alliteration in their titles?

Love’s Labour’s Lost by William Shakespeare. The Great Gatsby by F. Scott Fitzgerald. Pride and Prejudice and Sense and Sensibility by Jane Austen. Romance Readers and Ridiculous Rascals… wait. That last one is not actually a thing. But it is alliterative!

And I’d be remiss if I didn’t share this alliterative-filled introduction from V for Vendetta:

2. Anthropomorphism

Anthropomorphism is when a writer gives a non-human animal or object human-like qualities.

Example of Anthropomorphism

In Disney’s Beauty and the Beast, Lumiere the candlestick, Cogsworth the clock, and the other enchanted residents of the Prince/Beast’s castle talk, walk, sing, and feel emotions just like people do. (Because they technically ARE people… fictional enchanted people, that is.)

3. Dramatic Irony

Audiences love dramatic irony, because they get to be “in the know.” That is, they know something that the characters IN the story do not. Hey, if you buy the book, you get privileges!

Example of Dramatic Irony

In Oscar Wilde’s The Importance of Being Earnest, two men attempt to escape their responsibilities using the same fake name: Ernest. Only the audience knows the two tricksters’ real names are Jack and Algie. (A far cry from Ernest, for sure!)

4. Euphemism

The prefix “eu-” means “good” or “well,” so it makes sense that a “euphemism” is a “good way to talk about a bad thing.” Or, a “word or expression substituted for something else that is too harsh…”

Like when you say your nephew “just needs a bit of practice” when he plays the violin like a tortured cat.

Example of Euphemism

Because of humanity’s understandable aversion to death, we have come up with quite a few creative ways to describe death and dying:

Pushing up daisies

Going the way of the dinosaur

Kicking the bucket

5. Flashback

Flashbacks are scenes which show an event that happened in a character’s past, providing clues to the present story.

Example of Flashback

In Alfred Hitchcock’s famous movie Vertigo, one key flashback scene was almost cut out of the picture entirely. (SPOILER ALERT: It’s the scene where we find out that the suicidal wife is actually an actress hired to hide the wife’s murder. The actress starts to write a confession letter, then rips it up.)

6. Foreshadowing

The writing on the wall…

A glimpse of a tombstone with your name on it…

Fingernail marks scratched in blood…

Not all foreshadowing is creepy, but they all warn or indicate something is coming in the future. You could say that foreshadowing is like the opposite of a flashback.

Example of Foreshadowing

In the classic novel To Kill a Mockingbird, the author Harper Lee foreshadows the last twist in the story in the very first line of the book: “When he was nearly thirteen my brother Jem got his arm badly broken at the elbow.”

(Of course, by the time you get to the end of the book, you’ve probably forgotten all about the first line. But that’s why Lee is a genius and the rest of us can only wonder in awe.)

7. Hyperbole

A hyperbole is an exaggeration that a hearer or reader is not supposed to take seriously.

Example of Hyperbole

The great satirist Mark Twain wrote in Old Times on the Mississippi:

“I…could have hung my hat on my eyes, they stuck out so far.”

8. Onomatopoeia

An onomatopoeia is a word that comes from the sound it represents, such as “achoo!” or “arrgh.”

Example of Onomatopoeia

Young children’s books are the motherlode of onomatopoeia. For example, Doreen Cronin’s Click, Clack, Moo: Cows That Type has onomatopoeia right in the title. Same with Ross MacDonald’s Achoo! Bang! Crash! And Barry Gott’s Honk! Splat! Vroom!

9. Oxymoron

An oxymoron is a popular literary device where seemingly contradictory words are connected. Fun fact: the word “oxymoron” is itself oxymoronic — it comes from two ancient Greek words meaning “sharp and stupid.”

Example of Oxymoron

Simon and Garfunkel’s famous song “The Sounds of Silence” is a perfect oxymoron.

10. Point of View

Point of view is the perspective a writer chooses when writing. In fiction, you can have a first, second, or third person point of view.

First person uses pronouns like “me” or “I,” second person uses “you,” and third person uses “he/she” and looks at the character and story from the perspective of an outsider.

Note: Third person can be limited. The narrator can either only see inside the head of one character, or they can be omniscient — a Godlike narrator that can see everything that is going on.

Example of Point of View

In The Help, a novel about black maids in 1960s Jackson, Mississippi, the story is told from the first-person point of view of three women, looking at similar events from their own perspectives.

11. Allegory

Take a metaphor, put it on steroids, throw in a dash of realism, and you have yourself an allegory: a figure of speech used to represent a large, complex (and often moral) message about real-world events or issues.

Example of Allegory

Nothing screams “hypocritical tyrant” quite like fictional pigs in human clothing, declaring: “all animals are equal, but some animals are more equal than others!”

At least, that’s the message George Orwell hoped to convey in Animal Farm, a fictional mirror of communism. Orwell certainly had a way with (dystopian) allegories!

12. Allusion

An allusion is a device that the writer uses to refer, indirectly, to someone or something outside of the situation, such as a person, event, or thing in another (real or imagined) world.

Example of Allusion

In The Big Bang Theory, the names of main characters Sheldon Cooper and Leonard Hofstadter allude to the real-life TV producer, Sheldon Leonard. (Let’s hope that he did not share his fictional counterparts’ personalities.)

13. Anachronism

Anachronism is the time machine of literary devices. Anachronisms pop up when a writer accidentally (or purposefully) makes an error in the chronology of the writing.

It’s most often seen when writing features slang or technology that should not appear in the timeline of the story.

Example of Anachronism

In the famous “He got me invested in some kind of fruit company” scene from Forrest Gump, Forrest Gump unfolds a thank-you letter sporting Steve Job’s Apple logo.

But the letter in the movie was sent in 1975, while Apple didn’t go public in the real world until 1980. So Forrest Gump couldn’t have invested in the computer company as the movie portrayed it. (We still love you, Forrest!)

14. Anaphora

The anaphora is a literary device that emphasizes a word, word group, or phrase by repeating it at the beginning of a series of clauses or sentences.

Example of Anaphora

One of the longest opening lines by Charles Dickens (which a high school English teacher once directed me to memorize) uses anaphora generously:

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the…”

(Thanks a lot, Dickens!)

15. Anastrophe

Anastrophe is a literary device that alters the normal order of English speech. In other words, instead of subject-verb-object (“I like cats”), the sentence order becomes subject-object-verb (“I cats like”).

Poets use anastrophe to make rhyming easier, and prose writers use it to sound… wiser?

Example of Anastrophe

Who can talk about anastrophe without mentioning our favorite intergalactic mentor? That’s right, Yoda’s iconic speeches are fantastic examples of anastrophe:

“Powerful you have become”

“Named must be your fear before banish it you can.”

“The greatest teacher, failure is.”

16. Aphorism

An aphorism is a short, witty saying that delivers wisdom with a punch. But in order for it to be an aphorism, it has to contain a universal truth, packed into a nutshell-sized statement.

Example of Aphorism

Benjamin Franklin was a master of aphorisms. Here is a prime selection from his treasure trove:

Little strokes fell great oaks

Strike while the iron is hot

Fish and visitors smell in three days

17. Archetype

An archetype is the original pattern, the prototype, the ideal model for a certain character or situation.

Example of Archetype

In the epic poem, Beowulf, Grendel is the archetypal monster, a “descendant of Cain,” “creature of darkness,” and “devourer of our human kind.” (Yikes. Would not want to meet him in a dark alley!)

18. Asyndeton

Sometimes, a writer leaves out conjunctions like and, but, or, for, and nor. This is not because s/he is forgetful. It’s because that’s what an asyndeton is: a group of phrases with the conjunctions left out, for rhythmic emphasis.

Example of Asyndeton

Here’s Abraham Lincoln beautifully demonstrating the power of the asyndeton:

“Government of the people, by the people, for the people shall not perish from the Earth.”

(Notice the glaring omission of the word “and.”)

19. Chiasmus

The Latin word “chiasm” refers to a “crossing,” so it makes sense that a chiasmus is a literary device where words, grammar constructions, and/or concepts are “crossed,” aka reversed.

Example of Chiasmus

Apparently, early Greeks were quite fond of the chiasmus, or at least Socrates was:

“Bad men live that they may eat and drink, whereas good men eat and drink that they may live.”

20. Cliffhanger

Cliffhangers get their name from the effect they have on readers: making them feel as if a cruel, cruel writer has left them dangling off the edge of a lonely ledge.

We all know that feeling of reading WAY past our bedtime, because every chapter’s ending has us frantically flipping to find out what happens next. That’s a cliffhanger.

Example of Cliffhanger

Here’s a cliffhanger from Harry Potter:

“Harry crossed to his bedroom on tiptoe, slipped inside… and turned to collapse on his bed. The trouble was, there was already someone sitting on it.”

Want to know what happens next? You’ll have to read the book.

21. Colloquialism

The word “colloquialism” would probably never be a colloquialism itself. That’s because colloquialism is a word, phrase, or expression that is used in daily, informal conversations by common people. Colloquialisms vary, depending on where you live.

Example of Colloquialism

The briefly popular 2012 meme series, “Sh*t X say,” are packed with examples of colloquialisms, such as these, er, jewels (?) from Episode 1 of “Sh*t Girls Say”:

“Twinsies!”

“Shut UP!”

“Like, I’m not even joking right now.”

22. Cumulative Sentence

A cumulative sentence builds on a core idea (an independent clause, if you must know the technical term) by layering on chopped-up partial sentences (dependent clauses) and phrases, like a layer cake!

Example of Cumulative Sentence

“She finished the Game of Thrones marathon, exhausted yet exhilarated, full of grief that it was all over, itching to call her bestie to discuss her impressions, shocked that it was already nearly dawn.”

23. Diction

Diction is a fancy way of saying: “the words a writer chooses when talking to a specific audience.” Diction can be formal or informal, use jargon or regional slang, etc.

Example of Diction

Formal diction:

It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.Jane Austen, Pride and Prejudice

Informal diction:

Hain’t we got all the fools in town on our side? And hain’t that a big enough majority in any town?Mark Twain, Huckleberry Finn

24. Epigraph

An epigraph is a brief quote or saying at the beginning of a book or chapter that is put there to suggest the theme of said book or chapter.

Example of Epigraph

“For Beatrice — My love for you shall live forever. You, however, did not.”

“For Beatrice — When we first met, you were pretty, and I was lonely. Now I am pretty lonely.”

“For Beatrice — I cherished, you perished. The world’s been nightmarished.”

Technically, the poetic homage to the dead Beatrice in Lemony Snicket’s Series of Unfortunate Events is a dedication, not an epigraph. But since Beatrice is fictional (as is, in a sense, the author himself), and these darkly funny quotes set the tone for the Unfortunate Events quite well, one could make the case that these are, in fact, epigraphs.

25. Epistrophe

Not to be confused with alliteration, the epistrophe is the repetition of a word or phrase at the end of a series of clauses or sentences to add rhythm and/or emphasis.

Example of Epistrophe

‘Cause if you liked it then you should have put a ring on it

If you liked it then you should have put a ring on it

Don’t be mad once you see that he want it

If you liked it then you should have put a ring on it Beyonce, Single Ladies (Put A Ring On It)

(My apologies for the ear worm.)

26. Extended Metaphor

An extended metaphor is a metaphor that is extended. Just like I’m about to extend this definition: a metaphor developed in high detail and spread over a large passage of writing, from several lines, to a paragraph, to an entire work. (Done! Whew.)

Example of Extended Metaphor

In 2003, Will Ferrell told graduating Harvard-ians about his alma mater, the “University of Life” where he studied in the “School of Hard Knocks” the school colors were “black and blue,” he had office hours with the “Dean of Bloody Noses” and had to borrow his class notes from “Professor Knuckle Sandwich.”

27. Exposition

An exposition is a literary device used to introduce background information about the story in a matter-of-fact way.

Example of Exposition

Because of the famous fiction writing rule, “show don’t tell,” many authors use dialogue and other tricks to convey need-to-know information. But some very successful writers continue to use plain old straightforward exposition like:

The hobbit was a very well-to-do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of the Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected.J. R. R. Tolkien, The Hobbit

28. Frame Story

A frame story is exactly what it sounds like: A story that frames another story. In other words, it’s a story that introduces another smaller story inside, or the story outside the story within the story… oh, never mind. Just see the example below.

Example of a Frame Story

The best example of a frame story is The Princess Bride, which author William Goldman claims to have “translated” from an old “Florinese” story his father told him.

The movie version also uses a frame story: A grandfather reads his grandson a bedtime story (The Princess Bride, of course!).

29. Humor

If I have to explain what humor is to you, I’m afraid you might need something a bit stronger than 57 literary devices to… Oh, what’s that? (My editor says I still have to give you a definition. Contractual obligations, and all that.)

Fine, fine. Here it is: humor is a literary tool that amuses readers and makes them laugh. (There, happy?)

Example of Humor

I mean, technically this whole entire article is just one big ball of fun, but… what’s that? Okay, alright. Official examples, here we go:

“It’s just a flesh wound!” — The Black Knight, after getting both arms chopped off in Monty Python and the Holy Grail

“‘Greater good?’ I am your wife! I’m the greatest good you’re ever gonna get!” — Frozone’s wife’s in response to Frozone’s desire to bail on dinner to save the world in The Incredibles

“A common mistake that people make when trying to design something completely foolproof is to underestimate the ingenuity of complete fools.” — Douglas Adams, Mostly Harmless

30. Hypophora

No, it’s not a fancy name for a Greek hippo. Rather, a hypophora is a literary device where a writer asks a question and then immediately answers it.

Example of Hypophora

Here’s a philosophical example from the timeless children’s novel Charlotte’s Web:

“After all, what’s a life, anyway? We’re born, we live a little while, we die.”

31. Imagery

Imagery is descriptive or figurative language used to evoke near-physical sensations in a reader’s mind. Well-written imagery helps readers almost see, hear, taste, touch, and feel what is going on in the story.

Example of Imagery

Here’s an excerpt from T.S. Eliot’s Preludes, which uses multiple senses:

The winter evening settles down

With smell of steaks in passageways.

Six o’clock.

The burnt-out ends of smoky days.

And now a gusty shower wraps

The grimy scraps

Of withered leaves about your feet.

32. Irony

Irony is one of the trickiest literary devices to define, best grasped through absorbing examples. But a workable definition goes something like this:

Irony is using a word or phrase that usually signifies the opposite of what the speaker intends to say, for comedic or emphatic purposes. Irony can also be an event that works out contrary to the expected, and can often be funny.

So enough with dry definitions, let’s see if the examples can explain better:

Example of Irony

There are three kinds of irony, one of which (dramatic irony) we discussed earlier:

Dramatic irony: In Romeo and Juliet, the audience knows that Juliet isn’t dead, but asleep. Romeo, who doesn’t know, kills himself.

Situational irony: In the animated film Ratatouille, it’s ironic that a rat (which most people don’t like to see in kitchens) ends up being the master chef in a kitchen.

Verbal irony: When Beauty and the Beast’s Belle is trying to get away from an odious suitor’s proposal, she says, “I just don’t deserve you!”

33. Isocolon

Isocolon refers to a piece of writing that uses a series of clauses, phrases, or sentences that are grammatically equal in length, creating a parallel structure that gives it a sort of pleasant rhythm.

Examples of Isocolon

“Veni, vidi, vici (I came, I saw, I conquered).” — Julius Caesar

“You’ve got a lot to live. Pepsi’s got a lot to give.” — Pepsi, circa 1969

“You win some, you lose some.” — Unknown

34. Juxtaposition

Juxtaposition is a literary device writers use to place two highly contrasting things together to emphasize the difference.

Example of Juxtaposition

In Pixar’s Up, Carl Fredricksen is an old, curmudgeonly widower, while his unwanted sidekick Russell is a young, naively energetic schoolboy. That’s what makes the movie so much fun: the contrast (read: juxtaposition) between old, jaded Carl and young, innocent Russell.

35. Litotes

Litotes, from a Greek word meaning “simple,” refers to an affirmation where you say something by negating the contrary.

Example of Litotes

In A Modest Proposal, Jonathan Swift prefaces his proposal to cure poverty by eating poor people’s children with a litotes:

“I shall now therefore humbly propose my own thoughts, which I hope will not be liable to the least objection.

Having been assured by a very knowing American…that a young healthy child well nursed is, at a year old, a most delicious nourishing and wholesome food…I make no doubt that it will equally serve in a fricassee, or a ragoust.”

36. Malapropism

A malapropism is when a character (unintentionally and hilariously) mistakes a word in place of a similar-sounding word. The concept comes from a character (Mrs. Malaprop) who liked to use big words incorrectly in a comedic play by English playwright Richard Sheridan.

Example of a Malapropism

The beloved children’s series Amelia Bedelia describes a maid who takes her bosses’ instructions a bit too literally. For example: sketching her bosses’ drapes when asked to “draw the drapes.”

37. Metaphor

Ah, the metaphor! A favorite tool of writers everywhere. The metaphor is a literary device where something is compared to a dissimilar thing without using a comparison word such as “like” or “as.”

Example of a Metaphor

In Pixar’s Inside Out, the emotions Joy, Fear, Anger, Disgust, and Sadness live and work in Headquarters, an obvious metaphor comparing the brain to a technological control center.

38. Metonymy

Metonymy is the practice of using part of a thing to represent something related to it. In other words, it’s the use of one word as a stand in for another, bigger concept.

Example of Metonymy

Mark Twain uses metonymy in The Adventures of Huckleberry Finn:

“He said he reckoned a body could reform the ole man with a shotgun.”

Here, a “body” refers not to a corpse, but to a person. A corpse, after all, would probably have a hard time wielding a shotgun.

39. Mood

Mood is the feeling an audience gets from consuming a piece of writing. The words a writer chooses creates an atmosphere that evokes powerful emotions from the reader.

Example of Mood

Children’s writer Roald Dahl is a master of creating whimsical, funny, child-friendly moods in his books via extraordinary situations (a boy wins a golden ticket to a magical chocolate factory) and a silly invented vocabulary:

“Don’t gobblefunk around with words” — The BFG

40. Motif

A motif is a sound, action, figure, image, or other element or symbol that recurs throughout a literary work to help develop the theme.

Example of Motif

The book/movie Ready Player One is stuffed with pop motifs from the 1980s. The entire plot revolves around a virtual 1980s world, which contrasts with the main character’s bleak real-life.

41. Paradox

A paradox seems to make two mutually contradictory things true at the same time.

Example of Paradox

In the tragic revenge story, Hamlet, the title character says something that sounds paradoxical:

“I must be cruel to be kind.”

Meaning, he must kill his stepfather (cruel) in order to avenge his father’s murder (kind).

42. Personification

Personification: giving humanlike characteristics to nonhuman animals or objects. Don’t confuse it with anthropomorphism, which goes farther, making the nonhuman character act and appear human.

Example of Personification

Pixar is a master at using personification. For example, in their 2006 movie Cars, the main characters are all, well, cars — cars who talk, race, date, do community service, and win trophies.

43. Polysyndeton

Polysyndeton is a literary device that uses conjunctions quickly, one right after the other, often without punctuation, in order to play with the rhythm of the writing.

Example of Polysyndeton

In I Know Why the Caged Bird Sings, Maya Angelou uses polysyndeton when she writes:

“Let the whitefolks have their money and power and segregation and sarcasm and big houses and schools and lawns like carpets…”

44. Repetition

Repetition is the grandaddy of many other devices on this list, such as anaphora, epistrophe, and polysyndeton above.

In other words, repetition is the reiteration of something (word, phrase, sentence, etc.) that has already been said (for emphasis).

Example of Repetition

Repetition is frequently used in song lyrics, such as the iconic Beatles song, Let It Be:

“When I find myself in times of trouble

Mother Mary comes to me

Speaking words of wisdom, let it be

Let it be, let it be, let it be, let it be

There will be an answer, let it be…”

45. Satire

Satire uses humor, ridicule, irony, and exaggeration to expose and criticize something ridiculous, stupid, or bad. Satire can be light and funny, or dark and judgmental.

There are three types of satire: Juvenalian (viciously attacking a single target), Menippean (equally harsh, but more general), and Horatian (softer, more humorous).

Example of Satire

The funny-offensive show South Park is a modern-day example of biting satire, riffing on all kinds of sensitive topics in a politically incorrect fashion, from politics to religion to Hollywood.

46. Simile

A simile is like a metaphor, except that it compares dissimilar objects using the words “like” or “as” (whereas metaphors compare directly, without any helping words).

A choice simile can be funny, memorable, surprising, or all three!

Example of Simile

Sometimes the most memorable similes are the strangest ones, like this collection of similes from Song of Solomon in the Bible:

“Your hair is like a flock of goats descending from Mount Gilead. Your teeth are a flock of sheep just shorn…your lips are like a scarlet ribbon…”

47. Soliloquy

A soliloquy is a speech given by a character in the absence of hearers. Soliloquies are particularly popular in plays, which don’t usually have the luxury of omniscient narration to reveal characters’ inner thoughts.

Example of Soliloquy

Who can talk about soliloquies without mentioning the Bard’s epic romantic tragedy, Romeo and Juliet?

“Romeo, Romeo! Wherefore art thou Romeo!” says Juliet, speaking (or so she thinks) to herself.

48. Suspense

Alfred Hitchcock. Lee Child. Steven King. All are storytellers who create suspense, a feeling of heightened anxiety, uncertainty, and excitement.

Example of Suspense

The famous (or should I say infamous?) shower scene in Hitchcock’s Psycho kept watchers curling their toes for 45 seconds while the innocent-and-soon-to-be-dead Marion takes a shower with a killer lurking in the background.

49. Symbolism

Symbolism. A favorite device of literature teachers everywhere. Symbolism is, of course, when writers use symbols (images, objects, etc.) to represent bigger, deeper ideas, qualities, and so on.

Example of Symbolism

Harry Potter’s lightning scar, the Ring of Doom from the eponymous Lord of the Rings, the mockingjay from Hunger Games… there are examples of symbolism everywhere you look!

50. Synecdoche

A synecdoche is a literary device where a part stands in for the whole, or vice versa. It is not to be confused with metonymy, which is when something represents a related concept. (See the earlier example for metonymy.)

Example of Synecdoche

In Julius Caesar, Mark Antony asks his “Friends, Romans, countrymen” to “lend [him] their ears.” Thankfully, his audience recognized this metonymy and did not interpret Antony’s words literally. Otherwise, we would have a very different play on our hands.

51. Tautology

A tautology is a literary device often used by accident. It involves saying the same thing twice, but phrasing it differently the second time.

A tautology is something a child might say: “I want it because I want it!”

Example of Tautology

In Edgar Allen Poe’s The Raven, “gently rapping” and “faintly tapping” are redundant:

“But the fact is I was napping, and so gently you came rapping

And so faintly you came tapping, tapping at my chamber door”

52. Tmesis

From the Greek word meaning “to cut,” tmesis is a literary device that cuts a word or phrase into two parts by inserting a word in between them.

Example of Tmesis

Here are two silly samples from Pygmalion’s Eliza Doolittle:

“Fan-bloody-tastic!”

“Abso-blooming-lutely”

53. Tone

Tone can be tricky to define. Officially, in writing, tone is the attitude a writer has toward the subject or the audience. It’s the writer’s viewpoint, conveyed through his or her word choice.

Example of Tone

Notice how the choice of emotional words, pacing, and use of other literary elements in this excerpt from Edgar Allen Poe’s The Tell-Tale Heart create a guilty, anxious tone:

“I gasped for breath, and yet the officers heard it not…I arose and argued about trifles, in a high key and with violent gesticulations, but the noise steadily increased. Why WOULD they not be gone? I paced the floor to and fro…O God! What COULD I do? I foamed — I raved — I swore!”

54. Tragicomedy

A tragicomedy is exactly what it sounds like: a story (play or novel) that is both tragic and comedic.

Example of Tragicomedy

Having mastered both tragedy and comedy, is it such a stretch for Shakespeare to have mastered tragicomedy as well? Think: The Merchant of Venice, The Winter’s Tale, and The Tempest, which all blend humor and suffering in a reflection of real life.

55. Verisimilitude

Verisimilitude is a fancy-schmancy word for saying something fake looks real. Example: writing about a fictitious person, thing, or event, that seems almost true, even if it’s far-fetched.

Example of Verisimilitude

Fantasy stories are the best fodder for finding verisimilitude. For example, prolific fantasy writer Brandon Sanderson often creates convoluted magic systems based on things like color, strict rules, constraints, and consequences that almost makes them seem possible.

56. Vignette

A vignette is a short scene or episode — a moment-in-the-life description. Unlike a short story, it doesn’t have a narrative arc or all the elements of a plot.

Example of Vignette

In 2009, Pixar put out a series of video vignettes to promote their movie, Wall-E:

“WALL-E meets a football”

“Wall-E cup shuffle”

“Wall-E meets a magnet”

Here, check them out:

57. Zoomorphism

Zoomorphism is when a writer gives animal-like characteristics to something (human, inanimate object, etc.) that is not an animal. It’s basically the animal form of personification.

Example of Zoomorphism

Want a terrific example of zoomorphism? Just check out Spider-Man, Catwoman, Black Panther, and dozens other comic book superheroes.

What to Do With Your Literary Device Knowledge

Whew! That was a doozy. Congratulations on making it through the entire list.

Now, I know what you’re thinking:

“Do I need to memorize all of these literary terms?”

No, no you don’t.

“Do I even have to know them by name?”

Not necessarily.

But tell you what…

Go through the list again and just let everything soak in. Then next time you’re reading a book, blog post, magazine article, or even a tabloid, try to spot any of the literary devices hiding inside.

I promise, they’re there.

And next time you write, see if you can weave in a common literary device or two, for emphasis, for art, or just for grins and giggles.

As you learn to notice and absorb these devices into your craft — the way a kung-fu master absorbs the basic foundations of his form — you will find yourself becoming a more versatile, expressive, skillful writer.

It’s a bit like having a variety of colors to choose from as a painter. Sure, you can draw a decent portrait with just a stick of charcoal, but imagine what you could do if you had an entire palette.

That’s what literary devices can do for you, if you take the time to pick them up.

So take another peek at this list now and then, and practice sneaking lit devices into your own work.

You’ll be amazed how much clearer, stronger, and addicting your writing will become.

Editors will grin and nod as they read through your work.

Bloggers will fight to snap up your guest posts.

Readers will mob you for your skills.

And you will smile like Mona Lisa, master of the secrets of the universe (or at least this list of literary devices).

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adambstingus · 6 years

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5 Directors That Should’ve Stopped After One Movie

Some filmmakers are like marathon winners; they stay consistently strong and fast for an inconceivable amount of time, and when they finish, you are left inspired by their existence. And some directors have careers like my performance in my second grade’s three-legged race. I fell at the start, busted my nose open, and writhed on the ground for a while as my partner walked away from me. The following five directors did similar things in their own metaphorical three-legged races. What began as a burst of glorious potential devolved into something hideous and often embarrassing.

Zack Snyder With Dawn Of The Dead

Zack Snyder has always been the Mountain Dew Code Red to Christopher Nolan’s iced coffee. They both direct grand adventure movies, but while Nolan’s philosophy is that of the kid in the back of the freshman year writing class with the scarf, Snyder’s is frat bro existentialism. Snyder is pretty great at examining the darkness that lurks in the hearts of men, but only when those men are grunting at each other, “HOLD ME BACK BEFORE I LAY THIS MOTHERFUCKER OUT, DUDE”-style. In any other case, it’s a toss-up. For example, in Watchmen, he totally got the plight of radioactive superman Dr. Manhattan. But the only female on the team, Silk Spectre, was shot like she was in an impromptu Axe Body Spray commercial.