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santaanacookies · 9 months
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Weeds for a Movie Night: What Films to Watch?
Are you planning to have a movie night with your friends or partner? Make sure to visit our Santa Ana dispensary to avail of promos and obtain high-quality weeds. Our budtenders can help you choose a variety that gives you a perfect night watching movies with your partner or friends.
Santa Ana Dispensary Budtenders’ Movie Recommendations There is something special and magical about combining the immersive world of cinema with the relaxing effects of cannabis. Whether you are seeking thought-providing narratives, mind-bending visuals, or good old-fashioned laughter, the right film can elevate your cannabis session to new heights.
Grab your favorite strain, settle in, and prepare to be transported to worlds both familiar and festival.
The Big Lebowski Join “The Dude” in this cult classic as he navigates a series of hilarious misadventures in search of a stolen rug. With its quirky characters, witty dialogue, and surreal situations, this movie is a perfect choice for a laid-back cannabis session filled with lighter and unexpected twists.
Inception This is Christopher Nolan’s mind-bending masterpiece. It is an ideal companion for a cannabis-induced exploration of dreams within dreams. Dive into the intricacies of the human subconscious as you follow Dom Cobb through a visually stunning and thought-provoking journey that blurs the lines between reality and imagination.
Fantasia Disney’s Fantasia is visually mesmerizing. It combines classical music with enchanting animation. It creates a sensory feast that is perfect for a cannabis-enhanced experience. Immerse yourself in a world of magic and wonder as you watch Mickey Mouse embrace his iconic adventure.
Pineapple Express For a cannabis-themed movie night, look no further than this movie. This stoner comedy follows the escapades of two unlikely friends as they navigate a series of misadventures after witnessing a murder. Filled with hilarious antics and unexpected twists, it is a lighthearted choice that is sure to keep you entertained.
Spirited Away This beautiful animal film tells the story of a young girl who becomes trapped in a mysterious and magical world. Immerse yourself in a captivating narrative filled with wonder, imagination, and heartwarming moments.
The Grand Budapest Hotel Wes Anderson has a signature style that is visually striking and whimsical. And the Grand Budapest Hotel showcases his style. The film takes you on a delightful and eccentric adventure. Follow the misadventures of Gustave, the charismatic concierge, and Zero as they navigate a series of quirky and unpredictable events.
Interstellar Prepare for an epic space odyssey with Interstellar. This is another Christopher Nolan film that offers a visually stunning exploration of space, time, and the human spirit as a team of astronauts embarks on a mission to save humanity. Let the awe-inspiring visual and thought-provoking themes captivate your imagination.
Avatar (2009) Step into the lush and immersive world of Pandora with James Cameron’s Avatar. This visually groundbreaking film offers a captivating escape into an alien planet filled with stunning landscapes and fascinating creatures. Lose yourself in the breathtaking visuals and diverse yourself in a tale of adventure and discovery.
Enhancing Your Experience Cannabis can greatly enhance your sensory experience and amplify your emotional connection to the films you watch. But make sure that you use weeds that offer the right high. Visit our Santa Ana dispensary today to shop for weeds that can help you relax for a movie night.
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little-specificity · 3 years
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I spent an entire afternoon looking at Inception screencaps. Here are some matching icons.
Like or reblog if you use them, please ♡
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architectnews · 3 years
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Architecture highlights from east Africa include projects from Madagascar and Burundi
Continuing our collaboration with Dom Publishers, the editors of the Sub-Saharan Africa Architectural Guide select architectural highlights from east Africa.
The Sub-Saharan Africa Architectural Guide contains over 850 buildings in 49 countries in Africa. It aims to be a comprehensive guide to architecture in the African countries that lie south of the Sahara.
Sub-Saharan Africa Architectural Guide is a seven-volume book focused on architecture in Africa
The fifth volume of the seven-volume publication is named Eastern Africa from the Great Lakes to the Indian Ocean and includes chapters on Kenya, Uganda, Rwanda, Burundi, Tanzania, Comoros, Seychelles, Mauritius and Madagascar.
"It is not only a guide book in the traditional sense but much more, featuring impressive photographs and essays on various aspects of the continent's building culture," said co-editor Philipp Meuser in an interview with Dezeen.
Read on for picks from each country in the region selected by Meuser and co-editor Adil Dalbai:
Photo by Javier Callejas
Kenya Swahili Gem Apartments, Mombasa, by Urko Sánchez Architects
Arguably one of the most iconic residential buildings in all of Africa, even if it was planned more for the upper middle class, the Swahili Gem Apartments combine features that make the most of the creekfront setting yet still ensure pri­vacy.
The fourteen-home luxury development includes four patio houses that run down to the water and flats above them. It takes its inspiration from the rich traditions of Swahili architecture: the mashrabiyya outer skin shields occupants from view on all facades except the water-facing one.
Wooden lattices carved by local artisans add to the shade and airflow. Rainwater is collected, and water is solar-heated to save energy. In addition to white plaster finishing, the project uses a mtomo finish, a coralstone cladding technique original to Lamu that helps keep thermal capacity thanks to the porosity of the stone.
Photo by Arnold Mugasha
Uganda Baha'i House of Worship, Kampala, by Charles Mason Remey,
 Cobb, Powell and Freeman
Called the Mother Temple of Africa, the structure on the outskirts of the city is one of eight Baha'i Houses of Worship in the world, and the only one in Africa.
This sacred building is enthroned on one of Kampala's hills. In the evening sun, the place looks picturesque, while the pulse of the metropolis beats in the valleys between the hills.
Charles Mason Remey initially designed the building, and the architectural firm of Cobb, Powell and Freeman, who also created the Bulange, modified the design to accommodate the existing local conditions and oversaw the construction, which began in 1958.
Measuring over 40 metres in height and with a pointed tip at the very top, the structure is roofed by a dome covered in green mosaic tiles. The dome rests on nine reinforced concrete columns which are filled in with brick walls featuring coloured glass panels. Nine windows are set into the dome and it is painted pale blue inside.
Photo by Adil Dalbai
Rwanda Genocide Memorial
 Amphitheatre, Kigali, by John McAslan and Partners
Expressing the national collective memory in architecture is always a great challenge.
The fact that a Scottish architect planned Rwanda's genocide memorial as a theatre with a spectacular backdrop of the city silhouette is evidence of a new openness to the world in one of the smallest African states, which just a generation ago was a non-place with racism and civil war.
Even though it is only one of the numerous physical spaces devoted to the commemoration of those murdered in the 1994 geno­cide, the Kigali Genocide Memorial in Gisozi, established in 2004, is defin­itely the most important.
In the mass graves located in its gardens, over 250,000 bodies are buried. The Memorial also houses the Genocide Archive of Rwanda and exhibitions on the history of the Rwandan genocide.
Photo by BC Architects
Burundi Muyinga Library, Muyinga, by BC Architects
The Muyinga Library is part of a future inclusive­ school for deaf children. It was built in locally­ sourced compressed earth blocks, according to a participatory approach. The buil­ding is organised along a longitudinal covered circulation space.
The building shows that it is possible to design thoroughly modern architecture using local building methods.
It is an exemplary example of how foreign architects, in this case from the former colonial power Belgium, have found an adapted design. However, the typology of the library still remains somewhat alien.
Photo by Vitaly Pozdeyev
Tanzania Michenzani flats, Zanzibar Stone Town, by Hubert Scholz
The rows of houses, more than a kilometre long, lie like a scar in the middle of the huts.
Yet the socialist series buildings were the first to be erected on the newly won land. In the 1970s, the GDR donated architectural know-how along with the complete supply of materials.
The fact that East German housing construction was successful in Africa has unfortunately been forgotten in Germany.
Photo by Nadia Moussa
Comoros Mitsamiouli Stele, Grande Comore Island, by Mahmoud Keldi, Nadia Moussa
Only a few remarkable examples of the architecture of the poor island state in the Indian Ocean have been documented. One of them is this monument in honour of the victims of the Yemenia Airways crash, which was inaug­urated on 30 June 2011 in Mitsamiouli, northern Grande Comore.
This monument, a collaboration between local architect Nadia Moussa and Mahmoud Keldi, a Paris-based French-Comoran architect, aims to commemorate the crash's French-Comoran victims.
The memorial is a tall, thin slab of reinforced concrete, shaped like an abstract sail and coated with cut volcanic stone and sheets of stainless steel, on which the names of the 153 victims were to be engraved.
One would like to see more monuments in Africa that have such a high level of abstraction.
Photo by DHK Architects
Seychelles Kempinski Seychelles Resort, Mahé Island, by DHK Architects
This project shows one of the places of longing that one would like to visit once in a lifetime. As long as you remain aware that not all places in Africa radiate this peace, and that even in the Seychelles more than 80 per cent of the population live in poverty, you can enjoy this foreign world.
Designed by the South African office, DHK Architects, the Kempinski Seychelles Resort project required that the former Plantation Club Resort and Casino on the island of Mahé be redeveloped.
Photo by Ulandi van Dyk
Mauritius Mauritius Commercial Bank, Quatre Bornes, by Jean Francois Koenig
The Mauritius Commercial Bank Building, an unusual edifice with a large water basin at its foot, is located in Quatre Bornes. Constructed in 2010, the structure was designed by Jean Francois Koenig Archi­tects as an elliptical shape that rests on four travertine-­clad pillars.
The building has open office floor plates that are naturally lit by glass from floor to floor, providing visual connections between l­evels and facilitating communication. It also features two auditoriums, training facilities, a modern kitchen and canteen, and plantrooms.
It was the first project in the southern hemi­sphere to obtain a BREEAM good environmental certificate and has become an iconic structure in Mauritius.
Why does the national bank of a tax haven build such a conspicuous building in the countryside? And this, shortly after the global financial crisis of 2008/2009? Some architectural thoughts remain a mystery. For a bank anyway.
Photo by Stefano Carera
Madagascar Under the Sails Residence, Nosy Be Island, by Stefano Carera, Eirini Giannakopoulou
Four simple volumes united under one roof make up this two-storey private residence by the sea. The quartet of separate volumes are linked by wooden decking and a central patio. This central patio, a living space that mediates between inside and out, connects the front of the house to the back, and therefore the sea to the forest.
The choice of local materials and trad­itional construction techniques embrace the landscape of Nosy Be, an island about eight kilometres off the northwestern coast of Madagascar which is a popular tourist destination.
The thatching, a material often used for roofs on the island, becomes a natural carpet that, with its form and scale, covers the whole house. Viewed from the beach, the roof conceals the concrete columns of the house.
The architectural style may be irritating for Africa. But Madagascar has part of its cultural roots in Southeast Asia. In the local architecture, the similarities to buildings in Indonesia are not accidental but deliberate.
The post Architecture highlights from east Africa include projects from Madagascar and Burundi appeared first on Dezeen.
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bongaboi · 5 years
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Grammy Awards 2019: The List, Part 3
Latin
Best Latin Pop Album
Sincera – Claudia Brant
Prometo – Pablo Alborán
Musas, Vol. 2 – Natalia Lafourcade
2:00 AM – Raquel Sofía
Vives – Carlos Vives
Best Latin Rock, Urban or Alternative Album
Aztlán – Zoé
Claroscura – Aterciopelados
COASTCITY – COASTCITY
Encanto Tropical – Monsieur Periné
Gourmet – Orishas
Best Regional Mexican Music Album (Including Tejano)
¡México Por Siempre! – Luis Miguel
Primero Soy Mexicana – Ángela Aguilar
Mitad Y Mitad – Calibre 50
Totalmente Juan Gabriel Vol. II – Aida Cuevas
Cruzando Borders – Los Texmaniacs
Leyendas de Mi Pueblo – Mariachi Sol de Mexico
Best Tropical Latin Album
Anniversary – Spanish Harlem Orchestra
Pa' Mi Gente – Charlie Aponte
Legado – Formell y Los Van Van
Orquesta Akokán – Orquesta Akokán
Ponle Actitud – Felipe Peláez
American Roots Music
Best American Roots Performance
"The Joke" – Brandi Carlile
"Kick Rocks" – Sean Ardoin
"St. James Infirmary Blues" – Jon Batiste
"All on My Mind" – Anderson East
"Last Man Standing" – Willie Nelson
Best American Roots Song
"The Joke"
"All the Trouble"
"Build a Bridge"
"Knockin' on Your Screen Door"
"Summer's End"
Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
Waylon Payne, Lee Ann Womack & Adam Wright, songwriters (Lee Ann Womack)
Jeff Tweedy, songwriter (Mavis Staples)
Pat McLaughlin & John Prine, songwriters (John Prine)
Pat McLaughlin & John Prine, songwriters (John Prine)
Best Americana Album
By the Way, I Forgive You – Brandi Carlile
Things Have Changed – Bettye LaVette
The Tree of Forgiveness – John Prine
The Lonely, the Lonesome & the Gone – Lee Ann Womack
One Drop of Truth – The Wood Brothers
Best Bluegrass Album
The Travelin' McCourys – The Travelin' McCourys
Portraits in Fiddles – Mike Barnett
Sister Sadie II – Sister Sadie
Rivers and Roads – The Special Consensus
North of Despair – Wood & Wire
Best Traditional Blues Album
The Blues Is Alive and Well – Buddy Guy
Something Smells Funky 'Round Here – Elvis Bishop's Big Fun Trio
Benton County Relic – Cedric Burnside
No Mercy in This Land – Ben Harper and Charlie Musselwhite
Don't You Feel My Leg (The Naughty Bawdy Blues of Blue Lu Barker) – Maria Muldaur
Best Contemporary Blues Album
Please Don't Be Dead – Fantastic Negrito
Here in Babylon – Teresa James and the Rhythm Tramps
Cry No More – Danielle Nicole
Out of the Blues – Boz Scaggs
Victor Wainwright and the Train – Victor Wainwright and the Train
Best Folk Album
All Ashore – Punch Brothers
Whistle Down the Wind – Joan Baez
Black Cowboys – Dom Flemons
Rifles & Rosary Beads – Mary Gauthier
Weed Garden – Iron & Wine
Best Regional Roots Music Album
No 'Ane'i – Kalani Pe'a
Kreole Rock and Soul – Sean Ardoin
Spyboy – Cha Wa
Aloha from Na Hoa – Na Hoa
Mewasinsational: Cree Round Dance Songs – Young Spirit
Reggae
Best Reggae Album
44/876 – Sting & Shaggy
As the World Turns – Black Uhuru
Reggae Forever – Etana
Rebellion Rises – Ziggy Marley
A Matter of Time – Protoje
World Music
Best World Music Album
Freedom – Soweto Gospel Choir
Deran – Bombino
Fenfo – Fatoumata Diawara
Black Times – Seun Kuti & Egypt 80
Yiddish Glory: The Lost Songs of World War II, various artists
Children's
Best Children's Album
All the Sounds – Lucy Kalantari & The Jazz Cats
Building Blocks – Tim Kubart
Falu's Bazaar – Falu
Giants of Science – The Pop Ups
The Nation of Imagine – Frank & Deane
Spoken Word
Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)
Faith: A Journey for All – Jimmy Carter
Accessory to War – Courtney B. Vance
Calypso – David Sedaris
Creative Quest – Questlove
The Last Black Unicorn – Tiffany Haddish
Comedy
Best Comedy Album
Equanimity & The Bird Revelation – Dave Chappelle
Annihilation – Patton Oswalt
Noble Ape – Jim Gaffigan
Standup for Drummers – Fred Armisen
Tamborine – Chris Rock
Musical Theater
Best Musical Theater Album
The Band's Visit – Etai Benson, Adam Kantor, Katrina Lenk & Ari'el Stachel, principal soloists; Dean Sharenow & David Yazbek, producers; David Yazbek, composer & lyricist (Original Broadway Cast)
Carousel – Renée Fleming, Alexander Gemignani, Joshua Henry, Lindsay Mendez & Jessie Mueller, principal soloists; Steven Epstein, producer (Richard Rodgers, composer; Oscar Hammerstein II, lyricist) (2018 Broadway Cast)
Jesus Christ Superstar Live in Concert – Sara Bareilles, Alice Cooper, Ben Daniels, Brandon Victor Dixon, Erik Grönwall, Jin Ha, John Legend, Norm Lewis & Jason Tam, principal soloists; Harvey Mason Jr., producer (Andrew Lloyd Webber, composer; Tim Rice, lyricist) (Original Television Cast)
My Fair Lady – Lauren Ambrose, Norbert Leo Butz & Harry Hadden-Paton, principal soloists; Andre Bishop, Van Dean, Hattie K. Jutagir, David Lai, Adam Siegel & Ted Sperling, producers (Frederick Loewe, composer; Alan Jay Lerner, lyricist) (2018 Broadway Cast)
Once on This Island – Phillip Boykin, Merle Dandridge, Quentin Earl Darrington, Hailey Kilgore, Kenita R. Miller, Alex Newell, Isaac Powell & Lea Salonga, principal soloists; Lynn Ahrens, Hunter Arnold, Ken Davenport, Stephen Flaherty & Elliot Scheiner, producers (Stephen Flaherty, composer; Lynn Ahrens, lyricist) (New Broadway Cast)
Music for Visual Media
Best Compilation Soundtrack for Visual Media
The Greatest Showman – Hugh Jackman (& Various Artists)
Call Me by Your Name – (Various Artists)
Deadpool 2 – (Various Artists)
Lady Bird – (Various Artists)
Stranger Things – (Various Artists)
Alex Lacamoire, Benj Pasek, Justin Paul & Greg Wells, compilation producers
Luca Guadagnino, compilation producer; Robin Urdang, music supervisor
David Leitch & Ryan Reynolds, compilation producers; John Houlihan, music supervisor
Timothy J. Smith, compilation producer; Michael Hill & Brian Ross, music supervisors
Matt Duffer, Ross Duffer, Timothy J. Smith, compilation producer; Nora Felder, music supervisor
Best Score Soundtrack for Visual Media
Black Panther – Ludwig Göransson, composer
Blade Runner 2049 – Benjamin Wallfisch & Hans Zimmer, composers
Coco – Michael Giacchino, composer
The Shape of Water – Alexandre Desplat, composer
Star Wars: The Last Jedi – John Williams, composer
Best Song Written for Visual Media
"Shallow" (from A Star Is Born)
"All the Stars" (from Black Panther)
"Mystery of Love" (from Call Me by Your Name)
"Remember Me" (from Coco)
"This Is Me" (from The Greatest Showman)
Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt, songwriters (Lady Gaga & Bradley Cooper)
Kendrick Duckworth, Solána Rowe, Alexander William Shuckburgh, Mark Anthony Spears & Anthony Tiffith, songwriters (Kendrick Lamar & SZA)
Sufjan Stevens, songwriter (Sufjan Stevens)
Kristen Anderson-Lopez & Robert Lopez, songwriters (Miguel featuring Natalia Lafourcade)
Benj Pasek & Justin Paul, songwriters (Keala Settle & The Greatest Showman Ensemble)
Composing
Best Instrumental Composition
"Blut Und Boden (Blood and Soil)"
"Chrysalis"
"Infinity War"
"Mine Mission"
"The Shape of Water"
Terence Blanchard, composer (Terence Blanchard)
Jeremy Kittel, composer (Kittel & Co.)
Alan Silvestri, composer (Alan Silvestri)
John Powell & John Williams, composers (John Powell & John Williams)
Alexandre Desplat, composer (Alexandre Desplat)
Arranging
Best Arrangement, Instrumental or A Cappella
"Stars and Stripes Forever"
"Batman Theme (TV)"
"Change the World"
"Madrid Finale"
"The Shape of Water"
John Daversa, arranger (John Daversa Big Band featuring DACA Artists)
Randy Waldman & Justin Wilson, arrangers (Randy Waldman featuring Wynton Marsalis)
Mark Kibble, arranger (Take 6)
John Powell, arranger (John Powell)
Alexandre Desplat, arranger (Alexandre Desplat)
Best Arrangement, Instruments and Vocals
"Spiderman Theme"
"It Was a Very Good Year"
"Jolene"
"Mona Lisa"
"Niña"
Mark Kibble, Randy Waldman & Justin Wilson, arrangers (Randy Waldman featuring Take 6 & Chris Potter)
Matt Rollings & Kristin Wilkinson, arrangers (Willie Nelson)
Dan Pugach & Nicole Zuraitis, arrangers (Dan Pugach)
Vince Mendoza, arranger (Gregory Porter)
Gonzalo Grau, arranger (Magos Herrera & Brooklyn Rider)
Packaging
Best Recording Package
Masseduction
Be the Cowboy
Love Yourself: Tear
The Offering
Well Kept Thing
Willo Perron, art director (St. Vincent)
Mary Banas, art director (Mitski)
HuskyFox, art director (BTS)
Qing-Yang Xiao, art director (The Chairman)
Adam Moore, art director (Foxhole)
Best Boxed or Special Limited Edition Package
Squeeze Box: The Complete Works of "Weird Al" Yankovic
Appetite For Destruction (Locked N' Loaded Box)
I'll Be Your Girl
Pacific Northwest '73–'74: The Complete Recordings
Too Many Bad Habits
Meghan Foley, Annie Stoll & Al Yankovic, art directors ("Weird Al" Yankovic)
Arian Buhler, Charles Dooher, Jeff Fura, Scott Sandler & Matt Taylor, art directors (Guns N' Roses)
Carson Ellis, Jeri Heiden & Glen Nakasako, art directors (The Decemberists)
Lisa Glines, Doran Tyson & Roy Henry Vickers, art directors (Grateful Dead)
Sarah Dodds & Shauna Dodds, art directors (Johnny Nicholas)
Notes
Best Album Notes
Voices of Mississippi: Artists and Musicians Documented by William Ferris
Alpine Dreaming: The Helvetia Records Story, 1920-1924
4 Banjo Songs, 1891-1897: Foundational Recordings of America's Iconic Instrument
The 1960 Time Sessions
The Product of Our Souls: The Sound and Sway of James Reese Europe's Society Orchestra
Trouble No More: The Bootleg Series Vol. 13/1979-1981 (Deluxe Edition)
David Evans, album notes writer (Various artists)
James P. Leary, album notes writer (Various artists)
Richard Martin & Ted Olson, album notes writer (Charles A. Asbury)
Ben Ratliff, album notes writer (Sonny Clark Trio)
David Gilbert, album notes writer (Various artists)
Amanda Petrusich, album notes writer (Bob Dylan)
Historical
Best Historical Album
Voices of Mississippi: Artists and Musicians Documented by William Ferris
Any Other Way
At the Louisiana Hayride Tonight...
Battleground Korea: Songs and Sounds of America's Forgotten War
A Rhapsody in Blue: The Extraordinary Life of Oscar Levant
William Ferris, April Ledbetter & Steven Lance Ledbetter, compilation producers; Michael Graves, mastering engineer (Various artists)
Rob Bowman, Douglas McGowan, Rob Sevier & Ken Shipley, compilation producers; Jeff Lipton, mastering engineer (Jackie Shane)
Martin Hawkins, compilation producer; Christian Zwarg, mastering engineer (Various artists)
Hugo Keesing, compilation producer; Christian Zwarg, mastering engineer (Various artists)
Robert Russ, compilation producer; Andreas K. Meyer & Rebekah Wineman, mastering engineers (Oscar Levant)
Production, Non-Classical
Best Engineered Album, Non-Classical
Colors
All the Things That I Did and All the Things That I Didn't Do
Earthtones
Head Over Heels
Voicenotes
Julian Burg, Serban Ghenea, David "Elevator" Greenbaum, John Hanes, Beck Hansen, Greg Kurstin, Florian Lagatta, Cole M.G.N., Alex Pasco, Jesse Shatkin, Darrell Thorp & Cassidy Turbin, engineers; Chris Bellman, Tom Coyne, Emily Lazar & Randy Merrill, mastering engineers (Beck)
Ryan Freeland & Kenneth Pattengale, engineers; Kim Rosen, mastering engineer (The Milk Carton Kids)
Robbie Lackritz, engineer; Philip Shaw Bova, mastering engineer (Bahamas)
Nathaniel Alford, Jason Evigan, Chris Galland, Tom Gardner, Patrick "P-Thugg" Gemayel, Serban Ghenea, John Hanes, Tony Hoffer, Derek Keota, Ian Kirkpatrick, David Macklovitch, Amber Mark, Manny Marroquin, Vaughn Oliver, Chris "TEK" O'Ryan, Morgan Taylor Reid & Gian Stone, engineers; Chris Gehringer & Michelle Mancini, mastering engineers (Chromeo)
Manny Marroquin & Charlie Puth, engineers; Dave Kutch, mastering engineer (Charlie Puth)
Producer of the Year, Non-Classical
Pharrell Williams
Boi-1da
Larry Klein
Linda Perry
Kanye West
"Apeshit" (The Carters)
Man of the Woods (Justin Timberlake)
No One Ever Really Dies (N.E.R.D)
"Stir Fry" (Migos)
Sweetener (Ariana Grande)
"Be Careful" (Cardi B)
"Diplomatic Immunity" (Drake)
"Friends" (The Carters)
"God's Plan" (Drake)
"Heard About Us" (The Carters)
"Lucky You" (Eminem featuring Joyner Lucas)
"Mob Ties" (Drake)
"No Limit" (G-Eazy featuring ASAP Rocky & Cardi B)
"All These Things" (Thomas Dybdahl)
Anthem (Madeleine Peyroux)
The Book of Longing (Luciana Souza)
"Can I Have It All" (Thomas Dybdahl)
Junk (Hailey Tuck)
"Look At What We've Done" (Thomas Dybdahl)
Meaning to Tell Ya (Molly Johnson)
"Harder, Better, Faster, Stronger" (Willa Amai)
Served Like a Girl (Various artists)
28 Days in the Valley (Dorothy)
Daytona (Pusha T)
Kids See Ghosts (Kids See Ghosts)
K.T.S.E. (Teyana Taylor)
Nasir (Nas)
Ye (Kanye West)
Best Remixed Recording
"Walking Away" (Mura Masa Remix)
"Audio" (CID Remix)
"How Long" (EDX's Dubai Skyline Remix)
"Only Road" (Cosmic Gate Remix)
"Stargazing" (Kaskade Remix)
Alex Crossan, remixer (Haim)
CID, remixer (LSD)
Maurizio Colella, remixer (Charlie Puth)
Stefan Bossems & Claus Terhoeven, remixers (Gabriel & Dresden featuring Sub Teal)
Kaskade, remixer (Kygo featuring Justin Jesso)
Production, Immersive Audio
Best Immersive Audio Album
Eye in the Sky: 35th Anniversary Edition
Folketoner
Seven Words from the Cross
Sommerro: Ujamaa & The Iceberg
Symbol
Alan Parsons, surround mix engineer; Dave Donnelly, PJ Olsson & Alan Parsons, surround mastering engineers; Alan Parsons, surround producer (The Alan Parsons Project)
Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Anne Karin Sundal-Ask & Det Norske Jentekor)
Daniel Shores, surround mix engineer; Daniel Shores, surround mastering engineer; Dan Merceruio, surround producer (Matthew Guard & Skylark)
Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Ingar Heine Bergby, Trondheim Symphony Orchestra & Choir)
Prashant Mistry & Ronald Prent, surround mix engineers; Darcy Proper, surround mastering engineer; Prashant Mistry & Ronald Prent, surround producers (Engine-Earz Experiment)
Production, Classical
Best Engineered Album, Classical
Shostakovich: Symphonies Nos. 4 & 11
Bates: The (R)evolution of Steve Jobs
Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1
John Williams at the Movies
Liquid Melancholy: Clarinet Music of James M. Stephenson
Visions and Variations
Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons & Boston Symphony Orchestra)
Mark Donahue & Dirk Sobotka, engineers; Mark Donahue, mastering engineer (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edwards Parks, Jessica E. Jones & Santa Fe Opera Orchestra)
Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
Keith O. Johnson & Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Jerry Junkin & Dallas Winds)
Bill Maylone & Mary Mazurek, engineers; Bill Maylone, mastering engineer (John Bruce Yeh)
Tom Caulfield, engineer; Jesse Lewis, mastering engineer (A Far Cry)
Producer of the Year, Classical
Blanton Alspaugh
David Frost
Elizabeth Ostrow
Judith Sherman
Dirk Sobotka
Arnesen: Infinity - Choral Works (Joel Rinsema & Kantorei)
Aspects of America (Carlos Kalmar & Oregon Symphony)
Chesnokov: Teach Me Thy Statutes (Vladimir Gorbik & PaTRAM Institute Male Choir)
Gordon, R.: The House Without a Christmas Tree (Bradley Moore, Elisabeth Leone, Maximillian Macias, Megan Mikailovna Samarin, Patricia Schuman, Lauren Snouffer, Heidi Stober, Daniel Belcher, Houston Gran Opera Juvenile Chorus & Houston Grand OperaOrchestra)
Haydn: The Creation (Andrés Orozco-Estrada, Betsy Cook Weber, Houston Symphony & Houston Symphony Chorus)
Heggie: Great Scott (Patrick Summers, Manuel Palazzo, Mark Hancock, Michael Mayes, Rodell Rosel, Kevin Burdette, Anthony Roth Costanzo, Nathan Gunn, Frederica von Stade, Ailyn Pérez, Joyce DiDonato, Dallas Opera Chorus & Orchestra)
Music of Fauré, Buide & Zemlinsky (Trio Séléné)
Paterson: Three Way - A Trio of One-Act Operas (Dean Williamson, Daniele Pastin, Courtney Ruckman, Eliza Bonet, Melisa Bonetti, Jordan Rutter, Samuel Levine, Wes Mason, Matthew Treviño & Nashville Opera Orchestra)
Vaughan Williams: Piano Concerto; Oboe Concerto; Serenade to Music; Flos Campi (Peter Oundjian & Toronto Symphony Orchestra)
Beethoven: Piano Sonatas, Volume 7 (Jonathan Biss)
Mirror in Mirror (Anne Akiko Meyers, Kristjan Järvi & Philharmonia Orchestra)
Mozart: Idomeneo (James Levine, Alan Opie, Matthew Polenzani, Alice Coote, Nadine Sierra, Elza van den Heever, The Metropolitan Opera Orchestra & Chorus)
Presentiment (Orion Weiss)
Strauss, R.: Der Rosenkavalier (Sebastian Weigle, Renée Fleming, Elīna Garanča, Erin Morley, Günther Groissböck, Metropolitan Opera Orchestra & Chorus)
Bates: The (R)evolution of Steve Jobs (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edwards Parks, Jessica E. Jones & Santa Fe Opera Orchestra)
The Road Home (Joshua Habermann & Santa Fe Desert Chorale)
Beethoven Unbound (Llŷr Williams)
Black Manhattan Volume 3 (Rick Benjamin & Paragon Ragtime Orchestra)
Bolcom: Piano Music (Various Artists)
Del Tredici: March to Tonality (Mark Peskanov & Various Artists)
Love Comes in at the Eye (Timothy Jones, Stephanie Sant'Ambrogio, Jeffrey Sykes, Anthony Ross, Carol Cook, Beth Rapier & Stephanie Jutt)
Meltzer: Variations on a Summer Day & Piano Quartet (Abigail Fischer, Jayce Ogren & Sequitur)
Mendelssohn: Complete Works for Cello and Piano (Marcy Rosen & Lydia Artymiw)
New Music for Violin and Piano (Julie Rosenfeld & Peter Miyamoto)
Reich: Pulse/Quartet (Colin Currie Group & International Contemporary Ensemble)
Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1 (Manfred Honeck & Pittsburgh Symphony Orchestra)
Lippencott: Frontier Symphony (Jeff Lippencott & Ligonier Festival Orchestra)
Mahler: Symphony No. 8 (Thierry Fischer, Mormon Tabernacle Choir & Utah Symphony)
Music of the Americas (Andrés Orozco-Estrada & Houston Symphony)
Classical
Best Orchestral Performance
Shostakovich: Symphonies Nos. 4 & 11
Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1
Nielsen: Symphony No. 3 & Symphony No. 4
Ruggles, Stucky & Harbison: Orchestral Works
Schumann: Symphonies Nos. 1-4
Andris Nelsons, conductor (Boston Symphony Orchestra)
Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)
Thomas Dausgaard, conductor (Seattle Symphony)
David Alan Miller, conductor (National Orchestral Institute Philharmonic)
Michael Tilson Thomas, conductor (San Francisco Symphony)
Best Opera Recording
Bates: The (R)evolution Of Steve Jobs
Adams: Doctor Atomic
Lully: Alceste
Strauss, R.: Der Rosenkavalier
Verdi: Rigoletto
Michael Christie, conductor; Sasha Cooke, Jessica E. Jones, Edward Parks, Garrett Sorenson & Wei Wu; Elizabeth Ostrow, producer (The Santa Fe Opera Orchestra)
John Adams, conductor; Aubrey Allicock, Julia Bullock, Gerald Finley & Brindley Sherratt; Friedemann Engelbrecht, producer (The BBC Symphony Orchestra; BBC Singers)
Christophe Rousset, conductor; Edwin Crossley-Mercer, Emiliano Gonzalez Toro & Judith Van Wanroij; Maximilien Ciup, producer (Les Talens Lyriques; Choeur De Chambre De Namur)
Sebastian Weigle, conductor; Renée Fleming, Elīna Garanča, Günther Groissböck & Erin Morley; David Frost, producer (Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
Constantine Orbelian, conductor; Francesco Demuro, Dmitri Hvorostovsky & Nadine Sierra; Vilius Keras & Aleksandra Keriene, producers (Kaunas City Symphony Orchestra; Men Of The Kaunas State Choir)
Best Choral Performance
McLoskey: Zealot Canticles
Chesnokov: Teach Me Thy Statutes
Kastalsky: Memory Eternal
Rachmaninov: The Bells
Seven Words From The Cross
Donald Nally, conductor (Doris Hall-Gulati, Rebecca Harris, Arlen Hlusko, Lorenzo Raval & Mandy Wolman; The Crossing)
Vladimir Gorbik, conductor (Mikhail Davydov & Vladimir Krasov; PaTRAM Institute Male Choir)
Steven Fox, conductor (The Clarion Choir)
Mariss Jansons, conductor; Peter Dijkstra, chorus master (Oleg Dolgov, Alexey Markov & Tatiana Pavlovskaya; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks)
Matthew Guard, conductor (Skylark)
Best Chamber Music/Small Ensemble Performance
Anderson, Laurie: Landfall – Laurie Anderson & Kronos Quartet
Beethoven, Shostakovich & Bach – The Danish String Quartet
Blueprinting – Aizuri Quartet
Stravinsky: The Rite of Spring Concerto for Two Pianos – Leif Ove Andsnes & Marc-André Hamelin
Visions And Variations – A Far Cry
Best Classical Instrumental Solo
Kernis: Violin Concerto – James Ehnes
Bartók: Piano Concerto No. 2 – Yuja Wang
Biber: The Mystery Sonatas – Christina Day Martinson
Bruch: Scottish Fantasy, Op. 46; Violin Concerto No. 1 In G Minor, Op. 26
Glass: Three Pieces In The Shape of A Square
Ludovic Morlot, conductor (Seattle Symphony)
Simon Rattle, conductor (Berliner Philharmoniker)
Martin Pearlman, conductor (Boston Baroque)
Joshua Bell (The Academy Of St. Martin In The Fields)
Craig Morris
Best Classical Solo Vocal Album
Songs of Orpheus: Monteverdi, Caccini, d'India & Landi – Karim Sulayman
ARC – Anthony Roth Costanzo
The Handel Album – Philippe Jaroussky
Mirages – Sabine Devieilhe
Schubert: Winterreise – Randall Scarlata
Jeannette Sorrell, conductor; Apollo's Fire, ensembles
Jonathan Cohen, conductor (Les Violons Du Roy)
Artaserse, ensemble
François-Xavier Roth, conductor (Alexandre Tharaud; Marianne Crebassa & Jodie Devos; Les Siècles)
Gilbert Kalish, accompanist
Best Classical Compendium
Fuchs: Piano Concerto 'Spiritualist'; Poems Of Life; Glacier; Rush
Gold
The John Adams Edition
John Williams at the Movies
Vaughan Williams: Piano Concerto; Oboe Concerto; Serenade To Music; Flos Campi
JoAnn Falletta, conductor; Tim Handley, producer
The King's Singers; Nigel Short, producer
Simon Rattle, conductor; Christoph Franke, producer
Jerry Junkin, conductor; Donald J. McKinney, producer
Peter Oundjian, conductor; Blanton Alspaugh, producer
Best Contemporary Classical Composition
Kernis: Violin Concerto
Bates: The (R)evolution of Steve Jobs
Du Yun: Air Glow
Heggie: Great Scott
Mazzoli: Vespers for Violin
Aaron Jay Kernis, composer (James Ehnes, Ludovic Morlot & Seattle Symphony)
Mason Bates, composer; Mark Campbell, librettist (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edward Parks, Jessica E. Jones & Santa Fe Opera Orchestra)
Du Yun, composer (International Contemporary Ensemble)
Jake Heggie, composer; Terrence McNally, librettist (Patrick Summers, Manuel Palazzo, Mark Hancock, Michael Mayes, Rodell Rosel, Kevin Burdette, Anthony Roth Costanzo, Nathan Gunn, Frederica von Stade, Ailyn Pérez, Joyce DiDonato, Dallas Opera Chorus & Orchestra)
Missy Mazzoli, composer (Olivia De Prato)
Music Video/Film
Best Music Video
"This Is America" – Childish Gambino
"Apeshit" – The Carters
"I'm Not Racist" – Joyner Lucas
"Pynk" – Janelle Monáe
"Mumbo Jumbo" – Tierra Whack
Hiro Murai, video directors; Ibra Ake, Jason Cole & Fam Rothstein, video producers
Ricky Saiz, video director; Mélodie Buchris, Natan Schottenfels & Erinn Williams, video producers
Joyner Lucas & Ben Proulx, video directors; Joyner Lucas, video producer
Emma Westenburg, video director; Justin Benoliel & Whitney Jackson, video producers
Marco Prestini, video director; Sara Nassim, video producer
Best Music Film
Quincy – Quincy Jones
Life in 12 Bars – Eric Clapton
Whitney – (Whitney Houston)
Itzhak – Itzhak Perlman
The King – (Elvis Presley)
Alan Hicks & Rashida Jones, video directors; Paula DuPré Pesmen, video producer
Lili Fini Zanuck, video director; John Battsek, Scooter Weintraub, Larry Yelen & Lili Fini Zanuck, video producers
Kevin Macdonald, video director; Jonathan Chinn, Simon Chinn & Lisa Erspamer, video producers
Alison Chernick, video director; Alison Chernick, video producer
Eugene Jarecki, video director; Christopher Frierson, Georgina Hill, David Kuhn & Christopher St. John, video producers
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mrjeremydylan · 7 years
Text
My Favorite Album #190 - PVT on Brian Eno 'Another Green World' and how you can use his oblique strategies to fire the creative process
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PVT drummer Laurence Pike joins me to discuss the iconic British producer, singer-songwriter, self proclaimed 'non-musician' and mad professor Brian Eno and his classic album Another Green World (1975).
We use Eno's classic 'Oblique Strategies' cards, we try to find insight into Eno's creativity, PVT's musical process and different ways of overcoming creative stumbling blocks and barriers, and that time Eno hit on Laurence’s wife.
Listen in the player above or download the episode by clicking here.
Subscribe to the podcast in iTunes here or in other podcasting apps by copying/pasting our RSS feed - http://myfavoritealbum.libsyn.com/rss My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album’s influence on their own music. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos.
If you’ve got any feedback or suggestions, drop us a line at [email protected].
LINKS
- PVT on Facebook, Twitter and Instagram. Buy their new album ‘New Spirit’ on iTunes here.
- Buy ‘Another Green World’ here.
- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.
- Like the podcast on Facebook here.
- If you dig the show, please leave a rating or review of the show on iTunes here.
CHECK OUT OUR OTHER EPISODES
189. Middle Kids on My Brightest Diamond ‘Bring Me The Workhorse’ (2006) 188. The Bitter Script Reader on Tom Hanks ‘That Thing You Do’ (1996) 187. Carly Rae Jepsen ‘Emotion’ (2015) with CRJ Dream Team Roundtable 186. Sarah Belkner on Peter Gabriel ‘So’ (1986) 185. Mark Hart (Crowded House, Supertramp) on XTC ‘Drums and Wires’ (1979) 184. Emma Swift on Marianne Faithfull ‘Broken English’ (1974) 183. Owen Rabbit on Kate Bush ‘Hounds of Love’ (1985) 182. Robyn Hitchcock on Bob Dylan ‘Blonde on Blonde’ (1966) 181. Dave Mudie (Courtney Barnett) on Nirvana ‘Nevermind’ (1991) 180. Brian Koppelman on Bruce Springsteen ‘Nebraska’ (1982) 179. Nicholas Allbrook (POND) on OutKast ‘The Love Below’ (2003) 178. 2016 in Review: What the hell? ft Jeff Greenstein, Rob Draper & Cookin on 3 Burners, Melody Pool, Lisa Mitchell, Emma Swift, Brian Koppelman, Mark Hart (Crowded House), Davey Lane and Alex Lahey 177. Harper Simon on The Beatles ‘White Album’ (1968) 176. Andrew P Street on Models ‘Pleasure of Your Company’ (1983) 175. Matt Farley (Motern Media) on why The Beach Boys ‘Love You’ is better than ‘Pet Sounds’ 174. Lisa Mitchell on Regina Spektor ‘Begin to Hope’ (2006) and her favorite albums of 2016 173. Peter Bibby on Sleep ‘Dopesmoker’ (2003) 172. Slate’s Jack Hamilton on Stevie Wonder ‘Innervisions’ (1973) 171. Showrunner Blake Masters on Drive-By Truckers ‘The Dirty South’ (2004) 170. Taylor Goldsmith (Dawes) on on their new album ‘We’re All Gonna Die’, loving LA and the albums that inspire him 169. Sadler Vaden on The Rolling Stones ‘Goats Head Soup’ (1973) 168. Guy Clark biographer Tamara Saviano on ‘Dublin Blues’, Guy’s songwriting process and his musical legacy 167. What does Trump mean for music? 166. A Tribute to Sir George Martin, The Fifth Beatle with Davey Lane and Brett Wolfie 165. John Oates on Joni Mitchell ‘Blue’ (1971) 164. Jimmy Vivino on the birth of the Max Weinberg 7, his relationship with Conan O’Brien, country music and the future of rock’n’roll 163. DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. Julia Jacklin on Extraordinary Machine by Fiona Apple (2005) 155. Japanese Wallpaper on Currents by Tame Impala (2015) 154. Montaigne on her album Glorious Heights (2016) and its inspirations 153. Alex Lahey on Hot Fuss by the Killers (2004) 152. Jack Moffitt (The Preatures) on Physical Graffiti by Led Zeppelin (1975) 151. Mike Bloom on Axis Bold As Love by Jimi Hendrix (1968) 150. Hey Geronimo on Drowning in the Fountain of Youth by Dan Kelly (2006) 149. Mickey Raphael on Teatro by Willie Nelson (1998) 148. Jack Ladder on Suicide by Suicide 147. Rusty Anderson on Hot Rats by Frank Zappa 146. Kenny Aronoff on The Beatles 145. Bob Evans on A Grand Don’t Come for Free by The Streets 144. Chris Hewitt (Empire) on New Adventues in Hi-Fi by REM 143. Dr Warren Zanes on Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers 142. Dr Mark Kermode (Wittertainment) on Sleep No More by the Comsat Angels 141. Van Dyke Parks on Randy Newman by Randy Newman 140. Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. Lindsay ‘The Doctor’ McDougall (Frenzal Rhomb) on Curses! by Future of the Left 107. Julien Barbagallo (Tame Impala) on Chrominance Decoder by April March 106. Melody Pool on Blue by Joni Mitchell 105. Rusty Hopkinson (You Am I) on ‘Nuggets: Original Artyfacts from the First Psychedelic Era’ 104. Jeff Greenstein on A Quick One (Happy Jack) by The Who 103. Dave Cobb on Revolver by the Beatles 102. Justin Melkmann (World War IX) on Coney Island Baby by Lou Reed 101. Kacey Musgraves on John Prine by John Prine 100. Does the album have a future? 99. Corb Lund on Gunfighter Ballads and Trail Songs by Marty Robbins 98. Bad Dreems on Unknown Pleasures by Joy Division 97. Davey Lane (You Am I) on Abbey Road by the Beatles 96. Dan Kelly on There’s A Riot Goin’ On by Sly and the Family Stone 95. Ash Grunwald on Mule Variations by Tom Waits 94. Stella Angelico on The Shangrilas 93. Eves the Behavior on Blue by Joni Mitchell 92. Troy Cassar-Daley on Willie Nelson’s Greatest Hits 91. Lydia Loveless on Pleased to Meet Me by the Replacements 90. Gena Rose Bruce on The Boatman’s Call by Nick Cave 89. Kitty Daisy and Lewis on A Swingin’ Safari by Bert Kaempfert 88. Will Hoge on Modern Sounds in Country & Western Music by Ray Charles 87. Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. 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Danny Yau, Andrew Hansen, Gideon Bensen (The Preatures) and Mike Carr 36 - Doug Pettibone on Wrecking Ball by Emmylou Harris 35 - Ross Ryan on Late for the Sky by Jackson Browne 34 - Michael Carpenter on Hard Promises by Tom Petty & the Heartbreakers 33 - Davey Lane (You Am I) on Jesus of Cool by Nick Lowe 32 - Zane Carney on Smokin’ at the Half Note by Wes Montgomery 31 - Tony Buchen on Sgt Pepper’s Lonely Hearts Club Band by The Beatles 30 - Simon Relf (The Tambourine Girls) on On the Beach by Neil Young 29 - Peter Cooper on In Search of a Song by Tom T Hall 28 - Thelma Plum on Stolen Apples by Paul Kelly 27 - James House on Rubber Soul by the Beatles 26 - Ella Hooper on Let England Shake by PJ Harvey 25 - Abbey Road Special 24 - Alyssa Bonagura on Room for Squares by John Mayer 23 - Luke Davison (The Preatures) on Green Onions by Booker T and the MGs 22 - Neil Finn on Hunky Dory by David Bowie and In Rainbows by Radiohead 21 - Neil Finn on Beatles for Sale by the Beatles and After the Goldrush by Neil Young 20 - Morgan Evans on Diorama by Silverchair 19 - Emma Swift on Car Wheels On A Gravel Road by Lucinda Williams 18 - Danny Yau on Hourly Daily by You Am I 17 - J Robert Youngtown and Jon Auer (The Posies) on Hi Fi Way by You Am I 16 - Lester the Fierce on Hounds of Love by Kate Bush 15 - Luke Davison on Green Onions by Booker T and the MGs 14 - Jeff Cripps on Wheels of Fire by Cream 13 - Mark Holden on Blue by Joni Mitchell (Part 2) 12 - Mark Holden on Blue by Joni Mitchell (Part 1) 11 - Gossling on O by Damien Rice 10 - Matt Fell on Temple of Low Men by Crowded House 9 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 2) 8 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 1) 7 - Sam Hawksley on A Few Small Repairs by Shawn Colvin 6 - Jim Lauderdale on Grievous Angel by Gram Parsons 5 - Mark Moffatt on Blues Breakers by John Mayall and Eric Clapton 4 - Darren Carr on Ten Easy Pieces by Jimmy Webb 3 - Mark Wells on Revolver by The Beatles 2 - Mike Carr on Arrival by ABBA 1 - Rob Draper on Highway 61 Revisited by Bob Dylan
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architectnews · 3 years
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Architecture highlights from east Africa include projects from Madagascar and Burundi
Continuing our collaboration with Dom Publishers, the editors of the Sub-Saharan Africa Architectural Guide select architectural highlights from east Africa.
The Sub-Saharan Africa Architectural Guide contains over 850 buildings in 49 countries in Africa. It aims to be a comprehensive guide to architecture in the African countries that lie south of the Sahara.
Sub-Saharan Africa Architectural Guide is a seven-volume book focused on architecture in Africa
The fifth volume of the seven-volume publication is named Eastern Africa from the Great Lakes to the Indian Ocean and includes chapters on Kenya, Uganda, Rwanda, Burundi, Tanzania, Comoros, Seychelles, Mauritius and Madagascar.
"It is not only a guide book in the traditional sense but much more, featuring impressive photographs and essays on various aspects of the continent's building culture," said co-editor Philipp Meuser in an interview with Dezeen.
Read on for picks from each country in the region selected by Meuser and co-editor Adil Dalbai:
Photo by Javier Callejas
Kenya Swahili Gem Apartments, Mombasa, by Urko Sánchez Architects
Arguably one of the most iconic residential buildings in all of Africa, even if it was planned more for the upper middle class, the Swahili Gem Apartments combine features that make the most of the creekfront setting yet still ensure pri­vacy.
The fourteen-home luxury development includes four patio houses that run down to the water and flats above them. It takes its inspiration from the rich traditions of Swahili architecture: the mashrabiyya outer skin shields occupants from view on all facades except the water-facing one.
Wooden lattices carved by local artisans add to the shade and airflow. Rainwater is collected, and water is solar-heated to save energy. In addition to white plaster finishing, the project uses a mtomo finish, a coralstone cladding technique original to Lamu that helps keep thermal capacity thanks to the porosity of the stone.
Photo by Arnold Mugasha
Uganda Baha'i House of Worship, Kampala, by Charles Mason Remey,
 Cobb, Powell and Freeman
Called the Mother Temple of Africa, the structure on the outskirts of the city is one of eight Baha'i Houses of Worship in the world, and the only one in Africa.
This sacred building is enthroned on one of Kampala's hills. In the evening sun, the place looks picturesque, while the pulse of the metropolis beats in the valleys between the hills.
Charles Mason Remey initially designed the building, and the architectural firm of Cobb, Powell and Freeman, who also created the Bulange, modified the design to accommodate the existing local conditions and oversaw the construction, which began in 1958.
Measuring over 40 metres in height and with a pointed tip at the very top, the structure is roofed by a dome covered in green mosaic tiles. The dome rests on nine reinforced concrete columns which are filled in with brick walls featuring coloured glass panels. Nine windows are set into the dome and it is painted pale blue inside.
Photo by Adil Dalbai
Rwanda Genocide Memorial
 Amphitheatre, Kigali, by John McAslan and Partners
Expressing the national collective memory in architecture is always a great challenge.
The fact that a Scottish architect planned Rwanda's genocide memorial as a theatre with a spectacular backdrop of the city silhouette is evidence of a new openness to the world in one of the smallest African states, which just a generation ago was a non-place with racism and civil war.
Even though it is only one of the numerous physical spaces devoted to the commemoration of those murdered in the 1994 geno­cide, the Kigali Genocide Memorial in Gisozi, established in 2004, is defin­itely the most important.
In the mass graves located in its gardens, over 250,000 bodies are buried. The Memorial also houses the Genocide Archive of Rwanda and exhibitions on the history of the Rwandan genocide.
Photo by BC Architects
Burundi Muyinga Library, Muyinga, by BC Architects
The Muyinga Library is part of a future inclusive­ school for deaf children. It was built in locally­ sourced compressed earth blocks, according to a participatory approach. The buil­ding is organised along a longitudinal covered circulation space.
The building shows that it is possible to design thoroughly modern architecture using local building methods.
It is an exemplary example of how foreign architects, in this case from the former colonial power Belgium, have found an adapted design. However, the typology of the library still remains somewhat alien.
Photo by Vitaly Pozdeyev
Tanzania Michenzani flats, Zanzibar Stone Town, by Hubert Scholz
The rows of houses, more than a kilometre long, lie like a scar in the middle of the huts.
Yet the socialist series buildings were the first to be erected on the newly won land. In the 1970s, the GDR donated architectural know-how along with the complete supply of materials.
The fact that East German housing construction was successful in Africa has unfortunately been forgotten in Germany.
Photo by Nadia Moussa
Comoros Mitsamiouli Stele, Grande Comore Island, by Mahmoud Keldi, Nadia Moussa
Only a few remarkable examples of the architecture of the poor island state in the Indian Ocean have been documented. One of them is this monument in honour of the victims of the Yemenia Airways crash, which was inaug­urated on 30 June 2011 in Mitsamiouli, northern Grande Comore.
This monument, a collaboration between local architect Nadia Moussa and Mahmoud Keldi, a Paris-based French-Comoran architect, aims to commemorate the crash's French-Comoran victims.
The memorial is a tall, thin slab of reinforced concrete, shaped like an abstract sail and coated with cut volcanic stone and sheets of stainless steel, on which the names of the 153 victims were to be engraved.
One would like to see more monuments in Africa that have such a high level of abstraction.
Photo by DHK Architects
Seychelles Kempinski Seychelles Resort, Mahé Island, by DHK Architects
This project shows one of the places of longing that one would like to visit once in a lifetime. As long as you remain aware that not all places in Africa radiate this peace, and that even in the Seychelles more than 80 per cent of the population live in poverty, you can enjoy this foreign world.
Designed by the South African office, DHK Architects, the Kempinski Seychelles Resort project required that the former Plantation Club Resort and Casino on the island of Mahé be redeveloped.
Photo by Ulandi van Dyk
Mauritius Mauritius Commercial Bank, Quatre Bornes, by Jean Francois Koenig
The Mauritius Commercial Bank Building, an unusual edifice with a large water basin at its foot, is located in Quatre Bornes. Constructed in 2010, the structure was designed by Jean Francois Koenig Archi­tects as an elliptical shape that rests on four travertine-­clad pillars.
The building has open office floor plates that are naturally lit by glass from floor to floor, providing visual connections between l­evels and facilitating communication. It also features two auditoriums, training facilities, a modern kitchen and canteen, and plantrooms.
It was the first project in the southern hemi­sphere to obtain a BREEAM good environmental certificate and has become an iconic structure in Mauritius.
Why does the national bank of a tax haven build such a conspicuous building in the countryside? And this, shortly after the global financial crisis of 2008/2009? Some architectural thoughts remain a mystery. For a bank anyway.
Photo by Stefano Carera
Madagascar Under the Sails Residence, Nosy Be Island, by Stefano Carera, Eirini Giannakopoulou
Four simple volumes united under one roof make up this two-storey private residence by the sea. The quartet of separate volumes are linked by wooden decking and a central patio. This central patio, a living space that mediates between inside and out, connects the front of the house to the back, and therefore the sea to the forest.
The choice of local materials and trad­itional construction techniques embrace the landscape of Nosy Be, an island about eight kilometres off the northwestern coast of Madagascar which is a popular tourist destination.
The thatching, a material often used for roofs on the island, becomes a natural carpet that, with its form and scale, covers the whole house. Viewed from the beach, the roof conceals the concrete columns of the house.
The architectural style may be irritating for Africa. But Madagascar has part of its cultural roots in Southeast Asia. In the local architecture, the similarities to buildings in Indonesia are not accidental but deliberate.
The post Architecture highlights from east Africa include projects from Madagascar and Burundi appeared first on Dezeen.
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architectnews · 3 years
Text
Architecture highlights from east Africa include projects from Madagascar and Burundi
Continuing our collaboration with Dom Publishers, the editors of the Sub-Saharan Africa Architectural Guide select architectural highlights from east Africa.
The Sub-Saharan Africa Architectural Guide contains over 850 buildings in 49 countries in Africa. It aims to be a comprehensive guide to architecture in the African countries that lie south of the Sahara.
Sub-Saharan Africa Architectural Guide is a seven-volume book focused on architecture in Africa
The fifth volume of the seven-volume publication is named Eastern Africa from the Great Lakes to the Indian Ocean and includes chapters on Kenya, Uganda, Rwanda, Burundi, Tanzania, Comoros, Seychelles, Mauritius and Madagascar.
"It is not only a guide book in the traditional sense but much more, featuring impressive photographs and essays on various aspects of the continent's building culture," said co-editor Philipp Meuser in an interview with Dezeen.
Read on for picks from each country in the region selected by Meuser and co-editor Adil Dalbai:
Photo by Javier Callejas
Kenya Swahili Gem Apartments, Mombasa, by Urko Sánchez Architects
Arguably one of the most iconic residential buildings in all of Africa, even if it was planned more for the upper middle class, the Swahili Gem Apartments combine features that make the most of the creekfront setting yet still ensure pri­vacy.
The fourteen-home luxury development includes four patio houses that run down to the water and flats above them. It takes its inspiration from the rich traditions of Swahili architecture: the mashrabiyya outer skin shields occupants from view on all facades except the water-facing one.
Wooden lattices carved by local artisans add to the shade and airflow. Rainwater is collected, and water is solar-heated to save energy. In addition to white plaster finishing, the project uses a mtomo finish, a coralstone cladding technique original to Lamu that helps keep thermal capacity thanks to the porosity of the stone.
Photo by Arnold Mugasha
Uganda Baha'i House of Worship, Kampala, by Charles Mason Remey,
 Cobb, Powell and Freeman
Called the Mother Temple of Africa, the structure on the outskirts of the city is one of eight Baha'i Houses of Worship in the world, and the only one in Africa.
This sacred building is enthroned on one of Kampala's hills. In the evening sun, the place looks picturesque, while the pulse of the metropolis beats in the valleys between the hills.
Charles Mason Remey initially designed the building, and the architectural firm of Cobb, Powell and Freeman, who also created the Bulange, modified the design to accommodate the existing local conditions and oversaw the construction, which began in 1958.
Measuring over 40 metres in height and with a pointed tip at the very top, the structure is roofed by a dome covered in green mosaic tiles. The dome rests on nine reinforced concrete columns which are filled in with brick walls featuring coloured glass panels. Nine windows are set into the dome and it is painted pale blue inside.
Photo by Adil Dalbai
Rwanda Genocide Memorial
 Amphitheatre, Kigali, by John McAslan and Partners
Expressing the national collective memory in architecture is always a great challenge.
The fact that a Scottish architect planned Rwanda's genocide memorial as a theatre with a spectacular backdrop of the city silhouette is evidence of a new openness to the world in one of the smallest African states, which just a generation ago was a non-place with racism and civil war.
Even though it is only one of the numerous physical spaces devoted to the commemoration of those murdered in the 1994 geno­cide, the Kigali Genocide Memorial in Gisozi, established in 2004, is defin­itely the most important.
In the mass graves located in its gardens, over 250,000 bodies are buried. The Memorial also houses the Genocide Archive of Rwanda and exhibitions on the history of the Rwandan genocide.
Photo by BC Architects
Burundi Muyinga Library, Muyinga, by BC Architects
The Muyinga Library is part of a future inclusive­ school for deaf children. It was built in locally­ sourced compressed earth blocks, according to a participatory approach. The buil­ding is organised along a longitudinal covered circulation space.
The building shows that it is possible to design thoroughly modern architecture using local building methods.
It is an exemplary example of how foreign architects, in this case from the former colonial power Belgium, have found an adapted design. However, the typology of the library still remains somewhat alien.
Photo by Vitaly Pozdeyev
Tanzania Michenzani flats, Zanzibar Stone Town, by Hubert Scholz
The rows of houses, more than a kilometre long, lie like a scar in the middle of the huts.
Yet the socialist series buildings were the first to be erected on the newly won land. In the 1970s, the GDR donated architectural know-how along with the complete supply of materials.
The fact that East German housing construction was successful in Africa has unfortunately been forgotten in Germany.
Photo by Nadia Moussa
Comoros Mitsamiouli Stele, Grande Comore Island, by Mahmoud Keldi, Nadia Moussa
Only a few remarkable examples of the architecture of the poor island state in the Indian Ocean have been documented. One of them is this monument in honour of the victims of the Yemenia Airways crash, which was inaug­urated on 30 June 2011 in Mitsamiouli, northern Grande Comore.
This monument, a collaboration between local architect Nadia Moussa and Mahmoud Keldi, a Paris-based French-Comoran architect, aims to commemorate the crash's French-Comoran victims.
The memorial is a tall, thin slab of reinforced concrete, shaped like an abstract sail and coated with cut volcanic stone and sheets of stainless steel, on which the names of the 153 victims were to be engraved.
One would like to see more monuments in Africa that have such a high level of abstraction.
Photo by DHK Architects
Seychelles Kempinski Seychelles Resort, Mahé Island, by DHK Architects
This project shows one of the places of longing that one would like to visit once in a lifetime. As long as you remain aware that not all places in Africa radiate this peace, and that even in the Seychelles more than 80 per cent of the population live in poverty, you can enjoy this foreign world.
Designed by the South African office, DHK Architects, the Kempinski Seychelles Resort project required that the former Plantation Club Resort and Casino on the island of Mahé be redeveloped.
Photo by Ulandi van Dyk
Mauritius Mauritius Commercial Bank, Quatre Bornes, by Jean Francois Koenig
The Mauritius Commercial Bank Building, an unusual edifice with a large water basin at its foot, is located in Quatre Bornes. Constructed in 2010, the structure was designed by Jean Francois Koenig Archi­tects as an elliptical shape that rests on four travertine-­clad pillars.
The building has open office floor plates that are naturally lit by glass from floor to floor, providing visual connections between l­evels and facilitating communication. It also features two auditoriums, training facilities, a modern kitchen and canteen, and plantrooms.
It was the first project in the southern hemi­sphere to obtain a BREEAM good environmental certificate and has become an iconic structure in Mauritius.
Why does the national bank of a tax haven build such a conspicuous building in the countryside? And this, shortly after the global financial crisis of 2008/2009? Some architectural thoughts remain a mystery. For a bank anyway.
Photo by Stefano Carera
Madagascar Under the Sails Residence, Nosy Be Island, by Stefano Carera, Eirini Giannakopoulou
Four simple volumes united under one roof make up this two-storey private residence by the sea. The quartet of separate volumes are linked by wooden decking and a central patio. This central patio, a living space that mediates between inside and out, connects the front of the house to the back, and therefore the sea to the forest.
The choice of local materials and trad­itional construction techniques embrace the landscape of Nosy Be, an island about eight kilometres off the northwestern coast of Madagascar which is a popular tourist destination.
The thatching, a material often used for roofs on the island, becomes a natural carpet that, with its form and scale, covers the whole house. Viewed from the beach, the roof conceals the concrete columns of the house.
The architectural style may be irritating for Africa. But Madagascar has part of its cultural roots in Southeast Asia. In the local architecture, the similarities to buildings in Indonesia are not accidental but deliberate.
The post Architecture highlights from east Africa include projects from Madagascar and Burundi appeared first on Dezeen.
0 notes
architectnews · 3 years
Text
Architecture highlights from east Africa include projects from Madagascar and Burundi
Continuing our collaboration with Dom Publishers, the editors of the Sub-Saharan Africa Architectural Guide select architectural highlights from east Africa.
The Sub-Saharan Africa Architectural Guide contains over 850 buildings in 49 countries in Africa. It aims to be a comprehensive guide to architecture in the African countries that lie south of the Sahara.
Sub-Saharan Africa Architectural Guide is a seven-volume book focused on architecture in Africa
The fifth volume of the seven-volume publication is named Eastern Africa from the Great Lakes to the Indian Ocean and includes chapters on Kenya, Uganda, Rwanda, Burundi, Tanzania, Comoros, Seychelles, Mauritius and Madagascar.
"It is not only a guide book in the traditional sense but much more, featuring impressive photographs and essays on various aspects of the continent's building culture," said co-editor Philipp Meuser in an interview with Dezeen.
Read on for picks from each country in the region selected by Meuser and co-editor Adil Dalbai:
Photo by Javier Callejas
Kenya Swahili Gem Apartments, Mombasa, by Urko Sánchez Architects
Arguably one of the most iconic residential buildings in all of Africa, even if it was planned more for the upper middle class, the Swahili Gem Apartments combine features that make the most of the creekfront setting yet still ensure pri­vacy.
The fourteen-home luxury development includes four patio houses that run down to the water and flats above them. It takes its inspiration from the rich traditions of Swahili architecture: the mashrabiyya outer skin shields occupants from view on all facades except the water-facing one.
Wooden lattices carved by local artisans add to the shade and airflow. Rainwater is collected, and water is solar-heated to save energy. In addition to white plaster finishing, the project uses a mtomo finish, a coralstone cladding technique original to Lamu that helps keep thermal capacity thanks to the porosity of the stone.
Photo by Arnold Mugasha
Uganda Baha'i House of Worship, Kampala, by Charles Mason Remey,
 Cobb, Powell and Freeman
Called the Mother Temple of Africa, the structure on the outskirts of the city is one of eight Baha'i Houses of Worship in the world, and the only one in Africa.
This sacred building is enthroned on one of Kampala's hills. In the evening sun, the place looks picturesque, while the pulse of the metropolis beats in the valleys between the hills.
Charles Mason Remey initially designed the building, and the architectural firm of Cobb, Powell and Freeman, who also created the Bulange, modified the design to accommodate the existing local conditions and oversaw the construction, which began in 1958.
Measuring over 40 metres in height and with a pointed tip at the very top, the structure is roofed by a dome covered in green mosaic tiles. The dome rests on nine reinforced concrete columns which are filled in with brick walls featuring coloured glass panels. Nine windows are set into the dome and it is painted pale blue inside.
Photo by Adil Dalbai
Rwanda Genocide Memorial
 Amphitheatre, Kigali, by John McAslan and Partners
Expressing the national collective memory in architecture is always a great challenge.
The fact that a Scottish architect planned Rwanda's genocide memorial as a theatre with a spectacular backdrop of the city silhouette is evidence of a new openness to the world in one of the smallest African states, which just a generation ago was a non-place with racism and civil war.
Even though it is only one of the numerous physical spaces devoted to the commemoration of those murdered in the 1994 geno­cide, the Kigali Genocide Memorial in Gisozi, established in 2004, is defin­itely the most important.
In the mass graves located in its gardens, over 250,000 bodies are buried. The Memorial also houses the Genocide Archive of Rwanda and exhibitions on the history of the Rwandan genocide.
Photo by BC Architects
Burundi Muyinga Library, Muyinga, by BC Architects
The Muyinga Library is part of a future inclusive­ school for deaf children. It was built in locally­ sourced compressed earth blocks, according to a participatory approach. The buil­ding is organised along a longitudinal covered circulation space.
The building shows that it is possible to design thoroughly modern architecture using local building methods.
It is an exemplary example of how foreign architects, in this case from the former colonial power Belgium, have found an adapted design. However, the typology of the library still remains somewhat alien.
Photo by Vitaly Pozdeyev
Tanzania Michenzani flats, Zanzibar Stone Town, by Hubert Scholz
The rows of houses, more than a kilometre long, lie like a scar in the middle of the huts.
Yet the socialist series buildings were the first to be erected on the newly won land. In the 1970s, the GDR donated architectural know-how along with the complete supply of materials.
The fact that East German housing construction was successful in Africa has unfortunately been forgotten in Germany.
Photo by Nadia Moussa
Comoros Mitsamiouli Stele, Grande Comore Island, by Mahmoud Keldi, Nadia Moussa
Only a few remarkable examples of the architecture of the poor island state in the Indian Ocean have been documented. One of them is this monument in honour of the victims of the Yemenia Airways crash, which was inaug­urated on 30 June 2011 in Mitsamiouli, northern Grande Comore.
This monument, a collaboration between local architect Nadia Moussa and Mahmoud Keldi, a Paris-based French-Comoran architect, aims to commemorate the crash's French-Comoran victims.
The memorial is a tall, thin slab of reinforced concrete, shaped like an abstract sail and coated with cut volcanic stone and sheets of stainless steel, on which the names of the 153 victims were to be engraved.
One would like to see more monuments in Africa that have such a high level of abstraction.
Photo by DHK Architects
Seychelles Kempinski Seychelles Resort, Mahé Island, by DHK Architects
This project shows one of the places of longing that one would like to visit once in a lifetime. As long as you remain aware that not all places in Africa radiate this peace, and that even in the Seychelles more than 80 per cent of the population live in poverty, you can enjoy this foreign world.
Designed by the South African office, DHK Architects, the Kempinski Seychelles Resort project required that the former Plantation Club Resort and Casino on the island of Mahé be redeveloped.
Photo by Ulandi van Dyk
Mauritius Mauritius Commercial Bank, Quatre Bornes, by Jean Francois Koenig
The Mauritius Commercial Bank Building, an unusual edifice with a large water basin at its foot, is located in Quatre Bornes. Constructed in 2010, the structure was designed by Jean Francois Koenig Archi­tects as an elliptical shape that rests on four travertine-­clad pillars.
The building has open office floor plates that are naturally lit by glass from floor to floor, providing visual connections between l­evels and facilitating communication. It also features two auditoriums, training facilities, a modern kitchen and canteen, and plantrooms.
It was the first project in the southern hemi­sphere to obtain a BREEAM good environmental certificate and has become an iconic structure in Mauritius.
Why does the national bank of a tax haven build such a conspicuous building in the countryside? And this, shortly after the global financial crisis of 2008/2009? Some architectural thoughts remain a mystery. For a bank anyway.
Photo by Stefano Carera
Madagascar Under the Sails Residence, Nosy Be Island, by Stefano Carera, Eirini Giannakopoulou
Four simple volumes united under one roof make up this two-storey private residence by the sea. The quartet of separate volumes are linked by wooden decking and a central patio. This central patio, a living space that mediates between inside and out, connects the front of the house to the back, and therefore the sea to the forest.
The choice of local materials and trad­itional construction techniques embrace the landscape of Nosy Be, an island about eight kilometres off the northwestern coast of Madagascar which is a popular tourist destination.
The thatching, a material often used for roofs on the island, becomes a natural carpet that, with its form and scale, covers the whole house. Viewed from the beach, the roof conceals the concrete columns of the house.
The architectural style may be irritating for Africa. But Madagascar has part of its cultural roots in Southeast Asia. In the local architecture, the similarities to buildings in Indonesia are not accidental but deliberate.
The post Architecture highlights from east Africa include projects from Madagascar and Burundi appeared first on Dezeen.
0 notes
architectnews · 3 years
Text
Architecture highlights from east Africa include projects from Madagascar and Burundi
Continuing our collaboration with Dom Publishers, the editors of the Sub-Saharan Africa Architectural Guide select architectural highlights from east Africa.
The Sub-Saharan Africa Architectural Guide contains over 850 buildings in 49 countries in Africa. It aims to be a comprehensive guide to architecture in the African countries that lie south of the Sahara.
Sub-Saharan Africa Architectural Guide is a seven-volume book focused on architecture in Africa
The fifth volume of the seven-volume publication is named Eastern Africa from the Great Lakes to the Indian Ocean and includes chapters on Kenya, Uganda, Rwanda, Burundi, Tanzania, Comoros, Seychelles, Mauritius and Madagascar.
"It is not only a guide book in the traditional sense but much more, featuring impressive photographs and essays on various aspects of the continent's building culture," said co-editor Philipp Meuser in an interview with Dezeen.
Read on for picks from each country in the region selected by Meuser and co-editor Adil Dalbai:
Photo by Javier Callejas
Kenya Swahili Gem Apartments, Mombasa, by Urko Sánchez Architects
Arguably one of the most iconic residential buildings in all of Africa, even if it was planned more for the upper middle class, the Swahili Gem Apartments combine features that make the most of the creekfront setting yet still ensure pri­vacy.
The fourteen-home luxury development includes four patio houses that run down to the water and flats above them. It takes its inspiration from the rich traditions of Swahili architecture: the mashrabiyya outer skin shields occupants from view on all facades except the water-facing one.
Wooden lattices carved by local artisans add to the shade and airflow. Rainwater is collected, and water is solar-heated to save energy. In addition to white plaster finishing, the project uses a mtomo finish, a coralstone cladding technique original to Lamu that helps keep thermal capacity thanks to the porosity of the stone.
Photo by Arnold Mugasha
Uganda Baha'i House of Worship, Kampala, by Charles Mason Remey,
 Cobb, Powell and Freeman
Called the Mother Temple of Africa, the structure on the outskirts of the city is one of eight Baha'i Houses of Worship in the world, and the only one in Africa.
This sacred building is enthroned on one of Kampala's hills. In the evening sun, the place looks picturesque, while the pulse of the metropolis beats in the valleys between the hills.
Charles Mason Remey initially designed the building, and the architectural firm of Cobb, Powell and Freeman, who also created the Bulange, modified the design to accommodate the existing local conditions and oversaw the construction, which began in 1958.
Measuring over 40 metres in height and with a pointed tip at the very top, the structure is roofed by a dome covered in green mosaic tiles. The dome rests on nine reinforced concrete columns which are filled in with brick walls featuring coloured glass panels. Nine windows are set into the dome and it is painted pale blue inside.
Photo by Adil Dalbai
Rwanda Genocide Memorial
 Amphitheatre, Kigali, by John McAslan and Partners
Expressing the national collective memory in architecture is always a great challenge.
The fact that a Scottish architect planned Rwanda's genocide memorial as a theatre with a spectacular backdrop of the city silhouette is evidence of a new openness to the world in one of the smallest African states, which just a generation ago was a non-place with racism and civil war.
Even though it is only one of the numerous physical spaces devoted to the commemoration of those murdered in the 1994 geno­cide, the Kigali Genocide Memorial in Gisozi, established in 2004, is defin­itely the most important.
In the mass graves located in its gardens, over 250,000 bodies are buried. The Memorial also houses the Genocide Archive of Rwanda and exhibitions on the history of the Rwandan genocide.
Photo by BC Architects
Burundi Muyinga Library, Muyinga, by BC Architects
The Muyinga Library is part of a future inclusive­ school for deaf children. It was built in locally­ sourced compressed earth blocks, according to a participatory approach. The buil­ding is organised along a longitudinal covered circulation space.
The building shows that it is possible to design thoroughly modern architecture using local building methods.
It is an exemplary example of how foreign architects, in this case from the former colonial power Belgium, have found an adapted design. However, the typology of the library still remains somewhat alien.
Photo by Vitaly Pozdeyev
Tanzania Michenzani flats, Zanzibar Stone Town, by Hubert Scholz
The rows of houses, more than a kilometre long, lie like a scar in the middle of the huts.
Yet the socialist series buildings were the first to be erected on the newly won land. In the 1970s, the GDR donated architectural know-how along with the complete supply of materials.
The fact that East German housing construction was successful in Africa has unfortunately been forgotten in Germany.
Photo by Nadia Moussa
Comoros Mitsamiouli Stele, Grande Comore Island, by Mahmoud Keldi, Nadia Moussa
Only a few remarkable examples of the architecture of the poor island state in the Indian Ocean have been documented. One of them is this monument in honour of the victims of the Yemenia Airways crash, which was inaug­urated on 30 June 2011 in Mitsamiouli, northern Grande Comore.
This monument, a collaboration between local architect Nadia Moussa and Mahmoud Keldi, a Paris-based French-Comoran architect, aims to commemorate the crash's French-Comoran victims.
The memorial is a tall, thin slab of reinforced concrete, shaped like an abstract sail and coated with cut volcanic stone and sheets of stainless steel, on which the names of the 153 victims were to be engraved.
One would like to see more monuments in Africa that have such a high level of abstraction.
Photo by DHK Architects
Seychelles Kempinski Seychelles Resort, Mahé Island, by DHK Architects
This project shows one of the places of longing that one would like to visit once in a lifetime. As long as you remain aware that not all places in Africa radiate this peace, and that even in the Seychelles more than 80 per cent of the population live in poverty, you can enjoy this foreign world.
Designed by the South African office, DHK Architects, the Kempinski Seychelles Resort project required that the former Plantation Club Resort and Casino on the island of Mahé be redeveloped.
Photo by Ulandi van Dyk
Mauritius Mauritius Commercial Bank, Quatre Bornes, by Jean Francois Koenig
The Mauritius Commercial Bank Building, an unusual edifice with a large water basin at its foot, is located in Quatre Bornes. Constructed in 2010, the structure was designed by Jean Francois Koenig Archi­tects as an elliptical shape that rests on four travertine-­clad pillars.
The building has open office floor plates that are naturally lit by glass from floor to floor, providing visual connections between l­evels and facilitating communication. It also features two auditoriums, training facilities, a modern kitchen and canteen, and plantrooms.
It was the first project in the southern hemi­sphere to obtain a BREEAM good environmental certificate and has become an iconic structure in Mauritius.
Why does the national bank of a tax haven build such a conspicuous building in the countryside? And this, shortly after the global financial crisis of 2008/2009? Some architectural thoughts remain a mystery. For a bank anyway.
Photo by Stefano Carera
Madagascar Under the Sails Residence, Nosy Be Island, by Stefano Carera, Eirini Giannakopoulou
Four simple volumes united under one roof make up this two-storey private residence by the sea. The quartet of separate volumes are linked by wooden decking and a central patio. This central patio, a living space that mediates between inside and out, connects the front of the house to the back, and therefore the sea to the forest.
The choice of local materials and trad­itional construction techniques embrace the landscape of Nosy Be, an island about eight kilometres off the northwestern coast of Madagascar which is a popular tourist destination.
The thatching, a material often used for roofs on the island, becomes a natural carpet that, with its form and scale, covers the whole house. Viewed from the beach, the roof conceals the concrete columns of the house.
The architectural style may be irritating for Africa. But Madagascar has part of its cultural roots in Southeast Asia. In the local architecture, the similarities to buildings in Indonesia are not accidental but deliberate.
The post Architecture highlights from east Africa include projects from Madagascar and Burundi appeared first on Dezeen.
0 notes
architectnews · 3 years
Text
Architecture highlights from east Africa include projects from Madagascar and Burundi
Continuing our collaboration with Dom Publishers, the editors of the Sub-Saharan Africa Architectural Guide select architectural highlights from east Africa.
The Sub-Saharan Africa Architectural Guide contains over 850 buildings in 49 countries in Africa. It aims to be a comprehensive guide to architecture in the African countries that lie south of the Sahara.
Sub-Saharan Africa Architectural Guide is a seven-volume book focused on architecture in Africa
The fifth volume of the seven-volume publication is named Eastern Africa from the Great Lakes to the Indian Ocean and includes chapters on Kenya, Uganda, Rwanda, Burundi, Tanzania, Comoros, Seychelles, Mauritius and Madagascar.
"It is not only a guide book in the traditional sense but much more, featuring impressive photographs and essays on various aspects of the continent's building culture," said co-editor Philipp Meuser in an interview with Dezeen.
Read on for picks from each country in the region selected by Meuser and co-editor Adil Dalbai:
Photo by Javier Callejas
Kenya Swahili Gem Apartments, Mombasa, by Urko Sánchez Architects
Arguably one of the most iconic residential buildings in all of Africa, even if it was planned more for the upper middle class, the Swahili Gem Apartments combine features that make the most of the creekfront setting yet still ensure pri­vacy.
The fourteen-home luxury development includes four patio houses that run down to the water and flats above them. It takes its inspiration from the rich traditions of Swahili architecture: the mashrabiyya outer skin shields occupants from view on all facades except the water-facing one.
Wooden lattices carved by local artisans add to the shade and airflow. Rainwater is collected, and water is solar-heated to save energy. In addition to white plaster finishing, the project uses a mtomo finish, a coralstone cladding technique original to Lamu that helps keep thermal capacity thanks to the porosity of the stone.
Photo by Arnold Mugasha
Uganda Baha'i House of Worship, Kampala, by Charles Mason Remey,
 Cobb, Powell and Freeman
Called the Mother Temple of Africa, the structure on the outskirts of the city is one of eight Baha'i Houses of Worship in the world, and the only one in Africa.
This sacred building is enthroned on one of Kampala's hills. In the evening sun, the place looks picturesque, while the pulse of the metropolis beats in the valleys between the hills.
Charles Mason Remey initially designed the building, and the architectural firm of Cobb, Powell and Freeman, who also created the Bulange, modified the design to accommodate the existing local conditions and oversaw the construction, which began in 1958.
Measuring over 40 metres in height and with a pointed tip at the very top, the structure is roofed by a dome covered in green mosaic tiles. The dome rests on nine reinforced concrete columns which are filled in with brick walls featuring coloured glass panels. Nine windows are set into the dome and it is painted pale blue inside.
Photo by Adil Dalbai
Rwanda Genocide Memorial
 Amphitheatre, Kigali, by John McAslan and Partners
Expressing the national collective memory in architecture is always a great challenge.
The fact that a Scottish architect planned Rwanda's genocide memorial as a theatre with a spectacular backdrop of the city silhouette is evidence of a new openness to the world in one of the smallest African states, which just a generation ago was a non-place with racism and civil war.
Even though it is only one of the numerous physical spaces devoted to the commemoration of those murdered in the 1994 geno­cide, the Kigali Genocide Memorial in Gisozi, established in 2004, is defin­itely the most important.
In the mass graves located in its gardens, over 250,000 bodies are buried. The Memorial also houses the Genocide Archive of Rwanda and exhibitions on the history of the Rwandan genocide.
Photo by BC Architects
Burundi Muyinga Library, Muyinga, by BC Architects
The Muyinga Library is part of a future inclusive­ school for deaf children. It was built in locally­ sourced compressed earth blocks, according to a participatory approach. The buil­ding is organised along a longitudinal covered circulation space.
The building shows that it is possible to design thoroughly modern architecture using local building methods.
It is an exemplary example of how foreign architects, in this case from the former colonial power Belgium, have found an adapted design. However, the typology of the library still remains somewhat alien.
Photo by Vitaly Pozdeyev
Tanzania Michenzani flats, Zanzibar Stone Town, by Hubert Scholz
The rows of houses, more than a kilometre long, lie like a scar in the middle of the huts.
Yet the socialist series buildings were the first to be erected on the newly won land. In the 1970s, the GDR donated architectural know-how along with the complete supply of materials.
The fact that East German housing construction was successful in Africa has unfortunately been forgotten in Germany.
Photo by Nadia Moussa
Comoros Mitsamiouli Stele, Grande Comore Island, by Mahmoud Keldi, Nadia Moussa
Only a few remarkable examples of the architecture of the poor island state in the Indian Ocean have been documented. One of them is this monument in honour of the victims of the Yemenia Airways crash, which was inaug­urated on 30 June 2011 in Mitsamiouli, northern Grande Comore.
This monument, a collaboration between local architect Nadia Moussa and Mahmoud Keldi, a Paris-based French-Comoran architect, aims to commemorate the crash's French-Comoran victims.
The memorial is a tall, thin slab of reinforced concrete, shaped like an abstract sail and coated with cut volcanic stone and sheets of stainless steel, on which the names of the 153 victims were to be engraved.
One would like to see more monuments in Africa that have such a high level of abstraction.
Photo by DHK Architects
Seychelles Kempinski Seychelles Resort, Mahé Island, by DHK Architects
This project shows one of the places of longing that one would like to visit once in a lifetime. As long as you remain aware that not all places in Africa radiate this peace, and that even in the Seychelles more than 80 per cent of the population live in poverty, you can enjoy this foreign world.
Designed by the South African office, DHK Architects, the Kempinski Seychelles Resort project required that the former Plantation Club Resort and Casino on the island of Mahé be redeveloped.
Photo by Ulandi van Dyk
Mauritius Mauritius Commercial Bank, Quatre Bornes, by Jean Francois Koenig
The Mauritius Commercial Bank Building, an unusual edifice with a large water basin at its foot, is located in Quatre Bornes. Constructed in 2010, the structure was designed by Jean Francois Koenig Archi­tects as an elliptical shape that rests on four travertine-­clad pillars.
The building has open office floor plates that are naturally lit by glass from floor to floor, providing visual connections between l­evels and facilitating communication. It also features two auditoriums, training facilities, a modern kitchen and canteen, and plantrooms.
It was the first project in the southern hemi­sphere to obtain a BREEAM good environmental certificate and has become an iconic structure in Mauritius.
Why does the national bank of a tax haven build such a conspicuous building in the countryside? And this, shortly after the global financial crisis of 2008/2009? Some architectural thoughts remain a mystery. For a bank anyway.
Photo by Stefano Carera
Madagascar Under the Sails Residence, Nosy Be Island, by Stefano Carera, Eirini Giannakopoulou
Four simple volumes united under one roof make up this two-storey private residence by the sea. The quartet of separate volumes are linked by wooden decking and a central patio. This central patio, a living space that mediates between inside and out, connects the front of the house to the back, and therefore the sea to the forest.
The choice of local materials and trad­itional construction techniques embrace the landscape of Nosy Be, an island about eight kilometres off the northwestern coast of Madagascar which is a popular tourist destination.
The thatching, a material often used for roofs on the island, becomes a natural carpet that, with its form and scale, covers the whole house. Viewed from the beach, the roof conceals the concrete columns of the house.
The architectural style may be irritating for Africa. But Madagascar has part of its cultural roots in Southeast Asia. In the local architecture, the similarities to buildings in Indonesia are not accidental but deliberate.
The post Architecture highlights from east Africa include projects from Madagascar and Burundi appeared first on Dezeen.
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Architecture highlights from east Africa include projects from Madagascar and Burundi
Continuing our collaboration with Dom Publishers, the editors of the Sub-Saharan Africa Architectural Guide select architectural highlights from east Africa.
The Sub-Saharan Africa Architectural Guide contains over 850 buildings in 49 countries in Africa. It aims to be a comprehensive guide to architecture in the African countries that lie south of the Sahara.
Sub-Saharan Africa Architectural Guide is a seven-volume book focused on architecture in Africa
The fifth volume of the seven-volume publication is named Eastern Africa from the Great Lakes to the Indian Ocean and includes chapters on Kenya, Uganda, Rwanda, Burundi, Tanzania, Comoros, Seychelles, Mauritius and Madagascar.
"It is not only a guide book in the traditional sense but much more, featuring impressive photographs and essays on various aspects of the continent's building culture," said co-editor Philipp Meuser in an interview with Dezeen.
Read on for picks from each country in the region selected by Meuser and co-editor Adil Dalbai:
Photo by Javier Callejas
Kenya Swahili Gem Apartments, Mombasa, by Urko Sánchez Architects
Arguably one of the most iconic residential buildings in all of Africa, even if it was planned more for the upper middle class, the Swahili Gem Apartments combine features that make the most of the creekfront setting yet still ensure pri­vacy.
The fourteen-home luxury development includes four patio houses that run down to the water and flats above them. It takes its inspiration from the rich traditions of Swahili architecture: the mashrabiyya outer skin shields occupants from view on all facades except the water-facing one.
Wooden lattices carved by local artisans add to the shade and airflow. Rainwater is collected, and water is solar-heated to save energy. In addition to white plaster finishing, the project uses a mtomo finish, a coralstone cladding technique original to Lamu that helps keep thermal capacity thanks to the porosity of the stone.
Photo by Arnold Mugasha
Uganda Baha'i House of Worship, Kampala, by Charles Mason Remey,
 Cobb, Powell and Freeman
Called the Mother Temple of Africa, the structure on the outskirts of the city is one of eight Baha'i Houses of Worship in the world, and the only one in Africa.
This sacred building is enthroned on one of Kampala's hills. In the evening sun, the place looks picturesque, while the pulse of the metropolis beats in the valleys between the hills.
Charles Mason Remey initially designed the building, and the architectural firm of Cobb, Powell and Freeman, who also created the Bulange, modified the design to accommodate the existing local conditions and oversaw the construction, which began in 1958.
Measuring over 40 metres in height and with a pointed tip at the very top, the structure is roofed by a dome covered in green mosaic tiles. The dome rests on nine reinforced concrete columns which are filled in with brick walls featuring coloured glass panels. Nine windows are set into the dome and it is painted pale blue inside.
Photo by Adil Dalbai
Rwanda Genocide Memorial
 Amphitheatre, Kigali, by John McAslan and Partners
Expressing the national collective memory in architecture is always a great challenge.
The fact that a Scottish architect planned Rwanda's genocide memorial as a theatre with a spectacular backdrop of the city silhouette is evidence of a new openness to the world in one of the smallest African states, which just a generation ago was a non-place with racism and civil war.
Even though it is only one of the numerous physical spaces devoted to the commemoration of those murdered in the 1994 geno­cide, the Kigali Genocide Memorial in Gisozi, established in 2004, is defin­itely the most important.
In the mass graves located in its gardens, over 250,000 bodies are buried. The Memorial also houses the Genocide Archive of Rwanda and exhibitions on the history of the Rwandan genocide.
Photo by BC Architects
Burundi Muyinga Library, Muyinga, by BC Architects
The Muyinga Library is part of a future inclusive­ school for deaf children. It was built in locally­ sourced compressed earth blocks, according to a participatory approach. The buil­ding is organised along a longitudinal covered circulation space.
The building shows that it is possible to design thoroughly modern architecture using local building methods.
It is an exemplary example of how foreign architects, in this case from the former colonial power Belgium, have found an adapted design. However, the typology of the library still remains somewhat alien.
Photo by Vitaly Pozdeyev
Tanzania Michenzani flats, Zanzibar Stone Town, by Hubert Scholz
The rows of houses, more than a kilometre long, lie like a scar in the middle of the huts.
Yet the socialist series buildings were the first to be erected on the newly won land. In the 1970s, the GDR donated architectural know-how along with the complete supply of materials.
The fact that East German housing construction was successful in Africa has unfortunately been forgotten in Germany.
Photo by Nadia Moussa
Comoros Mitsamiouli Stele, Grande Comore Island, by Mahmoud Keldi, Nadia Moussa
Only a few remarkable examples of the architecture of the poor island state in the Indian Ocean have been documented. One of them is this monument in honour of the victims of the Yemenia Airways crash, which was inaug­urated on 30 June 2011 in Mitsamiouli, northern Grande Comore.
This monument, a collaboration between local architect Nadia Moussa and Mahmoud Keldi, a Paris-based French-Comoran architect, aims to commemorate the crash's French-Comoran victims.
The memorial is a tall, thin slab of reinforced concrete, shaped like an abstract sail and coated with cut volcanic stone and sheets of stainless steel, on which the names of the 153 victims were to be engraved.
One would like to see more monuments in Africa that have such a high level of abstraction.
Photo by DHK Architects
Seychelles Kempinski Seychelles Resort, Mahé Island, by DHK Architects
This project shows one of the places of longing that one would like to visit once in a lifetime. As long as you remain aware that not all places in Africa radiate this peace, and that even in the Seychelles more than 80 per cent of the population live in poverty, you can enjoy this foreign world.
Designed by the South African office, DHK Architects, the Kempinski Seychelles Resort project required that the former Plantation Club Resort and Casino on the island of Mahé be redeveloped.
Photo by Ulandi van Dyk
Mauritius Mauritius Commercial Bank, Quatre Bornes, by Jean Francois Koenig
The Mauritius Commercial Bank Building, an unusual edifice with a large water basin at its foot, is located in Quatre Bornes. Constructed in 2010, the structure was designed by Jean Francois Koenig Archi­tects as an elliptical shape that rests on four travertine-­clad pillars.
The building has open office floor plates that are naturally lit by glass from floor to floor, providing visual connections between l­evels and facilitating communication. It also features two auditoriums, training facilities, a modern kitchen and canteen, and plantrooms.
It was the first project in the southern hemi­sphere to obtain a BREEAM good environmental certificate and has become an iconic structure in Mauritius.
Why does the national bank of a tax haven build such a conspicuous building in the countryside? And this, shortly after the global financial crisis of 2008/2009? Some architectural thoughts remain a mystery. For a bank anyway.
Photo by Stefano Carera
Madagascar Under the Sails Residence, Nosy Be Island, by Stefano Carera, Eirini Giannakopoulou
Four simple volumes united under one roof make up this two-storey private residence by the sea. The quartet of separate volumes are linked by wooden decking and a central patio. This central patio, a living space that mediates between inside and out, connects the front of the house to the back, and therefore the sea to the forest.
The choice of local materials and trad­itional construction techniques embrace the landscape of Nosy Be, an island about eight kilometres off the northwestern coast of Madagascar which is a popular tourist destination.
The thatching, a material often used for roofs on the island, becomes a natural carpet that, with its form and scale, covers the whole house. Viewed from the beach, the roof conceals the concrete columns of the house.
The architectural style may be irritating for Africa. But Madagascar has part of its cultural roots in Southeast Asia. In the local architecture, the similarities to buildings in Indonesia are not accidental but deliberate.
The post Architecture highlights from east Africa include projects from Madagascar and Burundi appeared first on Dezeen.
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