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flovey-dovey · 5 years

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Part 2 of my thoughts on Klaus

Spoilers! Did I mention that already?

When they watch Margu playing in the light of dawn, Jesper puts his hand on Klaus’ arm and keeps it there rather than excitedly pat it once or twice to get his attention like a simple platonic friend might. And while Jesper watches her, Klaus watches Jesper with a very warm, affectionate look that Jesper doesn’t try to shirk or shrug awkwardly off.

When Klaus puts his hand on his back, Jesper just smiles wider, and when they return to Klaus’ property the look on the woodsman’s face as he listened to Jesper talk like a doting parent and his solid “I do” in reply to what he was saying says even more.

Heck- part of Klaus’ tragic past was that he and his wife never got to have children no matter how much they wanted and waited, and here comes Jesper with every child in Smeerenburg and beyond at his heels. Klaus even tells him this past, openly, freely and even with a chuckle or two, and right after saying how his life had fallen into aimless misery turns to say “and then you came along.”. Klaus even has Jesper blindfolded before showing him the sleigh with both their names carved into it at what was most likely his request.

Very couple-like and very sweet in my opinion. After the “liar revealed” scene, Klaus sees his name as he climbs in and hesitates, clearly thinking of him.

(also, notice in this shot how Jesper is centered with Klaus- not Alva)

And let’s not forget the mountainside scene after the big chase or the look on Klaus’ face when Jesper echoes his wife’s words with full conviction: “A true selfless act always sparks another”.

Now we’re nearing the end of the movie, so let’s talk about Jesper’s father some more. In the last quarter of the movie, his father comes back and he and Jesper go to the boat that would take them back home. Before they cast off, though, it’s said not long later that Jesper told his father “everything” and how he thought he’d be mad at him. Why? If it was work related, why would Jesper be afraid his father would get upset by him wanting to stay and do the job he gave him? That he wanted him to have? Why would he be afraid his father would get mad at him for finding love in Alva, if that truly was the case? Could it be that part of “everything” was how Jesper did find love, but that it was in someone who didn’t fit into society’s unrelentingly heteronormative mold (gonna be using that word a bit but I’m tired so bear with me), and as a result meant he wouldn’t fit either? Which brings me to a minor point of my opinion: did Jesper ever fit? It could’ve been another reason why his father was trying so hard to impose socially acceptable opportunities on him, or why Jesper had rebelled against them so stubbornly. Wishful thinking, I suppose.

(also, notice the look on Jesper’s face here when confronted by his father’s silent urging for him to come out with whatever he knew he had on his mind)

Before I wrap this up, here are a few other bits and pieces I wanted to mention:

* When Jesper talks at Margu after realizing their toy inventory was running low, he says “they” were running out of toys rather than “he” (Klaus) was running out of toys, which his arrogant self in the first half-ish part of the movie would’ve surely said.

* During one of the times Jesper talks at Margu and asked what he was supposed to do if he failed, he mentions Klaus and doesn’t even bring up Alva.

* Jesper, while talking to Alva about the school’s turnaround and her own change in outlook, looks and sounds more confused/baffled than teasing, flirty or pleased.

* The strongest moment Jesper and Alva share, emotionally, is never more than the one they share while helping Margu write her letter to Klaus. To my memory, he and Klaus share two very prominent ones, with a possible third or fourth (or fifth or sixth) on top of that.

* Alva gives Klaus a peck on the cheek instead of Jesper, who she presumably now has romantic feelings for. Why don’t they kiss before the ending “where are they now” bit? At all?

* Alva, when watching the townies ice skating with Jesper, doesn’t move to pull him out onto the ice for some potentially romantic happenings if she had turned to see the troubled look on his face, laughing and smiling to try and cheer him up or going out on the town to partake in the festivities. This could’ve shown us more of Alva’s character and it would’ve been better than just NARRATING IT AT THE ENDING. And, yes, I know movies have deadlines, but it didn’t have to be more than ten seconds long and could’ve given a look into the town’s culture as it started to reform, and afterwards Jesper could’ve still gone back to the post office to build Margu’s little sleigh, possibly with some encouragement from Alva. Nothing had to change, but it wouldn’t have hurt to at least show their romance forming since a few seconds can go a long way.

* During the ending chase, Klaus and Jesper are literally having a lover’s quarrel.

* Klaus acting like an embarrassed husband when he steps up all covered in red from head to toe and Jesper joking with him about it, earning another hearty laugh from Klaus with ease, and Klaus’ apparent concern when Jesper urges his father outside to talk privately.

* The entirety of the reindeer scene and as they ride off, laughing, when their eyes meet and they realize they were having fun in each other’s company- very naturally, at that.

* Klaus lamenting how their time working together was coming to an end and with it their main reason for being with each other, as underplayed as the both of them make it seem.

* Jesper makes Klaus laugh; them sharing laughs together where I don’t recall seeing Jesper having the same thing with Alva, nor do I remember seeing her making him laugh.

* Klaus picking up and just holding Jesper will never not be cute to me.

So, in short, I hate heteronormative romances- especially when they come out of nowhere and have to be NARRATED at the END of the movie with little to no prior build up or implications that, yes, this is how you should’ve been expecting things to end up (yes I’m still upset about the ending). I saw it coming the second I saw the official trailer and after witnessing all the bonding between Klaus and Jesper I can’t help but feel cheated- dragged along for the ride like I was watching the Titanic sinking as someone was describing an entirely different outcome at the same time. They built Klaus and Jesper’s relationship- romantic, platonic, what-have-you- and then ripped it away to shove something completely unwarranted into my face instead.

If they’re going to have the guy get together with the girl, if they have interactions that show the feeling is mutual and more than friendship, trust and respect (which every good romance should have by default), if they WANT to be together and feel attracted and desire to be together, then I’m all for it- that’s what I expect love to be. But I still feel betrayed and sad and angry at the ending, especially since I feel like Alva and Jesper got together for the simple reason of deterring people like me from thinking Jesper and Klaus would or should end up together, even to the point of killing him off. I can’t prove it, and I’m sure that’s not why he died, but I’m going to say something that I know sounds mean but I don’t mean it spitefully:

I don’t care.

I don’t care if Klaus’ death and the ending it was attached to was poetic or happy-sad, bittersweet or what-have-you. I can’t help but not care because I literally haven’t seen anything break the relationship mold in a movie since I was shown my first movie or read my first romantic novel.

In any case, this movie came so, so close to being the most cathartic thing I’ve ever seen and it makes me so, so sad to have it fall prey to a completely standard method of storytelling endings when it presented such a vibrant and unique setting with the done-to-death theme of Christmas. You don’t even know how sad it makes me where, in this world of cowards afraid to make art for fear of losing money (which, I understand, everybody needs) or properly represent underrepresented groups of individuals or have a man and woman become friends and REMAIN purely friends- maybe even being the wingman/woman for their own relationship- I, against my fears, genuinely thought this film, this beautiful, inspiring masterpiece of animation, would be able to give me the shameless, unabashed and genuine non-heteronormative love I have still yet to see in a movie that doesn’t end in tragedy or act to disgrace anyone from that spectrum.

Klaus and Jesper saw parts of each other- ugly, angry, funny and secret- that nobody else saw, did things for each other that for the life of me I couldn’t find being done for the romance we were “supposed” to root for or even see coming (but, come on, “of course” they got together- what were you expecting, you wishful idiot?). For a movie with the underlying theme of how love was always better than letting spite fester into hate, it sure didn’t give me much to believe in terms of Jesper and Alva hooking up in the end. They could’ve had a friendly sort of love, but we can’t always get what we want. On that note, Pumpkin and Olaf (if that’s what his name is- I forget) getting married in the ending could’ve posed to the two clans “you hate each other, but don’t you love me?”, putting the leaders of both clans in the position of questioning their history and tradition of generations past so they didn’t lose the bonds they have in the present and that new traditions could be worth the effort for the sake of a better future. It’d be nice to see.

Anyway, no matter how it ended, you can’t tell me that Klaus and Jesper weren’t pining for each other more and more throughout the film. You can’t. Because I saw it, and no amount of ham-fisted “oh by the way” narration had to tell me it was happening or was planned “all along”.

Peace out and Merry Christmas to you all, gosh dang it.

- Flovey~Dovey

#Klaus #text post #Jesper #Alva #Klausper #TALL AND SMAAAAALL #part 2

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