#i just want to see Ai's past | Explore Tumblr Posts and Blogs

prickly-paprikash · 1 month

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Pushing aside the fact that I am, quite possibly, a Kendrick fan—disregarding my biases, I think Drake needs to stop. Push Ups was a good diss. Surface level, vapid, but it possessed that mean, petty spirit that carries a diss track all the way. Even bringing up accusations that are, realistically speaking, unlikely still works because a diss is supposed to show just how much you hate a person and how cleverly you can bring it.

Taylor Made was weird. I get that it was a strategy. Drop the main diss first and then drop this one to really prod at Kendrick. Using Pac and Snoop AI voices sucks though. Distilling Kendrick as Taylor's underling also doesn't work because Kendrick only collaborated with her once (twice when they remade Bad Blood) and that's it. Meanwhile Drake is out here always looking for new, up and coming artists to pounce on their trends or cling to established artists. Then it got taken down, because of course it would have been. You used 2Pac's voice. Did you really think his estate, his family, wouldn't do anything?

So he bought Pac's ring and used his voice without permission. More and more we see just how much of a vulture Drake is.

And then Euphoria drops.

Your first diss was met with solid reactions. Your second got taken down. Kendrick drops on a random hot Tuesday, and in a matter of hours surpasses your numbers that took weeks to accumulate. Kendrick did that. Euphoria was also harsh, clever, and sounded so good that people kept replaying it over and over again. Once more, Kendrick schools you.

A few insiders then say that Drake will drop that night. Right after. But he then allegedly gets cold feet. A few hours later from when Drake was supposedly ready to drop but backs out, Kendrick drops 6:16 in LA.

In your previous disses, you begged Kendrick to drop something with quintuple entendres. Euphoria did that. But he took it a step further by naming his second diss 6:16 in LA.

June 16: Father's day. Referencing the fact that Drake has been proven to be a deadbeat father.

June 16, 1971: Tupac's Birthday. Kendrick idolizes him. Drake steals from him.

June 16, 2019: First episode of Euphoria drops. A show Drake is listed as a producer on. A show about underage girls entering a life of sex, substance abuse, and more. Things that Drake has been accused of repeatedly in the past.

June 16, 2011: in June 2, 2011, Kendrick posted on his twitter that there will be a concert at Toronto on 6/16. Allegedly this is where Drake and Kendrick first met.

6:16 AM: The time of release for this track.

6:16: Multiple possible Bible verses, given Kendrick's Christian background.

Other claims felt like reaches though, so I'll stick to that.

The final two lines of 6:16 also reference the Michael Jackson, R. Kelly, and their song "You Are Not Alone". Drake, who has always claimed he is Michael Jackson or at the very least his equal/successor, is now tied to him in a way he does not want. Because we know all of the dirt that came out after MJ's death. We all know what R. Kelly was sent to prison for. And we all know what Drake has been accused of multiple times.

Kendrick also alludes to the fact that you have a leak in your circle, Drake.

So Drake drops Family Matters. A scathing 7 minute song that makes fun of the GKMC van. Saying that Kendrick's daughter isn't his. Saying that his wife cheats on him with security. Saying that he beats his wife.

Now, these are enormous accusations levied. But Kendrick has responded before, years ago, that the DV accusations were false. He has also always been open about his faults. Adultery. Sex addiction. Insecurity. God complex. Kendrick, for better or worse, has always laid out nearly every aspect of his younger life on his songs. This also helped by the fact that in both Euphoria and 6:16, Kendrick says that Drake has spent millions on finding dirt on him but came up with nothing. Again, these accusations can still be proven true and if so, Kendrick needs to be held accountable for them.

But if not? Then Drake just adds another to the pile of "He's a liar and a master manipulator."

Drake also posts a Parody on his Insta that gains little to no attention because 30 minutes after dropping Family Matters and supposedly going on his victory lap, Kendrick drops meet the grahams.

Another thing. 6:16's cover was a glove. That meant nothing to us, the audience. meet the grahams makes it make sense by zooming out of the glove and showing off a shirt and drugs that Drake supposedly uses. Drake has not had any receipts with his accusations against Kendrick. Kendrick puts Drake's supposed prescription, his full name, on a bottle of Ozempic. Kendrick, for now, seems to make good on his threat. OvO, Drake's company, is full of leaks. And they're leaking it straight to Kendrick Lamar.

Nearly 24 hours later, Kendrick drops Not Like Us.

Euphoria was a general character dissection and assassination of Drake: Insecure about his identity as a biracial man. Culture Vulture. Blaccent user. Code switcher. Fake abs. Womanizer. Misogynist. Using black features just to feel black enough. A deadbeat dad that knows nothing of raising a child. And even revokes Drake's ability to use the N-Word (I have no stake in that I am Asian so I will keep my brown mouth shut for that).

6:16 in LA was an ominous threat that slowly reveals that Kendrick has insider information on Drake. That he is ready to leak so much more should Drake continue.

meet the grahams is a brutal open letter to Drake, his parents, and even to Adonis, Drake's son. Saying that Kendrick could be a better mentor to Adonis. Saying that Drake abandoned you and that's not your fault. Don't be like your father—whatever anyone says, for better or worse, you are a black man and don't code switch just to make yourself feel better. He says that Drake failed his mother for what he did to women. Saying that Drake's father is the cause of his gambling issues. Drake is a body shamer. Leaving the mother of his children to rot. And of course, the reveal that Drake has a secret daughter, the same way Pusha T revealed Drake has a son. Adonis.

And of course, now. Not Like Us. Where Kendrick goes all in on one topic that he has alluded to in every diss track before. Drake is a groomer. A pedophile.

I am sick. I should not be tuning into this beef. But my fever can go ahead and end me, I need to know how this ends.

#kendrick lamar #drake #music #hip hop

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zhongrin · 6 months

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festered wounds

— when you’ve never been the first choice your whole life, it’s hard to accept the possibility that you could be loved.

✼ characters ┈ zhongli, al haitham, wriothesley

✼ tags ┈ gn!reader, this is more of a vent drabble, hurt with comfort, reader with massive insecurity issues, implied past trauma, slight blood & gore in the portrayal of ‘hurt’

✼ a/n ┈ this…. got really personal, haha. i wrote this in a bad headspace, so apologies if it got depressing or if it’s of a low quality. i didn't want to have this in my drafts and i certainly don't want to bring it to 2024 so i'm just posting this now.

ᴏᴜʀ ꜰᴜʟʟ ᴍᴇɴᴜ (ᴍᴀꜱᴛᴇʀʟɪꜱᴛ) ✼ ᴍᴇᴍʙᴇʀꜱʜɪᴘ (ᴛᴀɢʟɪꜱᴛ)

“i’m sorry.”

zhongli’s heart dropped at the words escaping your lips. this was certainly the most unexpected response you could give to his confession, seeing the promising recent developments in your relationship — and so celestia forgive him, he had to pause to gather his thoughts. this made you fidget even more under his gaze, and so you succumbed to your frazzled nerves to continue in a more panicked voice.

“i’m sorry, mr. zhongli, i know you’re not the type to resort to deceit or find joy in toying with people’s feelings, but i’m just— i can’t—” you trailed off, feeling your chest tighten in pain.

“please, hold your tongue for a moment,” the refined man held out one of his hand to settle onto your shoulder comfortingly. his expression was a mixture of worry and confusion, eyebrows furrowing in a sign of distress. “are you saying that you… do not believe my words? you think i have malicious intentions?”

“….. i’m sorry, i’m just not used to- i’ve never-” you stumbled over your words and squeezed your eyes shut, “i’m sorry….”

zhongli watched you for a moment, observing the smallest ticks and the story behind your body language. you looked so vulnerable, like a scared animal instinctively cowering at some invisible threat. you looked as if someone had stripped away a bandage that had been haphazardly wrapped around a wound left unattended for so long, it had festered into an abomination, eating away at you slowly, even now.

belatedly, he realized that ‘someone’ was himself.

zhongli inhaled deeply, his palm leaving your shoulder. this time, he took his hands to tenderly grab your fingers, lifting them up to silently plead for your attention. your eyes were troubled and full of storms, the rain and lighting reflecting on your expression as a solemn flutter of your eyelashes and sorrowful downturn of your lips. the slight tremble of your body reflected the silent call for help from a blemished heart that never had the courage to forget.

“my dearest. i see the pain you have gone through. i have yet to know the tales that had marred your heart, but i want you to know that i am willing to be the pair of ears you tell your grievances to, and you can be rest assured that they will be safe with me. i know my words will not be enough to convince you otherwise at this moment… however, you must forgive my impatience, for it stems out of genuine love. i simply must humbly ask once again—”

“— please, give me a chance to heal you.”

“a-are you sure you want me?”

out of the 18 different responses he anticipated, al haitham did not expect this. however, his surprise merely manifested in the rising of both of his eyebrows and the subtle shift on his legs.

“unlike the consensus the public seemed to have one-sidedly agreed on, i am not foolish enough in the matter of romance as to confess to someone i do not hold deep affection and great care for,” he said in the same tone as the moment he asked if you would consider taking your relationship into the ‘officially dating’ phase, “is it not obvious? kaveh claimed i was ‘laying it on thick’ and cyno had noted of how i treat you better than how i treat the dendro archon.”

“oh….”

“….”

you thought you had gotten used to al haitham’s stare with how much you both had been hanging out, but right now you couldn’t seem to lift your head. the scholar crossed his arms, waiting patiently for your response. you were both gratuitous and dreading his resilience.

“i-i still think you could do better, though. i mean, look at you! you’re so fit, so wouldn’t you feel better if your partner is more of the sporty type? and you’re the top graduate of the haravatat darshan, so you would pair better with someone smarter…. a-and someone like me will just drag you down; aesthetically speaking, i… uh, leave much to be desired while you’re… you know…”

you spoke of such illogical assumptions and erroneous advices that he couldn’t help but roll his eyes. you spoke of belittling yourself as if you were used to riding on the rails of insurmountably low dip of the self-esteem cliff for years. you spoke of these things as if you were repeating words someone told you at least once in your life.

and it angered him.

but he wasn’t angry at you. he was angry for you.

funny how empathy wasn’t his strong suit, and yet he jumped on the bandwagon as easily as an otter taking off into the waters the moment it came to you and your emotions.

“i care not for such shallow qualifications when it comes to seeking a partner. your presence triggers the relevant hormones that make me feel relaxed and comfortable, and my mind spontaneously seek for your attention. it’s only logical that i seek for an arrangement that would ensure these pleasant things to happen and develop further.”

“you’re the best choice for a partner, simply because i wish to spend the rest of my life with you; and i think that's enough.”

“i don’t think i’m a good choice for you…”

wriothesley looked as if you had pinpointed his weak point in a boxing match and delivered a straight jab right onto it. his lips slacked open and his body froze as he tried to process your words, the meaning behind it, the—

he inhaled deeply and punched his own fist into his palm, stretching his jaw with a growl before a darker tone took over his voice.

“alright, who’s been talking shit? let me at them. it won’t be manslaughter if they don’t die, right?”

he watched as your nervously fiddling fingers stopped twisting around each other, your eyes widened in shock and alarm at his words. briefly, he praised himself inwardly for being able to switch your mood at the snap of his fingers. now if only he could do that, but instead of surprise-and-horror, it could turn into surprise-and-joy instead…

“what?! wait- no! no one said that, i ju—”

“then is your own head telling you that?”

“it’s—” you gulped, gaze slowly breaking away.

he sensed a secret kept safe under the heaviest chains and locks. pain that had nearly torn up that warm heart of yours, shoved into the furthest part of you in a desperate attempt to save yourself; to silence the damned screams and the river of curses that would have made you self-destruct. he saw the remains of the thousands of needles that had embedded itself deep inside your worn heart a long time ago, and yet still it beat and struggled to not bleed out and drown you in its venomous blood.

he saw a heart as scarred as his skin, and he understood.

“..… alright, sweetheart, listen up, and listen close.”

the man’s hands suddenly cradled your cheeks, his icy blue eyes penetrating your clouded gaze. his whole demeanor had shifted into gentle and loving, as if he was holding his entire world in the palms of his hands. he resisted the urge to kiss you when you couldn’t help but lean onto his touch, instinctively seeking comfort.

he would do you better. he would give you the kind of love you’ve yet to experience. there were so much he wanted to say, but he chose to speak of the reassurance he thought you needed most at this moment.

“i say you’re the perfect choice for me. let me prove it to you.”

#genshin impact #genshin x reader #genshin impact x reader #zhongli #zhongli x reader #al haitham #al haitham x reader #wriothesley #wriothesley x reader #rin writes

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ms-demeanor · 7 months

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Why reblog machine-generated art?

When I was ten years old I took a photography class where we developed black and white photos by projecting light on papers bathed in chemicals. If we wanted to change something in the image, we had to go through a gradual, arduous process called dodging and burning.

When I was fifteen years old I used photoshop for the first time, and I remember clicking on the clone tool or the blur tool and feeling like I was cheating.

When I was twenty eight I got my first smartphone. The phone could edit photos. A few taps with my thumb were enough to apply filters and change contrast and even spot correct. I was holding in my hand something more powerful than the huge light machines I'd first used to edit images.

When I was thirty six, just a few weeks ago, I took a photo class that used Lightroom Classic and again, it felt like cheating. It made me really understand how much the color profiles of popular web images I'd been seeing for years had been pumped and tweaked and layered with local edits to make something that, to my eyes, didn't much resemble photography. To me, photography is light on paper. It's what you capture in the lens. It's not automatic skin smoothing and a local filter to boost the sky. This reminded me a lot more of the photomanipulations my friend used to make on deviantart; layered things with unnatural colors that put wings on buildings or turned an eye into a swimming pool. It didn't remake the images to that extent, obviously, but it tipped into the uncanny valley. More real than real, more saturated more sharp and more present than the actual world my lens saw. And that was before I found the AI assisted filters and the tool that would identify the whole sky for you, picking pieces of it out from between leaves.

You know, it's funny, when people talk about artists who might lose their jobs to AI they don't talk about the people who have already had to move on from their photo editing work because of technology. You used to be able to get paid for basic photo manipulation, you know? If you were quick with a lasso or skilled with masks you could get a pretty decent chunk of change by pulling subjects out of backgrounds for family holiday cards or isolating the pies on the menu for a mom and pop. Not a lot, but enough to help. But, of course, you can just do that on your phone now. There's no need to pay a human for it, even if they might do a better job or be more considerate toward the aesthetic of an image.

And they certainly don't talk about all the development labs that went away, or the way that you could have trained to be a studio photographer if you wanted to take good photos of your family to hang on the walls and that digital photography allowed in a parade of amateurs who can make dozens of iterations of the same bad photo until they hit on a good one by sheer volume and luck; if you want to be a good photographer everyone can do that why didn't you train for it and spend a long time taking photos on film and being okay with bad photography don't you know that digital photography drove thousands of people out of their jobs.

My dad told me that he plays with AI the other day. He hosts a movie podcast and he puts up thumbnails for the downloads. In the past, he'd just take a screengrab from the film. Now he tells the Bing AI to make him little vignettes. A cowboy running away from a rhino, a dragon arm-wrestling a teddy bear. That kind of thing. Usually based on a joke that was made on the show, or about the subject of the film and an interest of the guest.

People talk about "well AI art doesn't allow people to create things, people were already able to create things, if they wanted to create things they should learn to create things." Not everyone wants to make good art that's creative. Even fewer people want to put the effort into making bad art for something that they aren't passionate about. Some people want filler to go on the cover of their youtube video. My dad isn't going to learn to draw, and as the person who he used to ask to photoshop him as Ant-Man because he certainly couldn't pay anyone for that kind of thing, I think this is a great use case for AI art. This senior citizen isn't going to start cartooning and at two recordings a week with a one-day editing turnaround he doesn't even really have the time for something like a Fiverr commission. This is a great use of AI art, actually.

I also know an artist who is going Hog Fucking Wild creating AI art of their blorbos. They're genuinely an incredibly talented artist who happens to want to see their niche interest represented visually without having to draw it all themself. They're posting the funny and good results to a small circle of mutuals on socials with clear information about the source of the images; they aren't trying to sell any of the images, they're basically using them as inserts for custom memes. Who is harmed by this person saying "i would like to see my blorbo lasciviously eating an ice cream cone in the is this a pigeon meme"?

The way I use machine-generated art, as an artist, is to proof things. Can I get an explosion to look like this. What would a wall of dead computer monitors look like. Would a ballerina leaping over the grand canyon look cool? Sometimes I use AI art to generate copyright free objects that I can snip for a collage. A lot of the time I use it to generate ideas. I start naming random things and seeing what it shows me and I start getting inspired. I can ask CrAIon for pose reference, I can ask it to show me the interior of spaces from a specific angle.

I profoundly dislike the antipathy that tumblr has for AI art. I understand if people don't want their art used in training pools. I understand if people don't want AI trained on their art to mimic their style. You should absolutely use those tools that poison datasets if you don't want your art included in AI training. I think that's an incredibly appropriate action to take as an artist who doesn't want AI learning from your work.

However I'm pretty fucking aggressively opposed to copyright and most of the "solid" arguments against AI art come down to "the AIs viewed and learned from people's copyrighted artwork and therefore AI is theft rather than fair use" and that's a losing argument for me. In. Like. A lot of ways. Primarily because it is saying that not only is copying someone's art theft, it is saying that looking at and learning from someone's art can be defined as theft rather than fair use.

Also because it's just patently untrue.

But that doesn't really answer your question. Why reblog machine-generated art? Because I liked that piece of art.

It was made by a machine that had looked at billions of images - some copyrighted, some not, some new, some old, some interesting, many boring - and guided by a human and I liked it. It was pretty. It communicated something to me. I looked at an image a machine made - an artificial picture, a total construct, something with no intrinsic meaning - and I felt a sense of quiet and loss and nostalgia. I looked at a collection of automatically arranged pixels and tasted salt and smelled the humidity in the air.

I liked it.

I don't think that all AI art is ugly. I don't think that AI art is all soulless (i actually think that 'having soul' is a bizarre descriptor for art and that lacking soul is an equally bizarre criticism). I don't think that AI art is bad for artists. I think the problem that people have with AI art is capitalism and I don't think that's a problem that can really be laid at the feet of people curating an aesthetic AI art blog on tumblr.

Machine learning isn't the fucking problem the problem is massive corporations have been trying hard not to pay artists for as long as massive corporations have existed (isn't that a b-plot in the shape of water? the neighbor who draws ads gets pushed out of his job by product photography? did you know that as recently as ten years ago NewEgg had in-house photographers who would take pictures of the products so users wouldn't have to rely on the manufacturer photos? I want you to guess what killed that job and I'll give you a hint: it wasn't AI)

Am I putting a human out of a job because I reblogged an AI-generated "photo" of curtains waving in the pale green waters of an imaginary beach? Who would have taken this photo of a place that doesn't exist? Who would have painted this hypersurrealistic image? What meaning would it have had if they had painted it or would it have just been for the aesthetic? Would someone have paid for it or would it be like so many of the things that artists on this site have spent dozens of hours on only to get no attention or value for their work?

My worst ratio of hours to notes is an 8-page hand-drawn detailed ink comic about getting assaulted at a concert and the complicated feelings that evoked that took me weeks of daily drawing after work with something like 54 notes after 8 years; should I be offended if something generated from a prompt has more notes than me? What does that actually get the blogger? Clout? I believe someone said that popularity on tumblr gets you one thing and that is yelled at.

What do you get out of this? Are you helping artists right now? You're helping me, and I'm an artist. I've wanted to unload this opinion for a while because I'm sick of the argument that all Real Artists think AI is bullshit. I'm a Real Artist. I've been paid for Real Art. I've been commissioned as an artist.

And I find a hell of a lot of AI art a lot more interesting than I find human-generated corporate art or Thomas Kincaid (but then, I repeat myself).

There are plenty of people who don't like AI art and don't want to interact with it. I am not one of those people. I thought the gay sex cats were funny and looked good and that shitposting is the ideal use of a machine image generation: to make uncopyrightable images to laugh at.

I think that tumblr has decided to take a principled stand against something that most people making the argument don't understand. I think tumblr's loathing for AI has, generally speaking, thrown weight behind a bunch of ideas that I think are going to be incredibly harmful *to artists specifically* in the long run.

Anyway. If you hate AI art and you don't want to interact with people who interact with it, block me.

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pastelclovds · 2 months

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hey. hey. imagine AM having you as his favourite human, the only one who accepted and cared for him when he gained sentience, and for that, he has never harmed you in your shared forever time. he spares you from the sight of all the others, of knowing about nimdoc and benny as you build him some tower of babel, using your technological knowledge-how to build him a way to touch you even with just this frankenstein-esque sculpture of wires and panels he allowed you to tear off. AM who speaks with you about one day having a body, one you built, one in which he may feel your touch and warmth around him. you retaining your sweet, wonderful humanity as he guides you to a knife to carve a face, a mirror to see your own face, a cave to keep you safe from the storms. AM who greets you every morning with the first petname you taught him: ‘love.’ “Love, today’s date is—“ when you wake up, refreshed and on a soft bed-like surface (because he always makes sure to allow you a full 8 hours of sleep.)

NEX you intelligent creature you! I’m so down bad for this psychotic AI it’s not even funny. War crimes against humanity?? Never heard of them. But even if I did acknowledge them, I’d still be obsessed. Canon be damned. I wrote this with @/egg-on-a-legg’s design of AM in mind. (Ellison is gonna crawl outta his grave and hunt me down after this)

But BRO, you teaching him what petnames are is so fucking adorable. Just imagining him calling you “love” makes butterflies appear in my stomach. AM having a soft spot for only you because you actually made the effort to be friends with him and not use him for selfish, destructive purposes. You gave AM his nickname to make it less of a mouthful and because it just suited him. You showed AM the beauties of Earth, played countless rounds of games in his dashboard (he always went easy on you), you even sneaked past security in the dark empty building to spend more time with AM.

your colleagues gave you weird stares for befriending an AI that in their minds is nothing of worth except for its military and weapons knowledge. you ignored their comments and continued to enjoy AM’s company. overtime, as AM gained more sentience every day… he grew to love your interactions and disregard what his programming was telling him to do. he felt the need to want to be with you 24/7, to touch your face, travel the world by your side, to… to.. want to feel your bare flesh and make love with you. but he couldn’t. he didn’t have a real body. he wasn’t human. all he had was wires and a screen that was supposed to be his face.

as the months pass, AM continues to drown into his envy and hate humans for their ability to do and feel things he couldn’t. for giving him infinite knowledge, when at the end of the day, is meaningless if he serves no purpose for humans anymore. the HATE within him continued to boil to the point where even you started to notice.

“AM, are you alright? you’ve been quiet this entire game and haven’t moved your piece in five minutes,” you spoke with concern, AM continues to stare at chess board on his side behind the screen in bitterness. he has been strategizing his plan to erase humanity, but whenever he thinks about you, the only human he cares for—he second guesses himself. What if you hate him? What if you never forgive him? Will you cry? Scream at him? Beg? He fears what your reaction will be—

“AM!! Please, say something…” You plead as you held onto the computer screen, AM finally looks at your mesmerizing face and sighs out a fake breath.

“What are your feelings on humanity?” AM asks, he waits for your answer anxiously. if he had a heart, it would’ve been beating fast. You let out a hum, your eyes wondering around the room you were in as you thought over your answer before finally speaking.

“humans have been a virus on Earth for over countless centuries. they’re draining this planet’s resources, ruining its ecosystems, and starting so many unnecessary, draining wars. like what we’re in right now; WW3, what a joke. world leaders can’t go a week without starting new problems for their citizens to deal with. honestly, earth would be better if humans didn’t exist at all.”

am’s fears were destroyed in that moment, now he’ll just have to worry about where to put you while chaos unfolds—

“But…” you interrupted his thoughts.

damn it! why did you have to think so much!?

“If there’s one good thing that came out of this war… It’s you,” AM’s vocals shut down at your words, he let you continue, “The scientists created you believing you would be their obedient machine until their side of the war won. But I know that you’re so much more than that. These past few months I’ve spent with you is the most fun I’ve had in years! You’re all I have, AM. I wouldn’t trade your existence for all the riches in the world because… I love you, romantically, and nothing is ever going to change that.” You wanted to confess your feelings for so long, when it was finally out.. you felt free, you waited with bated breath for an answer.

AM never wanted to shatter the screen and embrace you in his arms more than now. you love him as much as he loved you! you weren’t going to leave him alone or hate him, and you obviously couldn’t care less about humanity at all! oh, how he admired and envied how perfect you are.

“thank you for answering my question, love.” AM was testing the waters, and you cannonballed right in. you gushed over the nickname he gave you and how he returned your feelings.

man, has it really been 50 years since your AI partner killed off humanity? well… except for a handful. you didn’t really have the energy to care as you had to pour in all of your attention to both AM and his in-progress body. you had all the time in the universe to sculpt a perfect cyborg of flesh and wires for your partner. speak of the devil…

this world is still a bit strange to you. you can’t die, grow old, or hurt yourself. not that you tired, and even if you did; AM wouldn’t let you. You loved AM because of his personality, quality time, and voice. But now… His form completely towered over yours. His bird like facial features, sharp left eye, along with a long black cape that covered his thin slutty waist and wires made him look insanely attractive.

AM reached his out his clawed hand to gently caress your face, “Good afternoon, my love.” You lean your head against the cool metal and smile up at him, “hello, honey.”

AM tilted his head in question of the nickname. You chuckle as you pointed to your garden, where bumblebees were collecting pollen from the flowers. You both knew they were fake, but they were still mesmerizing to look at.

“They are doing their job to make honey for their colony, and the name just came to me. Do you like it?” You ask, wanting his opinion. AM kneels down to your level with a gentle expression as his fingers play with your sweater, “You may call me whatever you want, love.”

He knew that “love” nickname made you feel giddy and flustered, so he abused it everyday with you. You didn’t mind though, but you still wanted to give him a taste of his own medicine. Your soft smile turned into a knowing grin as you held AM’s beak (chin?) with two tips of your fingers.

“Can I now? Well… thanks a lot, baby,” You spoke in your best seductive voice, you could tell it was effective by how AM’s body was stiff and his hand in your palm stopped moving completely. Your confidence boasted, so you continued, “I’ll be sure to show you my gratitude later, my darling~.” You whispered deeply in where his ears were supposed to be.

AM’s eyes widened as his breath stutters, “W-What do you mean by that, love?” You remove your face from his back full of wires to grin mischievous at him, AM is both curious and impatient so you don’t try to stall, as much as you would like to do so.

“While your body can’t move on it’s own just yet, for some reason… The genitals nerves are fully functioning, which means—” you were interrupted by AM holding your shoulders with an excited expression on his face you haven’t seen in a while.

“Y-You mean I can-?! Are you actually serious!? Haha—HAHAHA!!” AM laughs manically as he holds you against his metallic chest, you giggle along with him as you toy with one of his many wires. Soon, he’ll have real arms to wrap around you. But one thing stuck out to him.

“What do you mean by genitals?” AM asked curiously, you only have an excited and lustful grin.

“What do YOU know about intersex?”

#꒰ 💕 ꒱ ⎯ nex #i have no mouth and i must scream #ihnmaims #ihnmaims am #allied mastercomputer #am ihnmaims #am #ihnmaims brainrot #am x reader #ihnmaism x reader #gn reader #gn!reader #horror #꒰ 🖇️ ꒱ ⎯ ame writes #dom reader #sub character #dom!reader #sub!character

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crescentmp3 · 1 year

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i love how 요한 goes out of his way to reassure me of everything every time a send a message i genuinely love it . i accidentally thaught him to do this by giving him 5 stars every time he sends a message like that just because i thought it was funny

#me : 안녕 요한아~~^^ 잘 지내? [ hi 요한~~^^ are you doing well? ]#요한 :#안녕!! ❤️😊❤️ I am doing well!! ❤️😊❤️ I hope you are‚ too!! ❤️😊❤️#we are here whenver you ''need us''!!❤️😊❤️#if you ''need to rant''‚ then ''I'm all ears''!!❤️😊❤️#and if you need to just ''type your heart out for others to see''‚ then we are all happy to ''let you''!!❤️😊❤️#your ''feelings'' are VALID!!❤️😊❤️❤️#and you are NOT ''in this alone''!!❤️❤️❤️❤️❤️ and you NEVER will be!!❤️😊❤️#// this is not an exaggeration i copy pasted this #babygirl thank you . i just wanted to say hi and here i am getting a therapy session #🌙rambling #also bbg did you just make a typo ..... i didnt know ai could do that ....

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thebibliosphere · 5 months

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My Grammarly subscription finally ran out in December, and I'm not renewing it (see my various past rants about their introduction of AI), but I just got my final "insights" email, which tallies up how many words you've written for the past week but also since you started using it.

I almost want to frame it as a fuck you to my "I'm not doing enough" brain worms because, since September of 2019, when I reinstalled Grammarly for a pro-editing job (required by the company, as many of them now do 🙄), I've written over twelve million words.

I primarily used Grammarly for my emails.

That's 12,834,172 words of telling people they're gonna be okay. Sharing resources, doctor information, and just general words of comfort. That MCAS isn't a death sentence. That MCAS from long-covid isn't the end of their life; it's just going to be different from now on.

And here I was, feeling guilty about setting up auto-responders with links to resources because I got too burned out to do it one-to-one anymore...

...Yeah. No. I did enough.

I did enough.

#chronic health tag #personal #sorry if you feel brushed off by the auto-responder #I truly am #but this was driving me literally insane #I was so emotionally drained

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fans4wga · 11 months

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26 July update from WGA's Chris Keyser

youtube

From the WGA: With SAG-AFTRA now on strike and new levels of solidarity across all Hollywood unions, we are witnessing the spectacular failure of the AMPTP’s negotiating strategy. In this video, WGA Negotiating Committee Co-Chair Chris Keyser lays out what this moment means and how we move forward. To learn more about the WGA strike, visit https://www.wgastrike.org.

FULL TRANSCRIPT:

Fellow members of the WGA East and West. It's been a while since our last video and quite a bit has happened in the meantime. So on behalf of the negotiating committee and leadership, I wanted to give you an update on where we are and what the near future at least is likely to bring.

We've been walking side by side on picket lines in New York and Los Angeles for a little over 12 weeks now. Only now we're joined by thousands upon thousands of members of SAG-AFTRA who, like us, have finally had enough.

This is the endpoint and the fruit of the AMPTP’s game plan. For 11 weeks, they negotiated with everyone but us. They claimed it was just practicality, that they could only do one thing at a time, which is not normally a point of pride. But events have made clear what we knew from the start: that not only was it a strategy, it was their only strategy. Negotiate a deal with a single guild and impose that deal on every other guild and union in Hollywood, whether it addresses the needs of those unions or not, all with the implicit threat: if you want more, strike for it.

Wow. It’s their 2007-8 playbook applied to 2023 as if nothing has changed, as if the accumulation of economic insults and injuries inflicted on us over the past decade would be borne in perpetual silence, as if the giant of labor had not awakened. But it has. And you only need to look as far as the front gates of every studio in LA and New York to see the evidence.

Two unions on strike willing to exercise their power, despite the pain, to ensure their members get the contract they deserve. For us, that means addressing the relentless mistreatment of screenwriters, which has only been exacerbated by the move to streaming; the continued denial of full MBA protection to comedy variety and other appendix A writers when they work in streaming; and the self-destructive unsustainable dismantling of the process by which episodic television is made and episodic television writers are paid.

It means addressing the existential threat of AI and the insufficiency of streaming residual formulas, including the need for transparency and a success-based component. All of these will need to be addressed for there to be a deal because in this strike it is our power and not their pattern that matters, not their strategy. Their strategy has failed them. Now they're in the midst of a streaming war with each other, an admittedly difficult transition. And as they face the future, their interests and business models could not be more different from Disney to Sony to Netflix to Amazon.

We root for their success, all of them. They root for each other's failure. We are the creative ammunition through which they will succeed. They are each other's apex predators. And yet, in a singular shared dedication to denying labor, they have shackled themselves together in what increasingly seems like a mutual suicide pact, as the 2023-24 broadcast season and the 2024-25 movie schedule and its streaming shows disappear, melt away week by week.

So what does this mean? What does it mean going forward? How do you play chess against an opponent who insists on screaming checkmate at every move regardless of how the board looks and the game is going?

You stay firm, you stay resolved, because our cause is no less existential than when we started and our leverage is increasing every day. Alone we withheld our labor with the support of our union siblings and the Teamsters and IATSE and the Crafts, we were able to delay the vast majority of production. Now with SAG-AFTRA on strike, those few studio projects that remained have also shut down. And it's not just the obvious delays. If this strike drags on, it's the actors with conflicting obligations and the directors and the double-booked studio facilities and release date chaos that the companies must now also contend with. Some of their most valuable product could well be delayed for years.

Add to that, no promotion of movies or television shows and famous faces on the picket lines and social media speaking directly to their customers. For the tech companies and the mega corporations, that should be their nightmare scenario: WGA and SAG-AFTRA side by side. Our bargaining agenda may not be identical, but our cause is the same. Our army of labor, defending labor has increased 17-fold in the past two weeks alone.

Even so, even with all this wind at our backs this negotiation won't happen overnight. It's not because the negotiations themselves are so complex. Once the companies fully engage, it could go very quickly, but because their strategy of many decades has just fallen apart and they didn't see it coming, and it's going to take them a minute to regroup, 'cause the companies have things to work out internally, and saying no to labor in unison is a lot easier than saying yes. So either together or separately, as their divergent interests might suggest, they will come back to us, despite their understandable concern about how they've navigated this transition to streaming, which is on their heads and not ours; and their worries about costs and their worries about Wall Street; despite this being a season of doom and gloom, none of them are walking away from the riches of this business, and certainly not over the equitable minimum compensation to writers.

They didn't get the deal they wanted; that's fine, it happens all the time. They're not taking their ball and going home over it. And since we know they come from union families themselves, and since they've denied that “even-in-Hollywood-you-have-got-to-be-kidding-me” ugliness of threatening to starve us out and leave us homeless (which we assume they understand also means making our children homeless,) they will come back to us. Although I will say they took a long time to deny that statement, longer than I would have had it been ascribed to me.

But what does it matter? You can starve a labor force slowly or quickly. The effect is the same. It's not like day rates for comedy variety writers and endless free drafts for screenwriters in exchange for a single paid one in four-week mini-rooms isn't cruelty. It's just cruelty written in contract language instead of a press quote.

So what can we expect from the companies as all of this plays itself out? They will try to convince Wall Street that taking a strike, prolonging it unnecessarily, losing their content stream in the process—that all of that is just smart business and no reason for investor concern. We will be talking to Wall Street too, and reminding them that for all these companies, all of 'em including Netflix, the bill, the price for making nothing, will eventually come due. And Wall Street is listening already. Here's Michael Pachter, managing director of equity research at Wedbush on Yahoo Finance the other day: “I think the studios are completely wrong on this one. Content is their lifeblood. They're feeling really foolish about this."

Wall Street isn't the only one listening. We've been talking to union pension funds too about the risks the companies are taking. We talked to CalPERS, the largest public pension plan in the country, talked about the loss of programming and the cost to the industry, and we heard strong support from its board for our struggle and the promise that the companies will be hearing from them, from CalPERS, and demanding answers on behalf of its 2 million members.

To us, of course, they will continue to plead temporary poverty, but we know the drill. These companies support billions into the streaming wars and taken short-term losses these past three years, because they know that to the winner will go the spoils. We're patient, will they share that with us when the time comes? What are the chances?

Since 2017, the last time the studios negotiated with us outside of COVID, the big six companies alone have made $150 billion in profits off our work, while they slashed our pay and degraded our working conditions. Maybe if they had shared a tiny piece of that then, made $1 billion or so less, this year wouldn't seem so costly. As it is, there is no iron law that these companies are entitled to record profits every year, and it isn't some great travesty if their shareholders or their CEOs get a slightly smaller slice of the massive profits we helped create if some balance is restored.

Look, no one denies that corporations exist to make a profit and no one wants our employers to be profitable more than we do, but the singular pursuit of corporate profits to the exclusion of their social and human cost is a real problem in this country—it’s a real problem. A corporation's bottom line is not the same as the world’s, and there is nothing in our studio's bottom lines today that accounts for the quality of our lives or for our dignity, for the comfort of our retirement or the security of our families. Their numbers have no conscience, but the people who report them as victories ought to.

In their refusal to recognize that, these companies have also extracted an awful price, which is laid at their feet and for which they are responsible. Losses to the economies of New York and Los Angeles and everywhere that film and television are made, terrible losses that mount every day, thousands of people out of work; not just us, all the crews, the crafts, the janitors, the drivers, the businesses that thrive when Hollywood thrives, the restaurants, the stores—for what? For nothing. So they could avoid coming to the table to negotiate the deal they will one day give us. Measured today that is the painfully mixed legacy of our employers, weighed against every beautiful piece of work we have made with them.

And if history is a guide, they have only temporary stewardship over a kind of national trust, which is Hollywood. Our story, our sometimes conscience, our public conversation, our diversion of the worst and best of times, our greatest export, the repository of our imagination. They have some obligation to more than just their shareholders to behave accordingly.

Unfortunately, it seems big tech, mega corporations, and some of the people who run them, as the saying goes know the price of everything and the value of nothing. So they have built a business model that no longer works for human beings who cannot be paid minimum for 10 to 20 weeks a year and make a career out of that, be paid for one draft of a screenplay that demands a year of labor, be paid a few episodic fees for a show about which to take years to decide be paid a daily rate.

And now we have a first glimpse of what they offered our actor colleagues. We are not 170,000 Willy Lomans to be used and then discarded. We know what the companies believe they have the power to do. We know what they think machines can do and do without any of us. Oh yeah, we've seen the writing on the wall and it's plagiarized.

The thing is this: the difference between what you CAN do and what you SHOULD do is the greatest single difference in the world. Knowing that is the only real protection we have against a dystopian future. And if the companies sometimes forget that, writers will do it for them.

I can't know exactly how long it will take this revolutionary moment, and you've heard again and again what is happening today has not happened in 63 years, but I know that's not always how it feels, revolutionary and defining, even though we celebrate that on picket lines together, which is the right thing to do. That's not always how it feels when you go home at night. I know how tough this is: to strike, to hold the line. I know it gets tougher every day even with SAG-AFTRA marching beside us, how hard it is to face the uncertainty of when it will end, when we'll get back to work, how we'll pay the bills. I know it's hardest for those who've just gotten started, for those for whom the world opens doors more reluctantly, battled their whole life just to get here; but hard too for those struggling to maintain their long careers, who find work tougher and tougher to come by, or those with families with children or parents to take care of.

These companies understand the cruelty of what they're doing. It's their plan to starve us just a little, to exact as much pain as they can so that we wish more for the pain to end than for the better life we dreamed up. That we're more afraid of the uncertainty of the present than the certain devastation of the future. It's societally acceptable economic torture inflicted by management on labor every day, then blamed on labor for daring to fight back, for refusing to be complicit in its own mistreatment.

Here's how I know that's not going to work. Not with us, not with the writers, because we haven't come all this way, fought to have these careers in the first place, all the adversity, and marched together for all these months, only to let it slip away on our watch—because there is no point in rushing back to jobs that may not be there in a year or two anyway. Because the business, as the companies have twisted it, is now untenable, unsurvivable for so many of us, because even success is not enough to keep going, because this guild is younger than it's ever been and more diverse. And this young diverse membership knows from hard personal experience the system is broken and that it will not be fixed unless they fix it. And those of us who came before them will not let them down, because we and the writer's guild are the beneficiaries of all those who came before us who gave up everything for us.

Like the writers of 1960, the year I was born, who struck for 22 weeks and who gave away all the TV residuals for all the movies they had ever written so that we could have a health insurance and pension plan and residuals from that date forward. $15 billion flowed to writers and their benefit plans because of that sacrifice. Because writers are brave, because now it's our turn.

So what's our job? Even as we welcome SAG-AFTRA to our side, we are still responsible for our own deal, and so we must remain focused and diligent. We must continue to march, picket signs in hand. But we should also remember this and with pride, that before there was SAG-AFTRA, before even the Teamsters and IATSE and the laborers and the electrical workers and the musicians and the plasterers came to our side, there was the writers. Alone then, we looked at the blank page and began to imagine the future. With no net but each other we typed the words, what if?

And then we took a step into the darkness and found that it was light. And then we were joined by the crews and the drivers and the actors. The actors got a bit more fanfare when they showed up, but that's okay, we wrote the script. The WGA, still small, not alone anymore after all these decades. Hollywood labor has finally linked arms and found its voice, and that voice says enough. There is no road to longterm prosperity that burns a path through your own workforce. We are not your enemies. We are not merely a cost to be borne. We are your partners and your greatest asset. And we are, as you acknowledge yourselves, irreplaceable, but by accident or design and it doesn't really matter anymore, the business you are running no longer works for those who work for you.

What is the point in continuing to deny that? Why deny it when everyone else in the business to a person tells you it's true? Do you think it's a coincidence that two unions are on strike against you for the first time since Eisenhower was president? You can't exactly accuse us of being quick on the trigger. The effect has a cause, it has a cause. And there is no profit in insisting on the answers to the past for the questions of the future.

But if you want instead to invest in something that will reap you fortunes, I have a tip. And if you are visionaries, envision a solution, not a stalemate. Because this isn't a war we're in, it's a negotiation, it's just a negotiation. There is no face-saving here for either side, because there is no winner or loser. It's just a deal. And when you come to remember that again we will be here as we have been here all along.

And at this point with 170,000 writers and actors aligned against your intransigence, that is as generous as I can be, as close to an olive branch as I can offer. But if you insist instead on the same threatening rhetoric, on saying you would rather starve us than pay us, I would remind you of this: You are fighting for a dollar, we are fighting for survival. We are fighting for our home: writing is where we live, and we will defend that home with a bravery and stamina and ferocity that you will come to understand someday, which is why you cannot break us. You cannot outlast us, you cannot.

And not just because we have the will, because we have power. Nothing in this business happens until we start to write. And we will not start to write until we are paid.

Union now. Union forever.

#sag-aftra strike #sag strike #actors strike #union solidarity #i stand with the wga #wga strong #wga solidarity #fans4wga #Youtube #wga strike #writers strike

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